"Overlooking Lower Bay from Dongan Hills Staten Island" Date: 1907. Large piece

View Similar Items

Simon Kozhin - Last snow in Kolomenskoye. March

Simon Kozhin - January

Simon Kozhin - Golden maples in Tsaritsino

Simon Kozhin - Sunset. The fog is spreading. Bolshoye Sytkovo

Simon Kozhin - January

Simon Kozhin - To rain

Jean Dominique van Caulaert - Broadway

Oscar Daniel Soellner - Lake Street

Pierre Gabriel Bernard de TRUCHIS de VARENNES - Villefranche-sur-Mer, the citadel

Charles Caryl Coleman - Peasant woman at work in the fields of Capri

Edward Cucuel - At the Yacht Club

Alfred de Breanski Jnr. - The Trossachs, Scotland

Want more images or videos?

Request additional images or videos from the seller

1 of 6

Julian Onderdonk
"Overlooking Lower Bay from Dongan Hills Staten Island" Date: 1907. Large piece
Dated 1907

Name: "Overlooking Lower Bay from Dongan Hills Staten Island" Date: 1907. Large piece
Brand: Julian Onderdonk
Rating: 5 (8 reviews)

$137,000List Price

About the Item

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 33 x 47.5 Frame Size: 39 x 53 Medium: Oil Dated 1907 "Overlooking Lower Bay-from Dongan Hills-Staten Island" Most likely the largest Onderdonk to come to market. Pictured in two Publications. Julian Onderdonk (1882 - 1922) Known as the "Bluebonnet Painter", Robert Julian Onderdonk was a Texan who spent his summers in New York City and the remainder of the year in San Antonio. He earned his title from the many wildflower paintings he did of the flowering fields near his hometown. He was the son and art student of artist Robert Jenkins Onderdonk and the brother of Eleanor Onderdonk, also a prominent Texas painter, sculptor, and art administrator. In 1901, when he was nineteen, he went to New York and enrolled at the Art Students League and became a student of Kenyon Cox, Robert Henri, and Frank DuMond. He also studied with William Merritt Chase at Chase's summer school at Shinnecock on Long Island and the New York School of Art, and Chase had a continuing influence on his work. Ever in need of money to support his love of painting, Onderdonk took a temporary position in 1906 with the Dallas State Fair Association to put on an art exhibit, and three years later he took a job with them that lasted until until his premature death in 1922 at age forty. Onderdonk married in 1902, and when he returned to Texas in 1909, the New York art critics had become aware of him. Onderdonk would maintain a foothold in the art world there because his employment by the Dallas State Fair Association required him to return on a yearly basis to New York City. Even though the artist had never been a member, the National Academy of Design in New York City took the rather extraordinary step, upon his death, of exhibiting Onderdonk's last painting, "Dawn in the Hills". A fund-raising campaign in San Antonio purchased the painting for the city's art museum. Robert Julian Onderdonk was a member of the Allied Artists of America, Salmagundi Club and San Antonio Art League. His paintings are in the Dallas Museum of Fine Arts, Fort Worth Art Association, Museum of Fine Arts of Houston, San Antonio Museum Association and Stark Museum of Art, Orange, Texas "A Texas Painter Worked Under the Radar in New York," By Eve M. Kahn, March 6, 2014, The New York Times Onderdonk, a San Antonio native who died of an intestinal ailment in 1922, at 40, is best known for painting swaths of Texas bluebonnets. Those canvases can bring more than $500,000 each, while his New York scenes usually end up in the five-figure range. Onderdonk’s parents were painters in San Antonio, and in 1901, when he was a teenager, they sent him to New York for training. Through 1909, he lived in various Manhattan apartments and Staten Island houses. He then returned to Texas, but continued to spend months at a time in New York. In 1902 he had married a Manhattan teenage neighbor, Gertrude Shipman. While she focused on raising their daughter, Adrienne, and worrying about their strained finances, “he created more than 600 works of art, often producing a painting or two a day,” Eyewitnesses recorded his prolific pace in New York, but Onderdonk works bearing those dates rarely turn up. The puzzling gap in his productivity is explained in family correspondence that the Bakers uncovered: The artist admits that he was signing pieces with pseudonyms. He mostly used Chas. Turner and Chase Turner and occasionally resorted to Elbert H. Turner and Roberto Vasquez. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New York City, and was glad to accept $14 for the lot. In 1909, Julian Onderdonk returned to the family studio in San Antonio. He painted "the bigness of Texas, dusty roads, the blooming cactus or hillsides of blue lupine, rolling gulf clouds, aged liveoaks, and the gray brush in winter. His style changed somewhat in his later years." Onderdonk was heavy-set with dark eyes and hair, quiet and serious, "a strong personality." When he died at 40, "five of his pictures were on the way to New York. He also had orders ahead for $20,000 of work." He was known as the painter of the bluebonnet flowers of Texas.

Creator:
Julian Onderdonk (1882-1922, American)
Creation Year:
Dated 1907
Dimensions:
Height: 33 in (83.82 cm)Width: 48 in (121.92 cm)Depth: 4 in (10.16 cm)
Medium:
Oil
Movement & Style:
Impressionist
Period:
1900-1909
Framing:
Frame Included
Framing Options Available
Condition:
Spectacular larger scene by Julian Onderdonk. Please check our 1stdibs storefront for additional goodies.
Gallery Location:
San Antonio, TX
Reference Number:
1stDibs: LU769313903682

More From This Seller

View All

"RIVER BEND" OIL ON CANVAS APPLIED BY PALETTE KNIFE

By Jose Vives-Atsara

Located in San Antonio, TX

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 16 x 20 Frame Size: 25 x 28.75 Medium: Oil on Canvas Applied by Palette Knife "River Bend" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

Category

20th Century Impressionist Landscape Paintings

Materials

Oil

Jose Vives-Atsara
"RIVER BEND" OIL ON CANVAS APPLIED BY PALETTE KNIFE

$10,200

$4,500

"CRASHING WAVES" GALVESTON SEASCAPE

By Paul Schumann

Located in San Antonio, TX

Paul Schumann 1876-1946 Galveston Artist Size: 9 x 12 Frame: 13.75 x 16.75 Medium: Oil "Crashing Waves" Paul R. Schumann was born in Reichersdorf in the German state of Saxony in 1876, one of four children of Albert F. Schumann and Mina Clara Zincke. Only he and his brother Albert Otto survived infancy. The family emigrated to the United States in 1879 and settled in Galveston, Texas, where he lived until his death. Schumann evinced an early interest in art and received encouragement from the superintendent of the Galveston Public Schools. He studied painting with local painter Julius Stockfleth...

Category

20th Century Impressionist Landscape Paintings

Materials

Oil

Paul Schumann
"CRASHING WAVES" GALVESTON SEASCAPE, 20th century

$10,410

"HOUSES ON THE HILLS" CATALONIA SPAIN. DATED 1981

By Jose Vives-Atsara

Located in San Antonio, TX

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 24 x 30 Frame Size: 34 x 39 Medium: Oil Applied by Palette Knife Dated 1981 "Houses on the Hills" , Catalonia, Spain Biog...

Category

1980s Impressionist Landscape Paintings

Materials

Oil

A tempest was coming on. In front, a huge, purplish storm-cloud slowly rose from behind the forest; long grey rain-clouds flew over my head and to meet me; the willows stirred and wh...

Category