Board Landscape Paintings

Vintage post impressionist landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, read...

Spring landscape with house and trees A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by y...

A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by yacht around Scandinavia and Western Eu...

This classic Post cover combines the vastness of the American West landscape with the intimacy of iconic Americana: two kids swimming in a rura...

unframed size: 35 x 30 cm framed size: 40 x 35 cm Artist Statement: “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During t...

A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by yacht around Scandinavia and Western Eu...

Lift is a figurative artwork featuring a female swimmer through the water. It is a Pastel on archival board. It is the first time in 30 years Bennett has created artwork with pastels. The Artwork is 16" x 20.5". It is framed to 20" x 24.5" with a white frame. Carol Bennett spends all of her time surrounded by water, and a great deal within it. Her work is a meditative journey through both the water and through life. She is intrigued by how life continues to flow and change, being both in the moment and timeless. The viewer will experience being in a state “flow” – where the currents of the ocean suspend life and self, and the unexpected floats to the surface. Carol's work has been featured in many solo and group exhibits throughout California, New York, Martha's Vineyard and Hawaii including a 2007 solo show at the First Hawaiian Center at the Contemporary Museum of Art (Honolulu) and a 2018 group show "Making Waves" exhibit at the Honolulu Museum of Art. Her work was seen alongside April Gornik, Agnes Martin, Kiki Smith, and Pat Steir. In 2019, she was also featured in exhibits at the Maui Arts & Cultural Center, the Hawaii State Art Museum and a solo exhibit at the Honolulu Museum of Art. She also just completed a 40 piece glass panel commission at the Daniel K. Inouye International Airport in Honolulu. She has been featured in Hamptons Cottages & Gardens, Ocean Home...

Daugava river. 1950, oil on cardboard, 46x37 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine an...

Eugene Remy Maes was born in Belgium as Theo van Sluys in 1849 in the village of Puurs near Bornem. He trained at the Brussels Academy of Fine Art. The artist produced work under t...

This luminous painting by Oscar Lycke captures a tranquil sunset scene deep within a Nordic forest. The warm, golden light of the setting sun filters through the dense spruce trees, ...

Village road. 2003, oil on canvas and cardboard, 50x70 cm Bright, colorful landscape in pink colors Valdis Bush (1924-2014) studied at the Art academy of...

The beloved couple Alice and Martin Provensen were an American couple who illustrated more than 40 children's books. Martin Provensen creat...

Dandelions are blooming. 1981. Oil on cardboard, 40x50 cm Realistic sunny landscape with dandelions and lilacs Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional educat...

Rural life. 1970s, cardboard, oil, 23.5x36.5 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine an...

WHITE VILLAGE Size: 25 x 50 cm (including frame) Oil on board A charming and expressive mid-century modernist townscape, executed in oil onto board. The composition presents a nigh...

ERIC BROWN 1894 - 1955 Salisbury Lanes Oil on board, signed lower left Image size: 7 x 10 inches Contemporary frame Eric Pitt Brown was born in 1894 in Sal...

Dianne L. Massey Dunbar's (US based) "Cityscape in Yellow" is an oil painting that depicts a busy city street lined with cars and buildings, all cast in a warm yellow light. About...

Oil and tempera on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a coeval wooden frame realized by the Artist cm. 48.5x58.5.

In this vivid oil painting, I've captured the wild essence of poppies swaying with a liveliness that echoes the pulse of nature itself. Employing strokes influenced by impressionism ...

A classic mid-century California mountain scene of Payne Lake near Mammoth Mountain in the Sierra Nevadas, by Clare Shipton Mayhew (Mrs. J.O. Harvey)....

As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (11 November 1862-1941), mat weaver, and his wife Hannah (6 July 1860-1939), who married at Sudbury in 1883 and in 1939 were living at 5 Acton Square, Sudbury. Known as Paul Earee, an artist who was a professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory...

Romano Mussolini (Forlì 1927 - Rome 2006) - Landscape with waterfall. 20 x 30 cm. Oil on hardboard, without frame. - Work signed lower left: "Romano Mussolini". - Authentic Studi...

American Impressionist sketch of an American Yacht moored in a harbor ,CT or MA Charles Bertie Hall painted scenes all over England, Europe, and America in a traditional Impressioni...

This early work by American artist Sylvia Spicuzza is an excellent example of Regionalism: in the foreground, a farmer in blue stands before a herd of cattle. Beyond the fence of the...

Sparse Forest Scene by William McGregor Paxton is a testament to the artist's mastery of light, atmosphere, and nuanced detail. Known for his contributions to American Impressionism,...

A quiet country lane in England with Foxgloves in the Hedgerow by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 20 x 16 inches Frame measures 25 x 21 inches Vi...

Mystery American Artist Untitled, c. 20th Century Oil on board 11 x 14 in. Framed: 13 2/3 x 16 2/3 x 1 1/4 in.

Village square. Gouache dated 1954, signature to be identified. On cardboard. Small foxing spots. 35 x 50 cm.

Image dimensions: 33cm x 40cm / 13 inches x 15¾ inches Framed dimensions: 50cm x 56cm / 19.7 inches x 22 inches This beautiful original oil painting by Alexandre Jacob depicts a the...

Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American Joseph Edward Knowles (1907-1980) "Study for Industry Mural, Veterans Memorial Building, Santa Barbara, CA" 19 1/2 x 50 1/2 inches Oil on board, c. 1930s. Estate stamp verso Framed: 27 x 60 inches The completed mural is currently hanging on the wall, part of the building actually, at the Veterans Memorial Building in Santa Barbara. A photo of the work insitu is included in the attached photos. BIO Joseph Edward Knowles was born in Kendall, Montana, on June 15, 1907. He grew up in San Diego, California. At age twenty, two years before the beginning of the Great Depression, he moved north to another town on the coast of California---Santa Barbara. There he began studying fine art at the Santa Barbara School of the Arts* (1927-1930), under the supervision of Frank Morley Fletcher, previously director of the Edinburgh College of Art. Fletcher, who was trained in portraiture, landscape painting, and woodblock* printing, was a great influence on young Knowles. It was there that Knowles learned the art of color woodblock printmaking, a medium in which he showed great skill. Not long after completing his studies with Fletcher, Knowles began teaching art. For a period of thirty years, from 1930 to1960, he taught at the Cate School in Carpinteria, California. In 1934-1935, Knowles traveled throughout Europe, further developing his artistic skills in England, France, and Italy. Upon his return, he continued to teach art at various schools and institutions: Cate School, Crane Country School, extension classes at the University of California at Santa Barbara (UCSB), and at the Santa Barbara Museum of Art (SBMA). Knowles also served as an art education consultant for the County of Santa Barbara. In addition, he was founding co-director and president of the Santa Barbara Fine Arts Institute (1969-1972), which later developed a specialization in photography and became the Brooks Institute of Photography. Knowles died at his home in Santa Barbara on September 8, 1980. Much of Knowles' watercolor work is associated with what has been termed the "California School*," a loose grouping of artists throughout the state that included such figures as Millard Sheets, Phil Dike, Dong Kingman, George Post, and the Santa Barbara painters Dan Lutz and Standish Backus, Jr. The California School artists, including Knowles, were known for their fresh, direct, spontaneous style of watercolor painting. Knowles and other members of the school found inspiration in nature and the built environment alike, emphasizing elements of design in their exuberant, boldly stated, colorful scenes from everyday life. While painting in a representational* manner, Knowles generally avoided photographic realism, preferring subjective interpretation of his subjects. In this, as well as in his experimental approach and vigorous brushwork, he displayed a strongly modern sensibility. Knowles often used the wet-on-wet watercolor technique as he painted seascapes and landscapes, mostly along the California coast. He also employed dry-brush* techniques in many of his paintings, often leaving some of the white of the watercolor paper exposed. Some of the latter depict trees and other forms in a broken and airy manner that recalls Cezanne. Knowles' colored woodblock prints are more reserved and exact in their draftsmanship than his paintings. Spare, clean, lyrical lines are drawn to illustrate floral motifs and boat scenes with a touch of asymmetry conjuring Japanese woodblock prints. His murals from the post-World War II period are considerably more modern in their approach and show an emphasis on design and color. PROFESSIONAL ORGANIZATIONS California Watercolor Society (1940 - 1955) Santa Barbara Art Association (Vice President - 1952) ONE-MAN EXHIBITIONS Golden Gate International Exposition (GGIE) - San Francisco, California San Diego Fine Arts Gallery (SDMA) - San Diego, California Santa Barbara Museum of Art (SBMA) - Santa Barbara, California Cowie Galleries - Los Angeles, California Gallery de Silva - Santa Barbara, California Bradley Galleries - Santa Barbara, California MURALS Westmont College - Ellen Porter Hall Mural - Santa Barbara, California Safeway Grocery (now Vons Grocery on West Victoria Street) - Exterior Tile Mosaic - Santa Barbara, California Santa Barbara Bank & Trust - Interior Mosaic Panels, Santa Barbara, California Santa Barbara Girls Club - Interior Mosaic Mural - Santa Barbara, California Ernest Righetti High School - Mosaic Mural - Santa Maria, California Shell Oil Company - Mosaic Panel - California Beckman Instruments, Corporate Headquarters - Mosaic - Fullerton, California STAINED GLASS WINDOWS, WALLS and PANELS Katherine Thayer Cate Memorial Chapel - Cate School, Carpinteria, California William S. Porter Memorial Chapel - Cottage Hospital, Santa Barbara, California La Rinconada Building - Santa Barbara, California ILLUSTRATIONS "California's Wonderful Corner: True Stories for Children from the History of the Santa Barbara Region," by Walter A. Tompkins (1962 & 1975) China Designs: Two sets of dinnerware for Winfield China...

Golden Sky Sunset in England - Abstract Landscape by Contemporary British Artist, Angela Wakefield. Art measures 12 x 10 inches Frame measure 18 x 16 inches Angela Wakefield has tw...

Miniature Abstract Landscape Art Study by Contemporary Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 13 x 11 inches Title: Artist: Angela Wakefield Medium: Acr...

unframed size: 35 x 30 cm framed size: 40 x 35 cm Artist Statement: “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During t...

Early 20th-Century Antique English Autumn/fall river landscape. Sidney Pike was a prolific landscape and genre artist exhibiting between 1880-1907, London based originally he seems ...

Abstract Expressionism by Contemporary British Artist, Angela Wakefield. Art measures 12 x 10 inches Frame measure 18 x 16 inches Angela Wakefield has twice been on the front cov...

Oil on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 67x76. Sirio Pellegrini, born in Rome on March 1, 1922, of...

unframed size: 35 x 30 cm framed size: 40 x 35 cm Artist Statement: “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During t...

"By The Sea" is an impressionist painting, oil on cardboard by Maestro Zlata Shyshman. The painting is unframed. “The impressions of Maestro Shyshman's pa...

The Philadelphia modernist Arthur B. Carles was a brilliant colorist and an extraordinarily innovative painter. Though Carles trained initially at the Pennsylvania Academy of the Fin...

Man with Dogs, 2023 acrylic on cardboard 119 H x 79 W cm The series of painted cardboards by Alexandru Rădvan is about our moments of 'respiro' about the minutes/seconds when we not...

House with Tree, oil on board painting by Daisy Cook Additional information: oil on board 40 x 30 cm 15 3/4 x 11 3/4 in (DAC378)

Walking On Sunshine, Original Impressionist Landscape Painting, 2021 8" x 10" (HxW) Pastel on Board This landscape emits a warmth, both from the s...

This painting of a lush, wooden landscape with a house by a lake was painted by New Mexico, female artist Mabel Dodge Luhan in the 1940's. It signed "Mabel Dodge" in the lower left a...

Preparing the Boat" by Clara Belle Owen is a luminous impressionist depiction of a young boy approaching a grand sailboat, ready to prepare it for an impending journey. The painting ...

"Morgan Hill Morning" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created at Harvey Bear Park in Morgan Hill, CA, known for its lush scenery and excellent hiking trails. Mancuso ventured out prior to the Plein Air Paint Out event and became inspired by the landscape of the quiet town. Framed: 13.5" x 15.5" Unframed: 8" x 10" Framing includes a black matte border with an ornate gold fillet on top of museum glass, all included in the price. About the Artist: Joe Mancuso is a plein air pastellist based in Torrance, CA. Mancuso is well known for the light in his paintings. His paintings are deeply influenced by the environment, especially seasonal changes and climactic weather. Mancuso creates his breathtaking paintings on location and though he may respond to a certain place or scene, his goal is to always make capturing the light his focal point. Joe participated in Colibri Gallery’s 2nd Annual Morgan Hill Plein Air Paint Out, where he won third place for his painting, Roses Among the Vines. In 2021, Mancuso achieved Master Circle Status with The International Association of Pastel Societies and is a Signature Member of the Pastel Society of America. Mancuso holds membership with The California Art Club, Laguna Beach Plein Air...

The Grand Harbour, Valletta Malta by Luigi M. Gallea (1847-1917) 19th Century view of the Grand Harbour, Valletta, Malta, oil on panel by Luigi M Gallea. Ex...

Oil on board, signed bottom left Image size: 6 1/2 x 9 1/4 inches (16.5 x 23.5 cm) Contemporary hand made frame A painter in oils of both landscapes and the sea. Not a lot is known...

WOODLAND COLOUR Size: 38 x 33 cm (including frame) Oil on board A small but very impactful mid century modernist landscape composition, painted in oil onto board. In this painting ...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

"Dante", oil painting of a tree by Peter Hoffer. Peter Hoffer is a Canadian artist who has enjoyed a successful career in Northern America. Peter Hoffer portrays trees. He invites t...

Mike Hall graduated from Manchester College of Art and completed his postgraduate studies at the Royal College of Art in London. He established his reputation in film and television ...

Sandra Cohen’s “wake” is a 36 x 24 x .25 inch acrylic painting on tempered hardboard, loosely painted in colors of blue, green, red and white. At the top of this seascape is a hazy h...

This bright and sunny landscape by By Jim Rodgers features bright green trees and grasses budding in the spring on either side of a flowing creek. It was painted outside of Johnson C...

William R Davis's "Florida Waterway" is a breathtaking contemporary painting that encapsulates the vibrant atmosphere of Florida's coastal landscapes. This stunning artwork presents ...

Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

Miniature Study of Eiffel Tower, Paris, France by Contemporary British Artist, Angela Wakefield Art measures 7 x 9 inches Frame measures 11.5 x 14 inches Angela Wakefield (British,...

Nathan Hoffman Manhattan from the Rooftops, July 1, 1947 Signed, dated and estate stamped on the reverse Oil on board 15 3/4 x 20 inches Born in Russia...

Borja Fernandez (b. 1944, Spanish) Title: "Glacier Perito Moreno, Patagonia, Chile" Medium: Oil on Board Dimensions: 45" x 45" Frame Size 51.5" x 51.5" Markings: Signed Lower Right

Port Quin, tide in, early spring Oil Paint on Canvas 28 H x 33 W x 3 D cm (11.02 x 12.99 x 1.18 in) Sold framed Image size: Height: 25cm (9.84 in) Width: 30cm (11.81 in) Complete ...

Landscape signed lower left beautiful original gold leaf frame. ​ Frank Peyraud earned a lasting reputation for rural landscapes, especially snow scenes in broadly defined forms and glowing colors. Excepting a trip from 1921 to 1923 to Italy and Switzerland, he was based in Chicago, where a Registrar of the Chicago Art Institute in materials for a traveling exhibition, described him as the "dean of Chicago landscape artists." (Richter) Peyraud was one of the first American painters to focus on the Midwestern landscape and did many river and farm scenes including his signature snowscapes. Many of his paintings reflected Impressionism, an abstract style executed with rapid technique and broken brushstrokes brought over from France towards the end of the 19th Century. Impressionism received much attention in Chicago in some of the artwork exhibited at the 1893 Exposition. Of Peyraud and Impressionism, it was written that "he was the most successful of the progressive Chicago painters who experimented with impressionist approaches in the years following Exposition." He was credited with more discipline of execution than many of his peer impressionists and with a "valid impressionism", (Greenhouse) that conveyed poetic interpretations to what many persons regarded as very ordinary rural Illinois landscape. His snow scene haystack painting, Winter Light on the Farm, in the Marshall Collection of Peoria and exhibited at the Terra Museum, shows "crystalline atmosphere and fleeting light of a waning winter afternoon". (Greenwood) and seems to reference the serial haystack paintings by Claude Monet. Many of Peyraud's works had luminous back-lighting, and careful arrangement of contrasting shapes, and a tone inviting the viewer into a "slightly enchanted world into which quotidian human elements rarely intrude." (Richter) Peyraud was born in Bulle, Switzerland, and enrolled as an architecture student at the Ecole des Beaux-Arts in Paris. In 1881, at age 22 and an established architect in France, he emigrated to Chicago where he spent the remainder of his career. He found employment there as a cyclorama painter, which meant creating huge panoramic paintings in the round, "forerunner of the wide-screen motion picture." (Richter). In 1891, he became involved in retouching Paul Phillipoteaux's panorama, The Battle of Gettysburg, when it came to Chicago for exhibition He continued to work on panoramic and cycloramas spectacles including The Creation for the 1903 Louisiana Exposition. Spring Painted Desert in the Santa Fe Railroad Collection shows at least one trip West. Peyraud also did mural painting, several of them in Peoria, Illinois including a series of allegorical murals with Hardesty Maratta in the Peoria at the newly-built Public Library. In Peoria, he also taught classes and gave lectures. In 1906, he married Elizabeth Krisher, a portrait painter, and illustrator. Sources include: Marianne Richter, Union League Club of Chicago Art Collection, "Frank Charles Peyraud...