Board Landscape Paintings

Colourful painting of Wild Flowers in Sunshine in a beautiful English Country Garden by leading British Landscape Artist, Angela Wakefield. Ar...

Old city 1980s, oil on cardboard, 50x61 cm The artwork depicts a view of an old cityscape, characterized by its architectural features and urban atmosphere. The artist's portrayal ...

Original Oil Painting of Mother & Child gathering Wild Flowers by Irish Contemporary Artist, Emma Jones. Art measures 12 x 10 inches Frame measures 16 x 1...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Behind the Clouds" by Leila Godden is a captivating original ...

These paintings reflect the love Nancy Baker has for combining classical imagery with an image that is strange. The most direct example is in Alien Nation where i have a potter at a ...

Balcony. 2006, oil on cardboard, 80x80 cm

Miniature Painting of the City of Dubai United Arab Emirates UAE, a unique original from leading Contemporary British Artist, Angela Wakefield. A vibrant and futuristic skyline emerg...

Oscillation (III) by Mary Scott Original and hand signed by the artist Acrylic Paint, Pencil and Gold Leaf (Silver Finish) on Board Board size: H 50 cm x W 40 cm x D 0.5cm Framed si...

Mid Century Ravello Amalfi Coast Original Oil Painting - Villa Cimbrone La Cripta Wonderful perspective of the Gothic Arches of Villa Cimbrone's Crypt ...

Ken Symonds. English ( b.1927 - d.2010 ). The Harbor, St Michaels Mount, Cornwall, 1982. Oil On Artist’s Board. Signed Lower Right. Image size 15.4 inches x 19.5 inches ( 39cm x 49...

Marcel Dyf 1899-1985, born Marcel Dreyfuss, was a French post impressionist painter who mostly painted landscapes in France, as well as portraits and genre subjects including gypsie...

In Ivan Grozdanovski's "Seize the Moment," viewers are transported to the edge of the world, where the vast expanse of the open ocean meets the fiery embrace of a setting sun. This o...

Impressionistic, en plein air landscape oil painting on linen with a bright yellow palette of a rural country farm during a winter sunset #5540 New Year's Day, in Late Day Light, 201...

Rose Louise Henriques, Lady Henriques C.B.E. 1889-1972, was an English born artist , social and charity worker in the East End of London where she lived and worked for her entire lif...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Beach Meanders" by Leila Godden captures the serene beauty of...

Aspen Trees in Moonlight, 2021

"Park Benches" is a 10 x 11 1/2 inches, oil on board impressionist street scene by American impressionist painter and member of the Women's Artists Group "The Philadelphia Ten", Nancy Maybin Ferguson...

Cottages by the Sea in Ireland Vintage Oil Painting by 20th Century Irish Artist, Louis Humphrey. Humphrey was born in 1955 in Belfast, Nort...

Vladimir Ilibayev(1952). Painter Born in Ventspils, Latvia in 1952. Education Studied 2 years in Moscow State University, the Faculty of Philosophy. Graduated from St. Peterburg ...

Emerge V by Henry Walsh is an original acrylic painting on a 4cm deep canvas that features a supposed busy atmosphere of many people at leisure, but at the same time is sparse. Henry...

Harry Leslie Hoffman (1871 - 1964) Bermuda Oil on board 16 x 12 inches Signed lower right; estate stamped on the reverse A man with strong academic art training, Harry Hoffman was judged by his peers to have done best with his landscapes when he painted what he saw and set aside the theories. He studied in Paris, worked at Yale University with John Ferguson Weir, and was a student at the Art Students League with Frank DuMond. But Willard Metcalf had the strongest influence, encouraging Hoffman to paint in the style of impressionism. In 1902, Hoffman went to Old Lyme, Connecticut, and stayed at the Florence Griswold...

Well painted and very unique oil on a card of an English town landscape with figures, soldier, monument, and a boy on his way to a school with a hoop and stick. Possible painted for...

Mountain Lake - Plein Aire Landscape Acrylic on Board Lush mountain landscape by California Plein Aire artist Nick White (American, 1943-2009). The viewer looks out over a mountain ...

Contemporary acrylic on board landscape painting by Polish artist Barbara Hubert. Although painting is figurative, it is painted in an abstract manner. Colors are mostly warm reds an...

Pacific Grove Woods, Mid Century Modern Carmel California Landscape Beautiful late 1960's landscape painting of a house in the Pacific Grove woods by California artist Ray Barton (Am...

An iconic young cedar is set against the epic backdrop of a sweeping landscape with distant hills. Peter Hoffer's paintings evoke nostalgia for classical, romantic forms and periods....

Vladimir Ilibayev(1952). Painter Born in Ventspils, Latvia in 1952. Education Studied 2 years in Moscow State University, the Faculty of Philosophy. Graduated from St. Peterburg ...

Serene landscape by notable billboard artist Art Pastusak (American, b. 1950). A small dock just out over glassy water, rendered in dark grey-green and bright cyan, where the sky is reflected. The shore is rendered in tones of yellow, tan, and green, with some water lapping up towards the viewer. Signed and dated "Art Pastusak 18" in the lower left corner. Titled "Solitude" on verso. No frame. Board size: 11"H x 14"W Art Pastusak (American, b. 1950) is an artist and billboard painter originally from Portland, OR. Pastusak began outdoor painting in 1977, focusing on billboards. He learned from Mario Rueda, Bernardo Sepulveda, and Tim Solliday. Pastusak has been commissioned by major brands like Apple, Nike, Red Bull, Subaru, and Spotify. In 1992, Pastusak stopped painting billboards to focus on larger scale public murals, mostly in Oregon and Los Angeles. He now focuses on smaller fine art...

Original oil painting on board by artist Kate Kiesler. Framed.

Bronisław Wojciech Linke, (born 23 April 1906 in Tartu, Estonia, died 6 October 1962 in Warsaw, Poland), was a painter and graphic artist noted for his metaphorical realism in his depiction of human destructiveness. He was born into the Polish community in Estonia, the son of a notary, Juliusz Ferdynand Linke and Maria, née Starorypińska. In 1919 the family were 'repatriated' to Poland and settled in Kalisz, a town destroyed in 1914. He began his art studies in the Bydgoszcz School of Industrial Art 1922–1923. He spent the next two years in the Kraków Art...

Sunset at Brora Golf Course in the Scottish Highlands by Contemporary British Artist, Angela Wakefield. This unique original depicts a deep red orange sunset on the east coast of Sco...

Todd Carpenter's (US based) "Where no one Hears" is an oil painting that depicts a black and white landscape full of dense trees and foliage, with glittering sunlight peeking through...

Miniature Landscape Study of the Scottish Highlands by Contemporary British Artist Angela Wakefield Art measures 6 x 4 inches Frame measures 12 x 10 inches Angela Wakefield has tw...

Abstract Expressionist Painting inspired by the Railway Arches & Bridges of the Industrial North of England by Contemporary British Artist, Angela Wakefield. This original is a rare,...

Encaustic on board 10 x 12 inches This monochromatic encaustic landscape on board was created by Hudson Valley-based artist Leigh Palmer. Once a hard edge realist painter, the artist eschews those details, letting the stroke of his brush and moody palette leave an abstract implication of the landscape. The main image is bordered by white to give the impression of a window. About the artist: In the Openings series, Palmer integrates the frame into the painting. This element contributes to the narrative, suggesting the viewer is inside looking out. We are not a part of the landscape, rather we are a peaceful witnesses to nature that will transcend even our own existence and continue to change with the seasons long after we have passed. We are romanced by Leigh Palmer's unique ability to pare down and find the true essence of the landscape, gently veiled through his own soul. We are proud to have exhibited his work since the inception of Carrie Haddad Gallery in 1991. Today, the artist continues to work with both encaustic and oil paint. He is currently developing a new series in his studio right across the street from the gallery. We hope to reveal his new work to the public sometime in 2021. Artist Statement: My paintings are based on observation of the landscape in the Hudson River Valley where I live, and are improvised in the studio; the images are found or discovered in my memory of familiar places and developed during the painting process. Human beings do not appear, but their presence is felt in the marks left on the ground (furrows, fence rows, roads), and sometimes in the air (smoke, haze). About the artist: In 1987, Leigh Palmer moved with his family from suburban Duxbury, Massachusetts, to Tivoli, New York, a quiet town on the Hudson River, north of New York City. His subject matter shifted to the sprawling hills and countryside of the Hudson Valley. “I wanted to respond to the new landscape I was seeing, to catch something of the feeling I had just before dark,” says Palmer. “I took a lot of photographs, but I was happier with the paintings I created from memory.” Leigh Palmer has been represented by Carrie Haddad Gallery in Hudson, NY for over 25 years. Resume: EXHIBITIONS 2013 - 2017 Carrie Haddad Gallery, Hudson NY 2011 Graficas Gallery, Nantucket MA 2010 Carrie Haddad Gallery, Hudson NY 2009 Bachelier-Cardonsky Gallery, Kent CT 2008 Bachelier-Cardonsky Gallery, Kent CT Four Starr Gallery, Stonington CT 2007 Carrie Haddad Gallery, Hudson NY 2005 Bachelier-Cardonsky Gallery, Kent CT 2004 Segalas Gallery, Bernardsville NJ 2003, 04 Bachelier-Cardonsky, Gallery Kent CT 2000, 01, 03 Carrie Haddad Gallery, Hudson NY 1999 Barbara Singer Fine Art, Cambridge MA 1999, 98 Carrie Haddad Gallery, Hudson NY 1997 The Main Street Gallery, Nantucket MA 1996 Randall Tuttle Fine Arts, Woodbury CT 1995 James Cox...

Quiet Stream, Small-Scale Mid Century California Landscape, 1937 Plein air painting of a California landscape, quiet stream and hills, 1937. Attributed to California artist, art co...

Todd Carpenter's (US based) "Darkness Rises" is an oil painting that depicts a city in the distance glimmering in the darkness with a few sparse and leafless trees vaguely blocking its view Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in...

Miniature Abstract Painting on Pink Background by Contemporary British Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 12 x 10 inches Angela Wakefield has twice ...

Miniature Landscape Study of Devon Coastline UK by Contemporary British Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 12 x 10 inches Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business...

Summer Garden Study I by Dylan Lloyd [2022] original and hand signed by the artist Oil on Canvas Image size: H:30 cm x W:24 cm Complete Size of Unframed Work: H:30 cm x W:24 cm x D:...

Todd Carpenter's (US based) "Panpandemic" is an oil painting that depicts a black and white landscape of towering snow capped mountains and vast, deserted valleys Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in paintings...

Kevin Weckbach's (US based) "City Cruising" is an original, hand made oil painting that depicts a bustling city street and sidewalk , in early evening, filled with cars and walking c...

Twilight Serenity - Atmospheric Abstract Sea Landscape by Contemporary British Artist, Angela Wakefield. Art measures 12 x 10 inches Frame measure 18 x 16 inches This striking pain...

Todd Carpenter's (US based) "Post Progress" is an oil painting that depicts a black and white vast landscape with telephone poles overrun with brush and dense foliage, and mountains in the distance Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in...

Todd Carpenter's (US based) "Truth as a Poetic Lie" is an oil painting that depicts a black and white landscape full of dense trees and foliage, blotted out by something reminiscent ...

Ethereal Horizon - Dreamlike Abstract Sea Landscape Art by Contemporary British Artist, Angela Wakefield. Art measures 12 x 10 inches Frame measure 18 x 16 inches "Ethereal Horizon...

Walking out from Deddington is an original painting by Eleanor Woolley. I am Always looking for beautiful views and this one struck me. Particularly the lovely dirt track leading dow...

"Rising Moon" is a serene contemporary impressionist seascape in blue and purple Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative works was...

The last ray. 2023. Canvas, cardboard, oil, 17x23 cm Warm summer evening landscape with stork in small town in Latvia, Erberge. Small size plein air painting Alyona Prokofyeva (198...

Primary Hughes' "Presque Isle (Day 76) July 17" is an original, handmade oil painting that depicts an ocean landscape of waves crashing and churning ar...

Delton Demarest's "Burnham Yards" is an original, handmade oil painting that depicts a landscape of an industrial stock yard

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Oakley Street, Chelsea" by David Farren is a captivating orig...

Abstract Landscape of Horses in Cornfield in Warm Colours by Modern Irish Artist Desmond Kinney Art measures 18 x 12 inches Frame measures 26 x 20 inches Desmond Kinney was born in Portstewart in 1934, attending Methodist College in Belfast and then the Belfast College of Art. In 1962 he started a successful graphic design studio called Kinney Dobson with Ralph Dobson. Kinney is best known for his revival of the technique of working with mosaics through the various large scale murals he has worked on, many of which can be found in Dublin. With the majority focused on Irish Legends, these include the mosaic mural...

Deep Blue Forest, 2021

Seaside Promenade Miniature Painting Study of Victorian British Holiday Resort of Llandudno, North Wales, by Contemporary Artist Angela Wakefield Art measures 8 x 8 inches Frame mea...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

A leafy summer tree overlaid with the pale blue outline of a window pane is framed by a sky of periwinkle in this acrylic on board by Peter Hoffer. The artist's skilled rendering rem...

MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. He...