Fabric Landscape Paintings

'Start of the Day, Dorking, Surrey' signed by Joel B. Owen (British, signed and dated 1919) oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private co...

Antonio Sala Herrero (1927-2012) - View of Montjuic Barcelona - Oil on canvas Oil measures 50x61 cm. Frame measures 66x77 cm.

Windy Coast - The painting was created in 2025 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s ...

An original American impressionist oil painting of a country road in Maine by Emile Gruppe's cousin, American artist Haley B. Nell. Not much else is known about Nell, although the a...

Signed oil on canvas landscape circa 1920 by French post impressionist painter Leon Detroy. The piece is painted in a divisionist style and depicts blossoming apple trees in an orcha...

English landscape painter from the 1870's who exhibited at the Royal Academy and the British Institute in London. He mostly painted in watercolors and this example would have been p...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Hill Looking Over the Water, Early 20th Century Landscape by Paul Kujal Serene depiction of a hill looking out over the water by Paul Kujal (Austrian, 1888...

Young Boy Fishing in River with Cottage in a Wild Meadow in the English Countryside by British Artist, Les Parson Art measures 16 x 12 inches Frame measu...

Roses have long been a favourite subject for artists and this modern expressionist painting by English painter Francesca Owen is a beautiful piece. This work is built up through the ...

Benito Magallón (1947-2011) - Landscape - Oil on canvas Oil measurements 54x65 cm. Frameless. Benito Magallón was born in Cascante, Navarra, in 1947. At the age of 6 he went to live...

Impressive early American impressionist theatre interior painting. Oil on canvas. Framed. Signed. Image size, 30 by 36 inches.

I love to paint big skies, particularly on the coast . The blues in this piece are calming and serene, the small figures adding interested scale . This piece is on a deep stretched c...

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden. T...

Impasto Oil Painting of Oak Tree in Yellow Corn Field in the English Countryside by British Landscape Artist, Colin Halliday. This painting articulates the intensity of the colours a...

In my painting, I sought to capture the serene and ageless beauty of nature's embrace. Using oil paints, I blended the disciplines of fine art, impressionism, and realism to bring to...

Urban Landscape with figures in an abstract city environment ADDITIONAL INFORMATION: Oil Paint on Canvas 52 H x 61 W x 4 D cm (20.47 x 24.02 x 1.57 in) Sold framed Please note tha...

Lavender Field - Abstracted Landscape in Acrylic on Canvas Vibrant landscape by Ilana Ingber (American, b. 1984). A bold purple field stretches out towards the horizon, where dark t...

TAKE ME WITH YOU 2024 Paris, France Canvas composition is divided in half, with the upper potion focused on a floral bouquet, and the bottom half left unfinished other than a subtl...

Atmospheric and dramatic seascape painted by two sisters from the famed Nasmyth family of 18th/19th century Scottish artists. The names of A G Nasmyth (Anne Gibson) and Jane Nasmyth ...

Sunset in the Highlands by F. E. Jamieson (British 1895-1950) signed lower corner with the artists pseudonym 'Phil Hips'. oil painting on canvas, unframed canvas: 16 x 24 inches F...

View of St. Mark Square is an original old master artwork realized in the late 18th century by artist of the School of Giovanni Antonio Canal (C...

Nicely painted early American impressionist seacape painting by Elmer Ellsworth Garnsey (1862 - 1946). Oil on board. Framed. Signed verso. Image s...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

This contemporary tulips painting radiates a lively, optimistic spirit through its vibrant use of color and bold, intuitive style. The artist’s distinct approach combines an intuitiv...

A wonderful impressionist pastoral landscape with beautiful color tones throughout. David Chapple has portrayed this piece in a most intimate, yet energetic way, and has packed much ...

Work : Original Painting, Unique Work. Painted in 1997. Framed. Provenance from Private collection in France. Excellent Condition. Medium : Acrylic on Linen Canvas. Artist : Loïc Le...

Landscape with hunters by a lake. 18th century. Oil painting on canvas, from the French or Northern Italian school, Louis XV period. Probably part of the door decoration in an interi...

Signed oil on canvas still life painting circa 1909 by French impressionist painter Maxime Maufra. The piece depicts pink roses and fuchsias in a garden. Signature: Signed lower l...

Series: Between light and silence This seascape captures a fleeting, luminous rhythm — where waves rise like breath and the sea reflects not just the sky, but a pulse of emotion. The...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas.

Wonderful Impressionist view of St. Marks Square, Venice. Pam Masco was an American from Massachusetts, and a graduate of the School of the Boston Museum of Fine Arts (1976). She was married to the English artist John Heseltine. Her work is in well-known private and corporate collections and has been shown at the Royal Society of British Artists, the Royal Watercolour Society and other London Galleries as well as in the Provinces. She travelled throughout the U.S.A. and Europe and painted American and European subjects, portraits, landscape and figure compositions, still life and interiors. From 1978 she was involved in drawing, painting, technical painting courses, watercolour and graphic design. She illustrated for major British and American publishers until 1988. Authors include Bruce Chatwin...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

1880s Century Original California School Oil Painting of Native Americans Fishing in Sierras by Ransome Gillet Holdredge Wonderful landscape of Sierra Mountains in Hudson River Scho...

Charles Harold Davis Autumn on the Farm, circa 1930s Signed lower left Oil on canvas 20 x 27 1/4 inches Provenance Private Collection, Florida Charles Harold Davis was born in Ame...

Artist/ School: Italian School, mid 20th century, indistinctly signed. Title: The Tranquil Canal, Venice. Beautiful green/ teal moody tones to the colour palette. Medium: oil pa...

Shadow under the Willow Tree is an acrylic on canvas by Rene Gonzalez, depicting a fox pausing to drink at the edge of a lake, enveloped by a lush and en...

Dynamic seascape along rocky Big Sur beach with surf by Willard Little (American, 20th century), circa 1940. Aqua blue water, both shallow and deep, reflects the golden sunlight. Are...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Under the Morning Light was inspired by many walks on the Dorset coast a place which offers me tranquility and space for clear thinking and planning. The constant change of tide reve...

This captivating early 19th century antique oil painting presents a beautifully executed pastoral scene by an unknown but undoubtedly professional English master - signed lower left ...

Kathleen Keifer is a California-based, internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to her color...

Painting on silk enhanced with embroidery, Japan, 20th century. Very light stains at the bottom, good general condition. 158 x 69 cm.

This vibrant artwork exudes an intense harmony of colors, embodying the serene yet dynamic essence of nature. The canvas bursts with a remarkable landscape, primarily dominated by a ...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

My process starts with taking the photographs I work from, I like to experiment with angles and light in the photographing. Every inch of the canvas has multiple layers on to build u...

Acquired by the gallery directly from the artist UNFRAMED: 18" x 24" FRAMED: 24.5" x 30.5" x 1" Artist Statement "This scene was inspired by a trip to Tejon Ranch nearly 10 years ago with a small group of artists from the California Art Club. The golden color offers a different take on “California gold’ and is very much like the the foothill scenery near my home in Angels Camp." — Ray Roberts

Vintage Oil Painting of River Sunset in the Woods of the English Countryside by 20th Century British Artist. Painted using warm orange and green colours creating a unique atmosphere....

Blue, Navy, calm, reflection, nature, mountains, sky. 31 x 41" oil on canvas, maple frame Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil ...

Antique American abstract expressionist oil painting. Oil on canvas. Signed. Measuring 16 by 36 inches.

Title: Warm Spring Day Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Contemporary colorful pastoral landscape by Texas based artist Jacob Spacek. The work features a bright blue shack in the middle of an open field set against a vibrant red sky. Signe...

Dynamic California coastal scene by an unknown artist. The orientation of brushstrokes in this piece create a sense of movement in the trees and the grass, hinting at the way the win...

This enchanting early 19th-century portrait of a young girl in a pastoral landscape, attributed to the esteemed English portraitist Margaret Carpenter, is a rare and captivating exam...

Impressive early American impressionist seascape oil painting by Margaret Munro Stratton McLennan (1911 - 1995) . Framed. Oil on board. Signed. Image size, 12H by 16L.

Impressive early American impressionist flower landscape painting by Lila Caroline McGillivray Knowles (1886 - 1979). Oil on board. Framed. Signed. Image size, 10 by 12 inches.

Impressive early American impressionist coastal seascape oil painting. Framed. Oil on canvas. Signed. Image size, 22H by 18L.

Vintage Oil Painting of Fantasy Cottage in the Woods with Flowers & Gardens Art measures 36 x 24 inches Frame measures 40 x 28 inches

This beautiful acrylic on canvas painting from Contempop Gallery by Magdalena is part of her pool series paintings. It is 92X73 cm, signed by the artist and comes with a certificate ...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...