Oil Landscape Paintings

Artist/ School: Italian School, 17th century. Title: A King and Queen before court figures, amidst a classical landscape with Roman columns. Medium: oil painting on canvas, framed ...

John Brett A.R.A. (1831-1902) Tarbert, Scotland inscribed and dated 'Tarbert, 4 aug '86' upper left Oil on canvas Painting Size - 7 x 14 in Framed Size - 14 x 21 in Provenance Anon....

This stunning Original Triptych paintings by Shizico Yi on Canvas includes: Blue Serie- Foxgloves Blue in Pink Blue Serie- Foxgloves Blue in Yellow Blue Series-Foxgloves Red and Gold...

Sophie Dumont, a renowned contemporary artist whose works are collected internationally, has once again demonstrated her mastery of subtlety and depth in A Distant Escape. Known for ...

Mt Shasta Spring Stroll on the River Beneath the Mountain Original Oil on Linen A solitary hiker on a trail with Northern California's Mt. Shasta in the distance by Joseph John Engl...

4034 Antique Impressionist oil on artist board Set in a vintage carved wood frame image size 11.5x9.5"

Barenger was born in Kentish Town, London, the son of James Barenger Snr., a metal chaser and artist who exhibited paintings of insects at the Society of Artists and Royal Academy, a...

"Great Gable and Black Sail Youth Hostel Emmerdale" by ARTHUR TERRY BLAMIRES (b.1930) signed and dated, 1995 oil painting on canvas, framed canvas: 20 x 3...

Work on canvas Frame in plaster and molded and gilded wood 67 x 59.5 x 6 cm

Lavender Fields by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the artists es...

This captivating scene of Venice from the 20th Century is a wonderful display of Van der Plas's true passion for outdoor genre paintings. The vibrant colors and impressionistic brush...

Thomas Stringer (1722-1790) A groom with a saddled bay hunter and dogs, in an extensive landscape Dated 1754 lower left Oil on canvas Unframed size 25 x 36 in Framed size 31 x 42 in ...

Shipping in Calm Waters Dutch School, 18th century oil painting on wood panel panel: 10 x 12.75 inches framed: 14 x 17 inches condition: very good, minor evidenc...

Title: French Impressionist Equestrian Parade with Jockeys and French Flags By Fanch Lel Signed: Yes Size: 13 x 16.25 inches (height x width) Oil painting on cardboard, unframed Con...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

With vigorous strokes and a vibrant palette, I've brought to life the fleeting beauty of blooms by the water's edge. This oil painting is my ode to nature's serene moments, where the...

H.Jackson. 19th-century English landscape with sheep resting in a field. English late 19th-century painter of animals either in barns or landscapes. His paintings have the influence...

Signed and titled oil on canvas circa 1990 by French painter Hugues Claude Pissarro. The piece depicts a woman in a red dress collecting apples in an orchard. Signature: Signed lowe...

Oil on canvas laid on board measures 14 3/4 x 9 7/8; frame dimensions measure 22 3/8 x 17 x 3 1/4. Artist's signature, lower left. A fragment of a gallery brochure entitled, Peintures de Botkin is included with the painting. A partial title for the painting is listed under Number 3 in the exhibition. On the verso of the brochure is a label from Frank Rehn...

Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep, Cows and a Goat in a Landscape oil on relined canvas canvas size 56 x 53 cm frame i...

Impressionist winter pastoral scene of a quaint snow covered home by theBuckingham, Bucks County, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way,...

A colorful burst of spring set in the hills of an Italian town. Oil on canvas board measures 12 x 16; frame dimensions are 16 3/4 x 20 3/4 x 1 1/2. Housed in a decorative silver-colo...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Artist/ School: Guy Benard (French b.1928) signed lower corner. Painter from Rouen, Normandy, exhibited throughout France. Title: 'Mediterranee' Medium: ...

Josep Marfa Guarro (1928-2014) Barcelona Spain Oil Oil on canvas glued to cardboard. Oil measures 23x28 cm. Frameless. Josep Marfa Guarro (1928-2014) Josep Marfa Guarro was a Cata...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Subject: After Storm, Size: 29" x 44.5" ...

An accomplished 19th-century rural landscape depicting two figures fishing in a quiet river with a country cottage smoking away in the background. Well presented in a gilt-effect fra...

A fine antique Impressionist painting by the celebrated French Impressionist painter William Georges Thornley (1857-1935), a view of the Mediterranean sea from Antibes, France, circa...

Work on canvas Molded frame in plaster and gilded wood 36 x 40 x 4 cm

Eva Makk has been called “the world’s foremost living impressionist painter”. She is celebrated for graceful, light-infused compositions executed with shimmer...

An exceptional impressionistic depiction of an afternoon at Cafe Paris in France by Mario Passoni, on a spring day with the busy activities of people walking and others seated at th...

This painting is featured in the Makk Family book, "Vision of Life on page 102. Eva Makk has been called “the world’s foremost living impressionist painter...

Artist/ School: Alfred Quertant, French circa 1930's, signed lower right Title: The Old Town, Nice Medium: oil on panel, unframed Size: painting: 46...

A truly stunning jewel and pertinent example of Berthelsen's charming New York City winter scenes depicting Washington Square Park in the snow. An iconic scene that so many have come...

In this contemporary landscape in oil on canvas mounted on panel, two figures stand by the shore of a beach, gazing out at the deep blue ocean, while fluffy, pale salmon pink cumulus...

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden. T...

A beautiful large late 19th century French impressionist oil on canvas depicting an extensive landscape with trees in the foreground and an atmosph...

This is an Original Vintage signed Oil painting on canvas depicting a sailing ship, cutting through the ocean. The ship's sails are full, catching the wind as it moves across the wav...

Morning Sky oil/panel 9 x 12 unframed, 15.5 x 18.5 framed Morning Sky is a new oil on panel painting just completed in the studio. The painting exudes the rich qualities of oil pain...

GLORIA STUART (1910 – 2010) WATTS TOWERS, 1971 Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native. In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100 Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100. .......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums. Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson. Stuart had been diagnosed with lung cancer five years ago. “She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.” In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills. “She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday. As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.” As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.” She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.” But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.” After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946. By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books. Writer-director Cameron’s $200-million “Titanic” changed that. Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace. Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...

Nicely painted 1880s European impressionist beach scene oil painting. Oil on canvas. Framed. Signed. Very finely painted and impressive in person. Excellent ready to hang condit...

Title: French Impressionist Oil Painting of Fishing Boats in a Harbor By Fanch Lel (French b. 1930) Size: 9.5 x 13 inches (height x width...

Very nicely painted American impressionist seascape painting. Oil on canvas. Signed. Housed in a period frame. Packed with action and detail. Excellent ready to hang condition. ...

Moody Dawn Mist with Winter Trees in a Rural Village in the English Countryside by British Artist, Kevin Curtis (1958-2009) Art measures 24 x 18 inches F...

Roger Eliot Fry (British, 1866 – 1934) Sous bois oil on canvas 23.1/2 x 28.5/8 in. (59.7 x 72.8 cm.) Provenace: Magdalene Street Gallery, Cambridge The collection of Oliver Carey A ...

James Van Fossan's "Sky 61" is an original, handmade oil painting that depicts a skyscape of grey and white clouds arching through a blue sky and the sunlight dances through it.

In the Park by Louis Abel-Truchet (French 1857-1918) *see below signed oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, France condition: overall good a...

Of Germanic descent, the painter Jean Krillé was born in 1923 in Switzerland. His father, writer and poet, oriented him towards art and culture. From the age of 16, he enrolled at th...

Quang Ho's "Lemons - Abstracted" (2025) is an oil on board painting that depicts a vibrant lemon tree. About the artist: Quang Ho was born on April 30, 1963, in Hue, Vietnam. He Imm...

English Countryside painting with Thatched Cottage, River & Cows Grazing by British Artist Art measures 24 x 18 inches Frame measures 29 x 23 inches This captivating original paint...

Lanscape France,Ocean, France , grey, blue, azure, Normandy Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and adolescence in Amiens...

"The Days Bag" by ROBERT CLEMINSON (British, 1864-1903) signed oil on canvas, framed framed: 24 x 32 inches canvas: 16 x 24 inches provenance: private co...

Nice Market by Robert Savary (French 1920-2000) signed lower right oil painting on canvas, unframed canvas: 19.75 x 19.75 inches Superb Post-Impressionist oil painting by the very well listed and highly sought after French painter, Robert Savary (1920-2000). The painting shows the famous Cours Saleya in Nice....which is the location for the famous flea market that happens there every week, as well as the fish and flower market too. Just yards from the blue sea of the Mediterranean, I can heartily recommend it! Incidentally, we bought this painting from a private home in Nice. Figurative artist, Robert Savary is part of the New School of Paris . He was a student of Maurice Brianchon at the National School of Fine Arts in Paris, and won the prize of Casa de Velázquez in 1948. Savary won the Prix ​​de Rome in 1950. He taught in 1957 at the Regional School of Fine Arts Rouen (which he became the honorary director) while living in Paris and spending summers in Collioure, in the South of France. He was appointed Painter of the Navy in 1987. For more than forty years, he is part of the group of exhibitors invited by Maurice Boitel...

Mountain Lake Oil Painting of a Loch in the Scottish Highlands by British Artist, Andrew Grant Kurtis M.A.(Lon) B.Des.(Hons) L.S.I.A.D. Art measures 16 x 12 inches Frame measures ...

Work on canvas Molded frame Dimensions with frame 82 x 109.5 x 7 cm This work captures the vibrant scene of a harvest field, where a central woman forcefully lifts sheaves of wheat,...

Set in the luxurious Italian lake region of northern Italy, Lake Como is famously popular for it's exclusive resorts and private hideaways, frequented by jet setting crowds. It's ha...

Rare and important antique oil painting by George Wright (1850 - 1916). A panoramic beach scene, complete with a sunset and crashing waves. Oil on canvas. Housed in a period gilt...

This painting is featured in a hand-carved wood frame imported from Spain. Justo Revilla, born in Madrid, Spain in 1940 began his artistic career at the age of thirteen where he a...