Plywood Landscape Paintings

Lanscape France,Ocean, France , grey, blue, azure, Normandy Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and adolescence in Amiens...

'Plaines de la Midjeda Blida'. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in pre...

Acrylic on paper laid board. Frameless. Needs restoration

Pacific Coast in Spring - Watercolor Landscape Vibrant watercolor of Pacific coastal waters crashing in the the cliffs, by an unknown artist (American, 20th Century). Bright, fauvis...

Artist: Jacques Gaston, French XXth Title: Champs Elysses at Dusk Year: circa 1950 Medium: Oil on Canvas mounted to Wood, signed l.r. Image: 24 x 36 in. (60.96 x 91.44 cm) Frame: 33 ...

Here for your consideration is an outstanding oil on canvas painting by Max Silbert. Signed lower right. Circa 1915. Recently professionally cleaned with no restorations. The fra...

Vibrant fauvist landscape of redwood trees titled "Forest Wonder" by John Stenvall (American, 1907- 1998), 1993. Signed lower left corner. Presented in g...

A spectacular mid-century modern Manhattan figurative landscape oil painting, after the renowned artist Adolf Arthur Dehn's 1941 watercolor "Spring in Central Park", by an unknown artist (American, 20th Century). In this vibrant and expressive circa 1960 rendition of Dehn's famed painting, New Yorkers are depicted as tiny figures milling about the park in springtime, dwarfed by fluffy pink trees in bloom and the towering New York City skyline in the distance. Unsigned. Presented in a wood frame. Image size: , 29"H x 36"L. Framed: 32"H x 39"W. This painting is after the prestigious watercolor of the same title, painted in 1941 by Adolf Arthur Dehn (American, 1895 - 1968). The original piece is in the collection of the Metropolitan Museum of Art in New York City. It was exhibited at the Met's "26th Annual National Exhibition of Advertising and Editorial Art" in 1947, and then again at the 1950 exhibition titled "20th Century Painters: A Special Exhibition of Oils, Water Colors and Drawings Selected from the Collections of American Art in the Metropolitan Museum". More recently, "Spring in Central Park" was exhibited at Fairfield University Art Museum for the 2017 exhibition "Adolf Dehn: Midcentury Manhattan". Visiting, and then living in New York City, Dehn captured the essence of the city in his paintings, prints and drawings of the landscapes of Central Park, and of the city's burlesque and night club scenes...

Paysage par l'artiste Theodore Schempp (1904-1988) qui était marchand d'art a New York de Nicolas de Staël, Georges Braque et Giacometti. Il résidait dans le sud de la France. Dimens...

Acrylic on paper laid board. Frameless.

Vibrant abstracted floral still life with red table by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Ander...

'Brume Sur La Seine (Mist On The Seine)' Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on Paper 12.6 x 9.5 (16 3/4 x 13 3/4 frame) inches Signed lower left Raymond Thibesart was born into an affluent family on May 2nd, 1874. As a small child, Thibesart’s family moved to a suburb of Paris where the very young artist found a wealth of teachers and inspiration to pull from. Thibesart showed such proclivity for drawing at an early age, and had enough talent that famed impressionist Emile Boggio began giving him lessons when he was just 11 years old. Eventually, Thibesart began formal training at the Lycee Rollin in Paris, followed by studies at L’Ecole des Beaux-Arts and the Academie Julian. While working in Symbolism, Thibesart became a student of the Impressionist and Post-Impressionist art movements of his native France and began winning numerous medals in France, including the gold medal from the Societe des Artistes Francais in 1897. Thibesart then began his studies with the famed Impressionist Henri Martin for much of his early life. From Martin, he learned the technique of “plein air" painting who as a master of the discipline. Proficiency of this technique and its aesthetic, freed up the young artist, allowing him the ability to create amazingly beautiful light and shadow splayed across his trademark subjects which frequently included the landscapes of Italy...