1960s Landscape Paintings

Signed lower right, 'Marian Stahl' (American, 20th century) and painted circa 1960. Inscribed verso, 'Meyer St, Tucson AZ' with artist address. A finely drawn, mid-century view of ...

Artist/ School: Simone Ramel Title: Pink Flowers in Vase Medium: oil painting on canvas, unframed Size: 13 x 16 inches Provenance: private collection...

Gorgeous mid century seascape of Big Sur at sunset by California artist Arlene Manley (American, 20th Century), 1962. Signed and dated lower right corner...

Signed lower left, 'T. Takashima' for Tsuneo Takashima (Japanese, 1922-1975) and dated 1968; additionally signed, verso, in Kanji, 高島 常雄 (Takashima Tsuneo), titled, ベニス (Venice) and ...

The Gift Of The Two Lines Born on March 21, 1906, in Moscow, she arrived as an emigrant to Paris at the age of 15, bearing in her young experience, the weight of the most transformi...

'Ghost Town' is a vintage painting with a lone Prospector with his pack mule standing in the ruins of an abandoned mining town, probably set in Colorado, set within a Mountain landscape with late summer, early autumn foliage by Harold Skene (1883-1978). Signed by the artist in the lower right corner, titled and dated by the artist verso. Colors include blue, green, golden yellow, pink, red, brown and white. Oil on board. Presented in a gold tone frame with antique finish, outer dimensions measure 29 x 35 x ⅞ inches. Image size is 24 ¼ x 30 inches. Expedited and International shipping is available - please contact us for a quote. A native of Massachusetts, Harold Vincent Skene graduated from Harvard University School of Architecture in 1906. After relocating to Colorado, he studied at the Denver Art Academy, the Broadmoor Art Academy and served as an assistant to artist, Allen Tupper True.

Lovely pastoral landscape of beautiful spring blossoms lining a quiet country lane by Jay Simm (American, 20th Century), c. 1960s. The delicate light pink flowers of the orchard in b...

Harry Leith-Ross (1886-1973). Boat Yards, ca.1960's. Watercolor on paper measures 9 x 17 inches; 18 x 26 inches in original matting. Signed lower left. Ori...

Folk story. 1960. Canvas, oil, 39x49 cm

Unique and fantastical mid-century painting of a nude figure standing in front of a fish in the forest surrounded by flowers, plants, and a portrait by Kenneth Fong...

La Rue (The Street) Charles Levier, French (1920–2003) Date: circa 1965 Oil on Canvas, signed l.l. Size: 30 x 24 in. (76.2 x 60.96 cm) Frame Size: 37.5 x 32.5 inches

Artist: Joseph Dande, Hungarian (1911 - ) Title: Snowy Banks of the River Year: circa 1960 Medium: Oil on Canvas, signed l.l. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame: 32 x 44 inches

Otis Dozier (1904 - 1987) Dallas Artist Image Size: 20 x 30 Frame Size: 25 x 35 Medium: Oil Dated 1960 Biography Otis Dozier (1904 - 1987) Otis Marion Dozier is noted as a member of a group of Texas regionalist artists known as the "Dallas Nine". His style was characterized by brilliant colors and strong forms, often focusing on the plight of farmers affected by the Great Depression. Dozier was born in Forney, Texas in 1904. Raised on a farm in Mesquite, Texas with three siblings, his surroundings provided the materials that allowed him to cultivate a love for nature and wildlife. He once said, "youve got to start from where you are and hope to get to the universal." His surroundings became a primary focus for subject matter in his art. Other areas providing inspiration for his works would include the Big Bend and Gulf Coast areas of Texas, the Four Corners area of New Mexico, Arizona, and Utah, and the bayous and swamps of Louisiana. His earliest art training was in Dallas from Vivian Aunspaugh, Cora Edge, and Frank Reaugh when his family moved there in the early 1920s. Dozier became a member of the Dallas Artists League in the 1930s after becoming involved with a group of regionalist artists. He taught at the Dallas School of Creative Arts from 1936 to 1938, while at the same time studying the various works of European artists such as Picasso, Leger, and Matisse. His initial style included bright colors and dominant forms but later moved to the earthy tones of beige, green, brown, and gray. In 1940, Dozier married and together he and his wife contributed much to the Dallas cultural scene. Dozier attended the Colorado Springs Fine Arts Center in 1938 on a scholarship, studying with Boardman Robinson. For the next seven years he served as Boardmans assistant. While in Colorado, the Rocky Mountains became a favorite painting ground where he completed more than 3000 sketches of ghost towns and mountains. Influenced by Robinson, he developed a more fluid style and became an expert in the lithographic medium. Upon returning to Dallas, Dozier taught life drawing at Southern Methodist University from 1945 to 1948. From 1948 until 1970 he taught drawing and painting at the Dallas Museum of Fine Arts. He participated in sole exhibitions in the early to mid 1940s, as well as other major exhibitions at the Whitney Museum of American Art and the Metropolitan Museum of Art in New York City. Dozier completed murals at the Agricultural and Mechanical College of Texas (Texas A&M University) and at various post offices in Texas. He won many awards at various exhibitions, including the International Watercolor Exhibition in San Francisco in 1932; the Museum of Modern Art in New York in 1933; the First National Exhibition in New York in 1936; Allied Arts exhibitions in 1932, 1935, and 1947; and two Texas General exhibitions in 1946 and 1947. His works may be found in the permanent collections of the Museum of Fine Arts in Houston; the Archer M. Huntington Art Gallery at the University of Texas at Austin; the Modern Art Museum of Fort Worth; the Marion Koogler McNay Art Museum in San Antonio; the Dallas Museum of Art; and the Panhandle-Plains Museum in Canyon, among others. Dozier died of heart failure in 1987. Additional exhibition venues: Otis Dozier: A Centennial Celebration 1904-1987 The McKinney Avenue Contemporary, November 6 - December 10, 2004 OTIS DOZIER (1904-1987) Otis Dozier was born in Forney, Texas in 1904 and was raised on a farm in nearby Mesquite. Dozier enjoyed drawing and painting from an early age, and a visit to the Texas State Fair convinced him to pursue art as a vocation. Dozier recalled visiting the Fair’s rotunda and, there, seeing an early work by Mexican muralist Diego Rivera. Dozier did not understand the image but was fascinated by it, later recalling that looked like blood and buttermilk to him; he just looked and looked; the newspaper said it was so great and he was willing to learn but couldn’t understand why it was so great. Dozier’s family moved to Dallas at the beginning of the 1920s, and it was there that he would receive artistic training under Vivian Aunspaugh, Cora Edge, and Frank Reaugh. Dozier would study with Aunspaugh for two years. She introduced Dozier to art history and spoke highly of the Impressionists, although she was cooler towards the Cubists and Fauvists who represented France’s new vogue. Dozier became a member of the Dallas Artists League in the 1930s. He taught at the Dallas School of Creative Arts from 1936 to 1938 and was a significant member of the burgeoning Dallas art scene. Otis Dozier was a member of the cadre of Dallas artists known as the “Dallas Nine.” Though the disparate group of painters, printmakers and sculptors who composed the Nine could be broadly categorized as regionalists, they often displayed a decided fascination with the European avant-garde. This is especially true of Otis Dozier’s works, in which regionalist subject matter was often mingled with Surrealist and Cubist techniques. Starting in 1936, Dozier—as well as the other members of the Dallas Nine—began exhibiting their work at local, regional and national exhibitions. In 1936, Dozier, along with 713 artists from 47 states, attended the First National Exhibition of American Art at Rockefeller Center in New York. Dozier himself participated in numerous solo exhibitions during the mid-1940s and contributed to exhibitions in New York’s Whitney Museum of American Art and Metropolitan Museum of Art. In 1945, Dozier returned to Dallas. He had been invited by fellow artist Jerry Bywaters...

Signed lower right, 'Marda' (French, 20th century) and inscribed verso 'Street Scene by Marda #4'. A substantial, mid-century oil cityscape showing a view of a rainy Parisian boulev...

Initialed lower right, 'A.F' (American, 20th century) and painted circa 1960. A substantial, mid-century American School oil showing a view of a busy harbor with numerous boats moor...

Roger LERSY Grand canal of Venice, 1963 Oil on canvas Signed at bottom right Canvas size 46 x 61 cm (12P) Golden baguette frame size 59 x 74 cm Very g...

Quaint pastoral landscape of a figure and dog walking down a country lane amongst tall autumn trees with beautiful fall foliage by Cal Donna Zell (American, 20th Century). Signed "Ca...

Signed lower left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989), titled 'Paris' and painted circa 1965. Bearing 1965 exhibition label, verso, on stretcher bar. Precocious as...

Wonderful mid century modern abstracted landscape oil painting of the ruins at Chichen Itza by Jose Nacho (Mexican, 20th Century), 1968. Touches of gold met...

Artist: Jacques Pergel, French Title: House on the Water Year: 1968 Medium: Oil on Canvas, signed and dated lower right Size: 24 x 36 in. (60.96 x 91.44...

Artist: Charles Cobelle, French (1902 - 1994) Title: Before the Race Year: ca. 1960 Medium: Oil on Canvas, Signed l.r. Size: 24 x 30 inches Frame: 32 x 38 inches

An oil painting by Richard Whorf circa 1960. A realist landscape of a circus ad wheat-pasted to the side of a dreary-looking barn. Artist: Richard Whorf Title: The First Sign of Spring...

Wonderful mid-century landscape of Palm Springs Desert by Marjorie Blake (American, 1920-1994). Signed lower right corner. Condition: good; normal edge wear for age. Unframed. Image ...

Oil Painting by George Jan Dispo "Old Amsterdam" 1922-1973 Dispo was a Dutch painter of the buildings and canals of Amsterdam. He studied under his fa...

Signed lower right, 'Edward Norton Ward' (American, born 1928) and painted circa 1960; additionally signed, verso, and titled 'Heavy Seas, Pt. Lobos'. A substantial evening seascape showing dramatic breakers rolling in towards the the rocky coast near Point Lobos, California. This plein-air Impressionist painter first attended the University of California in Los Angeles and subsequently studied with Joshua Meador. Over the course of a long career, he has exhibited widely and with success and has been the recipient of numerous medals, prizes and juried awards. Edward Norton Ward was a charter member of the Society of American Impressionists; he is also a member of the California Art Club and has served as president of the Carmel Art...

John Bolam was born in 1922 in Amersham, Buckinghamshire. He originally studied painting at Hornsey School of Art and furniture design at High Wycombe School of Art. He subsequently became a member of the Great Bardfield group of artists (named after the village in Essex where many of the members settled). Close friends and colleagues from that time included Michael Rotherstein, Edward Bawden, John Aldridge...

paysage des colline e village dans l’arrière pays Niçois. Encadré Edouard Planchais : 1909-1985

This painting on canvas looking out from the shoreline of the beach with dock pilings in the foreground and a yellow field in front of trees across the water. signed on the lower rig...

Abstract landscape view overlook mountain, Woodstock, NY , 1960's.Oil on canvas, estate signature stamp lower right. Also, Pinajian estate signature stamped back of the canvas. Arc...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Garden Still Life with Flowers, Plants and Pumpkins) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 in...

Night Fantasy is an original tempera painting on cardboard, realized around 1960's by the French artist, Jean Raymond Delpech (1988-1916). This...

A vibrant example of the artist's precisionist style where a tight semi-abstract geometric composition is inspired by architecture and is reduced to simplified geometric shapes with...

Rue Parisienne en Automne Charles Levier, French (1920–2003) Circa 1960 Watercolor on Paper, signed l.r. Image Size: 18 x 23 inches Size: 22 x 30 in. (55.88 x 76.2 cm)

Antique American abstract expressionist oil painting. Oil on canvas, circa 1950. No signature found. Image size, 24L x 20H. Framing available.

Les Soeurs (The Sisters) Charles Levier, French (1920–2003) Date: circa 1965 Oil on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 29.5 x...

Artist: Dong Moy Chu Kingman, Chinese/American (1911 - 2000) Title: Acapulco Beach Scene I Year: 1968 Medium: Watercolor, signed and dated l.r. Size: 10.5 x 18 on 13.5 x 20.5 inches ...

Horses,Winter,Snow,White ,Landscape,Forest,Free shipping LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Europe, J...

William Mason (1906-2002) was a painter born in Newport, Wales, who studied at Newport College of Art and the Royal College of Art. Aside from painting he also taught at Scarborough...

Constantine Kluge (French 1912-2003) Les Pommiers en Fleurs Oil on canvas of apple trees in bloom Hand signed lower right. Provenance: purchased from Wally Findlay Galleries. (bear...

Tranquil landscape by Lylia T. Shackelford (20th Century). A calm stream flows down the center of the painting, framed on either side by lush grass and tall trees. Beyond the trees a...

Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955. Albert Naur first studied Philosophy and Law in Copenhagen (1908...

Antique American abstract expressionist oil painting. Oil on canvas, circa 1950. No signature found. Image size, 24L x 18H. Framing available.

Abstract Expressionist cityscape of Old City of Jerusalem in moody blues and gold. Yitzhak Greenfield, painter, born 1932, Brooklyn, New York His fo...

Gorgeous California seascape in uncommonly bright colors, depth and textures. Unsigned. Displayed in rustic wood frame. Image, 20"H x 24"L,. Framed size: 23"H x 28"W.

A desolate, surreal landscape with a haunting and mysterious outdoor still life featuring Ram's head emerging from the daisies and underbrush. Classical statues sit on the horizon l...

R.D. Enright "Hill Country Pond" (1921 - 1983) Texas Image Size: 24 x 30 Frame Size: 31 x 37 Medium: Oil Biography R.D. Enright (1921 - 1983) Roland...

Very well executed oil on canvas painting exploring light and shadows by the American artist, Judd Gallet. It explores two women in conversation next to a...

Signed lower right, 'A. Renault' for Andre Renault (French, 20th century) and painted circa 1965. Displayed in an elegant and period, carved gilt-wood fr...

Mid century landscape watercolor of a campsite in the forest by Joseph Yeager (American, 20th Century). This piece is unsigned, but was acquired with a collection of Yeager work dire...

Artist: Charles Cobelle, French (1902 - 1994) Title: Notre Dame and Bridges Year: circa 1960 Medium: Acrylic on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame: 29.5 x ...

Expansive landscape painting of the Teton Range in Wyoming reflecting in a nearby lake by Alma McGovern (American, 20th century). Signed and dated "Alma '61...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

Beautiful tonalist landscape of California foothills and country road. Signed and dated "CKP" and "'69" lower right corner. Presented in rustic wood frame with eggshell mat under nonglare glass. Image size: 18.25"H x 13.25"W. Framed size: 23.5"H x 18"W. California Tonalism was art movement that existed in California from circa 1890 to 1920. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

Beautiful landscape by listed Los Angeles and Carmel artist Helen Enoch Gleiforst (American, 1903-1997). Presented in gold-toned wood frame. Signed "Gleiforst" lower right. Size: 20"...

'Landscape with House in the Cote d'Or', oil on board, by André Maire (1960). Semur-en-Auxois was the town in which Maire lived in the 1960s in the Cote d'...

Charming mid century figurative landscape of Aptos Village Apple Shed and Market by listed California artist Jon Blanchette (American, 1908-1987). Aptos is just south of Santa Cruz,...

3938 French Figural park landscape acrylic on canvas in a gilt wood frame Image size 19.5x29.5" I

Initialed lower right, 'K.W.' for Katherine Westphal (American, 1919-2018) and painted circa 1965; additionally bearing label, verso, inscribed with artist's name and titled 'Venice'. Framed Dimensions: 33.25 x 2 x 29 Inches A large, Post-Impressionist oil showing a view of the Basilica of Santa Maria della Salute on the Punte della Dogana with half-a-dozen gondolas rocking on the gentle swell of the Guidecca. A vibrant modernist vedute by this well-listed California woman artist who shows the iconic Baroque church as if suspended in golden light, both reflecting the sunset and, itself, reflected in the shimmering waters. Born in Los Angeles, Katherine Westphal first attended Los Angeles City College and, subsequently, the University of California at Berkeley where she studied painting and art history and received both her Bachelor and Master of Arts degrees. In 1943, she was awarded the Phelan Travelling Scholarship which funded her travel to Mexico where she visited the studios of both David Siquieros and Diego Rivera, an experience that confirmed her lifelong preference for Modernist principles in her work. Over the course of a long and multi-faceted career, Westphal exhibited widely and with success and was the recipient of numerous prizes, medals and juried awards. In addition to her career as a fine artist, Westphal wrote extensively on art theory and also became a beloved teacher at the University of California, Davis, becoming a tenured faculty member in 1968, a full professor in 1975. She retired in 1979 as Professor Emeritus. Katherine Westphal’s work is held in the permanent collections of prominent American museums including the Smithsonian Museum...