Early 20th Century Landscape Paintings

This exquisite painting, "Courtyard With Elegantly Dressed Couple" by the Swedish artist Carl Johansson, is a vibrant illustration of life at the turn of the 20th century. Dating bac...

Max Usadel (ca.1880-1950), Temple of Paestum, dat. 1912 View of the temple of Paestum with two ox carts in the foreground. The setting sun creates a dramati...

Signed oil on canvas figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts two young girls with their mother in a landscape overlooking boats...

Gorgeous landscape with two cows drinking water in a pond with Mt. Hood in background by listed artist William M. Lemos (American, 1861-1942). Signed "W.M. Lemos" lower right. Presented in vintage gilt-toned frame that shows wear (included as-is). Condition: Good: previously owned and used, with little or no signs of wear and is in good condition. No structural issues. Image size: 29"H x 49"W. Born in New York, Professor Lemos moved to San Francisco in 1887 where he established a studio at 106 Geary Street. He later moved to Santa Cruz in 1896, where he settled, painting murals for many local businessmen and the Santa Cruz Beach Boardwalk. As a boy Lemos earned money by wandering the streets and painting on request. Arriving in San Francisco in 1887, he established a studio at 106 Geary. With his wife Mabel, he worked in Los Angeles for a few years in the 1890s. After settling in Santa Cruz in 1896, he painted murals for many local businessmen. When the original Beach Casino was built there at the Boardwalk in 1904, Lemos was the first concessionaire and worked there for nearly 40 years. On his platform in the Casino, Lemos did paintings of redwoods, still lifes, forest fires, beach scenes, and marines. Many of his oils were done on redwood slabs which were popular with the tourists; in the early days these paintings sold for one dollar and up depending on the size of the work. After his vision failed and he was unable to paint, his last years were mostly spent fishing off the Municipal Pier with a friend who baited his hook for him because he could no longer see. In the March 27, 1941 Santa Cruz Sentinel News Lemos reminisced, "Them were the days when the Boardwalk was only twelve feet long and when business got slow I picked up my shotgun and went across the street and shot ducks where the Casa del Rey Hotel now stands." Exhibited: Calif. State Fair, 1885; Mechanics' Inst. (SF), 1889. In: Santa Cruz City Museum; Wawona Hotel (Yosemite). Edan Hughes, "Artists in California, 1786-1940" His mother was Julia Lemos, a Chicago artist famous for her depiction of the Chicago fire, “Two of Julia’s children became successful artists. Her eldest son, William, was a naïve still life, landscape, and mural painter. As a young boy in New York, he would wander the streets, earning money for the family, by ‘painting on request.’ At age 26, William moved to San Francisco, California. He opened an art studio and kept it running until he moved to Santa Cruz with his wife, Mabel, in 1896. During this period, he worked as a fresco artist painting ‘murals for many local businessmen.’ Exhibited California State Fair, Sacramento, 32nd annual, per Sacramento Daily Union, September 9, 1885. and article goes on to say “William Lemos and wife, Sacramento – Art school exhibits in which are shown such a variety of designs in decorative art, flower painting, and ornamentation, that one must give time to the examination.” Exhibited Mechanics Institute, San Francisco, 1889. “Lemos and his wife were in Fresno California 1890...

A fine oil on canvas by Scottish listed artist John Campbell Noble RSA. Painted circa 1911 it is a fine example of Scottish Impressionism and ...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Orientalist School Attributed to Émile Willaey (1880-1963) Title View of Istanbul – Golden Horn and Süleymaniye Mosque Date 1910 Medium Oil on canvas Dimensions 50 × 89 cm (canvas)...

This superb marine oil painting is by noted Austrian artist Roland Strasser. Strasser was born in Vienna, studied art in Germany, spent time in Indonesia and finally settled in Amer...

Eugene Remy Maes was born in Belgium as Theo van Sluys in 1849 in the village of Puurs near Bornem. He trained at the Brussels Academy of Fine Art. The artist produced work under t...

Beautiful oil on wooden panel realized by Piero Marussig between 1928 and 1930. Very good conditions. Published in the general catalogue of the Artist...

A fine landscape of birch trees in the Adirondacks by American artist Paul Bernard King (1867-1947). King was born in Buffalo, New York, and after becoming an established printer, went on to study at the NY Art Students League with Henry S...

Joseph Schippers 1868 – Antwerp – 1950 Belgian Painter 'Sunset at Sea' Signature: signed lower right and dated 1936 'Jos. Schippers 1936’, signed and dated on revers 'Jos. Schipper...

Work on canvas

Johann Berthelsen and one of New York city’s best known artists along with Guy Wiggins, depicting the streets, parks and skyline of New York. This is a romantic and atmospheric work ...

Gentle SeaSide English School, early 1900's original watercolor painting on artists paper, unframed overall paper size: 7.75 x 11 inches From a large private collection of English ...

Signed oil on canvas landscape circa 1920 by French post impressionist painter Elisee Maclet. The work depicts a view of the coastal city of Arles in the South of France from the wat...

George Raab (American, 1866 - 1943) Signed: G. Raab 1912 (Lower, Right) " Doctor Lake ", 1912 Oil on Canvas 18" x 22" Housed in a 3" Period Carved Frame in the style of Newcomb ...

Leo van der Smissen Dendermonde 1900 – 1966 Bruges Belgian Painter Bruges School 'View of Bruges – Sint Anna Quarter' Signature: signed lower left 'L Van Der Smissen' Medium: oil o...

Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929 Nantucket Sunrise, a Fisherman is gazing at the sky by James Francis Barker (American, 1872 – 1950). In the style of Albert Pinkham Ryder (1847 - 1917) was active/lived in New York, Massachusetts. Albert Ryder is known for Romanticism-pastoral landscape painting. Barker has a heavy impasto and extensive brushwork throughout and captures American Post Impressionism with this early sunrise on Nantucket Island scene. Image, 10.25"H x 14.25"W Signed "J. F. Barker" dated "3/29" on Stretcher bar verso Signed James F. Barker on Linen verso James F. Barker’s lineage traces back to eleven of the original Nantucket settlers. He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, With a degree in mechanical engineering and graduate degree in architecture, his career was centered among institutes of higher learning. Barker was also a skilled painter and a talented photographer. Barker specialized in waterfront, wharf, and beach scenes. The artist exhibited his work during the summer months at the Eagle’s Wing Studio on Union Street, having named the studio after a steamer, which had been captained by his grandfather. James Francis Barker (1872 – 10 December 1950) was the second president of the Rochester Athenæum and Mechanics Institute, succeeding Carleton B. Gibson, from 1916–1919. He also pursued painting, pottery, metal working, and cabinet making. Gravestone in Prospect Hill Cemetery, Nantucket He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, becoming Superintendent of the Manual Training Department at East Division High School in Milwaukee, Wisconsin in 1897. He left in 1904 to pursue similar positions at Grand Rapids High School and the Hackley School in Muskegon, Michigan. In 1906, he participated in the formation of East Technical High School in Cleveland, Ohio and served as its first principal. He married the former Kate Spooner in 1897 and raised one daughter. After being widowed in the late 1930s, he married Josephine M...

A nordic light nocturnal scene by Rolf Mellström (1896–1953) Two Eurasian woodcocks cross above the dark forest, their compact bodies reading as quick silhouettes against a late blue...

Maerten Van Der Loo (1880-1920) Belgian, oil on canvas. View of an Old Bridge in Bruges. Signed to the lower right. Signed and inscribed verso.

Storm at Sea English School, early 1900's original watercolor painting on artists paper, unframed overall paper size: 7.75 x 11.25 inches From a large private collection of English ...

A fine impressionist view of a New Jersey Beach, possibly Atlantic City, at the turn of the 20th century by American artist William Gilbert Gaul (1855–191...

Robertson K. Mygatt (American, 1862-1919) Uplands Oil on panel, 5 1/4 x 6 5/8 inches FRAMED: 9 x 10 1/2 inches (approx.) Exhibition label on verso: "Salamagundi Club/Thumb-box Exhibi...

Morris Kantor New York (1896 - 1974) Paris from the Ile St. Louis, 1927 (view of Eiffel Tower) Oil painting on canvas Hand Signed lower left. Provenance: Hirshhorn Museum and Scul...

Work on panel Beige wooden frame 51.5 x 82.5 x 3 cm This work of art, entitled "Paysage de bord de mer," captures the raw, untamed beauty of maritime nature with extraordinary precis...

Artist/ School: Suzanne Crochet (French c. 1930 female French Impressionist artist) Title: The Old Provencal Village Medium: oil on board, unframed board: 13 x 9 inches Provenan...

Provenance The Artist; Charles Prendergast (acquired from the above in 1924); Mrs. Charles Prendergast (thence by descent from theabove in 1948); Kraushaar Galleries, New York; Mr...

Wonderful impressionist Paris street scene by the famous French artist and designer Rene Sim Lacaze (1901-2000). Oil on board 60cm x 68cm Good gallery ...

Antique American impressionist fall landscape oil painting by Leonard Rodowicz (1898 - 1981). Oil on board. Signed verso. Framed. Measuring 16 by 19 i...

Work on canvas Gray and gold wooden frame 71.5 x 91.5 x 4.5 cm

Sunset over the Loch by F. E. Jamieson (British 1895-1950) signed lower corner oil painting on canvas, unframed canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting captures this beautifully romantic view of the Scottish Highlands, with an extensive view over the loch waters. F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings. In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door...

Signed and dated figure in landscape oil on board by French impressionist painter Charles Lacoste. A truly stunning piece with depicts a nighttime view of a Parisian street with a single woman dressed in a black coat and hat standing in the centre of of dark square which is being dimly lit by the street lights overhead. The outline of trees and the city's buildings can be seen in the distance. Signature: Signed and dated 1904 lower right. Dimensions: Framed: 24.5"x31" Unframed: 18.5"x25" Provenance: Wildenstein & Co - New York "Charles Lacoste: A Forgotten Nabi" 2002 This work is accompanied by the catalogue published to accompany the exhibition “Charles Lacoste: A Forgotten Nabi” held at Wildenstein in New York from January 30 to March 2, 2002 The son of a Bordeaux accountant and a creole mother, he met in high school the future poet Francis Jammes and Gabriel Frizeau the legendary art collector. He taught himself to paint and from 1894 to 1897 he made several important contacts: André Gide, Arthur Fontaine...

JOAQUÍN PALLARÉS ALLUSTANTE Spanish, 1853 - 1935 PORTE SAINT - DENIS signed "J. Pallares" (lower left) oil on canvas 10-1/2 x 15-3/4 inches (26.5 x 40...

This luminous painting by Oscar Lycke captures a tranquil sunset scene deep within a Nordic forest. The warm, golden light of the setting sun filters through the dense spruce trees, ...

Beautiful Brittany, France coastal landscape depicting a cottage and a lone farmer by A. Henry (French, 20th Century),circa 1920. Signed "A. Henry" lower right. Unframed. Image, 16"H...

This pastoral oil captures the golden warmth of a rural harvest scene, featuring prominently positioned wheat sheaves in a sun-drenched field. The artist's soft brushstrokes evoke a ...

Immerse yourself in the timeless allure of "Eternal Venice," an Antique Landscape Oil Painting delicately presented on an Oval Convex Wood Frame measuring 27.5" x 39". This masterful...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: oil painting on thick paper, unframed. Size: painting: 13 x 20 inches. Provenance: all th...

Adrian Daintrey was born in Balham, London on 23 June 1902, the youngest of three children of Ernest Daintrey, a solicitor and his wife Lucy Mary (née Blagdon). He was educated at Ch...

Work on canvas Gray wooden frame 46 x 58.5 x 5.2 cm This work of art beautifully captures the essence of a peaceful, bucolic landscape. The trees, painted with vigorous brushstrokes,...

A Summer’s Day Cornelis Koppenol Zoetemeer 1865 – 1946 The Hague Dutch Painter Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 29 x 43 cm, frame size 37 x 52 cm Biography: Koppenol Cornelis was born on December 26 in 1865 in Zoetmeer, The Netherlands. He was a Dutch painter of genre scenes, portraits, still lifes, flowers, beach scenes with figures, cows and sheep markets, landscapes with farm workers, farm interiors. He is known especially for paintings with farm girls with geese...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a period frame. Illustrated in "New Hope for American Art" by Jim Alterman and "The Philadelphia Impressionists" by Thomas C. Folk, pg, 102, plate 45 S. George Phillips (1890 - 1965) Regarded by some as “a poor man’s Garber” (“poor” needing to be redefined these days), S. George Phillips painted rich and colorful landscapes depicting views of the Delaware River and the environs surrounding New Hope. An extremely competent artist, Samuel George Phillips was born in Pennsylvania in 1890. He studied at the Pennsylvania Academy of the Fine Arts under William Merritt Chase, Cecilia Beaux, Hugh Breckenridge, and Daniel Garber. He then traveled to Europe to continue his studies. Phillips began his career as an illustrator and commercial artist. His work appeared in The Saturday Evening Post, The Ladies’ Home Journal, McCall’s, and The Liberty Magazine. His best known work as an illustrator was the Santa Claus logo he designed for the Whitman Candy Company. Around 1915, Phillips established a portrait studio in Philadelphia. Soon he was to become one of Philadelphia’s pre-eminent portraitists, painting many prominent socialites, politicians, and academicians. For fifty years, he commuted from his home in Atlantic City to his Philadelphia studio. Like many artists, painting was Phillips’s livelihood and although landscape painting was his passion, the bills were paid by money earned for commissioned portraits and illustration work. Phillips found portrait painting to be stressful and landscape painting to be relaxing, and as a result, he would frequently spend weekends in Bucks County, taking part-time residence at the Point Pleasant...

Impressive early American impressionist winter landscape snow scene oil painting. Framed. Oil on canvas. Image size, 20H by 24L.

Bruce Crane (1857 - 1937) November Oil on canvas 25 x 30 inches Signed lower right Robert Bruce Crane was an American painter. He joined the Lyme Art Colony in the early 1900s. His ...

A wonderful impressionist oil painting of three young girls and a doll carriage on the path by American artist Lee Lufkin Kaula (1865-1957). Kaula was born in Erie, PA and studied wi...

Early 20th Century oil painting of men having a conversation on the San Francisco, California pier with boats in the distance by Gus Johnson (American, 19th century), 1928. Signed on the lower right. Unframed. Image size, 23"H x 32"L. Johnson was a regular outdoor painter on the California coastal regions during the 1920s-50s. He enjoyed painting scenes on San Francisco Bay near Sausalito and Marin California.

This exquisite antique oil painting beautifully captures the serenity and charm of a pastoral countryside. A winding dirt road draws the viewer’s eye past quaint thatched cottages n...

Oil on board painting by Aloysius O’Kelly of Concarneau, Brittany. Signed bottom right and titled verso. Condition: Good. Provenance: Sarasota estate. Overall sized framed in o...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: signed painting: 13 x 1...

Gerrit Beneker (1882 - 1934) Wellfleet, Cape Cod, Massachusetts, New England, 1926 Oil on canvas 20 x 16 inches Signed, titled, and dated lower left Provenance: Louis H. Barnett, Fort Worth, Texas In 1905, Gerrit Beneker began his art career as an illustrator. He married Flora Judd, his high school sweetheart from Grand Rapids and they moved to Brooklyn, NY. Gerrit's early passion was to create an art that would inspire and provide honor to the workingman. As such, he had no interest in painting portraits of pretty women, which were so often seen on the magazine covers of the day. Rather he wanted to seek out workingmen on the bridges, tunnels and skyscrapers of NYC, and paint them in their environments. He completed over 150 magazine covers, numerous ads including many for Ivory Soap...

In the vast realm of art history, there are certain works that transcend time and space, transporting us to a world of beauty and serenity. One such painting is by the renowned Swedi...

Jose Arpa (1858-1952) San Antonio Artist Image Size: 18 x 24 Frame Size: 21 x 27 Medium: Oil Circa 1920s "Brackenridge Park" San Antonio Texas. Biography Jose Arpa (1858-1952) Born in Carmona, Spain, José Arpa y Perea was known as "The Colorist Painter" of figures and landscapes, especially in Texas where he brought a fresh approach to San Antonio painting in his bright, sunlit local scenes. He was also an etcher, illustrator, and muralist as well as an art teacher, and he started and ended his career in Spain. His subjects include the Grand Canyon of Arizona. Please visit our 1stdibs storefront to view more of our fabulous goodies. He began his art study as the pupil of Eduardo Cano de la Pena at the Academy of Fine Arts in Seville and then spent six years in Rome followed by extensive travel through Africa and Europe. His reputation was solid enough that the Spanish government sent four of his paintings as part of the exhibition to the 1893 World's Columbian Exposition in Chicago. In 1894, as an illustrator, he accompanied a Spanish army expedition to Morocco where the Spanish had been defeated by Rifi tribesmen. In the mid-1890s, he was brought to Mexico City, reportedly by a special Mexican naval vessel, to head the Academy of Fine Arts, but declined the position once he understood the responsibilities. Instead he joined one of his Spanish schoolmates and went to his home in Puebla, Mexico, where his use of bright colors earned him the name of "Sunshine Man." He became close to the children of this man, and in 1903, accompanied them as a guardian to school in San Antonio. After twenty years of traveling in Spain, Mexico, the Southwest, and South America, Arpa settled in 1923 in San Antonio, Texas, where he became Director of the San Antonio Art School and painted bright, sun-filled landscapes. He taught landscape and portrait painting and was exceedingly prolific, and several San Antonio collectors accumulated large numbers of his works. Among his close artist friends were Robert and Julian Onderdonk, Tom and Joe Brown, and Charles Simmang. They were members of a San Antonio group who painted together and called themselves the "Brass Mug...

A charming painting of a boy and girl walking down a country lane. Wonderful rendering of the trees and sky. The painting has two repairs (I have included a photo of the patches on t...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed Size: painting: 13 x 19 inche...

Signed and dated post impressionist riverscape oil on canvas by French painter Ferdinand du Puigaudeau. This stunning and large work depicts a view of the river Loire in Nantes, Fran...

Signed impressionist oil on canvas landscape painting by French painter Maxime Maufra. The piece depicts people rowing boats through the flooded streets in Paris. Signature: Signed...

Circa 1930 American school winter impressionist landscape painting. Oil on board. Framed. Signed verso. Image size, 16 by 20 inches.

Lombard Landscape is a modern artork realized by Gigi Comolli in 1928. Mixed colored oil on canvas. Includes frame: 110 x 127.5 cm Hand signed and date...

Very interesting and finely painted 1928 American impressionist landscape painting. Oil on canvas. Signed "E.W. Jackson". Framed.