Early 20th Century Landscape Paintings

Ashley John is proud to offer this artwork by: Carle Blenner (1862 - 1952) Carle Blenner was born in Richmond, Virginia, and received his education in Marburg, Germany. Blenner re...

Sparse Forest Scene by William McGregor Paxton is a testament to the artist's mastery of light, atmosphere, and nuanced detail. Known for his contributions to American Impressionism,...

A majestic Canadian mountain rises to the sky with a small Canadian Mountie on hours viewing the scene, Mizen uses a creative technique of exposing...

Signed lower left and dated 1921. About the artist: From an affluent and artistic family, Reynolds Beal and his younger brother Gifford both made careers in art. Beal was born in ...

Jim’s of Lambertville is proud to offer this artwork. Oil on canvas. Signed lower right. Complemented by a hand carved and gilt frame. Illustrated in "New Hope for American Art" by James Alterman. Henry Bayley Snell (1858 - 1943) Henry Bayley Snell was born in Richmond, England, on September 29, 1858 and immigrated to the United States at the age of seventeen. He studied at the Art Students League in New York while working for an etching and engraving company where he began a lifelong friendship with fellow artists, William Langson Lathrop. While in New York Snell met another artist, named Florence Francis, also of English descent, whom he would eventually marry in 1888. It is believed that they first came to Bucks County in 1898 to visit the Lathrops at Phillips Mill. Snell was a beloved teacher at the Philadelphia School of Design for Women from 1899 to 1943, and often took his art classes abroad during the summer. He would frequently visit his native England, spending time at the art colony of St. Ives on the coast of Cornwall. Snell would summer in Gloucester, Massachusetts, and Boothbay Harbor, Maine, where he also held painting classes. Almost all the women who exhibited with “The Philadelphia Ten” had studied with Snell either in Philadelphia or New England. Snell also taught on Saturdays at the Grand Central Galleries in New York City. The Snells made many trips to New Hope before settling there permanently in 1925. They lived on the top floor of the Solebury National Bank Building where Henry also maintained a studio. This was located at the foot of the New Hope-Lambertville Bridge and many of Snell’s New Hope scenes were painted from this location. In 1943, Snell passed away in New Hope at the age of eighty-four. Henry Snell earned an international reputation as an artist for his paintings of Cornwall...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Illustrated in "New Hope for American Art" by James Alterman, and "Blue Chips" published by Jim's of Lambertville. M. Elizabeth Price (1877 - 1965) Mary Elizabeth Price was born in West Virginia and raised on a farm in Solebury, Pennsylvania, on the outskirts of New Hope. She studied at the Pennsylvania School of Industrial Arts and the Pennsylvania Academy of the Fine Arts under Hugh Breckenridge. Additionally, she studied in New Hope with William Lathrop. Following her art studies, Price went to New York. While there, she conducted the “Baby Art...

Early 20th Century oil on canvas painting of a garden by M Lagrosk. The painting is signed bottom right. Interestingly to the back stretcher there is a trade stamp for 'Montmartre, B...

This is a lovely antique original oil painting on canvas depicting a classic Dutch rural landscape, highlighting an idyllic country scene that is both tranquil and picturesque. It features a central dirt path leading towards the horizon, flanked by lush greenery and a variety of trees under a softly lit sky, suggesting a late afternoon setting. On the path, two figures can be seen in the distance. To the right, a charming thatched cottage, partially obscured by foliage, anchors the composition, giving a glimpse into rural life. The ornate golden frame complements the artwork, adding an element of elegance and emphasizing the traditional value of such a scene in Dutch landscape painting. This type of artwork is typical of the Dutch Golden Age style, where landscapes were celebrated for their beauty and as reflections of national pride. The painting not only portrays the beauty of the Dutch countryside but also evokes a sense of nostalgia for a simpler, pastoral life. Houses in a gilded ornate frame. The painting has some craquelures, dirty areas. Please see photos. Signed in the lower-right corner H.Hulk. Titled in the lower-middle "Path to the Sea" Dimensions (frame): 29.5” W x 17.5” H Dimensions (sight): 24” W x 12" H Hendrick Hulk (1842-1937) was a Dutch artist known primarily for his landscapes and marine paintings. He was active in both France and the Netherlands during his career. Hendrick Hulk's career included a focus on traditional Dutch landscapes as well, depicting scenes with rivers, barges, and the rural countryside that are reminiscent of the 19th-century Dutch painting style...

THOMSEN René Born in Paris in 1897 and died in 1976 in Paris. 20th century. French. Painter of figures, nudes, portraits, landscape, still life, flowers. Pupil of Louis ...

The Highland Glen By Charles McKinley (antique British) signed oil painting on canvas, framed framed: 18.5 x 26 inches canvas: 16 x 24 inches provenance: private collection, Englan...

This work of art depicts a lively scene in a typical Naples alleyway. Time-worn stone staircases climb between ancient buildings with yellow facades. Colorful banners float above the...

Frank Waller (American, 1842-1923) House and Garden, Morristown, 1908 Oil on canvas, 18 1/2 x 12 inches Framed: 23 x 16 inches (approx.) Dated and inscr...

Pastel Impressionist style painting by American landscape artist George Ames Aldrich. The work features a woman standing at the edge of a river in a quaint pastoral French town. Sign...

Artist/ School: F. E. Jamieson British 1895-1950 Title: Sunset in the Scottish Highlands Medium: Oil on canvas Size: framed: 22.5 x 32.5 inches canvas : 20 x 30 inches Provenanc...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972) One of the finest painters to embark upon the New Hope Art Colony, John ...

Provenance Private collection; Christie's, Fine American Paintings, Drawings, and Sculpture, New York, March 9, 2007, lot 120 A fine example of Jonas Lie's mature artistic style, Wi...

Sunset over the Highlands, 'Allan Waters' by F. E. Jamieson (British 1895-1950) signed, lower corner & titled verso oil painting on canvas laid over board, framed canvas: 16 x 24 inches framed: 19 x 27 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting captures this idyllic hazy view of the famous and beautiful mountains and river 'Allan Waters' in Scotland. The Allan Water is a river in central Scotland. Rising in the Ochil Hills, it runs through Strathallan to Dunblane and Bridge of Allan...

This oil painting is signed by the artist "A.Lhote." in the upper left corner. The work was painted in 1928. Note; The village is perhaps La Laupie. Provenance: This work is ac...

Alfred de Breanski Jr, oil on canvas, "Invergary Castle, Loch Oich", Grazing sheep in the foreground and cattle in the background. A beautiful lake and mountain landscape with meadows, trees and snow capped peaks. The colors are vibrant. Signed: A De Breanski B/L. Titled and signed verso. Painting size: 18 inches x 24 inches Framed size: 24.25 inches x 30.75 inches Condition: Very Good with brilliant colors and no damage or restoration. Original frame with restorations. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described.  Alfred Fontville De Breanski Jr...

Artist: Ben Benn, Polish/American (1884 - 1983) Title: 23rd and 2nd Ave, New York City Year: 1924 Medium: Oil on board, signed l.r. Size: 14 x 11.5 in. (35.56 x 29.21 cm) Frame Size:...

'The Park', oil on canvas, by M. Phidias (circa 1920s). Painted using this artist's trademark impasto, the effect is to add depth and texture to the exuberant display of hues and ref...

Signed lower left: Iosif Evstafievich Krachkovsky (1854 - 1914), and dated lower right - 1910. Summer View Of Well pole or Shadoof / sweep somewhere in Ukraine (due the specific wicker fences design). A hot summer day that causes thirst, water quenches it. Water, a symbol of life at all times. The well depicted in this painting. source of water and hence the source of life. Symbolism and philosophical overtones in this painting is the main message of the artist to us... Oil painting on canvas pasted on cardboard, framed, early 20th century. Size app.: 45 x 33 cm (roughly 17.7 x 12.99 in), framed by 56 x 44 cm (roughly 22.04 x 17.32 in). Very Good condition, age wear, canvas pasted on cardboard. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker than on our pictures, appearance also depends on sufficient light in your room. I. E. Krachkovsky - Polish-Russian landscape painter...

Provenance Bonhams Skinner - Malborough, March 8, 1991, lot 226; Private collection, Pennsylvania, until 2022 A painter especially known for street and waterfront scenes of Boston, ...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Charles MALFROY French 1862 - 1918 Canvas size: 24 x 36" (60 x 90cm) Outside Frame Size: 32 x 44" (82 x 112cm) Inscribed on the reverse Charles Malfroy was born on May 22nd 1862 i...

Signed impressionist landscape oil on canvas circa 1920 by French painter Antoine Bouvard Snr. The work depicts a figure rowing on a gondola beside buildings lining the canal at the ...

A beautiful oil landscape of Lake Sunapee, NH by German / American artist Gustave Adolphe Wiegand (1870-1957). Wiegand was born in Bremen, Germany and studied at the Royal Academy in Berlin and The Royal Academy of Dresden and also worked under Eugen Bract and William Merritt Chase in New York. He belonged to the Salmagundi Club, the Allied Artists of America, and the New York Society of painters. He became well known for his landscapes and still life paintings. Oil on canvas, signed lower right, titled on verso Springville High School Art Association partial label “Lake Sunapee N.H. Spring Morning...

Artist/ School: Jack Maurice Ducker (British, 19th/ 20th century), signed and dated 1919 Title: Sunset over the Scottish Highlands Medium: oil on canvas, framed Framed: 22 x 30 in...

This gorgeous Edwardian Scottish oil painting is by noted Scottish artist George Houston. Painted circa 1910 and in portrait orientation, the composition is a winter's snowy landscap...

Not a light and fluffy work, this dramatic impressionist landscape of a European village scene shortly after rainfall captures the moment when the sunshine is just breaking through a...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed Size: painting: 13 x 20 inche...

Robertson K. Mygatt (American, 1862-1919) Green Field and Barn Oil on panel, 6 1/8 x 9 7/8 inches Framed: 10 x 15 inches The landscape painter and etcher Robertson K. Mygatt was born in New York City and studied at the Art Students’ League with John Twachtman...

Walt Kuhn (1877-1949)was associated with the art group known as "The Eight" and with Arthur B. Davies, was a the key figure in forming the American Association of painters and Sculp...

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 33x41 cm. Frame measures 47x55 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Afternoon Stroll Louis Faille (French 1878-1964) signed oil on board, unframed board : 27.5 x 20.5 inches Provenance: private collection, Paris Condition: very good condition Descri...

Painted in 1917, this striking winter landscape captures the force and stillness of a spring flood, likely set in the artist’s native Ockelbo region. The painting is a rare example o...

Eugen Felix Prosper Bracht, 1917, Harvesting with a hay wagon and team of oxen. Large and decorative painting by the world-renowned artist Eugen Bracht. Fro...

Antique British, indistinctly signed watercolor painting on board, framed framed: 21.5 x 30.5 inches board: 18 x 27 inches provenance: private collection, England condition: very g...

Loch Achry Signed by Everett Watson Mellor (1878-1965) oil on board, framed Framed: 11.5 x 15.5 inches Board: 10 x 14 inches Inscribed verso Provenance: Private collection This capt...

A lovely plein air landscape painting from the 1930s of a cabin amongst the eucalyptus trees in Old Laguna Beach, California. Oil on canvas ...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) Path in a hamlet Oil on panel H. 24.5 cm; L. 31 cm Signed lower left, dated 1929 Provenance: Private collection, Charent...

Winter Snow Scene

Alexandre Altmann (1878-1932) Snowy Landscape, 1915 Oil on canvas, 50 x 65 cm Provenance: Private collection, France Captured in the winter tones of 1915 by Alexandre Altmann, 'Sn...

Born in Mouscron in the Belgian province of Hainaut, Cogghe attended the Academy of Roubaix where he studied under Constantin Mils. In 1876, Cogghe was admitted to the École Nation...

Signed symbolist oil on panel circa 1910 by French Les Nabis painter Ker-Xavier Roussel. This beautiful painting depicts nudes and figures dressed in robes in a wooded landscape. Signature: Signed lower left Dimensions: Framed: 31"x40" Unframed: 23"x32" Provenance: JPL Fine Arts - London c. 1985 Ker-Xavier Roussel met Édouard Vuillard at the Lycée Condorcet, which they both attended. Together they visited Eugène Ulysse Napoléon Maillard's studio, where Roussel became acquainted with Charles Cottet, going on to study at the Académie Julian under Bouguereau and Jules Lefebvre. There, he became interested in the Synthetism promoted by Sérusier, following Sérusier's heeding of the line Gauguin had adopted in Pont-Aven. He joined the Nabis group. He and his friends form a link between the Impressionists - he knew Cézanne, Degas, Renoir and Monet - and the Fauves and Cubists. In his earliest paintings, Roussel adopted a dark palette for Realist still-lifes. Later, his work bore the influence of Gauguin, Sérusier, the Nabis and Cézanne, in Intimist scenes painted in flat tints not yet clearly delineated. Their dull, saturated tones are reminiscent of Cézanne. In about 1900 he started painting mythological scenes full of nymphs and fauns and set in his home region of Île-de-France. After a bicycle trip in Provence with Maurice Denis, during which he met Cézanne, he lightened his palette, much taken by the cloudless skies below which he would now set the mythological and idyllic compositions which link him to Poussin and Corot. This wondrous, unreal world found its way into large-scale works, including the stage curtain of the Champs-Élysées theatre in 1913, a large Pax Nutrix for the Palais des Nations in Geneva and Dance for the Palais de Chaillot in 1937. He is best remembered for: Silenius' Triumph, Polyphemus, Diana, The Abduction of the Daughters of Leucippus. The nymphs and fauns of a mythology quite his own appear in clearings and woods from the outskirts of Paris, but the sun they rejoice in is Mediterranean. To capture the vibration of bright colours under a permanent sun, he later turned to pastels. He was more a Symbolist than a Nabi and signed himself K.-X. Roussel. He also produced lithographs. He took part in exhibitions from 1891 with the Groupe des Vingt at le Barc de Bouteville's gallery in Brussels. Then he exhibited in Revue Blanche Painters ( Les Peintres de la revue blanche) in Paris; with the Nabis at Café Volponi in Paris; before World War I with Free Aesthetics in Brussels; from 1901 at the Salon des Indépendants and the Salon d'Automne; in the 1930s in Revue Blanche Painters ( Les Peintres de la Revue blanche) hosted in Paris by designer Bolette Natanson, the daughter of the Revue Blanche's owner. He took part in The Masters of Contemporary Art ( Les Maîtres de l'art contemporain) at the Musée du Petit Palais in Paris, and at the 1938 Venice Biennale and 1939 New York World Fair. He featured posthumously in Toulouse-Lautrec and the Nabis ( Toulouse-Lautrec et les Nabis) at Bern Kunsthalle; From the Revue Blanche ( Autour de la revue blanche) in the Galerie Maeght, Paris, and in Tokyo and Brussels. He had one-man shows in Paris before his death in 1944. Retrospectives were mounted in the 1960s in London and Bremen. Museum and Gallery Holdings: Geneva (Petit Palais): Haystacks on the Seaside Paris (BNF): Training the Dog; Landscapes (engraving); Nymph and Faun (c. 1895, etching) Paris (Louvre): Poject for a Screen (drawing) Paris (MNAM-CCI): The Road (c. 1905); The Cyclops (1908); Venus and Cupid on the Seafront (1908); The Abduction of Leucippus' Daughters (1911); Pastorale (1920); Diana at Rest (1923); Portrait of Vuillard (1934) Paris (Mus. d'Orsay): The Gate (pastel); Woman in Profile with Green Hat; In Bed; Félix Valloton...

The Roman Statue by Gabriel Jules-Charles Girodon (French, 1884–1941) *see notes below signed and dated oil painting on canvas, framed framed: 38 x 47 inches canvas: 36 x 44 inches...

Raphael Delorme (1885-1962) was one of the leading painter from the Art Deco Bordeaux school of painting with Dupas in France in the 1920's. This painting is typical of his best wor...

Henry John Yeend King (1855-1924) was a landscape and rustic genre painter. He began his artistic career by working for three years in glass works. King went on to study painting under William Bromley in London, and also with Bonnat and Cormon in Paris. He exhibited from 1874 to 1924 at The Royal Academy and The New Watercolour Society. He was elected to the Royal Society of British Artists in 1879, the Royal Institute in 1886, later becoming Vice President. He was also a member of the Royal Institute of Oil Painters. In 1898 his picture 'Milking Time' was purchased by the Tate Gallery in London. Yeend King was a fine late-Victorian oil painter...

Artist/ School: Suzanne Crochet (French c. 1930) French Impressionist artist Title: Boats in the Harbour Medium: oil on board, unframed and double sided image board: 9.5 x 13 inc...

Work on wood Golden wooden frame 43 x 53 x 5 cm

Rocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Antique original historical modernist landscape oil painting by Lee Roland Warthen (1893 - 1949) . Oil on canvas, circa 1912. Signed and titled on verso. Image size, 18L x 14H. H...

Fishing Boats Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection, Paris Condition: overall good and sound condition...

W. Benson (American, XIX-XX), Flock of Sheep, Oil on Canvas, early 20th century, signed "W. Benson (?)" lower right, housed in a giltwood frame. Image: 17.75" H x 21.25" W; frame: 24...

Early Twentieth Century Victorian Style Oil Painting of English Black and White Village Scene with Timber Framed buildings and mothers with their children and even a little dog! A t...

Provenance Spanierman Gallery, New York; Private collection, Pennsylvania Pioneer industrial landscapist Aaron Harry Gorson, born in 1872, came to the United States in 1890 from his...

California Lake Landscape in Watercolor on Paper Serene landscape by Donna N. Schuster (American, 1883-1953). The viewer stands at the edge of a lake, under a few trees. At the far ...