Countryside Landscape Paintings

Aangename Zomer Oil Painting on Canvas Enjoyable Summer Table Garden In Stock Juane Xue (Hui Xue, Kaiffeng, China, 1962) has been drawing since her childhood. This helped her to go ...

Bumpei Usui Backyard, Staten Island, 1933 Signed lower right Oil on canvas 20 x 24 inches Provenance: The artist's estate Salander O'Reilly Galleries, New...

Port en Bessin (Normandy, France) by Josine Vignon (French 1922-2022) oil painting on canvas, unframed inscribed verso canvas: 29.5 x 41 inches very good condition provenance: the a...

This beautiful landscape painting by Jeroen Allart is part of his minimalist landscape painting he did in his home country the Netherlands. A farm stands before you on the horizon. ...

Gathering clouds over meadow [2019] Sheep grazing in a field with clouds gathering overhead. This was in North Yorkshire near the coast. Additional information: Original Acrylic pa...

"Roses Among the Vines" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created during Colibri Gallery's 2nd Annual Plein Air Paint Out and won third place! Featuring the lush green vines of local winery Clos LaChance, Mancuso masterfully captures the light of the sun coming through fog on a Sunday October morning. Magnificent white roses gleam in the sunlight along with the chartreuse leaves surrounding the flowers. Framed: 16.75" x 19.63" Unframed: 11" x 14" Framing includes a black matte boarder with an ornate gold fillet with museum glass, all included in the price. About the Artist: Joe Mancuso is a plein air pastellist based in Torrance, CA. Mancuso is well known for the light in his paintings. His paintings are deeply influenced by the environment, especially seasonal changes and climactic weather. Mancuso creates his breathtaking paintings on location and though he may respond to a certain place or scene, his goal is to always make capturing the light his focal point. Joe participated in Colibri Gallery’s 2nd Annual Morgan Hill Plein Air Paint Out, where he won third place for his painting, Roses Among the Vines. In 2021, Mancuso achieved Master Circle Status with The International Association of Pastel Societies and is a Signature Member of the Pastel Society of America. Mancuso holds membership with The California Art Club, Laguna Beach Plein Air...

Early morning by the River Wye, Gloucestershire, October is an original oil painting by Anna Pinkster. It was inspired by time spent sketching on a misty mor...

Work on canvas Golden wooden frame 60 x 74 x 5 cm

Artist/ School: Ronald Moseley (British b.1931), signed Moseley was born in Marple, Cheshire in 1931. After secondary general education, he attended Manchester School of Art. After two years National Service, where he mostly spent paintings portraits of his officers' wives, he went to Canada, where he pursued his favourite hobby of climbing and painting The Rockies. He then spent eleven years in South Africa, where wildlife, the African people and Table Mountain...

English School, circa 1950's The Travellers Caravan oil on board, unframed 17 x 20 inches private collection, England The painting is in overall very good and sound condition - ther...

Orange, brown, green, and blue abstract landscape painting by Bob Yelland. The painting depicts a small chapel in the middle of a desert surrounded by tall trees. Signed by the artis...

Fred Parker Sonoma Mountain, 1996 Signed, dated, and titled on the reverse Acrylic, pastel, and pencil on board 21 1/2 x 29 1/2 inches

Work on cardboard Golden wooden frame 41 x 51 x 6 cm

American, b. 1948 Artist Statement "My paintings are intuitive responses to the myriad forces that shape my life—emotions that translate into color, visual memories of forms and co...

Jim Rodgers 16" x 20" Oil on Board

Work on canvas

BEST VIEWED ON MOBILE DEVICE One Flock Listens is part of newly released small works from V....Vaughan's collection of recent travels in Italy and France. V....Vaughan painted each of these on location "en plein air" It has an Impressionistic Style as seen in many of Virginia Vaughan's paintings. This was taken from a plein aire painting near the castle where V....Vaughan was giving a workshop in 2022. 18 x 22 framed. V....Vaughan is know for her animal, Texas missions Italy, France and Gulf Coast paintings. . Also shown in photos are other paintings by in the "Small Works" collection. Photos were taken to show the detail of each painting. Her paintings are part of the permanent collection of the Gadsen Museum of Art, the Bone Creek Museum of Agrarian Art and the Great Plains Art Museum as well as in countless private collections. In the fall 2023 she will teach a workshop at a castle in France, where artists will stay and enjoy the southern French food and scenes. I paint because it’s the best way I know to communicate, study, and observe creative work that’s how Texas painter V…. Vaughan (the first initial stands for Virginia) describes her drive to create fine art. “It’s a calling,” she says of her life’s work, which has taken several twists and turns but has, nevertheless, led her down the path toward fulfillment. A lifelong Texan, Vaughan grew up in the Austin area and today makes her home in Round Rock, a suburb of the capital city. As a child, she exhibited a love of making art and played the role of the creative one among the seven children in her family, eventually working for several of her siblings as a sign painter and designer. Her parents forever encouraged her to appreciate and mine her passion, instilling in her that it was not simply a passing fancy, but an innate gift. “It was always conveyed to me that this was a God-given talent,” she says. Somehow that made me feel like it was something I was supposed to do. It gave me permission to pursue it. Vaughan attended college on an athletic scholarship, though she filled her schedule with art classes and subsequently secured an internship at an advertising agency. That introduction to the corporate world set her off in a new direction—she left school to parlay the summer job into a full-time position. She continued to work as a commercial artist for many years after that, winning several prestigious ADDY Awards and working on high-profile accounts for Samsung, the Lady Bird Johnson...

A beautiful signed and dated 1964 oil on canvas laid on board by Fruin Bruce Charles Bravington depicting a continental landscape with farmed hilly fields. Very good quality and cond...

Peter van der Ploeg (Rhenen, The Netherlands, 1954) 'Paal 15' (Texel, The Netherlands) Signed P04 Acylic paint on board 55 x 105 cm. Peter van der Ploeg turns to landscape to find h...

The Luberon Valley Jean Julian (French 1888-1975) inscribed verso signed oil on canvas, framed framed: 20 x 20 inches canvas: 15.5 x 15.5 inches private collection, France the painti...

Gabriel Eduard HABERJAHN was an artist born in Switzerland in 1890 and died in 1956. His works have been sold at public auction 85 times, mostly in the Painting category. The oldest ...

Iconic San Francisco Bay Area contemporary landscape from celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art (SFMOMA), and the Metropolitan Museum of Art in New York, as well as the Oakland Museum of California. The work comes is 40 x 60 inches and is framed is a hard wood floater frame. Signed and dated by the artist. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015: REAL with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014: Stillness and Activity / A father and daughter exhibition, Gallerie Citi, Burlingame, CA. 2013: Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012: Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011: California: A Landscape of Dreams/ Fresno Art Museum 2010: Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009: On Beauty /I. Wolk Gallery, St. Helena, CA. 2008: At Water’s Edge / I. Wolk Gallery, St. Helena, CA. 2007: San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006: Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005: 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002: H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001: Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000: Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999: Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999: What is Art For? What are Museums For? What are You For? curated Curated for the Oakland Museum by William T. Wiley & Mary Hull Webster, Oakland, CA 1998: Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997: 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996: Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996: Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996: New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995: Facing Eden: 100 Years of Landscape Art in the Bay Area / De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery, Birmingham, MI 1994: Still Life/ Fischbach Gallery, New York City, NY New Bay Area Painting/ Contemporary Realist Gallery, S.F., CA A Room with a View/ The North Point Gallery, S.F., CA 1993: Bay Area Painting/ Contemporary Realist Gallery, S.F., CA Vanishing Point: A Look at Contemporary Landscape Painting”, Bedford Gallery, Walnut Creek, CA Tribute/ William Sawyer Gallery, S.F., CA Revolution: Into the 2nd Century at the San Francisco Art Institute, One Market Plaza, S.F., CA Contemporary Realism: Central and Northern California Landscapes/ Monterey Museum of Art, Monterey, CA The Artist as Native: Reinventing Regionalism/ a traveling exhibition curated by Alan Gussow and Babcock Galleries, N.Y., NY 1992: A Day in the Country, California Landscape Painting / I. Wolk Gallery, St. Helena, CA West Art and the Law/ Weat Publishing Co., St. Paul, MN(traveling ex.) The New York Academy of Art, New York, NY In Support of Contemporary Bay Area Artists / One Market Plaza, S.F., CA 1991: The Landscape in 20th-Century American Art: Selections from the Metropolitan Museum of Art/ New York, NY, National Traveling Exhibit 1990: Contemporary Landscapes/ 21st Anniversary Exhibition Tortue Gallery, Los Angeles, CA. 1990: New Bay Area Painting Contemporary Realist Gallery, S.F., CA 1989: The Modern Pastoral/ Robert Scholekopf Gallery, New York, NY 1988: Images of the Land/ William Sawyer Gallery, San Francisco, CA 1988: Ten Artists from the William Sawyer Gallery / Shasta College Gallery, Redding CA Works on Paper/ William Sawyer Gallery, San Francisco, CA 1987: The Contemporary American Landscape/ Swain Gallery, NJ 1986: Landscape, Seascape, Cityscape/ Contemporary Arts Center, New Orleans, LA 1985: The Bay Area Seen/ Bay Area Regionalists Show, Hall of Flowers, Golden Gate Park, San Francisco, CA Large Scale/ Harris Gallery, Houston, TX A City Collects/ Transamerica Pyramid, San Francisco, CA American Realism/ William Sawyer Gallery, San Francisco, CA 1984: San Francisco Bay Area Painting/ curated by George Neubert for the Sheldon Memorial Art Gallery, Lincoln, NE American Landscape Painting/ California State University, L.A. CA Western Landscape Painters/ The Museum of the West, Houston, TX The Urban Landscape / One Market Plaza, San Francisco, CA 1982: Collectors Gallery 16/ McNay Art Institute, San Antonio, TX Thirty Approaches to Realism/ William Sawyer Gallery, S.F., CA 1981: Views of California Past and Present/ Triton Museum, Santa Clara, CA Landscapes/ Harris Gallery, Houston, TX 110th Anniversary S.F. Art Institute Alumni Group Show/ William Sawyer Gallery, S.F., CA 1980: Realism/ Walnut Creek Civic Arts Gallery, Walnut Creek, CA 1979: Bay Area Artists Exhibition/Sale/ Oakland Museum, Oakland, CA Omnium Gatherum/ Tortue Gallery, Los Angeles, CA California Viewpoints/ Sunne Savage Gallery, Boston, MA 1978: New Work/ Mills College Art Gallery, Oakland, CA Images of the Land/ William Sawyer Gallery, S.F., CA 1977: Contemporary California Artists/ Marshall-Meyers Gallery Alternative to the Whitney Annual/ James Yu Gallery, N. Y, N.Y. San Francisco Art Festival/ ( Airport Competition Purchase Prize) 1977: Eight Young Americans/ Montclair Museum of Art, Montclair,NJ 1976: Three From California/ Francine Sedars Gallery, Seattle, WA Faculty Show/ California College of Arts and Crafts, Oakland, CA 1975: Realism in Painting and Ceramics/ Helen Euphrat Gallery, De Anza College, Cupertino, CA 1975: A Tribute to the Art Institute/ Hansen Fuller Gallery, S.F., CA California Artists/ Utah Museum of Fine Art, Salt Lake City, UT 1974: Our Land, Our Sky, Our Water/ by Alfred Frankenstein Expo 74, Spokane, WA A Sense of Place/ curated by Alan Gussow for the Joslyn Museum, Omaha, NE The Discovery Gallery, Montclair, N.J. 1973: College of Marin Gallery, Kentfield, CA California Artists/ Kaiser Center, Oakland, CA 1972: Visiting Artists/ California State University, Hayward, CA 1970: Drawing Invitational/ Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA 1970: San Francisco Art Institute Centennial Exhibition, San Francisco Museum of Modern Art, S.F., CA 1967: Society for the Encouragement of Contemporary Art Annual, San Francisco Museum of Modern Art, S.F., CA 1966: California Landscape Painters/ San Francisco Art Institute, S.F. CA. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank, NY Swissre Corporation, NY The Insurance Company of North America First National Bank of Midland, Texas Commerce Bank AMA Headquarters, Washington, DC Hughes Tool, Houston, TX ATT, NY Morgan Stanley Dean Witter, San Francisco, CA IBM Corporation, San Jose, CA Northern Trust Company, Chicago, IL Smith Kline and French Corp., Philadelphia, PA Wells Fargo Bank, San Francisco, CA Republic National Bank Chevron Trammel Crow Company, Dallas, CA U.S. Insurance Group, N.J. Southwestern Bell Corp., MO Union Bank Pacific Bell United States Trust Company, NY The United Bank of Denver, CO Cigna Corp., Philadelphia, PA Atlantic Richfield Corp., Los Angeles, CA Show, Pittman, Pots and Trobridge, Washington, DC San Francisco Zen Center Hughes Aircraft Co. Los Angeles, CA Minnesota Mining and Manufacturing (3M), St. Paul, MN Bank of America, NY Commerce Bancshares, Inc., Kansas City,MO Robinson Humphrey/American Express, Atlanta, GA Merrill Lynch, San Francisco, CA Goldman Sachs, NY Metropolitan Life Insurance Co., NY Victoria Bank and Trust, Victoria, TX NYNEX, NY Coca Cola, U.S.A., Atlanta, GA TransAmerica Corporation Pacific Telesis Group Brobeck, Phleger, & Harrison Exxon Corporation U.S. Trust Selected Private Collections Estate of Ahmet Ertegun, New York, NY Mr. Harrison Ford, Los Angeles, CA Estate of Irving Lazarr, Los Angeles, Ca Mr. and Mrs. Leonard Holzer, New York, NY Mr. and Mrs. Peter Asher, Los Angeles, CA Mr. John Irvin, London, England Ms. Joan Didion, New York , NY Ms. Sabrina Guinness, London, Eng. Mr. and Mrs. Austin Hills, San Francisco, CA Mr. and Mrs. Peter Duchin Ms. Linda Ronstadt Ms. Faye Dunaway Mr . Peter Morton Mrs H.J. Heinze, New York, NY Mr. Rupert Lowenstein Mr. and Mrs. Robert Emery, San Francisco, CA Mr. Earl Mc Grath, New York, NY Mr. Nat Weiss, New York, NY Mr. Luca Barilla Mr. Bruce Schnietzer, New York, NY Dr. and Mrs. Robert Carroll, New York, NY Mrs. Nicholas Boyd, San Francisco, CA Mr. and Mrs. Robert Green, San Francisco, CA Mr. Chappy Morris, New York, NY Ms. Carla Kirkeby, Los Angeles, CA Mr. and Mrs. Elliot Caplow, Los Angeles, CA Mr. and Mrs. Robert Meyerowitz, New York, N.Y. Mr. and Mrs. Steven Gilsendaine Mrs. Caroline Cushing Graham, Los Angeles, CA Mr. Michael Nesmith, Los Angeles, CA Mr. Griffen Dunne, New York, N.Y. Mr. and Mrs. Paul A. Erskine, Pasadena, CA Mr. N.J. Friedman, Hillsborough, CA Mr. Harold Hollingsworth...

This work is inspired by the Covid-19 pandemic which has impacted human life in various ways. A new lifestyle has emerged where we have to change or start a new way of living and doi...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

"Hallman's" is a landscape with figures and farmhouse, by American Impressionist painter Albert Van Nesse Greene. The painting is a 13.5" x 19....

Red Barn in the Snow - Winter Landscape Vibrant depiction of two bright red structures in winter, by an artist using the nom de plume "Art St. Peter." The paper is used as negative s...

This artwork Titled "The Lumbejack House, Santa Cruz, California" c.1940 is an oil painting on canvas by noted California artist Carl M. Thorp, 1912-1989. It is signed at the lower left corner by the artist. The canvas size is 20 x 24 inches, framed size is 25.25 x 29.25 inches. Framed in a wooden gold frame. It is in excellent condition. About the artist: Carl Thorp (1912–1989) was an American artist who became known for Impressionist landscapes of California, sometimes referred to as California Scene...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Goldmine, Central City, Colorado, oil on canvas, 36 x 28 inches, c. 1936, signed lower right, ex collection of Platt Fine Art, Chicago, Illinois (label verso). About the Painting Joseph Meert’s painting, Goldmine, Central City, Colorado, depicts the short-lived resurrection of a once prominent city just outside Denver. Central City was founded in 1859 soon after John Gregory struck gold in the area. As word spread, thousands of miners converged into “Gregory’s Gulch” and its surroundings became known as the “richest square mile on earth.” Mining production quickly increased resulting in Central City to becoming Colorado’s largest city in the early 1860s. Despite some technical difficulties transitioning to lode mining and the rise of competition from Leadville, Central City remained an economic boom town through the turn of the century. But, with every boom, there is a bust. World War I marked the end of Central City’s prominence as ore production ground to a halt and by 1925, the town’s population shrank to only 400 people. The desperation of the Great Depression and a nearly 100% increase in the price of gold lured labor and capital back to Central City. Meert painted in Colorado during the mid-1930s, a time when he created his most desirable works. It is during this period of renaissance that Meert captures one of Central City's outlying dirt streets bordered by 19th century wooden houses from the town's heyday and the more recently installed electric lines leading to a distant gold mine. A lone figure trudges up the hill, a mother with a baby in her arms, putting us in mind of the rebirth of the town itself. Meert had solo exhibitions at the Colorado Springs Fine Arts Center in 1936 and the Denver Art Museum. Although it is not known whether Goldmine, Central City was included in either of these exhibitions, it seems likely. Moreover, the painting is closely related to Meert’s painting, The Old Road, which was painted in 1936 and exhibited at the Corcoran Gallery of Art in Washington, DC and at the Dallas Museum of Art. About the Artist Joseph Meert was a well-regarded painter and muralist, who initially made a name for himself in the American Scene and later as an abstract expressionist. Although initially successful, Meert struggled financially and with mental illness later in life. He was born in Brussels, Belgium, but moved with his family to Kansas City, Missouri. As a child, a chance encounter at the Union Pacific Railyard changed his life. Meert happened upon a worker repainting and stenciling a design on a railroad car. Meert later recalled that this experience introduced him to the idea of being a painter. Without support from his father, Meert obtained a working scholarship to the Kansas City Art Institute. After four years at the Kansas City Art Institute, Meert studied seven years at the Art Students League and in Europe and Los Angeles. At the Art Students League, Meert fell under the spell of Thomas Hart Benton and Stanton MacDonald-Wright. In 1931, he befriended Jackson Pollock. By 1934, Meert was part of the Public Works of Art Project when he met his wife, Margaret Mullin...

Robert Cardinal, originally from Montreal, has been living on Cape Cod for most of the past fifty years. In the late 1950s, he left Canada and moved to Greenwich Village. From there,...

"Cemented By The Coast" is an original, handmade oil painting, by Samantha Buller, that depicts a pastoral setting with a lone, dark structure.

Ship and Boathouse - Coastal Landscape in Oil on Masonite Dramatic depiction of a ship and house by unknown artist "Jensen" (20th Century). A white and blue boat is tied up to a pos...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surface of the sky with the rough texture of earth or grass. I paint symmetrical reflections in water and rhythmic repetitions of trees. Even an ordinary, seemingly uninteresting fragment of the suburban landscape hides a beauty that I want to see and then transfer to the canvas. I am inspired by nature because it contains a hidden secret of existence. For me, painting it is a reflection on life and passing away. It is an attempt to capture the imperceptible essence, to paint what cannot be seen. I think that my paintings can be a respite, an antidote for a man tired of technology, constant rush, hustle and bustle of the city. Grzegorz Wójcik...

A landscape painting by Scott Addis. Framed

Juan Gil y Gil (1900-1984) - Landscape with Spanish village - Oil on canvas Oil measures 38x46 cm. Frameless. Painter. He began his artistic training ...

A landscape painting with a barn by Scott Addis. Framed

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years the artist’s one-man shows have att...

Colored houses,miniature people in colored outfits, a mountain and lots of white snow compose the theme of this artwork. A snow resort with the style of Marina Koutsospyrou...

The Winding River French School, mid 20th century oil painting on canvas, unframed painting: 9.5 x 13 inches condition: overall very good

Beloved Valley by Nancy Dunlop Cawdrey Dye on Silk 18" x 23" 31" x 36" (framed) Nancy Dunlop Cawdrey lives in a world of color. And she likes to paint that way as well. Growing up quite literally around the world, Cawdrey found early inspiration in patterns and colors from places she has lived as a child and teenager, ranging anywhere from Syria to Germany. Studying studio art in Paris for two years as a college student, Nancy became attuned to Old Master techniques and found her voice through painting. After living for some years abroad in England and Europe with her husband Steve, eventually they found themselves returning to the United States and settling down in Montana. Nancy discovered the medium of silk painting also on her travels, this time, in Hawaii. The propensity for vibrancy in the dyes and the looseness of the technique, close to the techniques of watercolor, captured Nancy. While a fairly novel medium, combining the subject matter of the west and the ancient art of silk painting, she has created a portfolio and style of painting that is wholly unique to her studio. In Northwestern Montana, glacial streams seep from the craggy peaks of Glacier, spiraling through great wide plains of Eastern Montana and the Dakotas, and eventually spill out into both the Pacific Ocean and the Missouri...

Work on canvas

American, b. 1948 Artist Statement: "My paintings are intuitive responses to the myriad forces that shape my life—emotions that translate into color, visual memories of forms and c...

A beautiful oil on panel depicting the Piazza of San Gimignano, a walled medieval town in the hills of Sienna province in Tuscany, by Bruno Guaitamacchi...

Work on canvas Golden wooden frame 48 x 61 x 3 cm

Incised signature lower left, 'A. Sacerdote' for Anselmo Sacerdote (Italian, 1868-1923), titled, lower right, 'Val Soana' and dated August, 1903. Anselmo Sacerdote was born in Turin...

Landscape #1 is an oil painting on cradled wood panel with chalk and graphite, and measures 24" high by 18" wide by 2" deep. It is finished with a clear resin across the surface, lending Landscape #1 a particular warmth and liquidity that is lovely to behold. It is framed in a black wood shadowbox frame. Will’s new landscapes are inspired by the shorelines of Lake Erie and the farmland of Norfolk County, Ontario. His true project – to explore and capture sudden bursts of cloud light, a disintegrating horizon, the ephemeral nature of shifting shores and lands. From Will Hudson: “From one day to the next it seemed nothing was the same. There was no permanence to a particular view or setting. That’s what I painted.” Recognized for seductive, enigmatic works in oil on wood panel, Will's picture surfaces are fascinating – he favors oil paint with chalk and graphite – and often allows the wood grain to emerge as a natural texture. He finishes each painting with a clear resin that operates as a lens. Admitting light and transmitting light, lending a palpable warmth and liquidity to the experience. Will Hudson is a formally trained architect originally from the UK, now practicing in Toronto, Canada. With an eclectic career in the art world, Will has shown and performed chalk street painting and murals in across North America and Europe. His installations have been exhibited at Nuit Blanche in Toronto in 2009, 2010, 2011 and 2014. His paintings were featured in a solo show, "Things You Think You've Seen" at Artists' Network Gallery in 2018. His most recent solo exhibitions were here at Gagné Contemporary...

Edwin Roper Stocqueler (Australian - 1829 - 1895), oil on canvas, horses awaiting the blacksmith's in the snow, signed, 72cm x 119cm, framed More Information Canvas has been lined, g...

American, b. 1948 Artist Statement: "My paintings are intuitive responses to the myriad forces that shape my life—emotions that translate into color, visual memories of forms and c...

Here's a beautiful painting by the famous Cape Ann and Philadelphia artist, Emma Fordyce MacRae. It's in a custom frame that truly compliments the piece. 25x30 Oil on board; with frame brings measurements to 30x36 inches. Nice bold signature. This piece was featured in Cape Ann Museum show in 2008 - painting is published in exhibition catalog. The value of her work has really accelerated lately. She was one of the Philadelphia Ten...

Signed lower left. Born in Albany, New York, Charles Eaton became a Tonalist landscape painter much influenced by George Inness. His intimate, moody landscapes were known for subdued golden-brown hues and muted tonal harmonies, and the subject was often the landscape in late autumn, evening time, or winter. These paintings were groundbreaking because they were relatively small in scale and intimate countryside views, which was a departure from the generally popular panoramic, romanticized views of Hudson River School painters. In 1879, he enrolled at the National Academy of Design in New York City and then studied figure painting at the Art Students League with J. Carroll Beckwith. He became a close associate with Leonard Ochtman and Ben Foster...

This charming landscape study depicts freshly harvested haystacks before a sunset. Painted in fine detail using a subtle impasto technique to create...

Work on cardboard Unsigned work

Edward Rosenberg is best known for his landscape paintings with winter motifs around Lake Mälaren. He studied at the Art Academy in Stockholm 1879–1882. And he had his first success in 1882 when he received the Royal Medal...

Work on canvas

A fine contemporary landscape by Daniel Nichols, after an original painting by Welsh artist Kyffin Williams (1918-2006). Signed with initial...

Frame size 56x64 cm. Catalan painter formed the Llotja with Lluis Labarta and Arcadi Más and fontdevila and pensioner in Madrid. He exhibited individually in the Laietana gallerie...

Work on cardboard Silver wooden frame 33 x 48.5 x 2 cm

Work on canvas Golden wooden frame 61 x 71 x 5 cm

Work on wood