Landscape Paintings

Isca Greenfield-Sanders Lake, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

The artwork is signed and dated on the front. Carlos Hernández Guerra Born in El Callao, state of Bolívar, in 1939. He studies at the School of Plastic and Applied Arts of Caracas in 1955-59, with such teachers as: Rafael Ramón González, Marcos Castillo, Pedro Angel González, Juan Martín Durbán, Juan Vicente Fabbiani and Alejandro Otero. In 1959 he is granted the Rome Prize of the 20th Venezuelan Official Art Salon. He travels to Paris in 1960, to study at the Higher School of Fine Arts of Paris, while taking simultaneous courses in Art Sociology at La Sorbonne University under the prestigious professor Pierre Francastel. In 1960 he obtains the Antonio Esteban Frías Prize, Official Art Salon, Caracas, and in 1961, the First Prize of the Annual Golden Fish Salon, Caracas. After returning from Paris, in 1962-64, he is incorporated to the teaching staff of the Armando Reverón School of Plastic Arts of Barcelona. In 1963 he participates in the “Three Awarded Young Men” show at the Mendoza Hall. Along with Manuel Espinoza, he is co-founder of the Experimental Art Center (CEA) of the University of the Andes (ULA), where he teaches drawing and painting and heads the center of painting technology from 1964 to 1968. In 1968 he enters the State School of Fine Arts of Berlin, in Germany, under Professor Hans Trier. In 1972 he takes part in the “Latin American Artists” exhibition carried out at the Museum of Modern Art of Paris. In 1973, he becomes a member of the teaching staff of the Cristóbal Rojas Art School while also teaching drawing at the Neumann Institute in Caracas. In 1977, along with Alirio Palacios...

The artwork is signed and dated on the front. Carlos Hernández Guerra Born in El Callao, state of Bolívar, in 1939. He studies at the School of Plastic and Applied Arts of Caracas in 1955-59, with such teachers as: Rafael Ramón González, Marcos Castillo, Pedro Angel González, Juan Martín Durbán, Juan Vicente Fabbiani and Alejandro Otero. In 1959 he is granted the Rome Prize of the 20th Venezuelan Official Art Salon. He travels to Paris in 1960, to study at the Higher School of Fine Arts of Paris, while taking simultaneous courses in Art Sociology at La Sorbonne University under the prestigious professor Pierre Francastel. In 1960 he obtains the Antonio Esteban Frías Prize, Official Art Salon, Caracas, and in 1961, the First Prize of the Annual Golden Fish Salon, Caracas. After returning from Paris, in 1962-64, he is incorporated to the teaching staff of the Armando Reverón School of Plastic Arts of Barcelona. In 1963 he participates in the “Three Awarded Young Men” show at the Mendoza Hall. Along with Manuel Espinoza, he is co-founder of the Experimental Art Center (CEA) of the University of the Andes (ULA), where he teaches drawing and painting and heads the center of painting technology from 1964 to 1968. In 1968 he enters the State School of Fine Arts of Berlin, in Germany, under Professor Hans Trier. In 1972 he takes part in the “Latin American Artists” exhibition carried out at the Museum of Modern Art of Paris. In 1973, he becomes a member of the teaching staff of the Cristóbal Rojas Art School while also teaching drawing at the Neumann Institute in Caracas. In 1977, along with Alirio Palacios...

The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...

The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...

Daniel Sprick's "Chatfield" envelopes the viewer in the silent beauty of winter's embrace, kissed by the hues of days end. About the artist: "Upon first glance, viewers might think Daniel's works are photographs because of their stunningly realistic elements. However, the longer we look at one of his paintings, the more we become aware that they are anything but a part of our world. We encounter Sprick's paintings not so much as statements, but more as experiences, whereby we engage deeply with his creativity. - Timothy J. Standring, exhibition curator and Gates Foundation Curator at the Denver Art Museum. Daniel Sprick's Fictions: Recent Works includes more than 30 examples of the Colorado artist's portraiture and still life paintings that blur the line between realism and abstraction. His meticulous representation of everyday objects and stirring interpretation of the human form provide viewers a new way to look at the world. Born: May 1, 1953, Little Rock, Arkansas Education: AA-Mesa College, Grand...

George W. Drew (1875-1968) "Springtime at the Farm" Oil on Canvas 24 x 36 inches (site) 31.5 x 43.25 (framed) George W. Drew was born 21 December 1875 in Massachusetts. He was a member of the Independent Artists Association. He exhibited at the National Academy of Design and they have him recorded as living at 745 Columbus Ave., N.Y. in the year 1898. He also exhibited at the Allied Artists of America, which was established in 1914, Salons of America, N.Y. State Fair, Newark State Fair, Newark Museum and New York Museum of Science & Industry. Although there is little known about the personal life of George W. Drew, his paintings appear on the art market quite often. It is obvious that his work has always been well received because of the numerous exhibitions he has participated in. He is known for his rustic luminous depictions of the Nineteenth Century American Landscape. Like many of the Hudson River Painters...

Joseph Orr (20th) "Summer Rose" Acrylic on Canvas 12 x 24 inches approx 16 x 28 inches framed Joseph Orr, from Missouri, has been painting professionally ...

Joseph Orr (20th C.) "The Long Road Home" Acrylic on Canvas 16 x 20 inches 20 x 24 inches framed Joseph Orr, from Missouri, has been painting professionall...

The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...

The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...

landscape. oil on canvas in white wood frame.

The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...

The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...