Women Landscape Paintings

The painting "Mikhailivskyi Sobor" opens before us a view of one of the most magnificent shrines of Kyiv, depicted from the point where the past and the present intersect - Sophia Sq...

Original Painting Undersea Whale Life Mag Published 1953 Illustration Ocean Sea Antonio Petruccelli (1907 – 1994) Underwater Whale Life Illustration published, c. November 7, 1953 1...

Signed oil on canvas figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts two young girls with their mother in a landscape overlooking boats...

"This painting is executed in an impressionist manner using paste technique and a light, airy palette. The composition depicts a seascape with several sailing ships on calm water. A...

Oil Painting on board realized by Miloslava Vrbova (1909-1991) in the mid-20th century. Good condition, framed.

An impressionistic depiction of a figure in the snow with cars and buildings in the busy City Streets. The Empire State Building is portrayed in the background as the snow filled str...

Merchants at the Bazaar Oil Painting by Jalal Gharbi (1920-2005) Frame: 40 X 34 Image: 29.75 X 23.75 Provenance:The Estate of Isobel Riddoch Gharbi, Manhattan, NY Jalal Gharbi (1920-2005) who was a prolific North African, Tunisian, French painter of both Middle Eastern Arabic...

Artist: Albert Junyent Quinquer Technique: Oil on canvas Dimensions: 44 x 53 cm. (approx. 17 x 21 inches). Frame 66x75 cm. (approx. 26 x 30 inches) Title: Urban Scene in the Rain - L...

Title: French Impressionist Oil Painting of "Les Environs de St. Guénolé" By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Signed: Verso Oil painting on board...

Title: French Mid-Century Drawing of Mont-Saint-Michel with Medieval Ramparts by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Graphite and Ink on unframed paper S...

Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galle...

Unframed Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his pa...

"Awakening Light" is a vibrant acrylic painting on canvas, measuring 100 x 80 cm. The artwork captures a moment of revelation and connection with nature. A woman in a flowing red dre...

The Highland River Scottish school, mid 19th century oil on canvas, framed Framed: 27 x 37 inches Canvas: 20 x 30 inches Provenance: Private collection, UK Condition: overall very go...

VILLAGE PATHWAY Size: 71 x 49.5 cm (including frame) Oil on board A striking mid-century modernist painting that captures a female figure walking along a village pathway, gracefully...

Frank Dekkers Summer 100 x 120 cm oil on canvas framed in a wooden grey frame as seen on picture, it measures 104 x 124 cm Frame is included in price On the pictures we also show you the artist receiving the flowers on our opening of this exhibition september 3th 2023 in our gallery. On the wall you can see the painting behind. Just to give you an idea of size, colors and sphere. About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know him. His studio is located "everywhere", or at least outside where this artist is inspired by the landscape. A special way of summarizing leads in his paintings to a very strong and simplified image. These works invite you to walk into the landscape and to keep looking. A book has been published about Frank Dekkers, which is included when purchasing a painting...

This is an original work by Andre Kohn. Growing up near the Caspian Sea, Kohn's received a formal art education from the University of Moscow where he studied with members of the la...

A very stylish image of a French harbour. Painted with great panache - wonderful brushwork and a vivid palette, reminiscent of the work of Chaim Soutine Circle of Chaïm Soutine (189...

Nicolas RENIE (Active 1840s to 1870s) Oil on wood 33 x 24 cm (44.5 x 34 cm with frame) Signed and dated lower left 'NRenié / 1879" Nicolas Renié is part of the family of the Barbizo...

Restaurant terrace at evening in Montmartre, Paris. Oil on canvas, 46x38 cm

A wonderful impressionist oil painting of three young girls and a doll carriage on the path by American artist Lee Lufkin Kaula (1865-1957). Kaula was born in Erie, PA and studied wi...

Picture "On the square Ivano-Frankivsk" offers the viewer a magical view of a summer day in one of the most beautiful cities of Western Ukraine. Ivano-Frankivsk, engrossed in its rou...

Jennifer McChristian's "Looking For Respite" (2008) is an original, handmade oil painting that depicts a busy sidewalk with people walking and bus...

Rare and well painted modernist nude composition. Oil on canvas. Signed. Framed. Image size, 18H by 24L inches.

Impressionist New York City winter city-scene depicting Flatiron at Sunset in New York City. Cars and pedestrians are painted in a most intimate, yet energetic way. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of New York with the calm, endearing charm of the American Flags and buildings with snow. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. This painting is signed by the artist lower right and it comes comes housed in a beautiful wood frame and ready to be displayed with hanging wire on verso. Art measures 10 x 8 inches Framed measures 12 x 14 inches Christopher Willett, was born in 1959 in Bucks County Pennsylvania and is mostly known for his landscape paintings. Willett, a painter with a family lineage dating back to ancestors arriving in this country aboard the Mayflower and Victory, settling Plymouth. Some recorded family history finds a Willett ancestor, Augustine Willett whom was a Captain of historic repute under the command of General Washington. Additionally, in more recent history, Willett artisans became renowned for their designs and beautiful works in stained glass that adorn the Bryn Athen Cathedral- for the Pit Cairn estate. Willett, is also a descendant of the renowned painter Edward Hicks...

The Country Lane by Les Parsons (British b. 1945) * see below signed oil on canvas, framed in swept gilt frame. framed: 15.5 x 19.5 inches canvas: 12 x 16...

French Landscape by Bernard Labbe (French mid 20th century) original oil on artist paper size: 12 x 9.5 inches condition: very good and ready to be enjoyed provenance: the artists...

This is a framed original drawing on paper. Theodore Waddell's sophisticated modernist paintings have attracted widespread recognition. A native Montanan cattle rancher, Waddell most often paints freely-rendered range animals roaming the vast plains of Eastern Montana. In his work he draws a deliberate parallel between his subject and the elements of abstract art: cattle and horses...

The secret of female beauty has been an object of inspiration for many centuries. The beauty of the naked body, its delicate shades and plastic lines. The image of a girl from the ba...

Artist/ School: Jean-Pierre Rousseau (French, b. 1939), signed and dated 1963. Title: The Vintage Car Driver Medium: signed oil painting on canvas, framed and inscribed verso. f...

Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 19.5" x 23.625" x 2.375" Artist Statement “The painting was created during a plein air painting trip o...

Great Spanish painting from the second half of the 17th century. Oil on canvas artwork depicting a religious subject, Pope Innocent III confirms the Franciscan Rule, of good pictorial quality. A large, impactful painting adorned with a 19th-century carved and gilded wooden and plaster frame. Artwork that develops horizontally, ideal for placing in an important hall or study, for antique dealers and interior decorators. A painting that shows various signs of aging and old restorations (see photo), in a beautiful patina. The perspective offered by the painter is pleasant. The main subject, in the foreground on the left, connects to the view with architecture and characters on the right through the checkerboard...

Still Life, Fruit, Flowers and Classic Jug, Colourful Oil Painting by Pamela Cawley, British 20th century oil painting on board, unframed board: 18 x 15 inches Stunning original Im...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes custom built frame; framed dimensions are approximately 14 x 18 inches. Laura was born...

Born in Philadelphia John Hamilton was known for portraits, figure paintings and illustrations. He studied at the Pennsylvania Academy of the Fine Arts with Christian Schuessel and Thomas Eakins and then traveled to Europe where he studied in Paris with Jean-Léon Gerome at the Ecole des Beaux-Arts and at the Royal Academy of Fine Arts in Antwerp. He lived abroad, mostly in London, for many years, although he maintained a Philadelphia address. He was the official painter to the English Prime Minister, William...

Warrior and Pegasus Fight the Kraken - Original Surrealist On Board Dramatic and dynamic fantasy scene by Russell R. Tripp (American, 1942-2025). This piece depicts a warrior atop a...

Provencal Landscape by Louis Bellon (French 1908-1998) signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 8 x ...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

This piece, "Fishin' Solo" is a 36x48 oil painting on canvas by artist Trip Park featuring a man in orange shorts, blue shirt and cowboy hat fishing on the edge of the water. The wat...

Tall ships in a rocky bay, with figures in Eastern costume in boats and on the shoreline 19th Century School oil on canvas, framed framed: 39.5 x 3...

Antique American modernist signed abstract tropical oil painting. Oil on board. Framed.

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Nicey painted American modernist portrait oil painting. Framed. Oil on board. Image size, 8H by 10L.

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

George Raab was born in 1866 in Sheboygan, Wisconsin. In 1889, Raab and Herman Keiker opened a photographic studio called Feiker and Raab. Less than a year later, Raab would start up...

Unique splashes of orange and yellow create a surprising movement among the foliage of a singular, towering tree. The lively contrast of these bright colors with the calm of the surr...

"Girl, Sunlight" is an oil painting by Contemporary Impressionist painter Ben Fenske. A soft depiction of a woman laying in grass, her arm reaching over her head, shading her eyes. A...

This atmospheric oil painting captures a farm scene with a central yard flanked by rustic agricultural buildings. A waddle of white ducks can be seen in the foreground, gathered on t...

Flemish school, 17th century Orpheus and the animals Oil on canvas, 146,5 x 217 cm Provenance: South German private collection. On an impressive, room-filling format, this painting depicts "Orpheus and the Animals." The harp-playing Orpheus sits centrally in front of a tree whose trunk bifurcates above his head. This central tree frames with its crown the scenery towards the horizon and at the same time offers through branches the possibility for many birds to find space. The left half of the picture is characterized by a seascape, at the edge of which the ruins of a castle can be seen deep in the background. This seascape, framed by mountains on the horizon, is the only area where sky can be seen. On this side, waterfowl such as storks, swans and ducks can be seen. In the right half, the viewer looks into a deep European forest. On this right side, more land animals can be found, such as deer, rabbits and lions, among others. Orpheus wears opulent red and gold trimmed clothing, under his blue breastplate we see a white shirt. His feet are adorned by elaborate sandals. His head is surrounded by a radiant laurel wreath ("poeta laureatus"). The young man is clearly identifiable as the singer and poet of Greek mythology, Orpheus, by his harp, the laurel wreath and the animals surrounding him. Orpheus was one of the Argonauts who, under Jason, was searching for the Golden Fleece. He sang so beautifully that he even conquered the angry sea and enemies by the magic of his lyre. During the journey, Orpheus is said to have drowned out even the sirens with his singing. It is said that he was the greatest of all poets and charmed people, animals, stones and trees with his singing. In total, 51 birds and 37 different species are depicted in the painting. The animals are mostly depicted in great detail and, except for a few, can be identified. Mainly European species of animals are shown. Exceptions are the ostrich-like nandu peeking out from behind the deer, as well as the large parrot on the upper left, and the two lions. Similar is the case for the large animal directly behind Orpheus on the right. The shape of the head suggests an arctic fox from the polar regions, even though the body is much too large. The arctic fox was first described in 1555 by Olaus Magnus. However, it could also be a depiction of a brown or black bear. An unusual detail is the animal, which is relatively isolated in the right background and looks to the left. It is not clearly identifiable, but it shows certain similarities with the Australian kangaroo. This was first described by Vespucci in 1500 and further by Francisco Pelsaert in 1629. If it is indeed a kangaroo, this would be one of the earliest surviving pictorial representations. In this painting, Orpheus is accompanied by a small monkey playing a viola da gamba. This is an iconographic peculiarity. In general, this painting has some peculiarities compared to other paintings with "Orpheus and the animals". The central positioning of Orpheus is quite common, but he usually holds a lyre and is dressed in an antique style, but not as opulently. The choice of animals is also remarkable: European animals in particular are seen, hardly any exotic features, such as camels or elephants. The two lions in the right foreground are a quotation from Peter Paul Rubens and his depiction of "Daniel in the Lion's Den", which was realized in an engraving. The present painting can be classified as belonging to the Flemish School of the 17th century on the basis of its painterly and compositional conception. From the circle of Jan Brueghel the Younger are numerous representations of this Orpheus - theme, which take it as an opportunity to show as many exotic animals. There are also echoes of Spanish painters such as Juan de Arellano...

Title: Mid-20th Century French Pastel Landscape of Forest Trees in Les Laudes by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 14.75 inches (hei...

Watercolor and silkscreen on Fabriano vélin paper. Paper size: 21 x 15 inches. Inscription: Hand signed in ink, as issued. Notes: Published, printed, and painted by Peter Max, New Yo...

Attributed to Aelbert Cuyp (1620-1691) An Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman Signed 'A. Cuyp. fe...

English Naive/ Folk Art School, 20th century oil on board, framed framed: 12 x 16 inches board: 11.5 x 14 inches provenance: private collection, England condition: overall very good

This painting depicts an impressionistic scene at the beach with beautiful brushwork and whimsical colors. The splashes and children playing are captrued with a nostalgia, as the col...

This painting is featured in the Makk Family book, "Vision of Life on page 102. Eva Makk has been called “the world’s foremost living impressionist painter...

José Luis Florit Rodero (1909-2000) - Venice Venezia Italy - Oil on canvas Oil measures 50x61 cm. Frameless. José Luis Florit Rodero (Madrid, 1909-Pa...

The Regatta by Jean-Emile Podevin (French 1925-2011) signed oil on canvas, unframed Canvas: 20 x 40 inches Provenance: Private collection, Paris Condition: Great condition For more...

Title: Mid-20th Century French Pastel Landscape of Trees in a Sunlit Public Garden by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 15.25 inches...