Unknown

Small Early 20th Century California Plein Air Pine Trees Landscape

1908

Sierra Peak California Mountain and Stream 1930s 1930s painting of the California Sierras by Southern California artist Aaron Roberts (American, 19...

Heavily textured landscape by an unknown artist (20th Century). This piece is executed with heavy, confident brushstrokes, depicting a shaded stream in the woods. Small dabs of paint...

High Desert Scene at sunrise circa 1930s by Herbert A. Schmidt (American, 1885 - 1930) Schmidt was a well known architect and designer of many San Francisco buildings and was a pupil at the Mark Hopkins Art Institute (SF) in 1899-1901. Graduated from the University of Pennsylvania in Architecture. President of the San Francisco Bohemian Club...

"Ole Swimmin Hole" Southern California Oil on canvas board 1930s Elegant mid century landscape depicting a lake and hillside in summer by well known and collected California artist ...

Trees at the Top of the Coastal Bluffs - California Coastal Landscape in Oil on Artists Canvas Board Dramatic Big Sur Bixby Bridge and coastal landscape by California artist Ken Lucas (American, 20th Century). Towering Big Sur Hills with the Bixby Bridge and the ocean framed behind. Well executed with dramatic brush strokes in greens and red muted tones. the bridge appears suspended in the sky above the gorge and the sea. "Ken Lucas" #65, 7/94 on verso From a collection of the artist's works purchased from the artists estate. Canvas size: 24"H x 30"W In a gold toned frame with white linen liner (some age spots to the linen.) Frame size, 29.5"H x 35.5"W x 1"D Ken Lucas was a school teacher and amateur painter from Monterey, California. He was primarily self-taught but became proficient as an artist and left a legacy of excellent paintings. He was a friend of and painted with Richard Lofton, Carmel...

"Santa Catalina Island Harbor" Seascape at Sunset in Oil on Board Vibrant harbor seascape by Gary J. Schildt (American, 1938-2021). Several boats are anchored in the harbor, with the shore stretching out into the distance along the right side of the composition. The water reflects the yellow and orange sky, creating a shimmering effect. Signed "G Schildt" in the lower left corner. Titled and signed on verso "Santa Catalina Island Harbor by Gary Schildt...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chic...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

Bird Bath by Lu Haskew Oil Painting of backyard garden 10x8" image size 18x16" framed Shipping price includes the custom packing necessary for safe transport of fine art. ABOUT THE...