Fabric Paintings

Colorful modernist impasto figure painting of a seated woman by an unknown artist. This contemporary figurative piece uses expressive textures and colors, featuring a palette of pink...

Mixed media & sand on canvas Jiwoo Oh is a Korean artist born in 1995 who lives and works in Seoul, South Korea. He fully devotes his artistic career to depict sea life, especially ...

Paintings from "Tolina" series of works are inspired by the imagination of the artist’s five-year-old son, who created a constantly shifting city — a refuge of hope in turbulent time...

John Baker’s “The Collyer Brothers” is an acrylic portrait painting on canvas with collage 20 x 20 inches in silver greys. Mad as hatters, crazy as bedbugs, and most of all oddly sym...

Fred Calleri was born in Maryland and has slowly moved westward towards his current home in Santa Barbara, California. On his way, he earned an Illustration and Graphic Design degree...

BONNIE MAYGARDEN says of her work… My work is informed by and reacts to a culture defined by a digital experience, yet the work’s imagery is created entirely by hand, using only pai...

Designs, shapes, and colors find a balance between a polite instinct and a domesticated confusion within the cubist-inspired artworks by Tuscan artist Federico Pinto Schmid...

Green Apples is an original oil painting realized by Zhang Wei Guang (Mirror) in 2000s. Includes frame. Hand signed on the lower right margin. Signature and various signs in Chin...

"Portale aperto nell’amplesso dello Svadhisthana: Toccarsi" (eng: Open portal into the intercourse of Svadhisthana: Touching) is an original painting created by Ukrainian artist Okno...

Oil on canvas Dondi Schwartz is an Israeli artist born in Canada in 1961 who lives and works in the Kibbutz Beeri, Negev, Israel. Schwartz studied art at the Avni School of Arts in ...

Acrylic paint on canvas Hand-signed Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...

Largely self-taught, Linda Ridd Herzog’s paintings boast unbelievably detailed animals and objects in fantastical, surreal scenes. Growing up in Utah, Herzog found herself so inspire...

Wiktor Jackowski's biography is reflected in the varied motifs of his works. After completing his academic study on the Academy of Art in Krakow and an Erasmus year at L'Ecole Etienn...

Wiktor Jackowski's biography is reflected in the varied motifs of his works. After completing his academic study on the Academy of Art in Krakow and an Erasmus year at L'Ecole Etienn...

Margaret Evangeline is a contemporary painter, sculptor, and installation artist who lives and works in New York City. She was the first female recipient of an MFA in Fine Arts from ...

Wiktor Jackowski's biography is reflected in the varied motifs of his works. After completing his academic study on the Academy of Art in Krakow and an Erasmus year at L'Ecole Etienn...

Wiktor Jackowski's biography is reflected in the varied motifs of his works. After completing his academic study on the Academy of Art in Krakow and an Erasmus year at L'Ecole Etienn...

Wiktor Jackowski's biography is reflected in the varied motifs of his works. After completing his academic study on the Academy of Art in Krakow and an Erasmus year at L'Ecole Etienn...

Wiktor Jackowski's biography is reflected in the varied motifs of his works. After completing his academic study on the Academy of Art in Krakow and an Erasmus year at L'Ecole Etienn...

Wiktor Jackowski's biography is reflected in the varied motifs of his works. After completing his academic study on the Academy of Art in Krakow and an Erasmus year at L'Ecole Etienn...

Wiktor Jackowski's biography is reflected in the varied motifs of his works. After completing his academic study on the Academy of Art in Krakow and an Erasmus year at L'Ecole Etienn...

PaperLandscape Mixed-media painting on Cotton Canvas One of a kind artwork Size: 80x80 cm Ready to hang Signed certificate of authenticity Style: Abstract, Minimalist Marilina Mar...

Original oil painting 'Good, bad and ugly'. On canvas 60x50 cm, 2023 Excellent condition.

Maura Petersen (American, born 1956) "Blue Star" 2019 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. In "Blue Star", Maura Petersen uses expressiv...

Artist: Jack Graves III (American, 1988-) Title: "Grace Kelly Icon IX" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2023 Medium: O...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

“Afternoon Reverie” by Orielle Anaïs Oil on Canvas 60 × 48 in. This large-scale work by California-based artist Orielle Anaïs features a nude male figure in a moment of quiet repos...

'Crescendo' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting. This example fal...

Oil on canvas Dondi Schwartz is an Israeli artist born in Canada in 1961 who lives and works in the Kibbutz Beeri, Negev, Israel. Schwartz studied art at the Avni School of Arts in ...

Everything is moving towards its end I, memory of Tanzania is a unique oil canvas painting by Spanish contemporary artist Calo Carratalá, dimensions are 54 × 81 cm (21.2 × 31.8 in). ...

Pink Place peach pink blue yellow I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to ...

AGAVE, an oil painting on canvas by Anna Ortiz, measures 12" high x 16" wide. Agave is recent work and characteristic of the artist's practice – the palette is restrained, the colors...

Contemporary geometric colorful abstract painting by Texas-based artist Max Manning. The work features organic and geometric shapes in pink and green tones. Signed, titled, & dated b...

Mixed media on canvas Nino Tolomashvili is a Georgian painter born in 2003 who lives and works in Tbilisi, Georgia. After completing her schooling, she pursued her studies at the Tb...

Landscape painting of Speedway gas station sign by Edie Nadelhaft- oil on canvas, 10 x 20 inches An avid motorcyclist, Edie Nadelhaft takes annual weeks-long tours of the country's ...

SAPERE AUDE. Dare to be wise. Immanuel Kant’s directive is embodied in the work of David Ligare. For thirty-five years, Ligare has dedicated his work to ...

Original oil painting 'Greece', by Elena Mardshova, realized on canvas 60 x 50 cm. Excellent condition.

A voice without words, born within the silence of ocher walls. It calls us to look deeper, where temptation ceases to be external and becomes a reflection of our innermost desires. I...

In Alexandra Rozenman's mysterious and playful painting "Reflections", you can almost hear the sound of silence. The horizon line is wide open and invites us into a deep purple sky w...

Blue,White,Indigo, navy 40 x 80" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

"I grew up as the middle of five kids. We would yearly visit my grandmother in Alabama and later in Tennessee. She was an artist and her house was full of paintings, which was format...

Landscape painting, evening road scene titled "May 27 (8.59pm)" by Edie Nadelhaft - oil on canvas, 36 x 48 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

Park Life by Ali Mourabet [2022] original and hand signed by the artist Acrylic on canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H...

Original oil painting by Eric Zener. Eric Zener’s photorealistic paintings and resins are focused on four motifs: landscapes, figures in bed or on tightropes, and bodies in water. ...

Oil on canvas Matteo Nannini is an Italian artist born in 1979 in Bologna who lives and works in Cento, Ferrara, Italy. He studied at the Academy of Fine Arts in Bologna. Painter by...

Maura Petersen (American, born 1956) "Model by Window" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. In "Model by Window," Maura Petersen ca...

Oil on canvas Dondi Schwartz is an Israeli artist born in Canada in 1961 who lives and works in the Kibbutz Beeri, Negev, Israel. Schwartz studied art at the Avni School of Arts in...

So little with so much to say. This expressive abstract painting invites the viewer to interpret an untold message. Emphasis is on simplified composition with the use of paint, paper...

From the easel of New England painter, Anita Loomis, “Violace” is a 20 x 30 x 1.5 inch oil painting on canvas that celebrates the growth and evolution of flowers in rich and vivid ta...

In “Ventoso,” Marcia Wise’s 30 x 40 inch oil on linen painting, we are swept into a windstorm of predominant blues and reds as they move with the wind in a milky yellow and pink sky,...

This is an oil painting of the iconic house in California designed by the famous architect Richard Neutra. I love to paint this house from many different angles and always focusing o...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Osman Salifu 1992 - Current Beach Catch, 2025 Acrylic on canvas 97.8 x 73.7 cm 38 1/2 x 29 in

“Backlit Mountain” by Catherine Picard-Gibbs is a 36 x 48 x 1.5 inch contemporary oil on canvas painting depicting a mountain backlit by the sun at dusk. Rich reds, yellows, greens, ...

acrylic, sumi ink on canvas black white red blue Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his p...

Martha Mans lavender gray white blue green yellow peach brown framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

Postcards From the Edge of the West My work originates from journey and travel. The process often begins with extensive historic research, followed by an epic journey into the landscape as a means of experiencing the land. The paintings document a landscape that flows between two realities: one outside the picture attempting to capture nature and one inside the material flow of abstracting the experience of space. I utilize the traditional methods of landscape painting such as the observation of light, shadows, and transparency, and try and merge that process with the emotional space held by a direct experiences in the land, memory, and history. The white border surrounding each painting suggests a card and the souvenir printed material – a postcard – sent out when on a journey; much like the journey I take part of in my artistic process. This particular painting (card) is inspired from the landscapes along the Coeur d’Alenes trail in Northern Idaho. It is a place of rugged and stark beauty barely on the old maps and outside the edge of the Louisiana Colony. It is a place that is part image and part abstraction; color field painting and rendering; a place not yet born. –Don Pollack The lush landscape in Don Pollack's "Coeur d'Alenes Trail" brings a calm serenity to the viewer. The deep green pines in the are reflected on the calm water while a moon illuminates the entire scene. A deliberate white border on the canvas "frames" the entire piece and enhanced by the simple white frame measuring 37.5 x 61.5 inches. Don Pollack Coeur d'Alendes Trail oil on canvas 36h x 60w in 91.44h x 152.40w cm DJP027 Don Pollack BIOGRAPHY Don Pollack is a Painter and Adjunct Associate Professor of Visual Communication at the School of the Art Institute of Chicago. His work investigates among other things, the relationship between personal mythologies and representation in painting and how it may simultaneously give reference to a narrative.Working in cross disciplines has influenced his perspectives as projects begin with an epic adventure. Conceptually proceeding from the premise that all vision is historic and constructed, Pollack’s research starts with the planning of a long distance trek,– such as a 3000 mile journey via bicycle following Lewis and Clark. His work has utilized maps, documents, photography, painting, and installation.This work was routed in a previous investigation into the role of museums in the process of forming collective memory. Don studied design at the University of Illinois and painting at the Ohio State University where he received his MFA.The state of Illinois has recognized his history based work with a special bicentennial edition of the ‘Order of Abraham Lincoln’ award. He has exhibited nationally and internationally and has shown many solo shows in, Chicago, New York, Atlanta, and Canada. True Life Novelettes is the most recent addition to the bigger project; Crossing The Great Divide which is loosely a series of landscape and history projects I began in 2009. It explores among other things, current events and personal literary interests through the construction of large scale [48x72”] book cover paintings. I use a variety of images juxtaposed with bylines and misplaced authors in order to create new meanings. I read the print edition of the New York Times for current content and subject matter, and because I still like the feel of a large document and printed typography. Recently and with a twist of prescient irony, a found myself reading a special supplemental section of the Times declaring that “the post-text future is here!” Could that be good for painting, now that we are entering an online culture ruled by pictures! But if our information will become dominated by pictures, slogans, and emotional announcements, I do fear that the arguments driving political discourse will soon become completely supplicated by popular memes. What should the new best sellers look like? Do I have enough time to read them? Underneath all this fanfare is it possible that the discussion will also be reduced to the display of personal artifacts of material culture? In the fashion section of today’s Times the headline reads, “Can you wear Dior to the Protest March?” (Enter my books.) I first start by writing columns and mixing up the authors with made-up titles (from films and books) and looking for strange connections to create a metaphorical tension. I then look for popular images and taglines in the news, print media, and the publishing business, and search for catchy phrases from film dialog. Then I combine everything into a new design layout to form a hybrid of ‘true life novelettes’ and modern classics. Climate change denial and alt/fake news declarations become great sources for topics in the overwhelming modern noise machine too grim to bear. I cancel my cable subscription. But what are the conditions for making a painting in a world saturated with images? While the representational, abstract, and technical concerns of painting collapse into the same memory well, what are we to say especially when we have “seen all the films and seen all the pictures”? The works of Tursic and Mille have pointed me into this new direction. In order to visually reclaim myself from disappearing into the ruins, I adopt a strategy combining editorial cartooning, oil painting and graphic design. I am attracted to those handsome publisher’s design formats, especially the ones that utilize carefully-placed typography and eclectic images– such as Everyman’s Library, Penguin Books, and Barnes and Noble. There are colored stripes running along the sides of the covers identifying the modern story collections, with the authors’ names set in script fonts. These various formats also hold the space to paint a combination of historic events and contemporary imagery from popular culture. I also patrol the web and search for vintage advertising campaigns for copy. Perhaps this grimness can have an uplifting thread. However, Virginie Vuillaume in Another Girl warns, “desire leads to disaster, partly bound up with fiction but also with death and catastrophe. The fate of those who are in love with images is always tragic, desire always leads to disaster.” So now Tursic and Mille’s painting that appropriated an image of a house on fire from a scene from Andrei Tarkovski’s film The Sacrifice also becomes my subject matter for the cover of the Year of Living Dangerously. For 2017, The Year of the Eclipse, the cover takes direction from a modern classic rendition of Frankenstein, with his head screwed on backwards. Maybe the only way left to paint now is by moving things forward by the only way possible,– through other mediums. The byline lyric for Eclipse is now taken from the Youngbloods popular song of 1967, Get Together,–so come on Frankenstein, ‘Smile on Your Brother’. Don Pollack EDUCATION m.f.a. Ohio State University Columbus,Ohio b.f.a. University of Illinois Urbana, Illinois SOLO EXHIBITIONS 2018 Gallery Victor Armendariz, Story Tellers, Don Pollack: True Life Novelettes, Chicago, Illinois 2016 Bridgeport Art Center, this land is not empty, Chicago, Illinois Carnegie Museum for Art and History, bernheim arboretum, New Albany, Indiana 2013 Perimeter Gallery, 34 days to washington, Chicago, Illinois 2011 Newzones Gallery, far from home, Calgary,Alberta, canada MarciaWood Gallery, far from home, Atlanta,Georgia 2010 Perimeter Gallery, mysterious island, Chicago, Illinois Marquette University Law Library, laying the foundation [a Lincoln Portrait], Milwaukee, Wisconsin 2009 Abraham Lincoln Presidential Library and Museum, the lincoln project, Springfield, Illinois The Union League Club, the lincoln project, Chicago, Illinois 2007 Newzones Gallery, the sheltering sky, Calgary,Alberta, canada Merwin andWakeley Galleries, IllinoisWesleyan University, american inheritance, Bloomington, Illinois MarciaWood Gallery, night, Atlanta,Georgia 2006 MargaretThatcher Projects, american gothic, past imperfect, NewYork,NewYork Perimeter Gallery, improvisation, Chicago, Illinois 2005 Newzones Gallery, missives, Calgary,Alberta, canada MarciaWood Gallery, south of the tennessee, remains of the campaign, Atlanta, Georgia 2004 Perimeter Gallery, voyages of discovery, from the earth to the moon, NewYork, NewYork 2003 Newzones Gallery, garden of forking paths, Calgary,Alberta, canada Perimeter Gallery, a search for heroes, lincoln & the illinois landscape, Chicago, Illinois 2002 Perimeter Gallery, ancien regime, NewYork,NewYork MarciaWood Gallery, ancien regime, Atlanta,Georgia 2001 Newzones Gallery, ancien regime, Calgary,Alberta, canada 2000 Perimeter Gallery, between heaven and earth, Chicago, Illinois Newzones Gallery, preview, Calgary,Alberta, canada 1999 Newzones Gallery, north american inheritance, Calgary,Alberta, canada MarciaWood Gallery, american inheritance, Atlanta,Georgia 1998 MarciaWood Gallery, entering the circle, Atlanta,Georgia 1997 Newzones Gallery, crossing the next meridian, Calgary,Alberta, canada 1996 Peter Miller Gallery, landscape and memory, Chicago, Illinois MarciaWood Gallery, mythopoeia, an american portrait, Atlanta,Georgia 1995 Elliot Smith Gallery, St.Louis,Missouri Marx-Saunders Gallery, International Art Exposition, Chicago, Illinois 1994 Deson-Saunders Gallery, shadowlands, Chicago, Illinois 1993 Monte Clark Gallery, Vancouver,British Columbia, canada Bess Cutler Gallery, NewYork,NewYork 1992 Deson-Saunders Gallery, Chicago, Illinois 1991 Bess Cutler Gallery, NewYork,NewYork Deson-Saunders Gallery, between earth and sky, Chicago, Illinois 1989 Deson-Saunders Gallery, Chicago, Illinois 1988 Ann Nathan Gallery, Chicago, Illinois 1987 Houghton College, Houghton,NewYork SELECTED GROUP EXHIBITIONS 2015 architectural biennial, Brininstool and Lynch, Chicago, Illinois 2014 black and white, Perimeter Gallery- Chicago, Chicago, Illinois 2012 art miami , Perimeter Gallery- Chicago, Miami, Florida Group Show, Perimeter Gallery, Chicago, Illinois 2011 art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois Group Show,Kenise Barnes Gallery, Larchemont,NewYork 2010 pull, MarciaWood Gallery, Atlanta,Georgia memory is a metaphor, Kenise Barnes Gallery, Larchmont,NewYork our kind of town, Rena Sternberg Gallery, Glencoe, Illinois 2009 nature satisfies by its loveliness, Kenise Barnes Gallery, Larchmont,NewYork the exquisite corpse, Renaissance Society, University of Chicago, Chicago, Illinois the big picture show, Newzones Gallery, Calgary,Alberta, canada 2008 this just in, MarciaWood Gallery, Atlanta Georgia portraying lincoln, Madden Arts Center, Decatur, Illinois contemporary art institute of detroit, Curator’s Choice, Detroit,Michigan art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois 2007 artwork 5, Gallery 2,Art Institute of Chicago, Chicago, Illinois artscapes, Knoxville Museum of Art, Knoxville,Tennessee atlanta gallery association preview, rep: MarciaWood Gallery, Eatonton,Georgia out of the garden, Rena Sternberg Gallery, Glencoe, Illinois art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois 2006 states of seige, Fine Arts Center Galleries, University of Rhode Island, Kingston,Rhode Island landscape x10, Newzones Gallery, Calgary,Alberta, canada pulse, MargaretThatcher Projects, NewYork,NewYork 2005 summer sensation, Thatcher Projects, NewYork,NewYork Perimeter Gallery, Chicago, Illinois landscape x9, Newzones Gallery, Calgary,Alberta, canada 2004 Perimeter Gallery, Chicago, Illinois landscape x9, Newzones Gallery, Calgary,Alberta, canada 2003 landscape x9, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada contemporary landscape, Perimeter Gallery, Chicago, Illinois deck the walls, Newzones Gallery, Calgary,Alberta, canada 2002 landscape x9, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 2001 departure: american contemporary landscape, Indiana University Northwest Gary, Indiana Rena Sternberg Gallery, Glencoe, Illinois International Art Exposition:Chicago, Perimeter Chicago, Illinois Miami Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 2000 landscape x8, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada International Art Exposition:Chicago, Perimeter Gallery Chicago, Illinois 1999 requiem, Nexus Contemporary Art Center Atlanta,Georgia family album, MarciaWood Gallery Atlanta,Georgia 1998 the nature of landscape, South Bend Regional Museum of Art South Bend, Indiana cornucopia, Winston-Wachter Gallery NewYork,NewYork paradise and its transformations, Georgia State University, School of Art & Design Gallery Atlanta,Georgia landscape x six, Newzones Gallery of Contemporary Art Calgary,Alberta, canada land, air, & sea, Elliot Smith Gallery St.Louis,Missouri 1997 Marguerite Oestricher Gallery New Orleans, Louisiana MarciaWood Gallery Atlanta,Georgia Peter Miller Gallery Chicago, Illinois International Art Exposition:Chicago, Peter Miller Gallery Chicago, Illinois Seattle International Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 1996 Center for the Arts Calgary,Alberta, canada Newzones Gallery of Contemporary Art Calgary,Alberta, canada International Art Exposition:Chicago, Peter Miller Gallery Chicago, Illinois Seattle International Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada introductions, Newzones Gallery of Contemporary Art Calgary,Alberta, canada Peter Miller Gallery Chicago, Illinois 1995 contemporary realists, Newzones Gallery of Contemporary Art Calgary,Alberta, canada the nature of landscape, Fontbonne College St. Louis,Missouri first in flight, Deson-Saunders Gallery Chicago, Illinois Newzones Gallery of Contemporary Art Calgary,Alberta, canada MarciaWood Gallery Atlanta,Georgia International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1994 contemporary realists, Newzones Gallery of Contemporary Art Calgary,Alberta, canada Monte Clark Gallery Vancouver,British Columbia, canada 10th anniversary group exhibition, Elliot Smith Gallery St.Louis,Missouri International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1993 Robert Berman Gallery Santa Monica, California the dreamer awakes, Deson-Saunders Gallery Chicago, Illinois west art...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

[Bruce Sargeant (1898-1938)] Michael Moonbeam n.d. Signed in red, u.l. Oil on canvas 12 x 9 inches $3000.00 + framing This work is offered by ClampArt in New York City.

Anne Sargent Walker’s "Two Very Tall Pines" is a 40 x 30 x 1.5 inch oil painting done in softs blue greens, gold and pink. Two very tall pine trees stand next to one another almost i...