Vertical Nude Paintings

This captivating artwork presents a striking blend of classical form and vibrant color. At its center is a seated figure, delicately positioned with limbs folded, embodying a serene ...

Title: Lovely Bones Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Brightly colored expressionist nude figurative painting of a reclining nude female with bold yellow, blue, and magenta accents by Linda Goodman (American...

This intriguing artwork captures an introspective moment, featuring a solitary figure curled inward, creating a sense of vulnerability and introspection. The figure's skin is rendere...

The title of this painting, together with the subject depicted, underlines the message of Pep Anton Xaus's artworks. Pay especial attention to the donke...

The inspiration for Daniel Wimmer’s art consistently stems from the human body. He is particularly fascinated by the beautiful colors of the skin and is constantly searching for intr...

Michael Knigin, American (1942 - 2011) - Nicely Wild, Medium: Chromogenic print on canvas, signed, dated in pen top right, titled and numbered on verso, Edition: 12/90, Size: 32 x 19...

5157 Vintage Cubic nude oil pastel Signed lower lright

Work on canvas Dimensions with frame 77 x 63 x 8 cm This impressive work illustrates a dynamic scene where nude female figures come to life amidst a whirlwind of colors. The palette,...

Work on canvas

This poignant artwork, measuring 60*80 cm and crafted with oil on canvas, delves into the profound philosophy that guides the artist's creative journey. The scene unfolds with a woma...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues b...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

The title of this painting translates from Spanish as "red chest", which makes reference to the robin-pattern in the background. Together with the subject depicted, the title underlines the message of Pep Anton Xaus...

Two Sisters Casein Paint Varnish Comes framed About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New Yo...

Standing Female Nude Oil on canvas, c. 1910 Signed lower left corner (see photo) Condition: Excellent Housed in a 22K Gold Leaf Frame Canvas size: 24 x 18 1/8 inche...

The inspiration for Daniel Wimmer’s art consistently stems from the human body. He is particularly fascinated by the beautiful colors of the skin and is constantly searching for intr...

Shepherd with Flock and Nude Lady by Fountain Italian School, circa 1900's indistinctly signed, 'R. Bertholio'? signed oil on canvas, unframed canv...

Allen Dean Cochran’s Nude Woman Sitting by Stream is a captivating exploration of serenity and nature, rendered in vibrant hues of green and blue. The painting features a nude woman ...

[ New Orleans, LA :: b.1959, Augsburg, Germany ] In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...

Josine Vignon (French 1922-2022) ...

Abstract painting made in pink, turquoise, beige, grey, brown color. About the Artist: Art Decorator who are working in contemporary colors for interiors. "I love to draw from an e...

Diego Glazer's "Dionysus: Bringer of Love" is an original, handmade oil painting that is framed and ready to hang. The framed measurements are 29 in H x 21 in W. About the Artist: ...

Hello Maillol # 1 is artwork of Nathalie Fontenoy who honor and pay tribute to the artist Aristide Maillol and to the woman. Aristide Maillol Friend of Paul Gauguin started sculpti...

DAVID BURLIUK [Burlyuk] 1882-1967 Kharkiv, Ukraine 1882-1967 Southampton, Long Island, New York (Ukrainian/Russian/American) Title: Two Women in the Sauna Technique: Original...

Nature through the Mirror Nude and with a Whirlwind Style of Childe Hassam Exquisite watercolor on card stock in the style of Childe Hassam by American Impressionist Wilhelmina (Minn...

The title of this painting translates from Catalan as "lucky" or "fortunate". Together with the subject depicted, the title underlines the message of Pep Anton Xaus...

Naiad (work in progress) Original painting. size 39x23in / 100x60cm . Shipped stretched as it is, ready for hanging. "Midday (Nude on Armchair 3") is a striking addition to this se...

"Floral #7" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of vibrant lilac, rich purple, bright green, yellow ochre, and blue. ...

“Bathing Nymphs,” Oil on Canvas cm 115×110 with frame cm 140×135 Fioravante Seibezzi (Venice, 1906-1974), Post-Impressionist Venetian painter, he devoted himself to landscape en plein air, translating the immediacy of impressionism through pure, bright colors. His debut at the Venice Biennale in 1938, participates in the Quadrennial Roman (1931, 1935, 1948, 1951, 1959) and several exhibitions abroad. He received important awards during his long career. In 2010 the exhibition “Settepittori Settemondi. Palazzo Carminati La Bohème “at the Maximilian Tower of St. Erasmus, Venice, sponsored by the Cultural Paolo Rizzi in collaboration with the Institution Lagoon Park – City of Venice. One hundred works from a single collector who chose Aldo Bergamini, Neno Mori, Marco Novati...

Inquisitive Interlude, 2018 Oil on canvas (Signed on reverse) 27.55 H x 19.68 W in. 70 H x 50 W cm In his paintings, Radu Rodideal speaks about the concept of loneliness. Everybody ...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 25 x 19 inches Beautifully decorative, mid 20th century French origin...

Joseph Kardonne (1911-1985). Nude Woman, 1966. Watercolor on paper, sheet measures 8 x 12.25 inches. Signed, dated and titled lower right. Excellent condition. Born in Newark, New...

“Bathing Nymphs,” Oil on Canvas cm 115×110 with frame cm 140×135 Fioravante Seibezzi (Venice, 1906-1974), Post-Impressionist Venetian painter, he devoted himself to landscape en plein air, translating the immediacy of impressionism through pure, bright colors. His debut at the Venice Biennale in 1938, participates in the Quadrennial Roman (1931, 1935, 1948, 1951, 1959) and several exhibitions abroad. He received important awards during his long career. In 2010 the exhibition “Settepittori Settemondi. Palazzo Carminati La Bohème “at the Maximilian Tower of St. Erasmus, Venice, sponsored by the Cultural Paolo Rizzi in collaboration with the Institution Lagoon Park – City of Venice. One hundred works from a single collector who chose Aldo Bergamini, Neno Mori, Marco Novati...

Nude Figure Study, Standing Female Figure with Sage Green Figure study of a nude model in studio by Los Gatos, California artist M.Z. Murphy (American, 20th century), c.1990. The f...

Expressive Nude Sketch Josine Vignon (French 1922-2022) signed black biro drawing...

Shana Wilson (Canadian, born 1966) "A Soft Touch" 2011 Oil Paint, Board The artist signed the back of the painting. About the Artist: Shana Wilson, born in Edmonton in 1966, has car...

The title of this painting translates from Catalan as "re-test" or something similar to "re-try". Together with the subject depicted, the title underlines the message of Pep Anton Xaus...

A charming still life study depicting a fan, bag and veil around a statue of a bust of a girl. The statue shows resemblance to Jean Antoine Houdon's (1741-1828) study of Louise Brong...

The title of this painting translates from Catalan as "primary sector". Together with the subject depicted, the title underlines the message of Pep Anton Xaus...

This original acrylic painting, rendered on a quality stretched canvas measuring 50 cm in width and 70 cm in height, compellingly explores the human form through a vibrant interplay ...

In this artwork, the serenity of the figure is juxtaposed with the dynamic scarlet background, symbolizing comfort in passion and color. The painting portrays the female form in a m...

The title of this painting translates from Catalan as "The Richest Woman in the World". Together with the subject depicted, the title underlines the message of Pep Anton Xaus...

Rapanas, Incoming Storm and Colossus, 2022 acrylic on canvas 78 47/64 H x 61 1/32 inches 200 H x 155 cm The artwork was part of the solo museum exhibition "Days of a Colossus" in 2...

The title of this painting translates from Catalan as "atomized". Together with the subject depicted, the title underlines the message of Pep Anton Xaus...

Mary Bernstein (American, XX), Abstract Seated Female Nude, Oil on Canvas, signed lower right, unframed. 46" H x 42" W.

Samantha Millington’s unique style of figurative art pops and zings from the canvas while also nodding in the direction of cubism and goddess figures from pre-history. Both thoughtfu...

“Bathing Nymphs,” Oil on Canvas cm 115×110 with frame cm 140×135 Fioravante Seibezzi (Venice, 1906-1974), Post-Impressionist Venetian painter, he devoted himself to landscape en plein air, translating the immediacy of impressionism through pure, bright colors. His debut at the Venice Biennale in 1938, participates in the Quadrennial Roman (1931, 1935, 1948, 1951, 1959) and several exhibitions abroad. He received important awards during his long career. In 2010 the exhibition “Settepittori Settemondi. Palazzo Carminati La Bohème “at the Maximilian Tower of St. Erasmus, Venice, sponsored by the Cultural Paolo Rizzi in collaboration with the Institution Lagoon Park – City of Venice. One hundred works from a single collector who chose Aldo Bergamini, Neno Mori, Marco Novati...

Nude is a contemporary artwork realized by Rinaldo Geleng (1920-2003) in 1970s Mixed colored oil on canvas. Hand signed on the lower margin. Includes frame: 124 x 104.5 cm

Contemporary acrylic on canvas painting depicting nude by Polish artist Michal Bajsarowicz. The artwork is an artistic take on human body with abstract elements. Composition is sketc...

A Modern realist “trompe l’oeil” egg tempera painting by American female artist Catherine Catanzaro Koenig depicting a painting of a nude held up by masking tape. Koenig inspired by Magritte, creates captivating works that delight the eye. Catherine C. Koenig was born Caterina Catanzaro in 1921 and grew up on the West side of Buffalo, NY. She graduated from Lafayette High School Buffalo in 1939. She exhibited a talent for drawing and painting early on and attended Albright Art School, where she graduated with an Associate's Degree in 1942. Her professional career as an artist began in the 1940s when she started to exhibit her work. From 1946-1956, she taught drawing and painting at the Art Institute of Buffalo. She married Buffalo artist...

This original acrylic painting on canvas is an impressive work created by artist Lada Kholosho in 2024. It depicts a solitary figure wrapped in an embrac...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

'Nude Woman Drying Her Hair', crayon and pencil on fine paper (1967), by Raymond Debiève (1931 - 2011). A shapely woman has just finished bathing and is drying her hair in the privac...

Portrait of Joan Brown Bay Area Expressionist Seated Nude in Oil on Canvas Heavy impasto painting of a seated nude woman (Joan Brown) by Honora Berg (American, 1897-1985). Bold depiction of a nude woman with dark hair. She is sitting in a dark blue chair, body slightly angled towards the viewer. The wall behind her is a deep red. Both the chair and the model are made out of many small brushstrokes of varying colors, creating a pointillist feel. Honora Berg also painted and portrait of Manuel Neri (Joan's Husband) which we acquired also from the Larry Miller Estate. Unframed. Canvas size: 30"H x 24"W Signed and dated "Honora Berg 60" in the lower right corner. Signed "H. Berg" on verso. Tag from Larry Miller Fine Art on verso. Provenance: Estate of Honora Berg, David Carson...