Framed Nude Paintings

Lying Woman is an original modern artwork realized by the artist Nino Bertoletti beetween 1930 and 1940. Mixed colored oil on canvas. Hand signed by the artist on the lower margin Nino Bertoletti (Rome, October 26...

3592 Nude in acrylic Set in a Deco style frame Image size 9.5x7.5"

il dipinto senza la cornice in legno finemente decorata a ornato vegetale in pastiglia e dorata misura 35 x 27 cm senza cornice, è firmato e datato: E. Meyer 1892. La scena si svolg...

Oil on canvas sold with frame Total size with frame 88x98 cm Carmen Bilbao was born in Bolivia in 1954. Graduated in Fine Arts from the Faculty of Architecture and Fine Arts at the...

Nude is a contemporary artwork realized by Rinaldo Geleng (1920-2003) in 1970s Mixed colored oil on canvas. Hand signed on the lower margin. Includes frame: 124 x 104.5 cm

SEATED NUDE FIGURE Oil on Canvas Size: 73.5 x 68.5 cm (including frame) A large and striking mid-century modernist style nude figurative painting, executed in oil onto board. A fem...

David Knight. English ( b.1965 ). White Linen. Oil On Canvas. Signed Lower Left. Image size 13.4 inches x 23.6 inches ( 34cm x 60cm ). Frame size 19.1 inches x 29.1 inches ( 48.5cm x 74cm ). Available for sale; this original oil painting is by David Knight. The painting is presented and supplied in its original frame (which is shown in these photographs). This piece is in superb condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. A popular and acclaimed contemporary Welsh based...

'Untitled, figure' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 11 x 8 inches and it is professionally framed, 20 x 16 1/2 inches in a museum quality ...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

Oriental motif. Oil on canvas, 100x73.5 cm At the turn of the century, the Viennese painter Eduard Ansen-Hofmann (1862-1955) became known with his oriental slave market and harem sc...

The artist Cindy presents a timeless engagement with this nude in its original frame. From Titian's Venus of Urbino to Matisse's Odalisques, the reclining figure has long served as a...

Painter and teacher, Thomas Fogarty, Jr., taught at the Art Students League in Manhattan for many years and exhibited his oil and pastel landscapes and still lifes at the Whitney Museum of American Art and many New York galleries. Fogarty began his teaching career at the Pratt Institute and Rutgers University, before joining the faculty at the Art Students League, where he taught painting, composition and life drawing. Fogarty was a member of the Society of Independent Artists. Both the artist and his father, Thomas Fogarty, Sr., were beloved teachers at the Art Students League and influenced generations of American painters, including Norman Rockwell. In “Draped Nude,” Fogarty’s vibrant use of color and soft, sensitive brushwork reminds the viewer of Pierre Bonnard’s interiors or early Picasso...

"Mercury Retrograde" Oil Painting (FRAMED) 30" x 23.5" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (wood & gold leaf) Size framed: 39" x 33" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance and Street Art. In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely. As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff Hamilton, Shepard Fairey, Jaysse Lopez, and Everlast of House of Pain...

L'Enlevement de l'Europe Abduction Painting Surreel Tempera on Panel in Stock Gérard Willemenot (1943, Paris, France) graduated as an architect at t...

Oil painting on Canvas, Bathing Nude By Maria Szantho Nice and large painting " portrait of a nude Gipsy girl " painted by the female artist Maria Szantho (1897 - 1998) Hungarian sc...

G. Debotoiyche, Nude Study, 1923 This masterful carbon pencil drawing by Russian artist G. Debotoiyche exemplifies the stripped-down elegance of early 20th-century modernist draftsm...

Nude Boy Bathing, early 20th Century French School - signed indistinctly Large early 20th Century French School portrait of a young boy preparing to bath himself, oil on canvas sig...

Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...

Acrylic on canvas painting by Washington DC artist Joe Shannon (b.1933). The painting is titled "In Bad Spirits" and dated 1969. The painting was exhibit...

"Two Ballerinas Oil On Canvas By Maria Szantho Frame" Nice and large painting "two ballerinas", painted by the female artist Maria Szantho (1897 - 1998) Hungarian school. Maria Szant...

Large Oil on Canvas by Fernande Horovitz-Edwards, France, 1930s - "Bathers". This large oil on canvas by Fernande Horovitz-Edwards, titled Bathers, dates from the 1930s and showcases...

"Lady with Books 3" 39x23in / 100x60cm Shipped as it is, stretched, framed. Size framed 41.5x25.7in Free shipping with 1stDibs code Lady with Books 3 and Lady with Books 1 - these ...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

Universal bank is an original modern artwrok realized by Antonio Feltrinelli in the 1930s. Mixed colored oil painting on canvas. The artwork depi...

Beautiful painting of a reclining nude by unknown artist. Oil on paper measures 11 x 20 inches. signed and dated lower right margin. Measuring 19 x 27 inches in original period mahog...

Julie Elise Hullgren, born July 29, 1879 in Aalborg, Denmark, died 1963, was a Danish-Swedish painter. She was the daughter of director J.G. Dinesen and Vilhelmine Marie Rodskier and...

This painting is likely to be from the late 18th or early 19th century, and is likely inspired by Antonio Correggio's "Virtue of Vice" circa 1531. Frame dimensions: 30 x 49 inches. This painting has been in a private California collection for over 40 years. It was acquired from a high end antique...

A fine 19th-century study of the Madonna and Child, painted in a slightly naïve yet deeply expressive manner characteristic of the German School of the period. The artist’s brushwork...

Phillip Roberts Title: Reclining Nude Medium: Oil on Canvas Year: circa 1970s Size: 20 x 18 inches Framed Size: 26 x 24 x 2 inches Signed, lower ight COA provided Framed Ref.: 924802-862 --------------------------------- Phillip received a BFA degree in painting from the Kansas City Art Institute, Kansas City, Missouri in 1972. Studied two years under painting department chairman, Wilbur Niewald. While attending school in Kansas City he became intrigued with the impressionist school of painting and their use of nature as a source of information for their work. Using the infinite variations of nature in the still life, figure and landscape, the artist is presented with limitless subject matter. Claude Monet, Camille Pissarro and other painters of nature were earlier influences on Phillip's work. Dealing with ever-changing elements of nature, movement of light and shadow in the landscape, field workers finishing their tasks, Phillip adopted a broken color style of applying paint to his canvas. This approach allowed the image on the canvas to be developed quickly, and all at one time. Phillip has lived and painted in the Northwest since 1989. His long desire to paint the subject matter of the impressionists painters and his belief that beautiful subject matter increases the probability of painting beautiful paintings, inspired two painting trips to Mexico and ten trips to Europe. In April of 2007, April of 2008 and again in 2014, a rented boat on the Canal du Midi, France served as a form of transportation, a floating studio and hotel. Early painting trips to France, England, and Spain were shared adventures with English painter Jeffrey Pratt...

Expressionist female nude portrait by noted Scottish artist Douglas Thomson. The painting is signed bottom left and signed and titled to the back of the canvas. There is an original exhibition title and price label to the frame. Presented in original plain wood frame. A colourful and striking portrait of a female nude. Her rich red hair falling over her shoulders, her pose calm as she stares out from the canvas in a wistful way, her mouth set. Thomson has created flesh tones, wonderful contrast of colours between the sitter and the background curtain and wall and a texture to the canvas to create added interest. A really interesting and engaging portrait. Douglas Thomson was born in Greenock in 1955 and after studying at the Glasgow School of Art 1974...

Female Nude, oil on board. Indistinctly signed 'Stan' to the upper right. Presented in a painted wooden frame.

Work on canvas Beige wooden frame 63 x 72.5 x 5.5 cm

Will good ultimately triumph over evil? Or is it a perpetual tug of war? WPA Artist Leonard Lopez paints a complex figural work addressing the theme of "the fight between good and evil. It's reminiscent of the medieval paintings by Hieronymus Bosch, where demons evoke fear and confusion to portray the evil of man. In this painting, a closeup of a young female’s erotic buttock fills the horizontal space. Engulfing the sexy nude body is a dense array of Lilliputian-like figures. The top third of the composition is crammed with floating, sexy, nude female bodies. The bottom part of the painting features a cross-section of people engaged in their diverse jobs. Mounted on the nude cheek, Artist Leo Lopez paints a victorious Red Devil with a trident. He’s holding a wealthy man in a tuxedo upside down. The supernatural powers of the Devil's red forked tail extend beyond its normal length and, like a tentacle from a sea monster, entangles many of the characters that represent society. To the extreme center right Lopez paints a Winged Venus dressed...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Rebecca Couchée by JULES PASCIN (1885-1930) Oil over pencil on canvas 73.1 x 91.8 cm (28 ¾ x 36 ⅛ inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris Provenance Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above, 1952 Perls Galleries, New York, no. 13565 Private collection, Osaka Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery Inc., New York Private collection, USA, acquired from the above, June 2011 Literature Luis Seoane...

Dave Seeley's "Pedestal" (2023) is a striking original oil on canvas painting. The nude female figure sits atop a rock formation, her contemplative pose and the warm, ethereal light ...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

This striking nude portrait oil painting is by noted Scottish artist William Crosbie. It is entitled Guapa verso, Spanish for a beautiful woman. Painted in 1981, she is wearing a bla...

Susanna ei Vecchoni Old People Oil Painting Rome Contemporary In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan fam...

Depiction of a male nude in diffuse architectural scenery. Signed lower right (Paul) Anton Kaulbach (1864 Hannover - 1930 Berlin). Oil on canvas, in gold-patinated frame. Image size:...

French School, Cherub Drinking Wine, Oil on Canvas laid on Masonite, 19th century, indistinctly signed lower left, ornate giltwood frame. Image: 25.75" H x 21.5" W; frame: 38" H x 33...

Alexandre-François BONNARDEL was born in Israel on September 6, 1867. In 1891, he entered the Ecole des Beaux-Arts and made his debut at the Salon (both in Lyon). He worked under the...

Joseph Glasco (American, 1925-1996) Standing Man, 1955 India ink and gouache on textured paper 10 x 8 inches 16.75 x 13.5 inches, framed Joseph Glasco was born in Paul’s Valley, Okl...

Oil on board, signed (lower left), 40cm x 56cm, (51cm x 67cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher, b...

Tuya Natsagdorj (Mongolia 1970) - Naked Goddess - oil on canvas Oil measures 63x53 cm. Frame measures 66x56 cm. Natsagdorj Tuya is a female artist who graduated from the kyiv School of Theater Arts in Ukraine and the Kyoto School of Art in Japan. Popular painter in the United States and Japan. In 2006 he participated in the exhibition "Mongolian art...

Exhibited at the Pennsylvania Academy of Fine Arts (1947) and the University of Illinois Exhibition of Contemporary Painting (1948), this painting by Philip Evergood exemplifies the ...

Untitled (1985) by artist Russel Sharon, featured in "The Queer Show" at Hal Bromm Gallery

Act. 1979. Oil on cardboard, 96x70 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and G. Skilt...

Robert Phillipp "Corner of My Studio" Original Painting c.1968 Original oil on canvas. Dimensions 12" x 16". The frame measures 16" x 20". Signed low...

5150 French oversized Surreal oil on canvas A Man's Fantasy Framed

Conditions : Frame in excellent Conditions, XIXth period with golden leaf. The painting show a signature on the lower right part " Pierre Sezille des Essarts" Minor retouching on th...

Otto Vautier is a renowned Swiss painter, born in 1863 in Düsseldorf. He was influenced by a family of artists and developed his style during his training in Munich and Paris. Vautie...

Calvin Lai's (US based) "Approaching Equilibrium" is an original, handmade oil painting that depicts a nude female figure, standing, with her face in profile and dappled in light. ...

Derek Harrison's (US based) "Sam" is an oil painting that depicts a nude female model with pink hair and shaved sides. "Sam" is a secondary market work with one previous owner. Artist Biography: Derek Harrison has worked as an artist almost all of his life. It all began with experimental art in various mediums. These ranged from watercolor to spray paint, tattooing, illustration and eventually to oil painting. A full spectrum of mediums experimented with as an artist beginning to learn his craft. In early 2010 Derek began taking workshops with very accomplished painters. This exposure opened his eyes and mind to what the possibilities are in the fine art world. After a very short amount of time, Derek began to take an extreme interest in classical/traditional art. This interest would lead him to study at the Los Angeles Academy of Figurative Art. After formal training, many classes and workshops outside of the school and a very important session of weekly classes with artist Jeremy Lipking, Derek Harrison has become one of the most exciting new talents in the field of representational painting. He has shown in galleries all over California and as distant as Amsterdam. His paintings sit in many collections across the country including musician Richie Sambora...

Carlos Enrique Alvarez Delgado (1976, Pinar del Río, Cuba) studied at the E.V.A. Raúl Sánchez (Pinar del Río) and later at the National School of Plast...

An amazing, magical realism painting by renowned artist, Herbert Laurence Davidson (1930-2018). This painting depicts a young boy’s innocent discovery on the beach of a sand sculptur...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: The Early Hours Year: circa 1964 Medium: Oil on Canvas Size: 44 in. x 21 in. (111.76 cm x 53.34 cm) Frame Size: 50 x 27 inches

JAN WYSOCKI (Polish 1873-1960) Reclining Nude Woman with Mirror and Roses Oil on canvas 39 x 48 inches Signed lower right In a period gold leaf frame Jan Wysocki was born on Februar...

Nude Lady in Interior Scene French School, mid 20th century signed oil on board , framed framed: 14.5 x 20 inches board: 12 x 17.5 inches provenance: private collection, France condi...

Perception Painted during lockdown with the help of the lovely @djadja I managed to put brush to canvas and this is the result. This painting is Oil on linen and is 80cm x 60cm, framed in a simple black tray frame. About the Artist Artist Martin Allen...

The Embrace French, 21st century gouache painting on artist paper, framed Glass covering framed: 13 x 10.5 inches board: 12 x 9 inches condition: very good provenance: private collec...