Oil Nude Paintings

ANGELA Size: 69 x 58 cm (including frame) Oil on Board A brilliantly executed mid-century modernist style figurative nude composition, painted in oil onto board. The focal point of...

Classical Figures in Ancient Landscape Italian School, 18th century oil on panel, painting: 9 x 12 inches provenance: private collection, Paris condition: very good and sound condition

Né en 1883 à Fumel (Lot-et-Garonne), Guillaume Dulac étudie à l’école des beaux-arts de Bordeaux avant de rejoindre l’atelier de Léon Bonnat à l’École des beaux-arts de Paris. Il par...

After studying anatomy and academic painting at the Florence Academy of Art, Ben Fenske took the skills he learned and stepped back, putting his own hand into an academically proport...

Vadym Mykhalchuk "Odessa.Rain on Preobragenska Street."

Nude study of the Three Graces attributed to André Favory unsigned, after Cezanne. Excellent condition, framed.

America Martin "Woman Learns the Names of Plants" Oil & Acrylic on Canvas 49.5" x 44" Framed Exploring the identity of both her namesake and country, LA-based America Martin draws i...

Words fall short when art speaks for itself. A language all its own. "Inspiration was never something to seek out but to be awake for." Based in Southern California, Miriam contin...

"Mercury Retrograde" Oil Painting (FRAMED) 30" x 23.5" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (wood & gold leaf) Size framed: 39" x 33" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance and Street Art. In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely. As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff Hamilton, Shepard Fairey, Jaysse Lopez, and Everlast of House of Pain...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

‘The Bathers’ Nude Boys Sitting on the Rocks beside the Sea Oil on Canvas. 12 x 20 in. (frame.18 x 26 in.) Signed, and Inscribed in Cyrillic on the reverse. Inscribed. Circa 2019. ...

"Station to Station" is a colorful red and blue multi layered oil painting from Nick Weber. Nick Weber (b.1971), living and painting in Springs, NY (about...

"Reverie" is a figurative nude Painting by the impressionist Maestro Dmitriev Alexey Olegovich. About the artwork: TECHNIQUE: oil painting...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

Exceptionally decorative painting by Professor Carl Leopold Voss. The painting shows the bitter truth of youth and life. Including various old docum...

Painter and teacher, Thomas Fogarty, Jr., taught at the Art Students League in Manhattan for many years and exhibited his oil and pastel landscapes and still lifes at the Whitney Museum of American Art and many New York galleries. Fogarty began his teaching career at the Pratt Institute and Rutgers University, before joining the faculty at the Art Students League, where he taught painting, composition and life drawing. Fogarty was a member of the Society of Independent Artists. Both the artist and his father, Thomas Fogarty, Sr., were beloved teachers at the Art Students League and influenced generations of American painters, including Norman Rockwell. In “Draped Nude,” Fogarty’s vibrant use of color and soft, sensitive brushwork reminds the viewer of Pierre Bonnard’s interiors or early Picasso...

Bernard Taurelle French, born 1931 L’eau Tiède Oil on canvas 28 ¾ by 36 ¼ in, w/ frame 36 ¼ by 43 ¾ in Signed lower right Bernard Taurelle graduated college at 19 with a degree in ...

Yehoshua Kovarsky 1907-1967 Kovarsky was born in the city of Vilna, Lithuania to a traditional Jewish family. His father and uncle owned a concession for painting railroad stations...

Edouard Dumoulin Nude in the rocks Oil on canvas 131 x 66 cm (144 x 79 cm with frame)

Nude Model by Therese Hummel (French, 1911-1999) oil on canvas, unframed canvas : 14 x 10.75 inches Provenance: private collection of this artists work, Paris Condition: sound and go...

David Shevlino female figures beautifully link traditional representation with abstraction. Through Shevlino’s sensuous application of paint, his use of broad brushstrokes followed b...

"Snow White" Oil Painting 39" x 35" inch by Yevhenii Shapovalov ATT: SHIPS ROLLED IN TUBE ABOUT: Yevhenii Shapovalov is a highly talented Ukrainian painter and graphic known for h...

Mercedes Matter Reclining Nude, circa 1920 Signed "Mercedes Matter" on the overlap Oil on canvas 32 x 51 inches Born in New York in 1913 to famed Philadelphia Modernist, Arthur B. ...

EVE Description: Oil on canvas, figurative, nude, multi-color, gestural, modern, abstract This painting features Eve, the mother of women, sitting in contemplation in the garden of Eden. Through the use of expressive brushwork, and color, this painting tells a new version of this story from antiquity. Jessica Benjamin was born in Bloomington, IL and graduated from the New York Academy of Art with his MFA in 2014. Her paintings have been featured on the cover and interiors of three albums by Wynton...

In this oil painting, I've captured a moment of introspective contemplation, using the figurative impressionism style to emphasize the raw emotions and vulnerability. The brushstroke...

"Passion #1" - An original signed oil painting on canvas by artist Paula Craioveanu - titled "Passion #1". Hand painted and hand signed by artist upper right. It is also signed, ti...

A sensitive life study in oil by the artist Bernard Myers (1925-2007), with areas of thick impasto. Signed verso. On paper.

A delightful life study by the artist Georges Eugene Delhomme (1904-1989). The artist has expertly captured the rich patterned textiles of the interior against the elegant form of th...

This intimate oil painting depicts a nude figure seated on rumpled white bedding, absorbed in reading a book in a modest domestic interior. The composition employs warm, muted earth ...

An impressionist life study by the artist Pauline Plummer (b.1933) depicting a lady sat on a simple wooden chair in a striking orange room. Signed verso. On canvas on stretchers.

This intimate figure study depicts a nude woman in a contemplative seated pose, rendered in warm earth tones that emphasise the natural curves and form of the human body. Signed and...

A gentle life study by the artist Pauline Plummer (b.1933). The artist has expertly captured the subject using loose brushstrokes and an earthy colour palette. Signed verso. On canva...

This intimate painting depicts a tender moment between a mother and her children, rendered in warm earth tones with loose, expressive brushstrokes that emphasise the emotional connec...

A sensitive life study by the artist Pauline Plummer (b.1933). The artist has expertly captured the subject in a loose, impressionist style. Unsigned. On canvas board.

A sensitive life study by the artist Pauline Plummer (b.1933). The artist has expertly captured the subject in a loose, impressionist style. Unsigned. On board.

A sensitive life study in oil by the artist Bernard Myers (1925-2007), with areas of thick impasto. Signed verso. On paper.

A sensitive life study in oil by the artist Bernard Myers (1925-2007), with areas of thick impasto. Signed verso. On paper.

A delightful modernist life study by the artist Georges Eugene Delhomme (1904-1989). Signed and dated to the lower right. Smartly presented in a wooden frame. Inscribed verso. On card.

"Woman's Thought" is a figurative Painting by the impressionist Maestro Dmitriev Alexey Olegovich. About the artwork: TECHNIQUE: oil paint...

"Genesis" Nude Abstract Oil Painting 63" x 51" inch by Yevhenii Shapovalov AAT: Artwork ships rolled in a tube ABOUT: Yevhenii Shapovalov is a h...

PS 243 La Contrebasse d'Ingres Such as Odalisque from Ingres or the photography composition from Man Ray, the most important point is the round shape of the body. The pale body shap...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues b...

Nude Model by Helen Greenfield (British 20th century) oil painting on board, unframed board: 20.5 x 24 inches condition: overall very good provenance: all the paintings we have by t...

This artwork "Nude" is an oil painting on canvas by noted Czech/American artist Jan De Ruth, 1922-1991. It is signed at the lower right corner by the artist. The canvas size is 16 x 13 inches, framed size is 24 x 21 inches. Framed in the original wooden gold and black antique style frame, with fabric liner and gold bevel. It is in excellent condition. About the artist: Born Karlsbad, Czechoslovakia Studied: Rotter Art School, Prague; Ruskin Art School, Oxford University, England; ASL New York; New School, NY; also with Frederic Taubes. Exhibited: 38 National Juried Exhibitions, 14 Museum Solo Shows and 51 Gallery Solo Exhibitions. Author: Portrait Painting, 1964; Painting the Nude, 1968. De Ruth, a native of Czechoslovakia and an American citizen, spent the years of World War II being shunted through five different concentration camps, including the infamous Auschwitz. He made four escape attempts and finally made good on his fifth try. De Ruth constantly sought materials with which to draw, but "The only things we had were the few pieces of cloth we wore," he recalls. By chance, he was transferred to Germany as part of a labor detail and managed to sneak a pencil away from the camp supervisor. "I became a perfect thief during those years," he says. De Ruth drew a mother and child on a scrap of paper he scrounged from the factory where he worked and filled it in with shadings of coffee in various strengths-his finger was his brush. He exchanged the sketch for a piece of bread from a camp guard, and in effect, sold his first painting. In March of 1945, after being transferred to his native Czechoslovakia, he made his successful escape "knowing every step of the way." After the war, De Ruth became the commissar in a small Czech town and remained in the post for one year, just long enough to forge some documents that allowed him to flee to England. He took up residence in London and enrolled at the Ruskin Art School in Oxford University. He arrived in the USA in 1948. There are times in the life of a painter when his dedication to his art is overshadowed by the immediate requirements of self-preservation. This was one of those times! From '48 to 1955 he supported himself by working at night, earning his way painting designs on neckties and bathroom cups...

The Artists Model Nude Lady Model French School, circa 1970's oil painting on card, unframed size: 19 x 25.5 inches condition: overall very good, a very few light markings to the s...

Artist/ School: French School, late 20th century, signed with monogram Title: Surrealist coastal landscape with nude male and female figures, sta...

JAN WYSOCKI (Polish 1873-1960) Reclining Nude Woman with Mirror and Roses Oil on canvas 39 x 48 inches Signed lower right In a period gold leaf frame Jan Wysocki was born on Februar...

'La Toilette' Jais Nielsen, 1949. Paris Exposition, Salon d’Automne, Fauve, Cubism, Section d'Or ----- Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961), inscribed 'Ven...

SEATED NUDE FIGURE Oil on Canvas Size: 73.5 x 68.5 cm (including frame) A large and striking mid-century modernist style nude figurative painting, executed in oil onto board. A fem...

"Third Stone from the Sun" is a colorful pink and red oil painting, with what appears to be a hidden figure of a torso on the left. Nick Weber (b.1971), l...

Klett was an in-demand illustrator in the post-war period of the late 1940's and 1950's. and . His work appeared in many of the newsstand magazines at the time. This work is a pers...

Oil painting on panel with painted wooden frame, measurements without frame are 41.5 x 22.5 cm. The scene depicted harks back to mythological memories, with a nude figure in the fore...

"Pink Skirt" is an impressionist oil painting of woman sitting holding a book. Painted from life in his home in Chianti, Italy, his muse, Beatrice, sits on ...

Title: The Powerful Vagina Artist: Nerea Caos (Nerea Sánchez Castro) Medium: Oil on canvas Dimensions: 50 x 50 cm (19.7 x 19.7 in) Format: Unframed Year: 2025 Signature: Signed on th...

"female Nude" oil on canvas by Otto Scholderer (1834-1902)" Franz Otto Scholderer (1834 - 1902) was a German painter. His work is rooted in Romanticism, with influences from Impres...

PICOU Henri Pierre (1824-1895) Nymphs Dancing Oil on canvas signed and dated 1881 low left Old frame regilded with leaves Dim canvas : 62 X 82 cm Dim frame : 80 X 100 cm PICOU Henri Pierre (1824-1895) French Painter 19th century Born on February 27th, 1824 in Nantes - Died on July 17th, 1895 in Nantes Painter of History, allegorical subjects, genre paintings, Symbolist. Pupil of Paul Delaroche...

After having posted images of his own paintings online and receiving warnings for going against "community standards", Conde argues that the female form, the greatest artwork ever c...

"Happy Summer" is a nude figurative painting by the impressionist Ivan Roussev. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, sign...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...