Oil Nude Paintings

After having posted images of his own paintings online and receiving warnings for going against "community standards", Conde argues that the female form, the greatest artwork ever c...

"Happy Summer" is a nude figurative painting by the impressionist Ivan Roussev. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, sign...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

"Phase 3: Struck, Half Full" is an original piece by Lauren Rinaldi made from oil on canvas. This piece measures 8"h x 8"w unframed. Lauren Rinaldi (b. 1983, Brooklyn, NY) is an Am...

il dipinto senza la cornice in legno finemente decorata a ornato vegetale in pastiglia e dorata misura 35 x 27 cm senza cornice, è firmato e datato: E. Meyer 1892. La scena si svolg...

In this oil painting, I embraced the enchanting dance of light and form. With each brushstroke, I sought to capture the delicate interplay of shadows and textures on the human figure...

Carlos Enrique Alvarez Untitled, 2024 Oil on canvas 39 x 31 in

Red Head Madame- Original 1975 Acrylic on Canvas Modern portrait of a nude red head woman by Bay Area artist Patricia Gren Hayes (American, 1932). The woman is seated on a chair, nu...

Wonderful reclining nude in modern style, circa 1940. Faint illegible signature lower right edge. Condition: Good: Professionally cleaned; two tears professionally repaired/inpainted...

A captivating piece by artist Sophie Dumont, titled 'Secret Thoughts,' this oil-on-canvas female nude, painted with a palette knife, unveils a profound introspection. The canvas port...

Mid century figure study of nude models and a painter in the studio by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but a...

Dave Seeley's (US based) "Erica #1" is an original, handmade oil painting that depicts a reclining nude model on a black couch with a white sheet. Dave Seeley is a figure painter l...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Centered on mental health and its “invisibility”. This painting explores the mental and emotional conflict caused by dissociation between Imposed labels and self-identity. In the worthy pursuit of freedom from the endless constructs of this world, we hope to not become imprisoned by our minds. About Artist Gbemi Smart...

"Day Dream" is a world where fantasies and dreams shape reality. Within a flow of soft lines and translucent ornaments, a space of solitude emerges — a place where one can simply be....

Work on canvas Beige wooden frame 63 x 72.5 x 5.5 cm

Beautiful figurative painting of a female nude figure standing with a vibrantly colored and patterned quilt by Rebecca Hall (American, 20th Century). Signed "Rebecca Hall 1984" on ve...

Oil on board, signed (lower left), 40cm x 56cm, (51cm x 67cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher, b...

Expressionist female nude portrait by noted Scottish artist Douglas Thomson. The painting is signed bottom left and signed and titled to the back of the canvas. There is an original exhibition title and price label to the frame. Presented in original plain wood frame. A colourful and striking portrait of a female nude. Her rich red hair falling over her shoulders, her pose calm as she stares out from the canvas in a wistful way, her mouth set. Thomson has created flesh tones, wonderful contrast of colours between the sitter and the background curtain and wall and a texture to the canvas to create added interest. A really interesting and engaging portrait. Douglas Thomson was born in Greenock in 1955 and after studying at the Glasgow School of Art 1974...

This artwork titled "Housetrained" c.1985 is an oil painting on canvas by noted Hungarian artist Lajos Flesser, b.1937. It is signed and titled in the back by the artist. The canvas size is 32 x 25.65 inches, framed is 33.5 x 27.35 inches. The artwork is in excellent condition, frame is in very good condition. Custom framed in a wooden black and gold frame. About the artist: Lajos Flesser was born on Aug. 11, 1937 in Budapest, where he grew up in the shadow of World War II. In his late teens he studied at trade school, concentrating on metal skills. His need of communication made him start boxing, and the success was long in coming. In boxing circles, Flesser became a well established name with a couple of Hungarian championships. Then came the fatal year 1956, when Soviet tanks crushed the dreams of freedom. Flesser escaped and came to Sweden via Denmark. In Gothenburg the well known boxing promoter Edvin Alqvist soon became aware of Flesser's capacity as a boxer and offered him a contract. His debut occurred in May 1957...

A sensuous reclining nude with exaggerated curves touches her nipple. The intimate moment is witnessed by a relishing cat. Of course, the cat has a smile on his face. From his position, the view is very good. Stong colors and a perfect interaction of positive and negative spaces along with it large size make this a powerfully involved work. Seymour Etienne Bottex...

Isidoro Bianchi (Campione 1581 - Campione 1662) - Putto plays with a veil. 69 x 87 cm. Old oil painting on canvas, unframed (not signed). - Inscription on the back: "Gavnø / Nr. 1...

Nude Model by Helen Greenfield (British 20th century) signed initials oil painting on board, unframed board: 19 x 13 inches condition: overall very good provenance: all the paintings...

American impressionist nude beach scene oil painting by Nathan Hoffman (1900 - 1979). Framed. Oil on board. Signed. Image size, 16H by 20L.

Colorful oil on canvas painting Nude in the studio by the famous French artist Jean Jules Louis Cavailles. very nice colors.

Oil Painting of modern renaissance figures by Cuban Artist Jesus Nordarse. Dark neutral Oil Painting of a Love and Sacrifice by Cuban Artist Jesus ...

Sophie Dumont's oil painting captivates the viewer with a bold representation of a reclining woman, seen from behind. The artist's style, characterized by rounded and sensual figures...

Original Abstract Expressionist Painting - "Lovers’ Embrace" Wonderful example of a vibrant abstract expressionist figurative of couple embracing by ...

French contemporary artist Natalya Mougenot invites us into a world of expressive simplicity and emotional depth with her painting "Dreams in the Shade". This intimate composition po...

Work on canvas

Large Oil on Canvas by Fernande Horovitz-Edwards, France, 1930s - "Bathers". This large oil on canvas by Fernande Horovitz-Edwards, titled Bathers, dates from the 1930s and showcases...

A wonderful mid 20th century oil depicting a nude lady. The artist has sensitively recorded the subject using a muted palette and soft yet gestural brushstrokes, evoking a sense of q...

Artodyssey: "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with c...

Painting, 19th century, oil on canvas, "Young woman at the well" Signed, B. Kern. Dimensions with frame 61cm x 75cm

Perception Painted during lockdown with the help of the lovely @djadja I managed to put brush to canvas and this is the result. This painting is Oil on linen and is 80cm x 60cm, framed in a simple black tray frame. About the Artist Artist Martin Allen...

Wonderful nude of woman in the style of Bay Area Figurative painters titled "Awaiting Sky" on verso. Signed illegibly ("N. Jean"?) on verso. Condit...

Bay Area Expressionist Standing Nude Standing nude woman by Honora Berg (American, 1897-1985). Bold depiction of a nude woman with dark hair. The model is rendered in dark greys, w...

Nude is a contemporary artwork realized by Rinaldo Geleng (1920-2003) in 1970s Mixed colored oil on canvas. Hand signed on the lower margin. Includes frame: 124 x 104.5 cm

"Hypnos 2", oil on canvas, 15.74x23.6in / 40x60cm Hypnos is the personification of sleep, the god who touches humans with his wings. His mission is to help people sleep. Part of New...

The Artists Model by Josine Vignon (French 1922-2022) oil painting on canvas, unframed stamped verso canvas: 41 x 29.5 inches very good condition provenance: the artists estate, Fra...

Oil Painting of a Minotaur. Bright Blue painting by Cuban Artist Jesus Nordarse. Oil on Canvas. 11 x 8 inches. THE MAN: Jesús Nodarse Valdés w...

A large scale, expressive study depicting a scantily dressed woman in an interior. The artist captures the scene entirely in hues of pink, using expressive brushwork to create a text...

Jan van Haensbergen was a painter of the Dutch Golden Age and a pupil of Cornelius van Poelenburgh (Utrecht 1594 - 1667). The painting we are presenting is inspired by Poelenburgh’s landscapes from his Italian sojourn. The dreamlike atmosphere of this Gathering in antique ruins appealed to us. Against a backdrop of antique ruins, three draped characters (perhaps bathers) are sitting in a circle, greeting a fourth character walking towards them. Their tranquility contrasts with the bustle of the other characters in the background. They constitute a vivid illustration of otium, this leisure time that allows us to realize our full potential. With this Arcadian landscape, Jan van Haensbergen invites us in turn to leave the hustle and bustle of everyday life behind, to take a break, to enjoy the present moment chatting with close friends… 1. Jan van Haensbergen, a landscape and portrait painter of the Dutch Golden Age Jan van Haensbergen was born in 1642 in Gorinchem, a town in southern Holland to the east of Rotterdam. He was a pupil of Cornelius van Poelenburgh, and began by painting landscapes inspired by those of his master, in an Italianate style. Between 1668 and 1669, he was registered at the Guild of Saint Luke in Utrecht. In 1669, he moved to The Hague, where he joined the Confrérie Pictura, an artist society founded in 1656. His portraits, which became his main activity as a painter after settling in The Hague, were strongly influenced by Caspar Netscher (Prague or Heidelberg 1639 - The Hague 1684), whom he met in The Hague and whose son Constantijn became his son-in-law by marrying his daughter Magdalena. In addition to his work as an artist, Van Haensbergen was also an art dealer, probably helped by his appointment as Dean of the Confrérie Pictura, where he also teached. 2. Description of the artwork and related paintings This painting seems to us to be a kind of allegory of otium, that quiet bliss promised by Epicurus. It might even evoke an Epicurean proverb: "It is better to lie on the naked ground and be at ease, than to have a golden carriage and a rich table and be worried" . Three draped young people - two men and a woman in the background - are seated in a circle, greeting a fourth figure walking towards them, hair disheveled and body draped in a towel as if drying off after a bath, indicating the need for prior purification to fully enjoy this rest. Their nonchalance contrasts with the bustle of the various characters in the background. The composition is punctuated by successive diagonals, and opens onto a landscape on the right, with a succession of mountainous planes. This painting is typical of the Italianate works produced by Van Haensbergen in the 1660s under the influence of Cornelis van Poelenburgh...

Antique American modernist oil painting. Oil on canvas. Signed. Framed. Measuring 31 by 21 inches overall and 30 by 20 painting alone.

Nu au canapé bleu y Ludovic-Rodo Pissarro (1878-1952) Oil on canvas 46 x 38 cm (18 ¹/₈ x 15 inches) Signed lower left, Ludovic Rodo Executed circa 1910 This work is accompanied by a certificate of authenticity from Lélia Pissarro. Provenance: Private collection, France Artist biography: Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father...

Op Art Figurative Female Nude -- Sanctum of the Blooming Mind This painting by Dmitri Katz (American/German, b. 1972), circa 1992, presents a surreal, almost mythological female fig...

Nude Boy Bathing, early 20th Century French School - signed indistinctly Large early 20th Century French School portrait of a young boy preparing to bath himself, oil on canvas sig...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Rebecca Couchée by JULES PASCIN (1885-1930) Oil over pencil on canvas 73.1 x 91.8 cm (28 ¾ x 36 ⅛ inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris Provenance Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above, 1952 Perls Galleries, New York, no. 13565 Private collection, Osaka Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery Inc., New York Private collection, USA, acquired from the above, June 2011 Literature Luis Seoane...

Nude Model is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Good conditions. Not signed. Antonio Feltrinelli (Milan, 1...

Otto Vautier is a renowned Swiss painter, born in 1863 in Düsseldorf. He was influenced by a family of artists and developed his style during his training in Munich and Paris. Vautie...

5150 French oversized Surreal oil on canvas A Man's Fantasy Framed

In creating this piece, I sought to infuse the canvas with the dynamic interplay of light and shadow, captured in the oil medium with a fervor that breathes life into the figurative ...

Work on canvas Golden wooden frame 81 x 80.5 x 4 cm

Artist/ School: French School, late 20th century, signed Title: Nude Women, Lovers group Medium: oil on canvas, unframed Canvas: 19.75 x 24 inches Provenance: private collection...

Susanna ei Vecchoni Old People Oil Painting Rome Contemporary In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan fam...

5008 Large Vintage French Surreal female nude on canvas unframed

Nude Lady by Helen Greenfield (British 20th century) oil and crayon painting on board, unframed board: 23 x 17.5 inches condition: overall very good provenance: all the paintings we...

Bay Area Expressionist Standing Nude from Behind in Oil on Cardboard Standing nude woman from behind by Honora Berg (American, 1897-1985). Bold...

This artwork "Two Nude Couples" is an oil painting on masonite board by noted German/American artist Norbert Schlaus, 1927-2009. It is signed at the lower left center by the artist. ...

This captivating artwork presents a striking blend of classical form and vibrant color. At its center is a seated figure, delicately positioned with limbs folded, embodying a serene ...

Contemporary figurative nude oil on cardboard painting by Polish artist Agnieszka Staak-Janczarska. Painting depicts a woman sitting on a floor with her head resting on her knee. Art...