Canvas Nude Paintings

We are thrilled to present to you one of Hrair's mesmerizing oil paintings titled "Volupte" This exquisite artwork, is signed lower right. is a true testament to the artist's skill a...

Wonderful abstracted nude, a watercolor painting by California artist Virginia Hughins (Virginia Brubaker DeWolf), (American, 1923-2004). Singed "V. Hughins" lower right. Unframed. I...

A beautifully executed drawing in oil pastels of a nude leaning on a bath by Modern British artist Ewart Johns (1923 - 2013), 1980 Ewart Johns (British, 1923 – 2013) Nude Leaning On...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Contemporary acrylic painting depicting people by Polish artist Michal Bajsarowicz. Horizontal painting on canvas, artist used mostly four colors: grey, orange, blue and yellow. Arti...

Accompanied by 1979 exhibition label signed, 'Kleno' for Evgenij Klenø (Dutch, 1921-2005) and titled, verso, 'Charlotte'; additionally titled, verso, on ...

Mid century figure study of nude models and a painter in the studio by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but a...

A vibrant and expressive study of a reclining nude. Well-presented in a painted wooden frame. Indistinctly signed and dated to the lower left. On board.

Drawn from life this model is obviously at ease which has allowed Angela to present a relaxed and subtle figurative work. Her colors are warm and this is a beautiful, graceful piece....

Igor Volkov-Tkachinsky’s work embodies the dramatic tension of opposites: cold and fire, vulnerability and renewal, destruction and creation. At its center...

1950's Mid Century modern oil portrait of a nude black woman seated on a chair The artist was a portrait and figure painter active during the 1950s-1...

Medium: Oil on canvas Painting Size: 27" x 35" Frame Size: 28" x 36" Age: 2000s Condition: Good, no damage seen Artist: Zhengdao Zhang Great for collection or home decoration. Provenance: Direct from the artist. Framing Option: We offer in-house framing if you would like your artwork to be framed. Please contact us after the sale for a quote. We have experienced framers who would love to frame your artwork to your specification. We use top-quality museum materials to ensure both that your artwork is amazing and stays amazing for generations. Bidders need to know All the items are sold as is and all sales are final. All bidders are encouraged to review our terms before bidding. By registering for and/or placing a bid in any Time auction...

A beautifully executed oil pastel drawing of a nude lying on a bed by Modern British artist Ewart Johns (1923 - 2013), 1980 Ewart Johns (British, 1923 – 2013) Nude On Bed Oil pastel...

A beautifully executed oil painting of a nude lying down on a bed by Modern British artist Ewart Johns (1923 - 2013), 1980 Ewart Johns (British, 1923 – 2013) Nude On Bed, Back View ...

Artist: Alejandro Colunga, Mexican (1948 - ) Title: Lady Sword Swallower Year: 1975 Medium: Acrylic on Canvas, signed l.l. Size: 16 x 12 inches

Judith Brenner Alberto Standing 1 Original Figurative Painting Mixed Media on Paper Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that insitu images are purely an ind...

This is a one of a kind original figurative oil painting on canvas by Stephanie Clair. It is framed as pictured. Its dimensions are 31"x43". A certificate of authenticity will follow...

A large energetic acrylic honouring the female form by modern British artist Carmen Tyrrell. Well-presented in a dark blue mount and lime-washed frame. ...

Strange women III, 2015 Acrylic on canvas pad 23.62 H x 17.71 W in. 60 H x 45 W cm "Strange women" is a cycle of eight canvases, each representing a fem...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

Mary Bernstein (American, XX), Abstract Seated Female Nude, Oil on Canvas, signed lower right, unframed. 46" H x 42" W.

Kristy Chettle (American, born 1968) "Dances with Daffodils" 2023 Oil Paint, Reclaimed Wood, Wire The artist signed the bottom left of the painting. This artwork by Kristy Chettle, ...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of...

Impresionist woman figure

Yellow Back - a beautiful study using Angela's idiosyncratic use of colour to wonderful effect. Angela was born in 1946 and studied art at Kingston Art College, London. Her early...

Bernard Krigstein (March 22, 1919 – January 8, 1990) was an American illustrator and Ashscan school painter who received acclaim for his innovative a...

A glamorous nude female of ideal proportions stands side-by-side with her partially clothed counterpart. They are intertwined with seasonal foliage to symbolize the painting's title, "Summer into Spring." Iconic American Illustrator/Artist Bob Peak integrates the sinuous curves of plants, flowers, and color to indicate a seamless seasonal transition. On the left, the figure is bathed in a soft, dreamy green that subtly transitions into a delicate blue. The painting is large in scale and exhibits a deep knowledge of academic painting, with two female portraits masterfully rendered. Peak also exhibits his skills as a colorist. He harmoniously fuses human flesh tones into a fantasy land of lush floral elements. Drawing inspiration from Art Nouveau, Peak makes a statement about the universal theme of beauty in nature. As a sight to behold, joy ripples through one's body, looking at "Summer into Spring". It is a late work in the artist's career but also one of his best. Signed lower left. Unframed. Provenance: The Estate of the Artist. Color may vary depending on light source. Best viewed with top gallery-style lighting. Bob Peak was the Norman Rockwell of American Illustration from the 1960's to the 1980's. He was as in demand as he was technically and creativley innovative. Regular Clients were, Time Magazine, Sports Illustrated, TV Guide and Esquire and Major Ad Agencies. He has been dubbed Master of the Modern Movie Poster. Fate of a Man, movie poster illustration (U.S. release), 1959 West Side Story, movie poster illustration, 1961 Birdman of Alcatraz, 1962 The Leopard, movie poster illustration (U.S. release), 1963 My Fair Lady, movie poster illustration, 1964 The Cincinnati Kid, movie poster illustration, 1965 The Liquidator, movie poster illustration, 1965 Lord Jim, movie poster illustration, 1965 Kaleidoscope, movie poster illustration, 1966 Modesty Blaise, movie poster illustration, 1966 Our Man Flint, movie poster illustration, 1966 Camelot, movie poster illustration, 1967 In Like Flint, movie poster illustration, 1967 Thoroughly Modern Millie, movie poster illustration, 1967 The Wanderer, movie poster illustration (U.S. release), 1967 For Love of Ivy, movie poster illustration, 1968 A Dream of Kings, movie poster illustration, 1969 Funny Girl, movie poster illustration, 1969 Lions Love (... and Lies), movie poster illustration (alternate poster), 1969 The Secret of Santa Vittoria, movie poster illustration, 1969 There Was a Crooked Man..., movie poster illustration, 1970 Cesar & Rosalie, movie poster illustration (U.S. release), 1972 The Great Waltz, movie poster illustration, 1972 Enter the Dragon, 1973 Mame, movie poster illustration, 1974 The Voyage, movie poster illustration (U.S. release), 1974 The Yakuza, movie poster illustration, 1974 Rollerball, movie poster illustration, 1975 That's Entertainment, Part II, movie poster illustration, 1975 The Missouri Breaks, movie poster illustration, 1976 Equus, movie poster illustration, 1977 Islands in the Stream, movie poster illustration, 1977 The Spy Who Loved Me, movie poster illustration, 1977 Every Which Way But Loose, movie poster illustration, 1978 Superman, movie poster illustration, 1978 The Wiz, movie poster illustration (alternate poster), 1978 Hair, movie poster illustration (alternate poster), 1979 Apocalypse Now...

'I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is t...

Buckle Under the Flutter c. 2019 Mixed media on panel 7 x 5 inches Framed: 8.5 x 6.5 inches