Canvas Portrait Paintings

RICHARD GEIGER "RELAXING" OIL ON CANVAS, SIGNED HUNGARIAN, C.1930 28 X 39 INCHES FRAMED 36.5 X 46 INCHES Richard Geiger 1870-1945 Richard Geiger was born in Vienna and first studied at the Vienna Art Institute with the academic painter Christian Ludwig Von Griepenkerl and, subsequently, in Paris with Francois Flameng...

Modern unfinished portrait of handsome man in dress uniform by American painter, Patricia Gren Hayes (b. 1932), circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work from the estate of Larry Miller Unframed. Canvas size: 30"H x 36"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkel...

"Self Love," a poignant creation by Adegbola Deborah, celebrates the essence of self-acceptance and the transformative power of embracing one's true identity. At the heart of this artwork is a young woman, beautifully depicted with a sense of authenticity that transcends societal norms and standards. The title, "Self Love," serves as a guiding principle for the viewers, emphasizing the importance of unconditional self-love. The accompanying message is a powerful reminder that true self-love goes beyond superficial aspects such as physical appearance. It encourages us to look within and understand the depth of our being, recognizing that our worth is not determined by external factors like the shape of our face, the size of our eyes, the length of our hair, or the quality of our clothes. The artwork's portrayal of the young woman becomes a visual narrative of empowerment through a positive mindset. The idea that one's self is a treasure reinforces the concept that within each individual lies a wealth of potential, unique qualities, and inherent value. The emphasis on self-love as the most important love of one's life underscores the significance of cultivating a compassionate and nurturing relationship with oneself. Adegbola Deborah's "Self Love" stands as a profound reminder to viewers to appreciate and embrace their authentic selves. In a world that often imposes unrealistic standards, this artwork serves as an empowering beacon, encouraging individuals to cherish their uniqueness, and fostering a deep connection with the essence of who they are. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Deborah is a very promising budding Nigerian artist who was fortunate to be born into the idyllic serenity of the agrarian town of Saki, surrounded by the immensely inspirational botanical splendor that the community had to offer. These assets combined to nurture the newly discovered talent waiting to be expressed by the young artist who was only fifteen then, having been born in the nineties. Deborah usually derives her creative impulse from nature, everyday experiences, her own sensitive reactions, and her unique interpretation of events and phenomena with a marked inclination towards realism. Hence Deborah's works are at once her own means of catharsis and a vehicle for the showcasing of nature's beauty and by extension human beauty with a particular emphasis on feminine charm. From another perspective, her works represent her own reaction to everyday emerging and re-emerging phenomena hence are inevitably her own self-disclosure. Having been raised within a polygamous home she finds herself equipped with the necessary native intelligence for a mature interpretation of experiences. Deborah is both a gifted artist and a talented scholar. She attended the Polytechnic Ibadan Eruwa campus after which she obtained a degree in fine arts from Olabisi Onabanjo University emerging as the best student at graduation. A prominent part of Deborah's style is the use of flowers or floral background patterns in her works. These serve to reflect her enchantment with nature. Also, traces of impressionism are to be found in her creations. In highlighting feminine assets she chooses to focus on women...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

"Eyes of the Gods" is a captivating artwork crafted by the talented artist Samson Tolulope Daramola. This piece showcases a young girl as its central subject, inviting viewers into a...

"Siren Storming" Pop Art Figurative in Acrylic on Canvas Bold pop art portrait by Hilary Druley (American, b. 1982). A woman is depicted in a hard-edged...

"Sermon Time", 19th Century by Annie Sherrif (1850-1888) Large 19th Century Irish portrait of a lady seated before attending church, oil on canvas by Annie Sheriff. Excellent quali...

Louis-Gabriel BLANCHET (Versailles, 1701 – Rome, 1772) Presumed self-portrait of the artist Oil on canvas H. 73 cm; W. 60 cm Circa 1730 Originally presented in a Restoration period frame with a "Mignard" cartouche, this beautiful painting initially appeared to us as a work from northern Italy. However, it exuded a rather French form of refinement, suggesting that its artist may have assimilated a dual influence from both sides of the Alps. We thank our colleague and friend Philippe Mendès for spontaneously and judiciously "bringing out" the name of Louis-Gabriel Blanchet, a Romanized French portraitist, whose spirit and stylistic characteristics we clearly recognize here. Blanchet's "French" years, before his final departure for Rome in 1728, following his winning of the second Grand Prix for painting after Subleyras in 1727, are extremely poorly documented. His father, Gabriel, was valet to Blouin, himself Louis XIV's first valet at the time. According to Thierry Lefrançois, Blanchet was one of the few students of Nicolas Bertin (1667-1736), whose studio he is said to have joined in the early 1720s. At a baptism on March 24, 1724, where he was godfather, he is mentioned as a painter in the picture store of the Duke of Antin, the director of buildings between 1708 and 1736. At this time, he was probably already married to Jeanne Quément, with whom he had a daughter also named Jeanne, who would marry Nicolas Aviet, the son of a valet in the queen's wardrobe, in Versailles in 1738. When Blanchet arrived in Rome in October 1728, he was accompanied by Subleyras, Trémolières, and Slodtz. He enjoyed the goodwill of Vleughels, the director of the Académie de France, which had been based at the Palazzo Mancini since 1725, even though the latter was not always kind to our resident. From 1732, he was under the protection of the Duke of Saint-Aignan when he took up his post as ambassador to Rome. Along with Slodtz and Subleyras, they formed a trio of friends, joined by Joseph Vernet shortly after his arrival in Rome in 1734. Slodtz and Blanchet, on the occasion of Subleyras's marriage in 1739, were there to attest that their friend was not bound by any marital commitment, and Blanchet was a witness at Vernet's wedding in 1745. It is most likely from these early years in Rome that our portrait of the artist dates, the expression and turn of his face irresistibly reminiscent of a self-portrait. The still relatively youthful features may correspond to Blanchet's thirty-something years, and the fluffy wig was still fashionable at this time. The painting fits well with the depiction of a young painter wanting to display both the beginnings of success and a certain simplicity or restraint. A slight smile expresses a form of assurance in this man with a gentle, sincere gaze and a face radiating a keen sense of wit. We find here the air of intimacy present in almost all of Blanchet's portraits, even those from the 1750s and 1760s, as well as an almost complicity with the viewer. The spirit of the painting is quite close to that of the presumed portrait of Bouchardon (painted around 1730) and the portrait of Pannini, painted in 1736, but it possesses a more natural quality, notably thanks to the absence of decorum. Our work exhibits the characteristics of Blanchet's paintings: elegance, luminosity (especially in the whites), vibrant and refined colors (here, the harmony of the garnet of the garment and the slate blue of the background, whose uniformity is tempered by a very sketched landscape and a grove of greenery), light complexions, rather rosy cheekbones, often full lips, and rather tight framing. According to the Academy's rules, Blanchet's stay should have ended in the spring of 1732, but, for reasons unknown, he remained in the Eternal City until his death, as did his friend Subleyras, with whom he shared accommodation until the late 1730s. The latter regularly called upon him to collaborate on his paintings, such as The Meal at Simon's. Through Saint-Aignan's intervention, Blanchet was employed in the late 1730s by the Stuart princely family, then exiled in Italy. He notably produced copies (now lost) after Liotard of the portraits of Charles Edward and Henry Benedict, the sons of James III Stuart. The latter also commissioned three other portraits (now in the National Portrait Gallery in London), whose more formal character contrasts with the intimate spirit of Blanchet's portraits. Blanchet frequented English painters, such as the landscape painter Richard Wilson, and studied with the Scottish portraitist Katherine Read...

Mira on Pink Dress is an original painting by Theophilus Madaki. Theophilus created Mira on Pink Dress Oil and Acrylic on a 32W by 41H inches primed canva...

Mystery Italian Artist Untitled (Portrait of a Topless Woman), 1983 Oil on canvas 27 1/2 x 23 1/2 in. Framed: 28 1/2 x 24 1/2 in. Signed lower right

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity.

IDF Tzahal Fighter Pilots Dimensions: framed 31 X 25.25 canvas 30 X 24 inches Moshe Katz ( Romanian, Israeli ) Moshe Katz was born March 2 1937 in Bucharest, Romania. With his pa...

"The Entertainer" (FRAMED) Figurative Painting 60 x 54 inch by Yoram Katz Size framed: 67" x 61" inch ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel Art Academy in Je...

A student of the great French academic Bouguereau, Lobrichon has done a moving and entrancing depiction of a young girl mid-gaze. Beautifully painted and done in a circular format t...

Itzchak Tarkay (1935 -2012) "A la mode magnifique" ...

Samuel S.Hoskins Statement on Winter: Delving into the symbolism of winter, I painted a figure dressed in black, embracing the harvest of autumn. In my perspective, winter signifies a moment to take stock of one's life, withdrawing into a state of reflection. It's a time to gaze ahead, anticipating the promises that spring holds for renewal and growth. As a graduate of The Florence Academy of Art and a devoted oil painter, Samuel Hoskins...

Portrait of Woman by Stream in Traditional Robe and Hat Di Li Feng, Chinese (1958) Date: 2001 Oil on Canvas, signed l.l. Size: 38.5 x 31 in. (97.79 x 78.74 cm) Frame Size: 51 x 46 in...

Anne Marjorie Robinson 1858 - 1924, was a British painter in oil and watercolour of portraits and miniatures. Annie as she was sometimes known was born in Belfast Northern Ireland an...

Oil paint and pastel on paper pasted on canvas Hand-signed and dated lower left by the artist News from Eéa “At the time of the last cosmogony I heard from Eéa In the middle of the...

This spellbinding late 19th-century oil painting by Scottish artist Robert Walker Macbeth RA ROI RWS (1848-1910) depicts a young woman wearing...

English School c.1830 Portrait of Sir John Turney, Baronet oil on canvas, framed in antique period gilt frame framed: 36 x 41 inches canvas: 30 x 25 inches Provenance: private collec...

This work is meant to cherish and embrace love and give love to those who definitely deserve love from every individual. The inspiration from this work is from personal experience at...

Rare pair of portraits from the second half of the 18th century. Oil on canvas artworks depicting two splendid male figures, a hunter with his dog and a player with a stringed instru...

Two hunting dogs in a kennel, oil painting on canvas 19th Federico OLARIA Federico Olaria was a Spanish 19th Century painter who was born in 1849. Olaria's work has been offered at ...

His time in New York City has ingrained Berlin with the whole vibe of the culture that existed in the city at that time. He is so passionate when talking about it and the lasting eff...

Portrait Of A Girl, circa 1800 circle of THOMAS HICKEY (1741-1824) Large circa 1800 Irish School portrait of a young girl in a white dress, oil on canv...

The painting depicts James (Jacques) Dalbiac, his wife Louise (ne de la Porte) and their five children, James, Charles, Louise, Marianne and Martha in the ornamental gardens of a grand country estate. The extensive gardens extend into the distance with gardeners working in the background and figures strolling through the avenues of trees. A peacock and peahen can be seen on the wall to the left and a potted orange tree to the right. Louise Dalbiac holds an orange taken from the orange tree, aluding to the family's faith and their loyalty to the protestant King William of Orange and their adopted country. The Dalbiacs were wealthy London silk and velvet merchants of French Huguenot origin who had fled France at the end of the 17th century to escape persecution for their protestant faith. England offered safe refuge and their skills and industriousness allowed them to establish one of the most successful businesses in London's Spitalfields which became a new centre of the silk trade, effectively leading to the collapse of the once dominant French silk industry. Both sons, James and Charles followed their father and Uncle into the family business, successfully growing the family's fortune and each going on to own their own country estates. A conversation piece is a genre of painting used to describe group portraits of families and friends, often depicted with their servants and family pets and set within an elegantly furnished interior or the garden of a grand country house. They were a celebration of the intimacy of family relations as well as a sign of status, property and the power of succession. The informality of conversation pieces grew popular in 18th century England, allowing the sitters to present themselves in a more relaxed pose, perhaps engaged in intellectual conversation or showing their talents or interests. In this present portrait, the Dalbiacs are shown richly dressed and and at leisure in a grand country house setting, conveying their success and cultural and social aspirations. Charles Philips (c.1703–1747) was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. He was the son of portrait painter Richard Philips...

Child on the armchair - Nicola Del Basso Italia 2003 - Oil on canvas cm.100x80 Here we admire the portrait of a little girl sitting on a pink velvet armchair. Dry, simple design and ...

Portrait identified as Self Portrait Of Sir Thomas Lawrence (1769-1820), circa 1830 Large 19th Century English Regency portrait believed to be a self portrait of Sir Thomas Lawrence, oil on canvas. Excellent quality and good condition portrait identified as British romantic...

Portrait of A Girl & Toy Bear, dated 1926 by RENE MARIE JOLY DE BEYNAC (1876-1978) Large 1926 French portrait of a young girl and her teddy bear, oil on canvas by Rene Marie Joly ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adebayo Taiwo, ...

Blue Orchid is a stunning female portrait that celebrates confidence and individuality. This vibrant character exudes personality, embodying a woman who seeks recognition and success...

Itzchak Tarkay (1935 – June 3, 2012) De grands amis Original Acrylic on canvas 2005 Image 40 W x 51.5 H in., Framed 46 W x 57.5 H in. Itzchak Tarkay (1935 – ...

Play Ball 1906 Brooklyn Dodgers also know as American Classic was painted by Ceravolo in 1990 for a Baseball exhibit in Miami at Turnberry Isle. It then went on to another Baseball exhibit at R Michelson Galleries in Massachusetts. We are pleased to offer this classic Baseball image at our gallery. One of The Hampton's most popular urban Pop artists, Ceravolo's art is collected by Elton John, Rod Stewart, Alice Cooper, Pete Davidson and Grant Cardone among others. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. We have included in this listing an image of Ceravolo with some of his famous collectors. His paintings can be found in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. Ceravolo's art came to popular attention when he was commissioned to create five large scale paintings for the lobby of The Palladium Theatre in New York City of Jackson Browne, Linda Ronstadt...

L'écolier, 19th Century circle of Jules Bastien-Lepage (1848-1884) Large 19th Century portrait of a young village school boy, oil on canvas circle of Jules Bastien-Lepage. Excell...

Artist: Jack Graves III (American, 1988-) Title: "Mick Jagger Icon II" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Medium: O...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

This is a triptych: there are three individually framed acrylic on canvas panels in this artwork. Each framed panel is 35.4 x 23.6 inches. Rocca Luis César (b. 1986, Guadalajara, Me...

Evangelista Schiano (attr.) (active in the 18th century) Title: Saint Gennaro Medium: Oil on canvas Dimensions: without frame 102 x 74 cm - with frame 126.5 x 100 cm 19th century car...

You must create your own destiny when life doesn't always go the way you have planned it. You must never give up on your dreams or allow depression to set into your life because suic...

A splendid Flemish painting from the second half of the 17th century. Oil on canvas artwork depicting a rare biblical scene, the baptism of the Ethiopian eunuch by Saint Philip. A hi...

Freedom will not come Today, This year Nor ever Through compromise and fear. I have as much right As the other fellow has To stand On my two feet And own the land. I tire so...

The Condition is fair. work has been slightly over-cleaned. A heavy layer of glossy varnish. The surface of the canvas is undulated and most apparent from extreme side view . Yet in...

Basket Weaver with his Baskets for the Market 1950s figurative oil Expressive and detail portrait of a weaver and his baskets, heading to market by California impressionist nna Oley...

This painting shows a girl with a juggling ball in her hand. Her image includes both coldness and vulnerability. Thanks to her ball, she juggles her life.

MICHELE MIKESELL b. 1973, Alabama, USA In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesel...

Modern blue toned portrait of George Washington by Texas born artist Clark Fox. The work features an intricate depiction of the former president using pointi...

This realistic oil painting is a portrait of a young Kenyan girl by Daniel Hughes. Internationally recognized as a fine artist, Daniel Hughes has painted a haunting image with this ...

The artwork titled "Influence" depicts a lady who appears to be lost in thought. She is portrayed with a blue and yellow color around her neck, which stands out against the grey background. The artwork is captivating, and it seems to tell a story of its own. The lady's posture suggests that she is deep in thought, perhaps reflecting on something significant. The blue and yellow colors around her neck add to the intrigue, leaving the viewer to wonder about their meaning. The colors are bold and bright, almost as if they are trying to break through the grey background. The title of the artwork, "Influence," adds another layer to the piece's meaning. It could be interpreted as the lady being influenced by something or someone, or perhaps she is the one who exerts influence on others. Either way, the title makes the artwork more thought-provoking and leaves the viewer with questions. The use of color in the artwork is striking. The blue and yellow around the lady's neck create a sense of vibrancy and life. The grey background, while muted, provides a subtle contrast that emphasizes the colors around her neck. The color choices are deliberate, each color has its own symbolic meaning. Blue is often associated with calmness, trust, and communication, while yellow is associated with optimism, happiness, and energy. The overall composition of the artwork is simple yet powerful. The lady is the focal point of the piece, and her posture and expression convey a sense of introspection. The blue and yellow colors around her neck draw the viewer's attention, and the grey background provides a sense of stillness and calmness. The artwork is open to interpretation, and the viewer may interpret it in different ways. Some may see it as a representation of someone deep in thought, while others may see it as a symbol of inner strength and influence. Whatever the interpretation, the artwork is visually striking and thought-provoking. In conclusion, "Influence" is a beautiful and thought-provoking artwork that portrays a lady lost in thought with blue and yellow colors around her neck on a grey background. The artwork's title and use of color add to its complexity, leaving the viewer with questions and interpretations. It is a testament to the power of art and its ability to evoke emotions and stimulate the mind. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Aba Linus...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Just a Girl...

Koordinator is an artwork realized by Bernhard Gillesen (Düsseldorf 1952 - Trevi 2023) in 1976. Oil on Canvas cm. 120x100 cm. Hand signed, dated and titled on rear. Good condition...

Since summer 2004, I have lived in southern Italy, in the region of Puglia, the province of Bari, in a town called Altamura. A two-week restoration project of the Jesce Masseria brou...

The Army Officer *see notes below by Kathleen Emily Temple-Bird (British 1879 - 1962) oil painting on canvas , unframed canvas: 24 x 18 inches condition: very good, minor surface scu...

The underlying body of work is an exploration of texturizing distortion as a language of expression. The works explore an awaking of an Afrocentric consciousness connected to gender,...

The Favorite Pet Portrait of a Victorian English Child with her Dog English artist, mid 19th century oil on canvas, unframed canvas: 28.5 x 20 inches Provenance: private collection,...

Portrait of the Hon. James Thynne (c. 1680-1704), full-length, in the gardens of Longleat House, seated beside a fountain, holding a shell beneath water spouting from a horn blown by a cherub on a dolphin. A glimpse of part of Longleat House can be seen upper left. Oil on canvas in a period giltwood frame, decorated with leaves and acorns. C. 1682. Dimensions: 145 x 123cm (57 x 48in) in frame Provenance: Ex Longleat House, Wiltshire Private collection, Bath James Thynne was the youngest son of Thomas Thynne, 1st Viscount Weymouth and Frances Finch of Longleat House, Wiltshire. He died in his youth and his Aunt, Anne Kingsmill Finch, Countess of Winchilsea (1661-1720), wrote a moving poem on his death. He was buried in the family vault at Longbridge Deverill, Wiltshire. A mezzotint of this painting by William Faithorne the Younger is held in the Royal Collection. Johann Kerseboom (d.1708) was the nephew of Frederick Kerseboom and first worked in Germany before coming to England in the 1680's where his sitters included the 'Electress Sophia Dorothea' (known from a mezzotint by William Faithorne). His early works were influenced by William Wissing...

Ancient Architectural Ruins, 18th Century attributed to Giovanni Nicolas SERVANDONI (1695-1766) Large 18th Century Italian Architectural Ruins, oil on canvas attributed to Giovanni...

Portrait of A Boy, N Williamson, early 20th Century inscribed to GLYN WARREN PHILPOT (1884-1937) Large early 20th Century portrait of a young boy...

Using his unique approach of layering diverse techniques Berlin creates the opportunity of "seeing into portraits". He offers a "portal into the creation of [an] enigma". The stunnin...

William Gale British 1823 - 1909 A Restful Moment signed with artist's monogram WG lower left oil on canvas Unframed: 30.6 by 41cm., 12 by 16¼in. Framed: 52 by 62cm., 20½ by 24½in. William Gale was a talented history and genre oil painter, born in London in 1823. He won many accolades as a student at Royal Academy Schools, and travelled to Italy in 1851 and the Middle East in 1862 and 1867. Due to his many influences , Gale's paintings are in an array of styles including sentimental, biblical, mythological subjects, portraits and orientalist pictures. Examples of his work are held by the Tate, Glasgow City Art Galleries and Museums and Art Gallery of New South Wales. William Gale was one of the many artists who, upon finishing his study at the Royal Academy Schools, set out to explore the east: namely North Africa, Algeria, Palestine and Syria. These remote countries at the crossroads of civilizations captivated his imagination, which he explored through his work. Following in the footsteps of the great Orientalists John Frederic Lewis and Jean Leon Gerome, William Gale evokes the Eastern Woman, the bright colors and delicate textures that can be found in the East. Using pure, rich glazes and extraordinary attention to detail, he renders the luxurious, beautifully embroidered headscarf. Eastern women kindled a curiosity in almost every Orientalist artist...