19th Century Portrait Paintings

Literary Origins of Angelica The subject of this painting is Angelica, a princess from the epic chivalric romances of the Italian Renaissance. She first appears in Matteo Maria Boiardo’s Orlando Innamorato (1483) and reappears famously in Ludovico Ariosto’s Orlando Furioso (1532). In these poems – part of the Matter of France cycle of Charlemagne and his paladins – Angelica’s extraordinary beauty ensnares many knights, including Orlando (Roland) and his cousin Rinaldo, sparking rivalries and adventures. Ariosto’s narrative particularly highlights Angelica’s tumultuous journey: at one point she is stripped and chained to a rock as a sacrifice to a sea monster (a scene mirroring the myth of Andromeda) before being dramatically rescued by the valiant knight Ruggiero on his winged horse. Ultimately, however, Angelica chooses her own destiny. She falls in love with a humble Saracen soldier, Medoro, whom she nurses back to health, and she returns with him to her far-off Asian kingdom – an affair that drives the heartbroken Orlando to madness. This independent resolution (marrying outside the circle of Christian knights) made Angelica an emblem of feminine agency and romantic idealism in Renaissance literature. Her story remained popular in art and literature through the centuries, symbolizing the allure and elusiveness of love. Kronberg’s Portrayal and Composition In Julius Kronberg...

The Condition is fair. work has been slightly over-cleaned. A heavy layer of glossy varnish. The surface of the canvas is undulated and most apparent from extreme side view . Yet in...

The Drummer French School, late 19th century Post-Impressionist School oil on canvas, framed framed: 28 x 22.5 inches canvas: 24 x 18 inches provenance: private collection, France co...

The painting is signed on the top left side. Description: Tito Conti (1842-1924) was an esteemed Italian painter renowned for his exceptional skill in portr...

London painter, George Armfield's original oil painting "Untitled -Terrier with Bowl" is an excellent example of this wonderful 19th century artist who is highly sought after for his dog paintings of Terriers. Original's by the renowned 19th century dog painting...

Nicolas Edward GABE (Paris, 1814 - Paris, 1865) The death of General Négrier on Place de la Bastille on June 25, 1848 Oil on canvas Signed and dated lower right 82 x 101 cm 1849 Nicolas Edward Gabé is a 19th century artist who is still little studied to this day and yet seems to have enjoyed, according to the artistic press of the time, a certain notoriety, in particular for his seascapes. The few bibliographical elements that we have come from the Salon booklets and tell us that the artist was born in Paris in 1814, therefore shortly before the end of the Empire. No elements on his artistic training are mentioned in the booklets, we just know that Gabé exhibited at the Paris Salon from 1835 to 1864 where he first practiced miniature then then approached easel painting, risking himself as well in still life that the seascapes, the landscape, the portrait or the hunting. According to press articles, he also took part in various exhibitions in the provinces such as Boulogne-sur-Mer and Marseille. Notably, Gabé did not exhibit at the Salon his large historical canvases on the revolution of 1848, which today are of obvious documentary and iconographic interest; probably for political reasons which are easily understandable to us today in view of the historical events of then. Gabé died in Paris at the age of 51 on January 4, 1865 with a mention in the January 7, 1865 edition of L'Union des Arts: “The death of Mr. Gabé, painter, well known in the export trade in paintings as well as to the auctioneers' hotel, whose sales it supplied through its numerous navies. “ "On June 25, 1848, in front of the barricades erected in the Bastille by the insurgents of the Red Republic, General Négrier fell to death, while he was uttering words of order and conciliation". Here are the opening lines of the tribute paid by Colonel Borgarelli d´Ison, friend of General Négrier. General Négrier belonged to a family from Maine, brought back by Marshal Lannes from emigration. Born in Le Mans on April 27, 1788, François Marie Casimir de Négrier entered, barely 18, as a volunteer in the 2nd Light Infantry Regiment. He began in 1806 with the campaigns of Prussia and Poland, during which he earned, through his bravery, the rank of sergeant and the decoration of the Legion of Honor. He made the following campaigns in Spain and Portugal, and left, with his regiment, only for the campaign of France, in 1814, after having risen successively, by actions of brilliance and by a serious wound, to the ranks of head of battalion and officer of the Legion of Honor, with which he was provided from October 1813. The Restoration retained his rank in his regiment. After having fought and wounded a second time seriously in Waterloo, Négrier was recalled in 1816 under the second Restoration. He was appointed, in 1825, lieutenant-colonel, then colonel in 1830, brigadier general in 1836, and of division in 1841. From March 1837 he participated in the conquest of Algeria. The Revolution of 1848 found Negrier in possession of the important command of the 16th Military Division in Lille. Quaestor of the Assembly in these times which promised to be troubled, Négrier reviewed the Place de la Concorde on June 23 at around noon various mobile guard battalions. He then took the head of 2,000 men provided by the 10th and 11th legions of the national guard and bivouacked on the Place du Palais until the next day 24. On Sunday 25 at nine o'clock, the Négrier division resumed the fight towards the Saint suburb. -Antoine. The troop gains continual advantages. At around two o'clock the column of Négrier had seized the Pont Marie: it had removed the barricades from the Quai Saint-Paul, the rue de l'Etoile, the rue des Barres...

Portrait of a Lady French School, 19th century circle of Henri Rousseau, French 1844 - 1910 oil on canvas, unframed canvas: 24 x 23.5 inches provenance: private collection, France co...

French school of the second half of the 19th century, follower of Oudry Blue macaw perched on a branch Oil on canvas 73 x 60 cm

Emilio Magistretti (Milan 1851 - Milan 1936) - Girl with tiger. 67 x 56 cm without frame, 83 x 72 cm with frame. Antique oil painting on canvas, in a contemporary carved and lacque...

Oil Painting manner of Richard Cosway "Natalie" 1813 - 1880 Portrait bequeathed to Mrs William from the Duchess of Wellington in 1865 then by her to her...

An atmospheric portrayal of Christ in prayer, hands clasped and head bowed in a posture of deep reverence. The subject is rendered in warm, rich tones of red and gold against a dark ...

A large classical portrait of a Victorian gentleman in formal 19th-century attire, positioned centrally against a dark, muted background. The composition draws the viewer's attention...

A pleasant serenade Italian oil painting on canvas attributed to Alessandro Sani 19Th c. Alessandro Sani (1856–1927) was an Italian painter, mainly of genre subjects. He was born a...

This lovely colourful British 19th century genre oil painting is by Victorian artist William Henry Midwood. Painted circa 1870 it is a charming Victorian interior genre scene of a farmer and his daughter and their collie dog. The artist has perfectly captured the interaction between the three characters and the colouring and brushwork is superb. A lovely example of British Victorian genre painting...

Hippolyte LECOMTE (Puiseaux, 1781 – Paris, 1857) Colonel of Russian cuirassiers Oil on canvas H. 33 cm; W. 24 cm Signed and dated at the bottom towards the center 1817 Exhibition: S...

A charming portrait study of a Victorian lady wearing a black mourning shawl. A white dress with a lace collar is shown beneath the shawl with a decorat...

At first glance, "The Goddess" invites viewers into a world of grace and poise. The central figure, the young woman, serves as the focal point of the artwork. Her refined and intrica...

Italian. 1871. paper, mixed media, 20.5x15 cm

A fine pair of 19th century Prior-Hamblin School oil on paperboard portraits, identified as John & Sally Eaton, parents of AH Harris, unsigned, and housed in wooden frames with a mar...

"Loch Long" by John Brandon Smith (British, 1848-1884), is a 19th-century British Romantic oil on canvas landscape painting. Signed "J.B. Smith on the lower right and is in a giltwoo...

Emanuel Oberhauser (Austrian, 1854 - 1919) An Exceptional quality full length oil on canvas painting of a Young Orientalist Queen / Odalisque. 19th ...

A beautiful and rare antique American portrait of a young woman in a stunning period frame, likely original to the piece. Unsigned but beaut...

Pair of 19th century American oval portraits of a couple, possibly husband & wife Oil on canvas 21.5 x 26.5

Bedouin girl posing for the painter in late sunlight (sunset). Was painted by Cavaliero Antonio Scognamiglio ca. 1870-1880, most likely in Cairo as similar work of smaller size was i...

Beautiful original oil on canvas double portrait painting of a young boy and girl with cat (moist likely brother and sister) attributed to the hand of American artist, John Carlin. ...

A pair pf 19th century English School watercolor portraits of a man and woman, possibly husband and wife. Both are inscribed on the rever...

SALE ONE WEEK ONLY “Benedicte Olrik” is the portrait of Benedicte Olrik the 18 year-old daughter of another famous artist, Ole Henrik Benedictus Olrik (1830 – 1890) and future wife ...

A fine Biedermeier period portrait of Carl Hechner captured in profile, wearing a high-collar shirt with a tightly worn blue cravat. The accomplished portrait has been well presented...

Lady with harp is a modern artwork realized by Symbolist Painter of late 19 Century. Symbolistic painting of a lady with harp standing on a rock by the sea. Mixed colored oil on ca...

Portrait of a young man, half length wearing a yellow waistcoat and holding a cane , Circle of Thomas Jones Barker (1815-1882), Oil on canvas, housed in a...

Unsigned but attributed to acknowledged master Francois-Xavier Fabre (François-Xavier Fabre, 1766 – 1837), French painter of historical subjects. Stylish and perfect portrait of beau...

Nicolas Toussaint Charlet (1792 - 1845) The Cuirassier 27 x 21.5 cm 42 x 36,5 x 5 cm with frame

A black and white spaniel standing on a yellow silk damask covered day-bed in a sumptuous interior. Provenance: With Arthur Ackermann & Son Ltd., London. Anonymous sale; Christie's, South Kensington, 15 May 2007, lot 284 Private collection, London Samuel John Carter...

Alfred Seifert Czech, (1850-1901) Portrait of a Young Woman with a Pearl Necklace & Rose Oil on panel, signed Image size: 15.5 inches x 12 inches Size including frame: 23 inches x...

La obra no va firmada El estado de conservación de la pintura es aceptable, solo comentar que la tela está reentelada Se presenta enmarcada la obra con un antiguo marco en madera p...

Etienne Billet (French, 1821-1888), Portrait of William Harold Fitch, Oil on Canvas laid on Board, circa 1870, signed mid left, inscribed "William Harold Fitch / of Marseilles France...

Portrait of a very attractive Lady, head-and-shoulders in length monogrammed FD, inscribed to verso, oil on canvas, 50cm x 40cm whilst overall is 59 x 69 cm . In overall good condition some craquelure. Has been relined and cleaned. original frame some minor losses (self coloured) Frank...

P Deltour (?) French school of the 19th century The artist with his model and friend in his workshop Oil on canvas Signed "P Deltour" (?) and dated 1879 on the lower, an indistinct i...

The Portrait of John Wakefield Francis by James Herring depicts a distinguished 19th-century American physician and educator. Dr. Francis, renowned for his pioneering work in medical...

Girl with the Gold Sash, Late 19th Century Large-Scale Female Figurative Late 19th century Romanic portrait of a young girl by Eduardo Tojetti (American/Italy, 1851-1930), c.1880. T...

Portrait of Bishop Gaspard Mermillod is an original artwork realized by an artist belonging to the Roman School of 19th Century. Mixed colored oil on canvas. The bishop depicted in the painting examined here, as suggested by the coat of arms represented at the top left, is the Swiss Gaspard Mermillod, born in Carouge on 22 September 1824. Mermillod is known to have been one of the most active representatives of social Catholicism and one of the eminent personalities who formed in Rome that "select committee" set up in 1882 by Pope Leo XIII...

Wonderful turn of the century oil portrait of old civil war soldier circa 1900, by an unknown artist. Soldier is depicted wearing the Medal of Honor...

Portrait of a Spanish Woman, dressed as a maja Spain, circa 1890–1910 Oil on canvas, 55 x 46 cm Provenance Private collection, France Note This refined portrait of a Spanish woman ...

A fine painting after George Romney of The Hon.Reverend Anchitel Grey (1774 – 1833) as a Boy The painting depicts a boy aged about ten, standing, turned to the left, gazing at the spectator, wearing a blue coat, and white linen collar, a spaniel with its paws on his chest. Shoulder length brown hair. Trees in the background on the right, distant horizon with cloudy sky on the left. The sitter was the third son of George Harry Grey, 5th Earl of Stamford (1765-1845) and Lady Henrietta Cavendish-Bentinck (died 4th June 1827), daughter of the 2nd Duke of Portland...

This 1875 oil on plywood portrait by Georg Schirmer exemplifies late 19th-century German realism. The composition centres on a gentleman in formal attire, set against a dark, atmosph...

Philip Westcott 1815-1878, was a British born artist. This portrait is of the former Prime Minister Charles Grey 2nd Earl of the House of Howick, he was Prime Minister from 1830 to ...

A delightful Victorian portrait of an elderly woman in a darkened interior. She wears a laced cap that attaches under the chin and looks down at the bowl of seashells...

French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subjects based on Greco-Roman prototypes were and rem...

PORTRAIT OF PRISCILLA, MRS WILLIAM OSBORN half length, oil on canvas, WILLIAM JACOB BAER (1860-1941) housed in the original early 19th c gilt cavetto frame The overall size being 94....

Alice Anne Renshaw. English ( b.1849 - d.1900 ). Young Lady With Meadow Flowers In Her Straw Hat. Watercolor & Gouache On Artist's Board. ( An embossed stamp in the top left hand corner reads 'Turnbull’s Superfine London Board' ) . Signed Lower Left. Image size 21.3 inches x 16.7 inches ( 54cm x 42.5cm ). Frame size 29.9 inches x 25.6 inches ( 76cm x 65cm ). Available for sale; this original painting is by Alice Anne Renshaw and dates from around 1880. The painting is presented and supplied in its original highly ornate...

Pair of antique paintings, oil on canvas, portraits. Around 1850. Portrait of a well-known artist and his wife. Dimensions are per painting...

Work on cardboard Golden wooden frame 42 x 34 x 3.5 cm

Marie Madeleine Amélie LOISEAU, born DUMONT (Paris, 1860 - ?) Portrait of a worldly woman Oil on canvas Signed and dated lower left 117 x 89 cm 1881 Exhibition: Salon de Pontoise of 1881 or 1882 under number 292 Marie Madeleine Amélie Dumont was born in Paris on January 23, 1860. She married on June 10, 1883 in Paris Mr. François Paul Raoul Loiseau, lawyer at the Paris Court of Appeal. Three children were born from this union, two girls and a boy. Marie Loiseau was a student of Mademoiselle Espérance Langlois (active between 1860 and 1890) and Pierre Dupuis...

Thomas Churchyard 1798-1865, was an English painter and Lawyer. Churchyard was predominantly a landscape painter in oil and watercolour, however he was educated at the same school as...

A charming portrait study of a bearded monk holding a lamp. His face is illuminated against the background making for an atmospheric scene. Unsigned. Presented in a wooden frame with...

VINCENT G. STIEPEVICH Russian, 1841-1910 Lounging Odalisque in the Harem Signed ‘VG. Stiepevich’ L/R Oil on canvas 18 x 24 inches Frame: 26 x 33 inches

French Romantic School, 19th Century Portrait of a man, a selfportrait ? oil on paper 17.5 x 12 cm oval Framed under glass : 43 x 34.5 cm This rather mysterious portrait is perhaps a self-portrait of the artist who painted it. This is suggested by the three-quarter pose and the gaze fixed on the viewer. What this man seems to be staring at is himself. Similarly, the model's appearance is reminiscent of the image of the romantic, bohemian, tortured artist. It's also very interesting that he used a range of dark colours to reinforce this idea of melancholy. It has been suggested that this small oil on paper is close to the art of François Bonvin (1817-1887) and Théodule Ribot...

Seated female figure is original oil painting on panel realized by the artist Domenico Morelli (1823-1901). Hand signed overleaf. Stamp "Galleri...