Men Portrait Paintings

Study of man is an original artwork realized in the late 19th Century and attributed to the painter Marcello Dragonetti. Mixed colored oil paintig on canvas. Titled and signature ...

Teofimo was painted over several days in the artist studio in Florence, Italy. The painting measures 16 x 12 with a handmade frame from Italy. This is oil on a linen panel which mos...

Mid-Century Modern portrait of a man by California artist Genevieve Rogers (American, 1904-1984). The abstracted background has texture created with d...

This striking and remarkably Western-style portrait of a distinguished Japanese elder was done in the winter of 1885. His layered clothing with subtle details suggests formal attire,...

Contemporary pixelated cowboy portrait painting of "Lone Coyote" McGraw. Similar to pointillism, the individual hand-painted blocks of color come together to form the image when view...

Copy of a Portrait of Pierre Seriziat by Jacques Louis David which was painted in 1795 , David 1748-1825, this picture is a direct copy by an artist by the name of F. Hamilton. There...

A charming oil portrait featuring a richly detailed figure set against a warm, rustic background. The artist's expressive brushwork and earthy palette bring depth and character to th...

This mid-19th-century oil painting by British artist John Robert Wildman (1788-1843) depicts a gentleman wearing a dark brown frock coat with waistcoat, white shirt and cravat. He be...

A fine Russian School portrait from the mid 20th Century showing a handsome young man in military cadet attire. He has a shock of auburn hair sticking out f...

**This artwork is on exhibition and if purchased will be available to ship after June 15, 2025 A young man faces forward, staring longingly and contemplatively in a manner which bot...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This splendid panel, made in the last decades of the sixteenth century, depicts San Girolamo, a monk who lived between the 4th and 5th centuries, presente...

Unknown Oil on canvas 35.5 x 23.5 inches Framed: 40.75 x 28.75 inches

“Sistas” is a portrait collection of strong, intelligent women who look capable of taking on and managing whatever life has to hand them. That they are visually beautiful is actually beside the point for Henry has managed to capture in paint their inner beauty flowing from their eyes and features. Henry has sensitively revealed each individual’s personality. These are women you want to know and from whom you want to feel their power. Henry says that, “Painting is like breathing for me. I do so daily and appreciate my gift and ability. Perfection drives me as I create each piece. It must be unique. It must stand out, and is not complete until that special quality is achieved in my eyes.” Being able to create is an essential part of my life. It is an extension of my innermost thoughts and imagination. My primary focus of art is realism--using oils and acrylics. Occasionally, I switch mediums and design and build three dimensional pieces. Working mixed mediums, I use various wood, metal and paint, thus allowing me to achieve the visual effects I am looking for. Many of my pieces have been derived from my attraction to Art Deco and Ethnic designs. I am not satisfied until each piece, regardless of the medium or size, has reached the highest possible level of aesthetic quality and craftsmanship I can give it. I have enjoyed creating art since childhood. While a student at Martin Luther King Jr. high school in Detroit, I created and presented a portrait to then Mayor Coleman A. Young. A scholarship from Center for Creative Studies now the College for Creative Studies afforded me the opportunity to work towards and receive a BA in Fine Arts. Faculty and graduates of CCS include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), John Louis Krieger (American Modern), William Girard (American Modern), and Charles Culver. Mr. Heading understands the joy found in art and how it affects a young person's heart. He has shared his love for art as a mentor/teacher at the Virgil L. Carr Center in Detroit, Michigan. Students not only grew in their art experience, but also exhibited at the Ann Arbor Art Fair. Winning the 2013 MI Great Artist Competition was an honor for Mr. Heading. He is thankful to Park West Gallery owner Albert Scaglione and Oakland County Executive L. Brooks Patterson for the opportunity. Mr. Heading has been featured on ASPIRE TV, shows at the Charles H. Wright Museum of African American History, the National Conference of Artists and other numerous galleries. In addition, he is a book illustrator. His murals create a beautiful focal point and conversation piece on the walls of homes, churches and health care facilities. His art and furniture is enjoyed and treasured by collectors across the United States and Canada. Kohei Suzuki, the former Mayor of Toyota City, Japan has a box designed by Henry. Mr. Heading's work is part of the major TCF Convention Center's permanent collection located in the downtown business district in Detroit, Michigan. His first attempt at mosaic tile was creating a Tiger sculpture to benefit the Detroit Tigers...

Outstanding oil on canvas portrait depicting a child, Toribio de Velasco y Viguri, whose name appears written in gold letters in the upper right corner against the dark background of...

An original silkscreen on canvas by Russell Young, created in 2011. Russell Young is a British Pop artist known for his large-scale silkscreen paintings of cultural icons. He is heav...

(early 19th century) unsigned English School Portrait of a Young Gentleman, with Riding Crop and Dog The reverse stamped T Brown, High Holborn, Linen, oil on canvas, The size overall being 104 cm x 84 cm whilst the painting is 89cm x 70cm A charming portrait in overall very good condition housed in a gilt frame The painting has been cleaned recently . There is some old restoration in the form of a small patch to the rear,barely visible to the front. some texturization to top right in certain light Certainly does not detract from this charming painting SHIPPING Free uk delivery Delivery usually within 14 working days.Fully insured delivery. please provide telephone/email details for courier. We ship worldwide for free. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...

20th century Judaica realist oil portrait, synagogue interior.

A portrait of a man wearing a blue polka-dot bow tie sat against a blue background. Presented in a substantial painted and distressed frame with a linen slip. Signed to the lower-lef...

Portrait Of Lucas Cranach The Elder (1472-1553), 16th Century German Renaissance School Large 16th Century German School portrait identified as Lucas Cranach The Elder, oil on canv...

George Catlin was a 19th-century American artist, explorer, and advocate for Native American culture whose legacy is deeply intertwined with his iconic portraits and depictions of Native American tribes. A defining aspect of Catlin's work is his commitment to authenticity and respect for his subjects. He strove to capture not only their physical appearances but also their spiritual essence and cultural practices. His portraits are characterized by a keen attention to detail and a sensitivity to the individuality of each subject, reflecting his deep admiration for Native American traditions and values. This painting however, went beyond his skill for painting Native American...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

Giovanni Bernardo Carbone (Genoa, 1616 - 1683), workshop Portrait of a gentleman in armor with battle scene in the background Oil on oval canvas (117 x 105 cm. - In gilded frame 124...

Lombard School of the 17th century St. Joseph with Flower Stick Oil on oval canvas 92 x 70 cm. In antique frame 106 x 85 cm. The work shows us an intense image of St. Joseph, portrayed according to the classical iconography that sees him as a mature man holding in his hands a staff from which lilies bloom, symbol of the Virgin's purity. This iconographic attribute also alludes to his figure as God's chosen one as Mary's future husband. According to the apocryphal gospels, the Virgin had grown up in the Temple of Jerusalem, following a monastic lifestyle, and when she reached marriageable age, each of the suitors was given a dry branch...

This lovely British ballet oil painting is by noted artist Elizabeth Bridge. Painted in 1951, the composition is a male and female ballet dancer on...

Gianluca Vialli - Juventus Football Legend, UEFA Champions League 1994-95 - The Roar of Victory. Technique: Charcoal on paper, Signed and dated ’96 Author: Marco Silombria (Savona, ...

Cain & Abel, 19th Century School of Eugène DELACROIX (1798-1863) 19th century French scene of Cain & Abel, oil panel. Excellent quality and condition biblical scene of the death of...

John George Brown (1831–1913) was a prominent British-born American painter, renowned for his genre paintings that vividly depict the everyday life of chi...

Provenance: Possibly Antonio Amici Moretti, Rome, 1690 Roy Clyde Gardner, Union, Mississippi, 1970s until 2004; by whom given to: Mississippi Band of Choctaw Indians, 2004-2010 Lit...

Born in 1957 and trained in Paris's École Nationale Supérieure des Beaux-Arts, Ruiz's career has been a rich tapestry of artistic exploration and professional achievement. His format...

Dazzling figurative painting, Carnival Faire, from artist Kim Frohsin, painted in 1994. The work features a woman attending an an inner city carnival with purchased food. Brilliant c...

Golden Retriever, dog, This stunning large black and white ink painting of a Golden Retriever, is a contemporary minimal portrait in ink wash on Heritage paper 200 gsm paper. Ian Mason's portraits of dogs are very striking as he is able to capture the form of each dog breed with minimal brush strokes. His start as a sculptor is evident with his unique, minimal paintings of dogs. Viewers always exclaim that he captures each dog's personality perfectly for each breed. This Golden Retriever dog exudes loving and gentle traits. In the images we have included a lovely image of Luna 1 which is framed the same size (they make a stunning pair of golden retriever paintings...

From the Michael Hall Collection, this is a great American scene showing the excitement of the fair. It depicts a time when men wore coats and ties and women had hats at the fair be...

John Dalziel Kenworthy portrait of a gentleman . Fine, large and imposing oil on canvas housed in a gilt frame. The sitter is unidentified, he has an aristocratic and characterful lo...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (issued by The Gal...

This young shepherd clearly didn't want to pose for the artist, but something caught his attention, and in this expression and look, the artist masterfully depicted the whole range o...

On the Streets of Paris by Lu Haskew Watercolor ​30x22" image size, archivally matted and framed behind glass. A young musician plays their violin wi...

Antoine VESTIER, attributed to (Avallon, 1740 - Paris, 1824) Portrait of a man under the Revolution Oil on canvas H. 46 cm; L. 37 cm Circa 1793-95 This beautiful unsigned portrait i...

Modern unfinished portrait of handsome man in dress uniform by American painter, Patricia Gren Hayes (b. 1932), circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work from the estate of Larry Miller Unframed. Canvas size: 30"H x 36"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkel...

Antique American modernist signed portrait oil painting by Sidney Gross (1921 - 1969). Oil on canvas. Signed.

At first glance, simple, banal things are visible but something is clearly strange here, what is going on here? And where did a piece of cake disappear? keywords; surrealism, food, ...

A vibrant and characterful impressionist scene in oil, showing two pretty young girls in party dresses, one holding a fan, whispering to each other a...

Yellow and blue-toned abstract impressionist portrait of a boy by Danish artist Hans Christian Bärenholdt. Signed by the artist at the bottom right. Hung in a gold carved frame. Dim...

This painting is as much about the artist's brilliant painting skills and technique as it is about the subject matter. Sundblom's quick bravura brush strokes seem abstract on close i...

Oil on canvas Signed, u.l. This artwork is offered by ClampArt, located in New York City. Price includes framing. “Bruce Sargeant is a mythic figure in the modern art movement. He ...

Giacomo Stella (Brescia 1545 - Rome 1630) - Allegory of Time Indicating Truth, Oil painting on canvas, 192 x 74cm. - in golden frame 198 x 81 cm. The work is accompanied by a critic...

PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The gallery is the representative of the artist. The Gallery of Katarzyna Napiorkowska is one of the first private art gall...

Charles Philips 1703 - 1747 Portrait of a King's Messenger Oil on canvas Image size: 35 ¾ x 28 inches Original gilt frame King's Messenger The job of a King's Messenger was that of a diplomatic courier, hand-carrying important and secret documents around the world. Some say that the history of the sovereigns' messengers goes back to 1199, but the first known messenger was John Norman, who in 1485 earned 4d (1½ pence) per day for carrying the state papers of Richard III. The silver greyhound on the messenger's badge dates back to Charles II. In 1660, during his exile at Breda, Netherlands, Charles II issued a declaration of amnesty to all those who had opposed him and his father. He used messengers to make his intentions known. In answer to the messenger's question "How will they know me?", Charles reached forward to a silver bowl on the table in front of him. This bowl, with four decorative greyhounds standing proud above the rim, was well known to all courtiers. Charles broke off a greyhound and gave it to the messenger as a guarantee that the message came from him. From that date, the King's Messenger always wore a silver greyhound around his neck. Later, dating from George II or III, a badge with the Royal Arms in enamel, with the greyhound suspended beneath, was worn. A George III example of the King's Messenger Badge, pre 1800, sold for over £30,000 pounds some years ago. The silver greyhounds were minted for each new reign, except the brief one of King Edward VIII. The sovereign's messengers were originally controlled by the Lord Chamberlain, being Messengers of the Great Chamber. When the Foreign Office was created in 1782, the messengers remained common to the three Secretaries of State. Charles Philips was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. Philips was baptised in the combined parish of St Mildred, Poultry with St Mary...

George Herbert Buckingham Holland was born in Northampton, the son of a grocer. He studied at Leicester School of Art. He made his living painting portraits of Northampton dignitarie...

Dame Ethel Walker DBE ARA (1861-1951) Young Man in a Red Tie Oil on canvas 51 x 40.6 cm.; (within frame) 70 x 59.7 cm. Provenance: The Lefevre Gallery, London, stock number X890; Christie’s, London, Modern British Pictures, Watercolours, Drawings and Sculpture, 12 September 1996, lot 58; Bonhams, London, Modern British and Irish Art, 23 November 2022, lot 177; Private Collection, United Kingdom. This focussed composition is dominated by a handsome young man in profile, frowning with a concentrated glare. His slender cheeks meet a jaw brushed with a masculine grey, complimented by the blue of a flower or pocket square, and the shadow of a loose strand of oiled hair that rests across his forehead. The stylistic sophistication shows Walker at her best, ambitiously combining measured figuration with expressive abstraction, as delicious dashes of pigment appear still wet, and dissonant swipes energetically mark the surface of the canvas. With an elegance that borders on the effete, the sitter’s urbane style includes a spearpoint collar, framed by the wide lapels of his suit jacket. Most significantly, the young man’s dandyish fashion is augmented by the conspicuous titular red tie which he wears – an established expression of queerness in the 20th century. Painted by the lesbian artist Dame Ethel Walker, it is likely that the portrait is that of a gay man belonging to London’s queer artistic circles. Indeed, Walker’s male sitters (who constitute but a fraction of her output) are typically conceived as modish, and often wear striking colourful ties. Walker was one of the earliest lesbian artists to overtly explore her sexuality in her works, and an aesthetic fascination with the female form culminated with her glorious large-scale ‘decorations’, exemplified by Decoration: The Excursion of Nausicaa (Tate, N03885). Red neckties had been established in the 20th century as a coded (though appropriately colourful) expression of queerness, not dissimilar to the green carnation of the Wildean aesthetes. The gay writer and musician Mikhail Kuzmin was painted in 1909 in a stark red tie. Two decades later, the Anglo-French physician Havelock Ellis described the red necktie as an emblem amongst queer New Yorkers: ‘[…] there has been a fashion for a red tie to be adopted by inverts [homosexuals] as their badge’ (Ellis, p. 299). The motif permeated fiction, and in Thomas Mann’s 1912 novel Death In Venice, the protagonist Gustav von Aschenbach begins to wear a red necktie after he develops an infatuation with a beautiful young boy staying at his hotel. William Faulkner’s 1929 novel The Sound and the Fury includes an unnamed male character identified throughout by his distinctive red necktie, which is the subject of veiled insinuations against his masculinity. Walker must surely have been familiar with this symbolic importance when she executed the present portrait. Her few portraits of male sitters include colourful neckties almost exclusively, and include numerous examples of red neckties. Indeed, the artist herself preferred to wear a red tie, a declaration which so impressed itself on Virginia Woolf that she noted it in a diary entry after tea with Walker (Bell, p. 282). Walker, who painted Woolf’s sister Vanessa Bell, had once offered to paint Woolf in the nude, as Lilith. Around the same time, Augustus John painted the gay peer Evan Morgan, 2nd Viscount Tredegar, in a loose red necktie or neck scarf. The portrait passed through the Lefevre Gallery, which also represented Walker, and which inventoried the present work. While the sartorial choice may have been incidental, a colourful accessory chosen to enliven the portrait, its prominent inclusion would suggest a personal significance to Walker, the recognition of a shared experience between artist and subject. Dame Ethel Walker was hailed as a leading female artist of her generation, and as late as 2010 was one of only four women artists to have been honoured as a Dame Commander of the Order of the British Empire. Walker was born in Edinburgh in 1861 to the botanist Arthur Abney Walker, a descendent of the Walker family of iron industrialists, whose estates included Clifton House (Rotherham) and Blythe Hall (Nottinghamshire). She attended school in London after the family moved to Wimbledon, and in 1880 met the fellow artist Clara Christian, with whom she would form an important personal and professional bond. The women’s relationship was later allegorised by the writer George Moore as that of Stella (Christian) and Florence (Walker) in his fictionalised three-volume memoir Hail and Farewell. Walker went on to Putney School of Art and Westminster School of Art, and studied under Frederick Brown, who became a lifelong mentor. Around 1893 Walker took further study at the Slade School of Art, partly under Walter Sickert, and returned in 1912, 1916, and 1921. Although Walker enjoyed painting floral still lifes and seascapes, her best work was portraiture. She worked from her studio at 38 Cheyne Walk for most of her career, and enjoyed a prominent role in London’s artistic milieu. Her sitters included the artists Lucien Pissarro, Orovida Camille Pissarro, Vanessa Bell, and Barbara Hepworth; she painted Nancy Astor, the Countess of Strathcona, the editor Joan Werner Laurie, and author Leo Walmsley. The actors Flora Robson and Elsa Lanchester sat for Walker, as did the young Christopher Robin Milne. Walker herself was photographed by the bisexual photographer and painter Humphrey Spender...

Even without the punch line, Gahan Wilson's highly stylized paintings are marvelous to behold. He is one of a few artists with a unique style instantly re...

"Global Marine Oil Workers" Artist: Robert Lavin Medium: Oil on Canvas Size: 39" x 64" Framed In 1980, Charles Russel Luigs, CEO of Global Marine Inc. commissioned painter Robert La...

There is no one alive that can paint and draw like Dean Cornwell. How can that be? They do not train artist the way they did. He was Normal Rockwell's ...

T W QUINN Born of Irish parents in 1918, Tom W. Quinn has quite simply dedicated his life to art.A life dedicated to art? Yes, and a heart and soul, too. ...

Oval Portrait is an artwork realized by an unknown, mid-20th Century. Oil on canvas mounted on board. 47 x 37 cm. Good conditions.

Oil paint on canvas Hand-signed by the artist

The painting (with a Salvador Rosa-style gilded frame 88 x 116 cm) depicts a group of four children who are playing outside on a swinging seesaw; we are probably dealing with a prank, as can be seen by the satisfied expression of the child on the right at the expense of the one in the foreground, who seems to be supported by the others, perhaps because of the fear felt. They are dressed in the same way, with black or brown ankle boots and a kind of double-breasted jumpsuit with a rich lace collar reminiscent of the jabots of dames, blue for the one in the foreground, brick-colored for the other three. Children also look alike in the hair, typical of the period, and features, suggesting a kinship relationship. We find the same subject, for example, in Johann Zoffany...

A fine portrait attributed to the German artist Franz Seraph von Lenbach (1836-1904). Using his favoured technique, the Venetian method, Lenbach has rendered the figure in rich depth...

Attributed to Walter Shirlaw 1838-1909, was a Scottish born American painter who lived in America from the age of two years old. Shirlaw studied in Munich where he befriended America...