Portrait Paintings

AYINKE has always been a lady determined for growth, greatness, and extraordinary ambition. Being a lady of great expectations, the journey to her desired destination made her a loner full of joy, love, and happiness. Her extraordinary ability has always been the source of her happiness. AYINKE has never regretted her decision to follow her dreams. Giving up had never been an option for her. Everyone has that ability that enables one to keep pushing further and closer to the dreamland. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Taiwo Samuel Olutimileyin...

Portrait of a woman. Sketch, oil on plywood panel. Minor soiling. 32.5 x 41 cm

Accept yourself, love yourself, help others and keep moving forward, if you want to fly you have to give up on what weighs you down. The greatest step towards a life of simplicity is...

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

"Revelation" is a 48in x 62in original oil painting by Katherine Fraser in a handmade wood frame. Artist Statement // Life often strikes me as a string of moments, like a series of ...

Suchitra Bhosle's "Rhythmic Silk" is an original, handmade oil painting that depicts a dark-haired woman on a red chair with a red silk top and flowing white skirt. About the Artis...

On the Streets of Paris by Lu Haskew Watercolor ​30x22" image size, archivally matted and framed behind glass. A young musician plays their violin wi...

This 24 x 17 inch oil on canvas painting by British artist Michael Hlousek-Nagle, is titled ''The Hidden Language.' . The work depicts a portrait of a young female and a butterfly. It is a 1/2 length portrait, thus her lower half is not visible, only her lower chest and up, although it is not totally clear where her body is cut off by the composition, as she wears a black turtle neck...

Untouchable 2 is an original painting by Obeka Simon. Simon created Untouchable 2 with Oil on a 40W by 42H inches primed canvas. Simon Obeka uses Untoucha...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Art 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia 199...

Sheer Cerulean, 2021

Can we please lay out the tables now? Can we allow the days? Once more permit the rivers and oceans to lie in their beds? May I close my eyes and reach out, breathing normally again, certain that the sky is filled with birds, and that you will remain? Or shall we send me back into the grey-blue chambers of disconnection and hollow ambition? A strange card to the wail of the unseen host, somewhere in Africa across the fields, turning over an unfortunate card and laying them slickly in the firelight, winking in such dark, knowing eyes. I was passing at some distance, circled and charmed to all ends, painting the figure in place of any other kind of sustenance, yet distracted and possessed by one who would undoubtedly deny it. One who would claim to have never had my name. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ajegbomogun Damilola...

A charismatic portrait depicting a young woman wearing a traditional Dutch lace cap. In her hands, she clasps a teacup close to her chest. The artist captures the girl in a loose sty...

RTIST: Aibek Begalin WORK: Original acrilic painting, handmade artwork Medium: Oil on canvas YEAR: 2019 STYLE: Realism SUBJECT: PAULINE SIZE: 10" x 8" x 1" inch, 25x20 cm Unframed P...

Signed work Work on cardboard glued on a frame Frame in golden plaster molding 46 x 37 x 5 cm Raffaele Frigerio was an Italian painter born in 1875 and passed away in 1948. He was ...

Africa in slumber, under the moon's watchful eye, Lies a land of untold wealth and vast potential. But corruption and non-development, like a poison, doth lie, And hold back progress...

"Blue Towel" is an artistic composition that demands our attention. The woman wrapped in the titular blue towel stands as a metaphor for the delicate nature of the human condition. The choice of a towel, an item commonly associated with comfort, adds a layer of paradox, suggesting that beneath the surface, vulnerability and uncertainty may reside. The color blue further amplifies the artwork's emotive power. Blue, often associated with tranquility, introspection, and depth, offers a subtle insight into the subject's state of mind. It prompts us to consider the significance of self-reflection and the search for personal meaning that lies beneath the facade we present to the world. Bello's "Blue Towel" invites viewers to delve into the multifaceted nature of vulnerability and identity. The woman's posture and gaze suggest introspection as if she is immersed in deep thought, grappling with the layers that make up her sense of self. The vulnerability expressed in her body language encourages us to reflect on our own journeys of self-discovery and the masks we wear to shield our vulnerabilities from the world. The blue towel enveloping the lady can also be interpreted as a symbolic cocoon, representing a transformative stage in her life. It alludes to the moments of introspection and self-exploration that are essential for personal growth and understanding. Just as a caterpillar retreats into a cocoon before emerging as a butterfly, the woman in the artwork may be undergoing her own metamorphosis. Olamilekan Bello...

"Self Appraisal" is an original painting created by Awosola Michael Angello. Angello created "Self Appraisal" with Oil paint on a Primed canvas of 30W ...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Primary Hughes' (US based) "Red" is an original, handmade gouache painting that depicts a female model in three quarters view with red hair.

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Victor Schegin 'Seehund' Burning 116 x 89 cm oil on canvas The French artist Victor Schegin 'Seehund' lives and works in Paris. At the age of 15, young Victor discovered tagging th...

"Concussion" is an original watercolor painting with a floral fabric overlay/background by Emily Smith measuring 23"h x 16"w. The piece is shipped in the pictured fabric-covered cus...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born in 1991 in the Western Ugandan town of Fort Portal, Switzin Twikirize...

"Le Baiser d'apres Boucher", Impressionist Portrait, Oil Painting, Signed By French artist Claude Benard, (1926 - 2016) Signed and dated '1947' by the artist on the lower left hand c...

Albert Roca (1945) - accordionist with pipe oil on board painting Medidas óleo 47x34 cm. Medidas marco 62x48 cm. Painter of landscapes and figures, in who...

The painting (measures 89.5 x 124 cm; with gilded and carved wooden frame 126 x 158 cm) is an example of unfinished, as can be deduced from the background in which, in some parts, th...

Artist/ School: French, signed and dated 84' Title: Portrait of a man in a red polo neck jumper. Medium: oil on board, unframed and double sided image. Board : 18 x 15 inches P...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Reflex 3, 2007 Oil on canvas (Signed on reverse) 17.71 H x 23.62 W in 45 H x 60 W cm The artist Ana Maria Micu wrote about her works: "There is certain culpability in self-represe...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Original art, mixed media on canvas Rich Parker uses blocks of paint and stylised graffiti techniques to build upon figurative artwork. Almost cubist in form crossed with street art...

François Jean SABLET (Morges, 1745 – Nantes, 1819) Portrait of Jean Claude Pellegrini (1787-1854) Honorary Divisional Inspector of Bridges and Roads. Oil on canvas Monogrammed and dated lower right 30x25cm 1819 Painter of portraits, Jean François Sablet, originally from Morges, born November 23, 1745, is the eldest son of Jacob Sablet (1720–1798), bourgeois of this city, house painter, gilder, art dealer, and Suzanne Dupuis (1722–1775), settled in Lausanne from 1754. In 1767, on June 8, he prepared to leave to “improve in the art of painting” with a viaticum from the Council of Morges and a scholarship from Bern. In Paris, he was a pupil of Joseph-Marie Vien at the Royal Academy (1768–73). In 1772, he was joined by his younger brother Jacques, who in 1776 left for Rome to pursue a brilliant career there. François, he remains in Paris, goes almost unnoticed there having neither competed, nor received a prize, nor even exhibited. In 1774, he signed and dated the Portrait of the Count of Artois, as Colonel-General of the Swiss and Graubünden. In 1777, he married Marie Madeleine Borel, daughter of a wood merchant, and settled near the Quinze-Vingt at the Bastille, as a portrait painter. He entered the Masonic lodge of Celestial Friendship and therefore enjoyed a certain notoriety. He executed the portrait of Charles-Henri, Comte d'Estaing, engraved by Charles-Etienne Gaucher (1779). In 1781, L. Perrot reproduced two of his works from the cabinet of Madame de Saint-Maurice, Childhood in the Countryside and Visit to the Nurse, for the philanthropic society founded in particular by Louis d'Affry, captain of the Swiss Guards. . In addition to the fact that these subjects denote an ideal of benevolence under the aegis of Jean-Jacques Rousseau, they testify to relations with the Swiss milieu. Finally, the format and quality of two large full-length portraits Vestal pouring incense (1781) and the Offering to Hymen (1783) reflect her favor in society on the eve of the Revolution and, although in shadow, he is able to build life annuities. From this first stage are dated two sketchbooks in black chalk and red chalk of characters, interior scenes, theatrical evocations, including the Vestal Virgin pouring incense. He also signed a series of wash illustrations relating to mythology and other subjects taken from Ovid. In 1789, the political climate suddenly darkened, the amateurs left, dragging the artists with them. François Sablet took the road to Switzerland and, in January 1792, joined his brother in Rome, a genre painter in Italian costumes and portraits in nature called "conversation pieces", models from which François was to draw inspiration. François spent the summer in Genzano in the Roman countryside, where he also devoted himself to landscape and popular costumes. Beat d'Hennezel, their compatriot, evokes the evenings at the Sablets' with their artist friends, busy drawing portraits while exchanging heated remarks on the political situation. However, the events in Paris had repercussions in Rome. In January 1793 the French representative was assassinated, the French and other French speakers...

"Portrait of a Lady" by Akos Biro (Hungarian 1911-2002) oil painting on card, unframed painting: 14 x 11 inches provenance: the artists estate, France Original oil painting by the...

Destiny of a Young Man is an original painting by John Ayobamidele. John created Destiny of a Young Man Acrylic on a 29.5W by 41.3H inches primed canv...

The Artists Model English artist, c. 1960s oil on board 16 x 12 inches provenance: private collection, England The painting is in very good and presentable condition.

Artist/ School: French School Title: Portrait of Man in Flat Cap Medium: oil on board Size: 12 x 10 inches Provenance: private collection, France Condition: The painting is in o...

"My Lady" is a testament to the artist's admiration for the beauty that women possess in their unique forms. Oyindamola skillfully captures the essence of femininity through the lady's enchanting smile, which radiates joy and confidence. This portrayal challenges society's narrow definitions of beauty, reminding us that every woman, regardless of societal standards, possesses an innate beauty that should be recognized and celebrated. Through "My Lady," Oyindamola emphasizes the crucial need to respect and appreciate all women. The artwork stands as a visual proclamation, demanding that society view women not as objects to be scrutinized or judged but as individuals deserving of dignity and admiration. By depicting the lady with a smile on her face, the artist reminds us that every woman deserves to be seen and treated with respect, acknowledging her inherent worth beyond physical appearances. In "My Lady," Oyindamola captures a sense of empowerment and self-love that every woman should embrace. The lady's radiant smile symbolizes her self-assuredness and acceptance of her own beauty. By presenting this image, the artist encourages women to recognize their own worth and appreciate their individuality. The artwork serves as a reminder that self-love is the foundation for demanding respect and appreciation from others. "My Lady" challenges the stereotypes and societal norms that often diminish the value and potential of women. Oyindamola's artwork sparks a dialogue about gender equality, urging viewers to reflect on the importance of dismantling the barriers that prevent women from fully expressing themselves and realizing their dreams. By portraying the lady as a strong and confident figure, the artist invites us to redefine our perceptions of women and advocate for their empowerment. Through "My Lady," Oyindamola underscores the importance of unity and inclusivity in championing the rights and recognition of all women. The artwork emphasizes that beauty comes in diverse forms and that every woman, regardless of race, age, or background, should be valued and respected. The lady's smile and the necklace she wears become symbols of unity, reminding us of the strength and beauty that arise from embracing diversity. Oyewumi...

"Resilience" is an artwork created by Ogunniyi Oluwatosin, a Nigerian artist who uses his art to showcase the strength and resilience of women in s...

At this point in time I have come to the realization that as time jumps, I have to evolve, and personal responsibilities become heavier as we want for greater things in life. I am not settling for less anymore so we can't go back to the hood doing the norms, I told my friends I’d be gone only for a few years so I go with my sketchbook and life jacket...

A beautiful mid century modernist take on Madonna and child by Dorothy Steck Beech of Carmel, California (American, 1915-2002). Signed "D.S. Beech" lower right. Displayed in a rusti...

"Road to Becoming" is a compelling artwork by the talented artist Toheeb Bankole, featuring a young woman at its center. The piece serves as a profound ...

Portrait Artwork Artist: Vahe Yeremyan Work: Original oil Painting, One of a Kind Medium: Oil on Canvas Year: 2016 Subject: Baby SIZE: 19.5" x 14.5" x 3/4''inch Unframed, Stretched o...

Work on canvas Gray wooden frame 56 x 48 x 5.5 cm

This oil painting shows a figure of a woman most often associated with Cuban folk life. The title of the painting may be translated as the "The Seer and Seller of Cigars," indicating...

This oil painting by Kris Knight is offered by CLAMP in New York City. Signed, titled, and dated, verso

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Jayeola Joshua (...

This artwork are one of my favorite, wonderful model portrait painted from nature. This painting is on stretched canvas and comes with aged gold frame, but can be sent without it ...

Sarah Warda's "In a Dream " is an original, handmade oil painting that depicts a white clad female model reclining on a bed of grass with her hands folded o...

A charismatic portrait depicting a monk in a darkened interior wearing religious dress. Unsigned. On canvas.

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

In fact, everything is fed up, life is fed up, Avatar is fed up, eyesight is failing, we need more and more light, the heating in the workshop is electric... In short, as I painted i...

"Winter is Coming" is an artwork that conjures a sense of anticipation, foreboding, and transformation. The title itself evokes the imagery of the changing seasons and the imminent arrival of winter, a time often associated with cold, stillness, and introspection. The artwork may depict various visual elements that represent the transition into winter. It could showcase barren trees, falling leaves, or a landscape covered in a blanket of snow. The artist may use a subdued color palette, capturing the muted tones and ethereal atmosphere of the season. Through "Winter is Coming," the artist may explore the deeper symbolism associated with winter. It can represent the passage of time, the cycles of nature, and the inevitability of change. The artwork may serve as a reminder that just as winter arrives, so too do periods of challenge, introspection, and personal growth in our own lives. Moreover, "Winter is Coming" invites viewers to reflect on their own experiences and emotions connected to the season. It may evoke feelings of nostalgia for cozy moments by the fireplace, the beauty of snow-covered landscapes, or the introspection that winter's stillness brings. It also prompts contemplation on the resilience and adaptability required to navigate life's challenges. The artwork may inspire viewers to embrace the transformative power of winter, acknowledging that even in the harshest of seasons, there is beauty and potential for renewal. It encourages us to find solace and strength in the quieter moments, to reflect on our journeys, and to prepare ourselves for the opportunities that lie ahead. "Winter is Coming" is an artwork that captures the essence of transition, introspection, and the cyclical nature of life. It prompts reflection on the beauty and challenges associated with the arrival of winter, both in the natural world and within our own lives. The artwork serves as a reminder to embrace change, find resilience, and discover the hidden wonders that lie within the quieter moments of our journey. - Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. - About the Artist Born in Lagos, Nigeria, Oniudele Gold...

This superb British portrait oil painting is by noted artist Alfred Kinglsey Lawrence. Painted in 1919 it is a seated portrait of a young woman with a lush burgundy velvet curtain be...