Square Still-life Paintings

85 R. Poch. Clock. Cat. character. red original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising produ...

Mary Chaplin, Through the mist of my memory. The garden where I lived as a child is still very alive in my memory. When winter is too dreary, I like thinking of this place I loved ...

Signed LL Jan Voerman Jr was the son of Jan Voerman sr . In 1905 Jan Voerman Jr received his first official commission of his grandfather Verkade of the eponymous company to make dr...

Kenneth Toohey, also known by his online moniker Chewyangelo, is an up and coming American painter who draws inspiration from everyday objects and animals. His paintings often featur...

Still Life Flower Painting Art Textured Giclee on Canvas 45x45" Dream Nature State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edit...

Dale O Roberts' encaustic abstract still life painting "A Jar" (2023) depicts a clear jar with a green lid resting atop a kitchen counter, which flows into a continually colorful a...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Midnight Indulgence is a sumptuous celebration of texture, tas...

Riverside Ribble Valley by Jan Rogers [2021] original Acrylic Painting on Board Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60...

Night driving road landscape scene by Edie Nadelhaft - Oil on canvas, 12 x 12 inches. Edie Nadelhaft's paintings focus on the visual nuances and psychol...

One day, the son of the artist Planted a medlar pit in the garden in front of their house. Becoming Medlar, it stood out in the view of the workshop window till it became an inspiration of the artist. One summer, when it was covered day after day with countless medlars, it became the subject of a botanical canvas by Andrée de Frémont...

The Conviction of Things Not Seen #1 by Judith North [2021] Please note that insitu images are purely an indication of how a piece may look The series, The Conviction of Things Not ...

Still Life Alone Flower Flower Painting Art Textured Giclee on Canvas 45x45" State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edi...

Craddock’s floral paintings are loci for memory, spanning more than a decade and various dwellings. Sharing a kindred spirit with such artists as Jane Freilicher and Lois Dodd, Cradd...

The Most Beautiful Day by Nicky Chubb [2021] original Acrylic paint on canvas Image size: H:91 cm x W:91 cm Complete Size of Unframed Work: H:91 cm x W:91 cm x D:3.5cm Sold Unfra...

'The Way It Was' by Susan Thornbury is an abstract composition full of texture and movement rendered in mixed media on panel. Measuring 36 x 36 in, this piece showcases the artist's distinctive style and command of composition. A perfect addition for collectors seeking contemporary abstracts with presence and personality. Susan Thornbury creates richly layered mixed media paintings that feel both modern and timeless. Working on wood panels with plaster and wax, she builds surfaces that are as much about what’s revealed as what’s concealed. Her compositions often begin with structure—repeating motifs inspired by antique textiles, vintage wallpaper, or family heirlooms—then soften and evolve through an intuitive, hands-on process of scraping, sanding, and waxing. The result is work that feels quiet but deeply tactile, inviting viewers to linger and discover the nuance within every petal, line, and edge. A background in graphic design shapes Susan’s sensibility: there’s a balance between pattern and spontaneity, symmetry and imperfection. Whether working in soft sage greens, misty grays, or whispery whites, she leans into the beauty of restraint, letting texture and subtle shifts in color carry the emotion. Susan lives and works in Atlanta, where she shares a home with her husband, two daughters, and their spunky rat terrier...

"UNVEILED DUALITY A visual interplay of contrasting elements Never having considered myself an abstract thinker, I am delving into very unfamiliar territory with my newest series – U...

Delicato vaso di fiori con paesaggio sullo sfondo

A delightful still life study depicting a quicky teapot and teacup placed on a table. The artist captures the still life in slightly abstracted forms, using obscure line work and a b...

July in the Garden, 2024 oil on board 20.5 x 20.5 cm 8 1/8 x 8 1/8 in signed, titled and dated Jo Aylward is a British ruralist whose paintings are embedded in the everyday experie...

Oil painting on canvas by Elena Mardashova in 2022, 40x40 cm. Excellent condition.

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Douglas Newton is a realist painter known for his contemporary still-life works, primarily created in oil on canvas. His art emphasizes meticulous detail, vibrant reflections, and th...

Ming Ming Liang (Chinese, born 1964) "Rose" 2024 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In "Rose", Ming Ming transforms a traditional ...

Beautiful Pear and Blue Bottle and Spring Green diptych Overall unframed size cm : H61 x W61 Angela Gordon Webb Beautiful Pear The pears were sitting o...

Hill View no. 6 is an original oil painting by artist Alexa Roscoe. Alexa has used strong lines and bold colours and pattern which are often seen in her work. Alexa captures the Oxfo...

The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrig...

"UNVEILED DUALITY A visual interplay of contrasting elements Never having considered myself an abstract thinker, I am delving into very unfamiliar territory with my newest series – U...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Thinking about the vagaries of life, this painting came to me naturally. You can see thorns, notches, things a little unlikely... Red is part of the organic forms, resistance forces....

"UNVEILED DUALITY A visual interplay of contrasting elements Never having considered myself an abstract thinker, I am delving into very unfamiliar territory with my newest series – U...

Sunflower by Susan Meeks was painted in 2024 as part of her floral collection. Sunflower is framed. and free shipping is offered at checkout. The common sunflower (Helianthus an...

original Acrylic on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:1.5cm Sold Unframed Please note that insitu images are purely an i...

Works of Liene Liepina are full of life and joy because of photography-like, realistic details on the one hand, and intense and slightly artificial colors on the other. The artist gi...

Dreamy Fields no. 2 is an original oil painting by artist Alexa Roscoe on a 1m square canvas. Alexa has used eye catching colours and strong lines creating a patchwork landscape. I’m...

Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British...

Orange & Blue Graffiti & Line series 2017 acrylic on canvas 20X20" Signed, dated and titled on the reverse side Robert Petrick's paintings create a link between the street culture ...

Ties that Bind (One) by Pam Burnley-Schol is a detailed oil painting of a cut watermelon, wrapped in string, on a gold leaf background. 24 x 24 x 2 in. Oil and distressed 23k gold l...

Shuvaprasanna Bhattacharya - Untitled 24 x 24 inches (unframed size) Oil Acrylic, Charcoal on Canvas (Framed & Delivered) Shuvaprasanna’s work delicately juxtaposes organic elements...

Deeper Still [2019] original Acrylic on Canvas Image size: H:51 cm x W:51 cm Complete Size of Unframed Work: H:4 cm x W:51 cm x D:51cm Sold Unframed Please note that insitu imag...

Norman B. Edgar (Scottish, 1948 -2022) (orange) Flowers in an art deco jug Signed ‘Edgar’ (lower left) Oil on canvas 20 x 20 in. (50.8 x 50.8 cm.) Norman...

Lesley Anne Spowart (American, born 1957) "Waiting for an Answer" 2016 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right and back of the painting. Lesley Anne Spo...

Suzanne Winn The Hedgerow Original Landscape Painting Oil Paint on Canvas Image size: H 40cm x W 50cm x D 3cm Framed size: H 47cm x W 47cm x D 5cm Framed in a bespoke, hand-painted w...

My floral paintings consider the same elements as when painting an abstract painting. I put paint on the canvas and push and pull with the paint: addressing value, color, shape and m...

Striking floral still life painting by Houston based artist Nancy Paris Pruden. The work features a vase of lilies and hydrangea flowers on a table set against a gold leaf background...

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

English Country Garden Landscape Art with Bee on Flowers by Contemporary British Artist, Angela Wakefield. This original uses a limited palette of sky bl...

Provenance: Babcock Galleries (bears their label verso.) signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Broad leaf grasses weaving in subtle contrast creates a minimalist yet delicious color statement. Flow - Landscape Paintings - Contemporary Art By Marc Zimmerman This masterpiece ...

Design Study of Wild Pink & White Flowers on a Turquoise Background by Contemporary British Artist, Angela Wakefield. Art measures 16 x 16 inches Frame measures 22 x 22 inches Ange...

New, richly colored abstract floral bouquet is energetic and beautiful, bringing vibrancy to the viewer. Tropical Fantasy #3 - Still Life Painting - Oil Paint By Marc Zimmerman Mar...

Hyperreal oil painting by Anthony Adcock titled "Untitled (After)"- Oil on mounted linen. **There is no steel or rust in this piece. It is hand-painted oil on linen canvas and mount...

"California on My Mind" is a 10x10 original oil pastel drawing on paper by artist Robin Frisella PSA-MP, IAPS/MC. Depicted is a bright blue bouquet of fresh Hydrangeas in a white and...

Jill Soukup's "Metal Hues" (2024) is an original, handmade oil painting that depicts a colorful expressionist close up of a train stopped on the tracks. About the artist: Jill Souk...

Size: 30 x 30 x 1.5 inches Surface: cradled panel Gessoed oil tempered hardboard, sides are birchwood and are painted white (painting comes ready to hang with wire) This piece was painted from life in the artist's studio using dahlias from a local flower farm...

Oil painting on canvas by Elena Mardashova, 40x40 cm. Excellent condition.

Expressive Impressionistic Still Life Painting of Red Rose Flowers entitled 'Red for Love' by British Artist, Rose Elizabeth Moorcroft 20 x 20 inches (Unframed) Oil on canvas

Liquorice Sweets Cartoon Pop Art on Abstract Background by British Urban Graffiti Artist, Chris Pegg. Chris Pegg is a self-taught Street Artist producing artwork with a strong social...

Moonshine – Fowey, Cornwall [2020] Original Seascape Acrylic on extra deep edged Belgium linen. Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:7....

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold III Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: ...