Oversized Still-life Paintings

James Tormey (American, 1938-2017) "Candyland (Mixed Bowl)" on table with white tablecloth cover. Oil Painting on Canvas. Hand signed lower right. Measures approx. - 32" high x 37" wide, total with frame - 37 1/2" high x 42 1/2" wide. James J Tormey, NYC artist, He was born in Brooklyn in 1938. As a young man he moved to Manhattan where he lived and worked for more than 60 years. James Tormey studied at the Pratt Institute, in Brooklyn, and at Columbia University and worked in advertising for several years while he painted part time. In the 1960s he supported himself as a photographer, covering openings and events for the Museum of Modern Art, in New York City. For many years he was represented by the Madison Avenue Gallery, in New York City, where he had numerous one-man shows. He has also exhibited in Japan and Germany. The artist makes his home in Manhattan and is represented by the Uptown Gallery, also in New York City. James Tormey paints still lifes of traditional subject matter: fruit, vegetables, or eggs appear in bowls or on surfaces illuminated by powerful directional light. Tormey builds stronger and more precise meaning into his work by exploring how the backgrounds and settings for his still lifes can convey particular ideas. In his recent work, for instance, he painted a series of images in which fruit—a traditional still-life subject—is placed in architectural settings or frames that we usually associate with religious imagery. In Icon, for instance, the artist painted a red cabbage and placed it inside a Renaissance-style frame that he built and decorated himself. Instead of being presented with a saint or a Madonna within such a context, we are given a fully realized, but quite ordinary, vegetable. Tormey’s painting technique involves great care from the beginning. He works in his apartment in Manhattan’s Upper West Side in a meticulously clean space equipped with a very solid easel and a large glass palette on a painting table. For reference he uses photographs he has taken of still-life setups in conjunction with pictures of architectural or other settings he has collected over the years. “I start with a careful graphite drawing right on the canvas,” he explains. These days he uses lightweight cotton duck, although much of his earlier work was done on smoother surfaces. Once the graphite line is established, the artist makes a thin monochrome version of the image with a dull green. “I don’t add anything to the paint other than turpentine,” he explains. “I don’t use oil or glazing mediums because I don’t like shine. The turpentine dulls the paint, which suits what I’m doing.” Once the green layer has dried, the artist applies a second thin layer in a warm brown using burnt sienna or burnt umber. “In all these stages I’m working from dark to light,” he says, “so that I’m always getting a rendered, three-dimensional image.” Tormey works on two or three paintings at a time to allow for sufficient drying time between layers. “I also like the way one painting seems to talk to another,” he says. “It makes for a richer process.” Once he starts working in full color on the image, he continues slowly, applying many thin layers and gradually achieving subtle tonal and color shifts until his forms burst with three-dimensional life. “I work with a very dry brush,” explains the artist. Many of Tormey’s paintings contain dark backgrounds, some of which are pure black—something that can present its own technical problems. “I don’t want those backgrounds to feel present,” he says. “I want them to simply drop out.” Because he doesn’t want any shine on his work he doesn’t use varnish. It’s not surprising that Tormey’s work, with its heavy contrasts and smooth tonal transitions, is strongly influenced by photography. Tormey worked as a photographer for some years, and when he began doing still lifes he often photographed them against black backgrounds. His work was also published as fine art cards, posters, and fine art Giclee prints. He pioneered the "larger-than-life" still-life with his work combining traditional subject matter with a contemporary interpretation that produces startling images of heroic proportions. Light reflected and transmitted lends the natural objects, which are the subjects, a quality which may evoke in the viewer clarity of vision and a delight in the forms of the natural world around them. His work conveys a powerful positive philosophy and he once said "I believe the only way we can come to terms with the world is if we look at it as it really is." He believed that artists should take responsibility for the meaning their works carry and stated that "there are definite ideas behind my paintings". He studied at Pratt Institute and Columbia University and worked in advertising and as a photographer before turning to full-time painting. His paintings were exhibited in dozens of galleries around the country, in Germany and Japan and are now seen in numerous public and private collections. While he was not officially part of the Photorealism art...

Jungle Bouquet - Abstract Paintings - still-life Modern Art By Marc Zimmerman This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Marc Zimmerman creates playful pain...

English artist Jonjo Elliot's large scale still life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments t...

Large, photo-realist painting on canvas featuring a fire engine red and white industrial crane against a bright sky blue background 69 x 48 x 2 inches oil on canvas, thin wood stripping signed verso, "Joseph E. Richards" Hangs with wire installed on the back Excellent condition, ready to hang as is This precisely detailed photo-realist painting was made by Joseph E. Richards in 1992. The artist painted this piece when he was 71 years old during a long career of painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, industrial cranes. With a photo-realist approach to the subject, Richards was able to capture detailed changes in light and shadow, shape and form. The red and white crane, painted with extreme detail and focus, vividly contrasts against a bright blue sky. Areas of brown rust, attesting to the machine's power and longevity, are captured with immaculate precision. Since the painting has a very smooth surface, one could easily confuse this painting with a photograph. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with pre-installed wire. The artist's signature is located on the back of the canvas. About the artist: Joseph Richards...

Como pueden apreciar, la obra va firmada en la parte inferior y fechada del año 1972 En la parte trasera, va nuevamente firmado Se presenta enmarcada la pintura (el marco presenta ...

Item is in excellent condition and has only been displayed in a gallery setting. With frame dimensions are approximately 44" x 64" Leon Olmo was born in Moron de la Frontera at the end of the 1940's beginning at a young age to study drawing and wax technique. From heightened stimulation incredible still-lifes are produced from the nearby aromas of lemons, jasmine, pomegranates, and medlars, fruits which often appear throughout his paintings. Olmo is a self-taught painter, reaching the status as one of Seville’s most talented artists through strict perseverance in drawing and painting. Working until complete exhaustion, Olmo attempts to capture all of himself with every image he creates. For Olmo, neatness and cleanliness go hand in hand when creating a work of art. Though he denies traditional academicism, Olmo does utilize a methodical approach in each painting that begins with strict preparation of the fibrapan board upon which he paints. Beginning with a primer composed of calcium sulfate and glue, he sands the board’s surface until smooth. This regimented routine is in accord with Olmo’s insistence of maintaining neatness and cleanliness for he has rejected the use of canvas where any imperfection is not up to standard. He then picks juicy fresh fruits from their trees and retrieves wooden boards from a collection that he has acquired over the years during walks with his father. Arranging the objects for the desired effect, the outcome will be a play of shadows between the background and brilliant center of the composition. With the brush he draws simple motifs and leaves layers of paint until he achieves a magic luminosity, where the observer can actually see through space, a transparent quality distinctly from the hand of Olmo. The recreation of natural elements in his paintings is to remind the observer of humanity’s material nature. The symbolic use of jasmine is special to the artist, in order to represent the grandeur of small things, six petals with an incredible scent which contain within them the magic of the artist and of his Andalusian land. Olmo’s dreamlike masterpieces contain human warmth that has an unsurpassable way of working their way into the hearts and minds of his collectors. Leon Olmo and his son Leon Reina make up a father and son painting...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

After a shocking image on the border wall in Arizona, I was urged to transpose it metaphorically. On the left, individuals still have their own colours and identity. On the track in ...

Italian artist Daniela Astone lives and works in Florence. She enjoys working with live models and paints her works from observation, the classical approach she learned at the Academy in Florence and which she now teaches to her students. Daniela Astone graduated in 2004. She had her first solo exhibition shortly afterwards in the United States. Since then, the international attention of the Italian artist has only grown. The classical structure and narrative paintings show a technique that is special. Her style is virtuoso and her subjects are narrative. The keys are loose and subtle. Standing in front of a painting means watching...

Abstract geometric mixed media painting with acrylic, ink, polymers, and layers of complex and beautiful lines and marks that delve into the connection between mathematics and scienc...

CURSE OF THE CAT PEOPLE is an acrylic on canvas surrealist painting by Brooklyn, New York artist Tony Geiger. It measures 36x48" and is a unique artwork. N...

Grotesque - Carlo De Tommasi Italia 2012 - Oil on canvas cm. 130 x 80. Peral grey laquared wooden frame cm. 150 x 100 The painting created by the painter Carlo De Tommasi is in neoc...

Set of 5 paintings, 2006 by Sergio Bazan From the Chaleco Quimico series Acrylic paint on paper Overall image size: 18 H x 125 W inches Individual s...

Original oil painting on canvas, still life painting made under natural light. This artwork is painted using high-quality fine linen canvas, already stretched and ready to hang with ...

This series works are centered on musical representation, through staves, notes or album covers and images of the artists. Untitled. From La Música Ausente series. Oil on canvas Siz...

The work of Santiago Garcia explores the wondrous, colorful and always intriguing world between figuration and abstraction. Through contextualization of reality, the Uruguayan artist...

"I Didn't Sleep A Wink" is a framed oil painting on panel by Carol O'Malia, depicting a stack of pillows against a cloudy blue background. O'Malia's still life work often evokes the ...

American Realist Willard Dixon paints the undeniable beauty of the west with its grand and humble spirit. Here is 'Salt Pond no. 2', 50 x 42 inches, oil on ...

English artist Jonjo Elliot's large scale still life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments t...

Modern still-life painting on panel of lemons in a peach colored bowl against a pastel pin striped background "Lemon Bowl" painted by Hudson Valley based a...

Bicycles and passers by view the Golden Gate Bridge at the water's edge in San Francisco in this contemporary horizontal landscape from celebrated American realist artist Willard Dix...

"Harley 45!" is an original painting on canvas by James Oliver measuring 60in x 60in. James Oliver is a painter whose precise visual language pushes the tradition of twentieth centu...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Painting description: Combining “isms” is what I’m attempting here. Inventive, Dramatic and unique. Robert W. Petrick CarnationsAbex Abex/Impressionism Series Oil on canvas Size (st...

"As the artist, I poured my soul into this creation, blending acrylic and oil to bring to life a dance of shadow and substance. I fused expressionism with impressionism, adding orien...

The black series by Sergio Bazan Acrylic on Canvas Image Size: 59 H x 59 W inches Unframed Signed by artist _______ Paintings- Mix media & works on paper. Sergio Bazan was bor...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His c...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

"The work explores the interconnection between organic nature and circuits, reflecting the relationships between human beings. On the canvas, organic shapes are displayed that evoke ...

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Mayer Productions as a children’s book illustrator. It was a job where he used his artistic abilities although it was not an outlet for a serious painting career. (He has a written and illustrated a book of his own that is awaiting a publisher). John then worked in the field of graphics at Leslie Roy...

The black series by Sergio Bazan Acrylic on Canvas Image Size: 59 H x 59 W inches Unframed Signed by artist _______ Paintings- Mix media & works on paper. Sergio Bazan was bo...

This painting "Skirting in the Breeze" is a 48x48 oil painting on canvas by artist Joyce Norwood. Depicted is a young woman dressed in a light pink shirt with a flowing white skirt dancing in wind and the seafoam waves crashing against the beach. Waves crash against the shore as the young woman enters the shoreline looking down. Norwood's use of impressionistic brush strokes and color give this painting a liveliness. About the Artist: A native of North Carolina and one of ten girls, Joyce always loved to draw especially from the human figure. Her education began at the New York Art Student’s League, studying under Robert Brackman and William Draper...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

Willard Dixon, 'Backstreet, Santa Fe' was painted in 2023. The original painting is 36 X 48 inches. Framed in a contemporary minimal hardwood, 36.5 x 48.5 inches. Ready to hang and e...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

'Billiards', oil on canvas, unframed and 30 x 48 inches. Terry Thompson looks for beauty in the often overlooked, painting in a photorealistic style various "Pop" culture products th...

Mikael Olson's (US based) "Nighthawk" (2024) is an original, handmade oil painting, which depicts a woman alone in a bar at night, the neon glow from outside lighting the dim bar as ...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Josh Talbott's (US based) "Life is Like a Rubber Chicken" is an acrylic painting that depicts a vibrant rubber chicken with a blue background. Bio: Josh Talbott grew up in suburban...

This joyful, colourful painting is by one of Canada’s finest landscape artists, Pat Service. Here, the avid gardener uses bold colours-royal blue, black and white against a bright r...

Trompe-l'œil (French for "deceive the eye",) is an art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions. Forced perspective is a comparable illusion in architecture. Though the phrase, originates in the Baroque period, when it refers to perspectival illusionism, trompe-l'œil dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical trompe-l'œil mural might depict a window, door, or hallway, intended to suggest a larger room. A version of an oft-told ancient Greek story concerns a contest between two renowned painters. Zeuxis (born around 464 BC) produced a still life painting so convincing that birds flew down to peck at the painted grapes. A rival, Parrhasius, asked Zeuxis to judge one of his paintings that was behind a pair of tattered curtains in his study. Parrhasius asked Zeuxis to pull back the curtains, but when Zeuxis tried, he could not, as the curtains were included in Parrhasius's painting—making Parrhasius the winner. With widespread fascination with perspective drawing in the Renaissance, Italian painters of the late Quattrocento such as Andrea Mantegna (1431–1506) and Melozzo da Forlì (1438–1494), began painting illusionistic ceiling paintings, generally in fresco, that employed perspective and techniques such as foreshortening to create the impression of greater space for the viewer below. This type of trompe l'œil illusionism as specifically applied to ceiling paintings is known as di sotto in sù, meaning "from below, upward" in Italian. The elements above the viewer are rendered as if viewed from true vanishing point perspective. Well-known examples are the Camera degli Sposi in Mantua and Antonio da Correggio's (1489–1534) Assumption of the Virgin in the Duomo of Parma. Similarly, Vittorio Carpaccio (1460–1525) and Jacopo de' Barbari (c. 1440 – before 1516) added small trompe-l'œil features to their paintings, playfully exploring the boundary between image and reality. For example, a fly might appear to be sitting on the painting's frame, or a curtain might appear to partly conceal the painting, a piece of paper might appear to be attached to a board, or a person might appear to be climbing out of the painting altogether—all in reference to the contest of Zeuxis and Parrhasius. In a 1964 seminar, the psychoanalyst and theorist Jacques Lacan...

Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...

Alterpiece. Oil on canvas, meticulously painted by Brooks Anderson. Canvas edges are painted dark in the artist's signature style. Lovely to behold from every angle. Singed, titled, ...

Vancouver artist, Fiona Ackerman strays from botanical-themed compositions to explore the concepts of philosophy in this new abstract acrylic piece, one of two. Her colourful palette...

American Realist nature scene - Pathway to Enchantment - celebrating the color yellow through sunlit fall leaves and trees by celebrated American artist Peter Loftus who is known for captivating color-rich scenes focused on shadow and light through his oil on canvas paintings that breathe life while reflecting natural western environments. Loftus' subject matter includes oceans, mountains, babbling brooks, mountain ridges and their breathtaking vistas; as well as people and figures. This beautiful oil painting glows with natural warm earth tones concentrating on yellow. 44 x 60 inches. oil on canvas. Artist signed, dated and titled. Peter Loftus was born in 1948, in Washington DC. He received a BFA in painting from the Maryland Institute College of Art, in 1971. In 1974, Loftus earned an MFA from the University of Pennsylvania. Drawn by the glorious California light, Loftus moved to Santa Cruz in 1975. He has lived and painted there ever since. Loftus taught at both University of California at Santa Cruz and Cabrillo Community College between 1975, through the present (at UCSC). He taught Beginning, Intermediate and Advanced Drawing, and Painting, in both oil and aqueous media. During that time, he also sustained a rigorous exhibition schedule, showing regularly on the East and West coasts; in New York at Fischbach Gallery, and San Francisco at William Sawyer Gallery and later Hackett-Freedman Gallery. In addition, Loftus has participated in a number of group exhibitions. These include: American Realism: 20th Century Drawings and Watercolors (and accompanying book), San Francisco Museum of Modern Art, New Horizons in American Realism: Flint Institute of Arts, Flint, MI. Loftus is also included in several publications, including: "The Artist as Native: Reinventing Regionalism" by Alan Gussow...

'Swanson Crush on Rooti', oil on canvas, 40 x 60 inches, proudly presented by Andra Norris Gallery in California. Terry Thompson looks for beauty in the often overlooked, painting in...

Pat Service has an affinity for nature. Growing up on the West Coast the Canadian artist was surrounded by trees, rocky beaches and the sea. This is one of a series of playful pieces that ascribes personalities to different trees. Painted in bright yellow with an orange trunk...

Ancient Highway, trompe l'oiel, oil painting, ruins, road, western landscape Helen Stanley’s sculptural paintings are beautifully drawn, realistically r...

'Silent Gestures' is a brilliant and original work of art from Kenyan born African-American artist Stephen Namara who is widely known for creating paintings and masterful drawings cr...

Contemporary naturalistic painting by Texas-based artist Jennifer Lively. The work features groups of various species of birds all in a single cage set against a light blue backgroun...

Hiroshi Sato's (US based) "Mannequins" is an original, handmade oil painting that depicts two white mannequins in a contrapposto stance with a sleek background of red, white and blue...

Juniper — luminous oil on linen. Dimensions are 66 x 83 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and California's B...

The waitress. Oil on canvas, three quarter portrait of a beautiful waitress. Cubist style Measurements in centimeters: 122 x 48 x 2 cm / Framed: 152 x 78 x 4 cm. In Inches: 48.03 x 18.9 x 0.79 " Framed: 59.84 x 30.71 x 1.57 " Original three-quarter close-up of the surprised model at work, with the carefree and seductive air of young and happy waitresses at work. The painting is harmonious in its rich shades of blue, white, grey and violet, combined with muted, earthy tones and tints of ocher flesh. The flattened perspectives, the fractured surfaces and the graphic stylizations refer to the cubism of Picasso and Juan Gris. There are echoes of Modigliani in the treatment of his female models and we can detect an homage to Gauguin and Matisse, in his playful and sensual manipulation of color. ABOUT THE ARTIST Alfredo Roldán (Madrid- Spain, 1965) is a self-taught artist who, at the age of 22, began selling his works at street markets. In 1994 he won the award granted by the City Council of Madrid with the painting “El Baño Azul”, which now hangs in The Museum of Modern Art of Madrid. That year he began to work with the renowned British dealer...

'Sky Ranch', oil on canvas, 40 x 60 inches, proudly presented by Andra Norris Gallery in California. Terry Thompson looks for beauty in the often overlooked, painting in a photoreali...

Iconic Willard Dixon beach scene showcasing a road leading to shacks situated at the ocean's edge that are bathed in early evening light. The calm and breathtaking ocean-scape depict...

The young Dutch artist Lars van Wieren is seen by many as a great talent. We get that! Through one of our artists we were made aware of Lars' work. W...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand ...

Artist: Bill Wiman, American (1940 - ) Title: Texas Exotic Year: 1977 Medium: Oil on Canvas, signed Size: 56 x 59.5 in. (142.24 x 151.13 cm) Frame: 57 x 61 inches

Alpay Efe's (Germany) "Vanguard 19" is an original, handmade oil painting that depicts a bouquet of flowers. This painting is unframed, but ready to hang.

Amaryllis with Lemon in a white ceramic pot sits atop a white table with river rocks, in this still life painting from American realist artist, Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate one's subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." Best known for painting the American landscape and captivating the spirit of the West, with its grand and humble spirit, Willard Dixon also paints slill lifes, using objects from his own collection of bottles, dominoes, dice, cups and saucers. His work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art in New York, and the Oakland Museum of Contemporary Art. 'Amaryllis with Lemon' is a sunny and delightful work with a meditative and warm glow, in red, green. white and yellow. 47 x 42 inches. Artist signed. condition excellent. The artist was born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015: REAL with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014: Stillness and Activity / A father and daughter exhibition, Gallerie Citi, Burlingame, CA. 2013: Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012: Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011: California: A Landscape of Dreams/ Fresno Art Museum 2010: Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009: On Beauty /I. Wolk Gallery, St. Helena, CA. 2008: At Water’s Edge / I. Wolk Gallery, St. Helena, CA. 2007: San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006: Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005: 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002: H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001: Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000: Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999: Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999: What is Art For? What are Museums For? What are You For? curated Curated for the Oakland Museum by William T. Wiley & Mary Hull Webster, Oakland, CA 1998: Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997: 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996: Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996: Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996: New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995: Facing Eden: 100 Years of Landscape Art in the Bay Area / De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery, Birmingham, MI 1994: Still Life/ Fischbach Gallery, New York City, NY New Bay Area Painting/ Contemporary Realist Gallery, S.F., CA A Room with a View/ The North Point Gallery, S.F., CA 1993: Bay Area Painting/ Contemporary Realist Gallery, S.F., CA Vanishing Point: A Look at Contemporary Landscape Painting”, Bedford Gallery, Walnut Creek, CA Tribute/ William Sawyer Gallery, S.F., CA Revolution: Into the 2nd Century at the San Francisco Art Institute, One Market Plaza, S.F., CA Contemporary Realism: Central and Northern California Landscapes/ Monterey Museum of Art, Monterey, CA The Artist as Native: Reinventing Regionalism/ a traveling exhibition curated by Alan Gussow and Babcock Galleries, N.Y., NY 1992: A Day in the Country, California Landscape Painting / I. Wolk Gallery, St. Helena, CA West Art and the Law/ Weat Publishing Co., St. Paul, MN(traveling ex.) The New York Academy of Art, New York, NY In Support of Contemporary Bay Area Artists / One Market Plaza, S.F., CA 1991: The Landscape in 20th-Century American Art: Selections from the Metropolitan Museum of Art/ New York, NY, National Traveling Exhibit 1990: Contemporary Landscapes/ 21st Anniversary Exhibition Tortue Gallery, Los Angeles, CA. 1990: New Bay Area Painting Contemporary Realist Gallery, S.F., CA 1989: The Modern Pastoral/ Robert Scholekopf Gallery, New York, NY 1988: Images of the Land/ William Sawyer Gallery, San Francisco, CA 1988: Ten Artists from the William Sawyer Gallery / Shasta College Gallery, Redding CA Works on Paper/ William Sawyer Gallery, San Francisco, CA 1987: The Contemporary American Landscape/ Swain Gallery, NJ 1986: Landscape, Seascape, Cityscape/ Contemporary Arts Center, New Orleans, LA 1985: The Bay Area Seen/ Bay Area Regionalists Show, Hall of Flowers, Golden Gate Park, San Francisco, CA Large Scale/ Harris Gallery, Houston, TX A City Collects/ Transamerica Pyramid, San Francisco, CA American Realism/ William Sawyer Gallery, San Francisco, CA 1984: San Francisco Bay Area Painting/ curated by George Neubert for the Sheldon Memorial Art Gallery, Lincoln, NE American Landscape Painting/ California State University, L.A. CA Western Landscape Painters/ The Museum of the West, Houston, TX The Urban Landscape / One Market Plaza, San Francisco, CA 1982: Collectors Gallery 16/ McNay Art Institute, San Antonio, TX Thirty Approaches to Realism/ William Sawyer Gallery, S.F., CA 1981: Views of California Past and Present/ Triton Museum, Santa Clara, CA Landscapes/ Harris Gallery, Houston, TX 110th Anniversary S.F. Art Institute Alumni Group Show/ William Sawyer Gallery, S.F., CA 1980: Realism/ Walnut Creek Civic Arts Gallery, Walnut Creek, CA 1979: Bay Area Artists Exhibition/Sale/ Oakland Museum, Oakland, CA Omnium Gatherum/ Tortue Gallery, Los Angeles, CA California Viewpoints/ Sunne Savage Gallery, Boston, MA 1978: New Work/ Mills College Art Gallery, Oakland, CA Images of the Land/ William Sawyer Gallery, S.F., CA 1977: Contemporary California Artists/ Marshall-Meyers Gallery Alternative to the Whitney Annual/ James Yu Gallery, N. Y, N.Y. San Francisco Art Festival/ ( Airport Competition Purchase Prize) 1977: Eight Young Americans/ Montclair Museum of Art, Montclair,NJ 1976: Three From California/ Francine Sedars Gallery, Seattle, WA Faculty Show/ California College of Arts and Crafts, Oakland, CA 1975: Realism in Painting and Ceramics/ Helen Euphrat Gallery, De Anza College, Cupertino, CA 1975: A Tribute to the Art Institute/ Hansen Fuller Gallery, S.F., CA California Artists/ Utah Museum of Fine Art, Salt Lake City, UT 1974: Our Land, Our Sky, Our Water/ by Alfred Frankenstein Expo 74, Spokane, WA A Sense of Place/ curated by Alan Gussow for the Joslyn Museum, Omaha, NE The Discovery Gallery, Montclair, N.J. 1973: College of Marin Gallery, Kentfield, CA California Artists/ Kaiser Center, Oakland, CA 1972: Visiting Artists/ California State University, Hayward, CA 1970: Drawing Invitational/ Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA 1970: San Francisco Art Institute Centennial Exhibition, San Francisco Museum of Modern Art, S.F., CA 1967: Society for the Encouragement of Contemporary Art Annual, San Francisco Museum of Modern Art, S.F., CA 1966: California Landscape Painters/ San Francisco Art Institute, S.F. CA. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank, NY Swissre Corporation, NY The Insurance Company of North America First National Bank of Midland, Texas Commerce Bank AMA Headquarters, Washington, DC Hughes Tool, Houston, TX ATT, NY Morgan Stanley Dean Witter, San Francisco, CA IBM Corporation, San Jose, CA Northern Trust Company, Chicago, IL Smith Kline and French Corp., Philadelphia, PA Wells Fargo Bank, San Francisco, CA Republic National Bank Chevron Trammel Crow Company, Dallas, CA U.S. Insurance Group, N.J. Southwestern Bell Corp., MO Union Bank Pacific Bell United States Trust Company, NY The United Bank of Denver, CO Cigna Corp., Philadelphia, PA Atlantic Richfield Corp., Los Angeles, CA Show, Pittman, Pots and Trobridge, Washington, DC San Francisco Zen Center Hughes Aircraft Co. Los Angeles, CA Minnesota Mining and Manufacturing (3M), St. Paul, MN Bank of America, NY Commerce Bancshares, Inc., Kansas City,MO Robinson Humphrey/American Express, Atlanta, GA Merrill Lynch, San Francisco, CA Goldman Sachs, NY Metropolitan Life Insurance Co., NY Victoria Bank and Trust, Victoria, TX NYNEX, NY Coca Cola, U.S.A., Atlanta, GA TransAmerica Corporation Pacific Telesis Group Brobeck, Phleger, & Harrison Exxon Corporation U.S. Trust Selected Private Collections Estate of Ahmet Ertegun, New York, NY Mr. Harrison Ford, Los Angeles, CA Estate of Irving Lazarr, Los Angeles, Ca Mr. and Mrs. Leonard Holzer, New York, NY Mr. and Mrs. Peter Asher...