Bevan Ramsay is a Canadian contemporary artist and sculptor, born in 1977. He completed his first post-graduate degree in Fine Arts, in 1994 and trained as a cabinet-maker and completed an apprenticeship in antique restoration. His artistic practice focuses on the dialogue between expectation and frustration, in which there can be no clear resolution. By exploring contradictory perspectives of a subject, his sculptures and installations do not seek unity, but rather admit paradox as a basic feature of human experience. He is a native of Montréal and is currently based in Norfolk, Connecticut.
Meat #2 Contemporary Oil Painting on Canvas, 48x48 Inches, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
My Father Came Over From England Sculpture, Contemporary, 21st Century
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster, Wood
Meat #4 Contemporary Oil Painting on Canvas, 48x48 Inches, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Contemporary Diptych Sculpture: Glass, Porcelain, and Wood Elements
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Porcelain, Glass, Wood
The Dance Mixed Media Sculpture, Contemporary, Unframed, 41x16 in
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Mixed Media
Trinity Contemporary Figurative Photography on Paper, 2010-
By Bevan Ramsay
Located in Montreal, Quebec
Following his first post-secondary degree in Fine Arts in 1994, he trained as a cabinet-maker and completed an apprenticeship in antique restoration. He was co-founder of a successfu...
Photographic Paper
Talk to Me Contemporary Sculpture, Mixed Media, 2010+, Unframed
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Stone, Metal
Meat #3 Contemporary Oil Painting on Canvas, Circa 2010, Unframed
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Meat #1: Contemporary Still-Life Oil Painting, Unframed, 2010
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Bone China 8 Contemporary Sculpture, Mixed Media, Unframed, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...
Foam, PVC, Lacquer, Paper, Mixed Media
Bone China 4 Contemporary Sculpture, Mixed Media, Unframed, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...
Foam, PVC, Lacquer, Paper, Mixed Media
Contemporary Plaster Bust of Barack Obama and Bill Cosby, 21st Century
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster
Restored POG Chainmail
By Joshua Goode
Located in New York, NY
Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...
Mixed Media
Fortress America
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: vintage wood fort with hand-painted graffiti, a vintage handmade wood carving of Uncle Sam & Trump, confederate flag scrap blindfold, metal chains, 4 vintage fl...
Mixed Media
$217
H 6.7 in W 5.91 in D 1.19 in
Pear Blush Ochre Very Pocket Painting 223, original painting, still life
By Dani Humberstone
Located in Deddington, GB
Pocket Very Ochre Blush Pear 223 (canvas size 7x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintin...
Canvas, Oil
Searching for spring by Johnson Tsang
By JOHNSON TSANG
Located in Manchester, GB
Searching for spring By Johnson Tsang 2023 Resin cast sculpture finished with matte spray paint. 30 x 20 x 30cm (11.8 x 7.8 x 11.8in) Artist's signature stamped within the sculp...
Resin, Spray Paint, Porcelain, Paint
$3,360
H 52 in W 13 in D 13 in
Sculpture of Rabbit crawling up wood ladder: 'Talking about Hard Things'
By Elizabeth Jordan
Located in New York, NY
Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...
Wire
$5,500
H 40 in W 30 in D 2 in
Arezzo Garden Square - Yellow Red Chrysanthemum Flowers Fruit Still Life, 2019
By Melanie Parke
Located in Kent, CT
In this contemporary still life painting in oil on canvas, a clear glass vase holds bright lush chrysanthemum blossoms in coral red and pink beside orange and yellow fruits in a frui...
Canvas, Oil
Balloon Monkey (Orange)
By Jeff Koons
Located in Calabasas, CA
Artist: Jeff Koons Title: Balloon Monkey (Orange) Year: 2017 Medium: Porcelain with orange chromatic coating Dimensions: 9 7/8 × 15 7/8 × 8 1/4 inches (24.9 × 39.2 × 21 cm) Edition: ...
Porcelain
The Moment by Johnson Tsang
By JOHNSON TSANG
Located in Manchester, GB
The Moment By Johnson Tsang 2024 Painted, dry cast and porcelain-filled resin, matte spray paint 43 x 15.6 x 13 cm Signed edition of 100 Accompanied by a Certificate of Authent...
Porcelain, Resin, Paint
$2,250
H 20 in W 24.25 in D 2.75 in
"Silicon Valley", Reinforced Plaster Sculpture, Altered Human Figure, Portrait
By Jedediah Morfit
Located in Philadelphia, PA
"Silicon Valley" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 20"h x 24.25"w x 2.75"d framed, and is shipped...
Fiberglass, Plaster, Wood, Paint
$2,900
H 8 in W 6 in D 6 in
Capturing Moments - Contemporary Solid Bronze Modern Figurative Table Sculpture
By Mireia Serra
Located in Los Angeles, CA
Mireia Serra’s "Capturing Moments" is a contemporary bronze sculpture that merges figurative art with symbolic storytelling. The piece features a small, pensive figure perched atop a...
Metal, Bronze
$3,200
H 24 in W 18 in D 1.75 in
Watervale Yellow - Contemporary Still Life Red Flowers Kitchen Window, 2024
By Melanie Parke
Located in Kent, CT
In this contemporary painting in oil on canvas, a bright and inviting interior scene is set with a still life arrangement of red and yellow flowers in a green glass vase, beside a pa...
Canvas, Oil
$1,100
H 24 in W 24 in D 1 in
Deep End by Devan Sweeney, Oil on Canvas Pool Themed Contemporary Painting
By Devan Sweeney
Located in Atlanta, GA
"Deep End" by Devan Sweeney – Vibrant Contemporary Pool Painting, 24" x 24" In "Deep End", Devan Sweeney takes a serene plunge into the shimmering depths of aqua-blue water, invitin...
Canvas, Oil
You could tell he had the red spirit in him
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster
I like knowing that change is possible
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster