Bevan Ramsay is a Canadian contemporary artist and sculptor, born in 1977. He completed his first post-graduate degree in Fine Arts, in 1994 and trained as a cabinet-maker and completed an apprenticeship in antique restoration. His artistic practice focuses on the dialogue between expectation and frustration, in which there can be no clear resolution. By exploring contradictory perspectives of a subject, his sculptures and installations do not seek unity, but rather admit paradox as a basic feature of human experience. He is a native of Montréal and is currently based in Norfolk, Connecticut.
Meat #2 Contemporary Oil Painting on Canvas, 48x48 Inches, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Meat #4 Contemporary Oil Painting on Canvas, 48x48 Inches, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Contemporary Diptych Sculpture: Glass, Porcelain, and Wood Elements
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Porcelain, Glass, Wood
My Father Came Over From England Sculpture, Contemporary, 21st Century
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster, Wood
Trinity Contemporary Figurative Photography on Paper, 2010-
By Bevan Ramsay
Located in Montreal, Quebec
Following his first post-secondary degree in Fine Arts in 1994, he trained as a cabinet-maker and completed an apprenticeship in antique restoration. He was co-founder of a successfu...
Photographic Paper
Talk to Me Contemporary Sculpture, Mixed Media, 2010+, Unframed
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Stone, Metal
The Dance Mixed Media Sculpture, Contemporary, Unframed, 41x16 in
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Mixed Media
Meat #3 Contemporary Oil Painting on Canvas, Circa 2010, Unframed
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Meat #1: Contemporary Still-Life Oil Painting, Unframed, 2010
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Bone China 8 Contemporary Sculpture, Mixed Media, Unframed, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...
Foam, PVC, Lacquer, Paper, Mixed Media
Bone China 4 Contemporary Sculpture, Mixed Media, Unframed, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...
Foam, PVC, Lacquer, Paper, Mixed Media
Contemporary Plaster Bust of Barack Obama and Bill Cosby, 21st Century
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster
$700
H 10 in W 10 in
Contemporary Sculpture Wall Installation Red White Snake Animal Porcelain
By Bethany Krull
Located in Buffalo, NY
Duo (2022) by Bethany Krull. Porcelain, glaze, aluminum.
Metal
$2,000
H 16 in W 15 in D 14 in
Four Three Two One, 21st Century Contemporary Surrealist Ceramic Sculpture
By Kristen Newell
Located in Beachwood, OH
Kristen Newell (American, b. 1989) Four Three Two One, 2015 Stoneware, porcelain and acrylic Signed and dated on bottom 16 x 15 x 14 inches Kristen Newell was born in a small town on the coast of Massachusetts, where from a very early age, she demonstrated a strong propensity for the arts. Important additional inspiration came from her family and from the family of a childhood friend, where Kristen found herself surrounded by the work of Paul Manship, her friend’s grandfather and one of America’s greatest sculptors. With increased focus on her art, along with winning numerous awards throughout high school, Newell eagerly enrolled in the arts program at University of Vermont and augmented her studies with a valuable year at the Cleveland Institute of Art. Upon graduation, Newell moved back to Cleveland to begin her art career and started participating in group shows, including River Gallery and the Ohio State...
Porcelain, Stoneware, Acrylic
Open the Right Mind by Johnson Tsang
By JOHNSON TSANG
Located in Manchester, GB
Open the Right Mind By Johnson Tsang 2023 Painted, dry cast and porcelain filled resin sculpture. 43 x 15.6 x 13cm (16.9 x 6.14 x 15.1 in) Artist's signature stamped on reverse....
Porcelain, Resin, Paint
$3,360
H 52 in W 13 in D 13 in
Sculpture of Rabbit crawling up wood ladder: 'Talking about Hard Things'
By Elizabeth Jordan
Located in New York, NY
Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...
Wire
$2,250
H 20 in W 24.25 in D 2.75 in
"Silicon Valley", Reinforced Plaster Sculpture, Altered Human Figure, Portrait
By Jedediah Morfit
Located in Philadelphia, PA
"Silicon Valley" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 20"h x 24.25"w x 2.75"d framed, and is shipped...
Fiberglass, Plaster, Wood, Paint
$2,250
H 39 in W 39 in D 0.1 in
"Angel" Black & White Photography 39" x 39" in Edition of 3 by Olha Stepanian
By Olha Stepanian
Located in Culver City, CA
"Angel" Black & White Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by ...
Photographic Paper
$1,850
H 31.5 in W 39 in D 0.1 in
"No Time" Black & White Photography 31.5 x 39 in Ed. 2/7 by Olha Stepanian
By Olha Stepanian
Located in Culver City, CA
"No Time" Black & White Photography 31.5 x 39 in Ed. 2/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the art...
Photographic Paper
$4,333
H 66.93 in W 47.25 in D 1.97 in
Large Pink Botanical Study Landscape Oil Painting "Winelands"
By Karin Hopkinson
Located in Cape Town, ZA
A large format, unique oil painting on stretched canvas, ready to hang. The artworks depicts a winelands landscape typical of the Western Cape in South Africa. Framing options are a...
Canvas, Oil
$1,100
H 18 in W 18 in D 5 in
Contemporary Sculpture Installation Still Life Flora Light Botanical Porcelain
By Colleen Toledano
Located in Buffalo, NY
Botanical brambles emerge in ascension from a rectangular vessel and its atmospheric purple light. “Looking Between" (Blue) (2022) by Colleen Toledano. Porcelain, flocking, light, re...
Porcelain, Resin, Lights
$1,850
H 31 in W 31 in D 0.1 in
"New Moon" Black & White Photograph 31" x 31" in Ltd. Ed. 2/7 by Olha Stepanian
By Olha Stepanian
Located in Culver City, CA
"New Moon" Black & White Photograph 31" x 31" in Ltd. Ed. 2/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the...
Photographic Paper
$4,689
H 51.19 in W 47.25 in D 1.19 in
Bright Blue & Green Tropical Botanical Study Oil Painting "Birds of Paradise"
By Karin Hopkinson
Located in Cape Town, ZA
A large, unique oil painting on stretched canvas, ready to hang. The artwork depicts close-up tropical plants in beautiful and rich colours. Framing options are available on request
Canvas, Oil
$18,000
H 77 in W 64 in D 12 in
Skyward Whisper: Sculpture, Hand-Painted Feathers, 77" Tall
Located in Bloomfield, ON
Terri Del Signore is a Canadian ceramic artist and teacher who has been creating sculptural and illustrative artwork for more than a decade. The joyful sculpture, Skyward Whisper is...
Steel
You could tell he had the red spirit in him
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster
I like knowing that change is possible
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster