Bevan Ramsay is a Canadian contemporary artist and sculptor, born in 1977. He completed his first post-graduate degree in Fine Arts, in 1994 and trained as a cabinet-maker and completed an apprenticeship in antique restoration. His artistic practice focuses on the dialogue between expectation and frustration, in which there can be no clear resolution. By exploring contradictory perspectives of a subject, his sculptures and installations do not seek unity, but rather admit paradox as a basic feature of human experience. He is a native of Montréal and is currently based in Norfolk, Connecticut.
Meat #2 Contemporary Oil Painting on Canvas, 48x48 Inches, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Meat #4 Contemporary Oil Painting on Canvas, 48x48 Inches, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
My Father Came Over From England Sculpture, Contemporary, 21st Century
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster, Wood
Contemporary Diptych Sculpture: Glass, Porcelain, and Wood Elements
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Porcelain, Glass, Wood
Trinity Contemporary Figurative Photography on Paper, 2010-
By Bevan Ramsay
Located in Montreal, Quebec
Following his first post-secondary degree in Fine Arts in 1994, he trained as a cabinet-maker and completed an apprenticeship in antique restoration. He was co-founder of a successfu...
Photographic Paper
Talk to Me Contemporary Sculpture, Mixed Media, 2010+, Unframed
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Stone, Metal
The Dance Mixed Media Sculpture, Contemporary, Unframed, 41x16 in
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Mixed Media
Meat #1: Contemporary Still-Life Oil Painting, Unframed, 2010
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Meat #3 Contemporary Oil Painting on Canvas, Circa 2010, Unframed
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Bone China 8 Contemporary Sculpture, Mixed Media, Unframed, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...
Foam, PVC, Lacquer, Paper, Mixed Media
Bone China 4 Contemporary Sculpture, Mixed Media, Unframed, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...
Foam, PVC, Lacquer, Paper, Mixed Media
Contemporary Plaster Bust of Barack Obama and Bill Cosby, 21st Century
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster
Wine Bottles and Fruit on Table
By Zygmund Jankowski
Located in Gloucester, MA
Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...
Canvas, Oil
$2,000
H 29.5 in W 16.5 in D 2.5 in
"The Artist Is Present" Pink Wall-Hanging Plaster Sculpture with 'BEHOLD' text
By Jedediah Morfit
Located in Philadelphia, PA
"The Artist Is Present" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 29.5"h x 16.5"w x 2.5"d and comes with a gallery-is...
Fiberglass, Plaster, Paint
$2,250
H 20 in W 24.25 in D 2.75 in
"Silicon Valley", Reinforced Plaster Sculpture, Altered Human Figure, Portrait
By Jedediah Morfit
Located in Philadelphia, PA
"Silicon Valley" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 20"h x 24.25"w x 2.75"d framed, and is shipped...
Fiberglass, Plaster, Wood, Paint
$2,250
H 29.5 in W 14.75 in D 2.5 in
"One Footed Trauma Vessel" Human Figure with Vulture Wall-Hanging Sculpture
By Jedediah Morfit
Located in Philadelphia, PA
"One Footed Trauma Vessel" is an original piece by Jedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 29.5"h x 14.75"w x 2.5"d and comes with a gall...
Fiberglass, Plaster, Paint
$24,500
H 51 in W 12 in D 13 in
One Way Ticket Please (blue balloons) - figurative, steel sculpture
By Derya Ozparlak
Located in Bloomfield, ON
This figurative steel indoor sculpture is made by Derya Ozparlak. Derya Ozparlak has been a full-time artist since 2006 and continues to create distinctively unique sculptures. Her ...
Steel
$2,250
H 24 in W 20.25 in D 2.75 in
"Interface Blue", Reinforced Plaster Sculpture, Altered Human Figure, Portrait
By Jedediah Morfit
Located in Philadelphia, PA
"Interface Blue" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 24"h x 20.25"w x 2.75"d framed, and is shipped...
Fiberglass, Plaster, Wood, Paint
$5,999
H 23.63 in W 42.52 in
A Man Feeding Swans in the Snow - Grand Prix NYPH New York Photo Festival 2015
By Marcin Ryczek
Located in Hallein, AT
The photo is signed and stamped on the front by Marcin Ryczek and will be send unframed Marcin Ryczek received these awards for this famous photo: - Gr...
Photographic Paper
Balloon Monkey (Orange)
By Jeff Koons
Located in Calabasas, CA
Artist: Jeff Koons Title: Balloon Monkey (Orange) Year: 2017 Medium: Porcelain with orange chromatic coating Dimensions: 9 7/8 × 15 7/8 × 8 1/4 inches (24.9 × 39.2 × 21 cm) Edition: ...
Porcelain
$2,250
H 20.25 in W 24.25 in D 2.75 in
"Costume Armature", Reinforced Plaster Sculpture, Portrait, Altered Human Figure
By Jedediah Morfit
Located in Philadelphia, PA
"Costume Armature" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 20.25"h x 24.25"w x 2.75"d framed, and is sh...
Fiberglass, Plaster, Wood, Paint
$3,342
H 10.24 in W 7.88 in D 6.3 in
Little Devil Cat Sculpture, Designed by Javier Calleja and Lladro.
By Javier Calleja
Located in Madrid, MD
Javier Calleja – Little Devil Cat, Lladró, Limited Edition Porcelain and glass sculpture, signed and numbered by the artist. This playful and contemporary sculpture is the result of...
Porcelain, Glass
$960Sale Price|20% Off
H 21 in W 14 in D 12 in
Lucky Baby Elephant II (Original Elephant Sculpture - Pearl-Silver-Gold))
By Mauro Oliveira
Located in LOS ANGELES, CA
**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...
Stainless Steel
$960Sale Price|20% Off
H 21 in W 14 in D 12 in
Lucky Baby Elephant III (Original Elephant Sculpture - Pearl-Gold-Bronze))
By Mauro Oliveira
Located in LOS ANGELES, CA
**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...
Stainless Steel
You could tell he had the red spirit in him
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster
I like knowing that change is possible
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster