Water Paintings

After completing each layer the artist asks “Am I satisfied?” Anything less than a yes, means that the piece is to be fully surrendered, and allowed to be destroyed and overwhelm...

Title: Fete Champetre Artist: George Henry Andrews Medium: Oil on canvas Size: 25" x 36" Framed

"Contra Luz" - Jardines Generalife, Granada Artist: Borja Fernandez Medium: Oil on Canvas Size: 63.75" x 45"

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

Work on wood Golden wooden frame 47 x 60 x 2 cm

Through The Dune Grass [2020] Original Landscapes and seascapes Oil on canvas Complete Size of Unframed Work: H:61 cm x W:76 cm x D:2cm Frame Size: H:69 c...

After a couple days in Giverny, Vadim Dolgov was inspired to create a series of pond studies that celebrated the continued beauty of the area and Claude Monet's contribution to the a...

Ship repair. Oil on cardboard, 56x69,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with diploma...

Anya Simmons Mevagissey Harbour, Cornwall Original seascape painting Mixed Media on board (Gesso, acrylic and acrylic inks) Image Size. 26cm x 26cm Framed size. 46cm x 46cm x 4cm Sold Framed in a Triple White Wooden Moulding with Non-Reflective Art...

"Louisiana Wetlands", by Kristin Moore, is a part of her 2024 solo exhibition, “Through the Bayou, Into the Garden”, at Ferrara Showman Gallery. Marking a transition from her previou...

This surreal landscape painting by Henryk was done in 2014. It will ship from the artists studio in Poland. More about Henryk Laskowska: Henryk Laskowski...

Camille Hilaire Normandy : Reflection on a River, c. 1960 Original oil on canvas Signed bottom right Signed and Titled on the back On canvas 60 x 73 cm (c . 24 x 29 in) Presented in...

Kim Ford Kitz grew up in Southern California Beach towns, lived in San Francisco as a young adult, and now lives and works in a former furnit...

The movement of water, the changing reflections, leaves floating across the surface, the angle of golden light... The artist Carole Garland conveys the childlike wonder and awe she feels as she gazes down at a stream in the woods. The rocks are solid and still as the light begins to fade and different shadows appear. Garland attempts to interpret in her work the calm and serenity evoked by nature. There is a spiritual aspect to her embrace of the natural world. Workshops with Plein Air oil painters Frank...

Hydrangeas in a grandmother's garden. This painting is mounted on 1.5" deep stretcher with gray painted sides and does not require a frame. :: Painting :: Impressionist :: This piece...

Children at the sea. Alla prima oil painting with few final tuches when dry.Beautiful weather with a big shining sun. And I'm standing there taking it all in.The many spectacular sig...

Frameless Jordi Pagans Montsalvatge began his artistic career in 1948. In 1956 he began to work in the studio of Josep Roca Sastre, an artist who decisive...

Coral Reef Painting Life Mag Published 1953. Mid Century Modern American Scene Antonio Petruccelli (1907 – 1994) The World We Live In Coral Reef ...

Alexander Bower (1875 - 1952) Portland Harbor, Maine, 1910 Oil on canvas 27 x 33 inches Signed and dated lower right An American Impressionist, Alexande Bower was born in New York, studied at The Pennsylvania Academy of Fine Art, and was living with his wife in Cliff Island, Maine by 1914. Despite his urban upbringing, the coast and the sea fascinated Bower. A large portion of his paintings are seascapes, particularly scenes depicting the coast of Cape Elizabeth...

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

Dianne L. Massey Dunbar's (US based) "Water Bottle" is an oil painting that depicts a Aquafina Water Bottle with an open lid in an interior setting. A...

Signed and dated '1902' lower right Contemporary style hand made frame Provenance: Tryon Gallery Private collection In this painting we can we Blackfriars Bridge in the background reaching across the River Thames with smoke billowing up into the sky behind. On the far right the unmistakable, and instantly recognisable, silhouette of St Pauls also breaks the sky line of the city. Finished in the early 18th Century, St Pauls has been a noticeable addition to the London cityscape ever since. This work by Wilkinson depicts 'The Pool' of London, a stretch of the River Thames from London Bridge to below Limehouse. As part of the Tideway of the Thames, the Pool was navigable by tall-masted vessels bringing coastal and oversea goods to the wharves that originally made up the Port of London. In 1909 the Pool came under the jurisdiction of the Port of London Authority. The docks here thrived until the late 1950s, despite suffering from extreme bomb damage during the Second World War. The tall-masted ships that Wilkinson has depicted here are perfect examples of traditionally rigged sailing craft of the time. They differ from modern sailing vessels in that they did not use newer materials (such as aluminium and steel) and have more complex rigging as a result. The term tall ship later came into widespread use in the mid-20th century with the advent of Tall Ships' races. Here, incredible attention to detail has been applied by Wilkinson in the accurate depiction of the various ships rigging...

Painting with fishes, underwater world Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani is a matured and recognized master, as follows from the long list of his exhibitions and countries where his works reside. 1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia 1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia 1990 - Exhibition of Van Gogh's memory, "Palette" , Russia 1991 - Exhibition Gallery Palette 1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia 1992 - Exhibition at Gallery Pinatin, Berlin. 1993 - Exhibition of Piraeus, Athens, Greece. 1993 - Exhibition Gallery 47...

Painting size w/o frame: 12”x16” Painting size with frame: 19"x23" In Gloucester, American artist William Smith Robinson (1861–1945) mas...

video copyright by the artist and Bentley Gallery, Inc. acrylic on canvas, over concave wood panel Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process. Born in Los Angeles in 1962, Moses attended California Institute of the Arts...

Judd Mercer's (US based) "046 - Plein Air-Star K Ranch, CO" is a gouache painting depicting a river in a lush green forest. Artist bio/statement Judd Mercer is a contemporary lands...

It would be hard to think of a contemporary American painter better at painting the ocean than Deborah Newman. Looking at this, you almost feel like bac...

Painted in his studio from a preliminary study painted en-plein-air at Gibson Lane beach in Sagaponack, New York. The sun has clearly just set, hence the lavender aroma of the horizon, which reflects then onto the thin layer of water pulling back from shore, into the sea. A romantic seascape...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

“Elephant In The Pool,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of greens, browns, and blue...

Kim Ford Kitz grew up in Southern California Beach towns, lived in San Francisco as a young adult, and now lives and works in a former furnit...

Swans in the Park Volcker Hans Pyrzyce, Poland 1865 – 1944 Wiesbaden, Germany German Painter Signature: Signed bottom left and dated 98 Medium: Oil on canvas Dimensions: Image size 72 x 111,50 cm, frame size 84 x 120 cm Biography: Volcker Hans was born on October 12, 1865 in Pyrzyce, Poland. Hans was the son of a pastor, orphaned at a young age and raised by his grandfather. Hans Volcker was a painter of landscapes, seascapes, still lives and portraits. He also painted in watercolour and fresco techniques. In 1885, Volcker was a student of famed Norwegian realist painter Hans Fredrik Gude (1825 – 1903) at the Berlin Academy. His teacher encouraged him to travel to Scandinavia. During his study trips, he made landscape paintings of Scandinavian mountain and lakes, that brought him later great recognition. In 1891, he led his own plein air painting school. The most famous pupils were german sculptor and painter Margarethe Haeffner (1884 – 1977) and the painter Oskar Moll (1875 – 1947). With his Berlin friend painter Walter Leistikow (1865 – 1908), who was also a pupil of Gude, he shared an admiration for Max Liebermann (1847 – 1935). His acquaintance with Liebermann’s paintings furthered his stylistic development to an Impressionism. In 1894 he lived in Munich and moved to Wiesbaden in 1899, where he was active as a contemporary artist and as a member of the Art Societies, presenting Max Liebermann, Fritz Overbeck or Lovis Corinth, among others. Today, particular importance is attached to the “Dutch Secession” exhibition, featuring paintings by Vincent van Gogh and Jan Toorop. In 1912, the society showed paintings by Alexei Jawlensky...

Seafoam oil on linen on cradled panel 40 x 50 x 2 inches At the base of Hawaii's Sea Arch the waves smash against the ancient lava cliffs. The churn of the water is a mesmerizing p...

Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism Henry Schnakenberg (1982 - 1970) Boys Swimming Industrial Landscape 11 1/2 x 15 1/2 sight Oil on Canvas Signed lower left 14 1/2 x 18 1/2 inches, Framed Bio In many cases, American artists visited the Armory Show in New York in 1913, and returned to their studios to react to or against what they saw. However, for Henry Ernest Schnakenberg it was much more life altering. Prior to visiting this important exhibition of American and European modernist art...

This painting is in excellent condition, new gallery arrival. Jorge Segrelles is a Spanish artists born in Alicante in 1960, but moved to Barcelona wh...

Provenance: Private Collection, San Diego, CA. Framed Giovanni Martino, National Academy of Design* member, was born on May 1, 1908 in Philadelphia PA where all seven brothers and one sister, Filomina, Frank, Antonio, Albert, Ernest, Giovanni, Edmond, and William became painters. They were under the tutelage of their eldest brother, Frank, who in the late 1920s, founded the first commercial art* studio, Martino Studios, at 27 South 18th Street. Besides studying with his two eldest brothers, Giovanni also studied with Albert Jean Adolph at La France Institute, The Pennsylvania Academy of the Fine Arts*, The Graphic Sketch Club, and Spring Garden Institute in Philadelphia. In his mid teens he accompanied his two eldest brothers to New Hope searching for subjects to paint. In the 1930s, he also started to paint in Manayunk, a hilly mill town along the Schuylkill River. At this time he signed his paintings M. Giovanni. These colorful impressionistic* works proceeded more thinly painted dramatically poetic street scenes of the mill town. These images developed into impasto* laden oils in the 1960's with some of the paintings worked with a palette knife*. In Manayunk, he was a common sight on the streets and sidewalks, painting on-the-spot with his wife, Eva Marinelli and his two daughters, Nina & Babette. In the 1980's and 90's he also painted in Conshohocken and Norristown with his youngest daughter, Babette. His paintings became more sharply executed like his earlier work but were more colorful. In the late '90's he worked in his studio to enlarge paintings. He is the recipient of over 100 awards and honors. He received the Benjamin Altman Prize in Landscape Painting in 1975 at the National Academy of Design, NYC where he was elected an Academician (NA) in 1944. He mentored not only his wife and two daughters but also taught at Lehigh University and the Graphic Sketch Club, Philadelphia. He died at his home in Blue Bell on February 1, 1997. (Babette Martino...

Sun Chaser is a beautiful impasto landscape painting of the seaside. Rolling waves come in at the beach. Within her impressionist landscape paintings, her experiences abroad truly co...

This realist genre painting by artist Robert Crooker features a sale boat tilting to the left as it sales over the deep blue waters off the coast of Rho...

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

Bridge and marshes. New Jersey Meadowlands. Nature. Rocks. Lush. Golden Hour. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the a...

This is an exclusive handprinted limited edition cyanotype. "Abstract Crashing Water" is an original cyanotype that detailed portraits the eruptions and shapes of salty water in move...

Oil on canvas, signed lower left Henri-Léopold Lévy (23 September 1840, Nancy - 29 December 1904, Paris) was a French painter of Jewish ancestry, known pr...

Inscribed lower left: [WEST]FORD BRIDGE / [CA]MBRIDGE VT; signed lower right: SLOANE

"Guardians of the River" is an impressionist painting, oil on canvas by Maestro Zlata Shyshman. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Editi...

New England marsh, tide going out :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ::...

Oil on canvas

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Sea. Oil on canvas, 61x70 cm Dontsov German (1916. Saratow, Russia – 2001. Riga, Latvia) His professional carrier began at Art School of Astrakhan (1934 – 1939) and cont...

"Meditation on Water II" is a mesmerizing original lake water painting by the accomplished Irina Cumberland. This captivating artwork, born from the realm of contemporary realism, be...

Sonja Brussen Ice Ice baby 60 x 80 cm (framed included in price 63 x 83 cm) When the painting begins, Sonja disappears... This is how artist Sonja Brussen describes her way of work...

A large contemporary gallery wrapped canvas, the painted image is extended around the edges so no additional framing is necessary. Supplied ready to hand. Painted with professiona...

Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galle...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Li Xiao Biography Chinese, b. 1957 Li Xiao was born in 1957 in Shanghai, China. Xiao commenced showing interest in the fine arts at a very young age and has been consistently devel...

Sonja Brussen Waterflow 100 x 140 cm Not framed (shipped in tube) When the painting begins, Sonja disappears... This is how artist Sonja Brussen describes her way of working. From...

Oil on Canvas realized by Walter Einbeck in 1915. It depicts a nymph bathing in a rippling lake, with a knight watching her in the background. The work features divisionist technica...

This minimalist abstract painting of a lake is by Pat Service. The colours of summer, explored in minimalist form, create an inviting contemporary landscape. Pat Service is conside...

Müller-Grossen Franz Mönchengladbach, Germany 1871 – 1946 Lausanne, Switzerland German Painter Sea View Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 81 x 68 cm Biography: Müller-Grossen Franz was born in 1871 in Mönchengladbach, Germany. He was a painter of landscapes, sea and boats. In 1886 he exhibited in a Swiss exhibition, demonstrating his early work to make a success of art. Franz studied at the Dusseldorf Art Academy. In 1899 came to Cornwall, UK to continue to study, first at the Forbes School and later with a British artist Olsson Julius...

Acrylic on wooden panel + frame Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, completing her doctora...