20th Century Art

Bruce Sargeant (1898-1938)] Two Sailors n.d. Signed in red, u.r. Double-sided painting on panel 30 x 24 inches

This vibrant impressionist-style cityscape captures a bustling Parisian street scene, likely from the late 19th or early 20th century. Tall, historic buildings with warmly glowing sh...

This work by Lucien Adrion is a wonderful representation of his Post-Impressionist works at the seashore by the French Riviera. Using a bright palette of colors, Adrion executes this piece with much attention to detail with many boats situated along the marina. There are palm trees and buildings placed in the distance, as we can feel the warmth of the sun contrasted with the cool breeze of the water. The boats are wonderfully executed by the artist in a very whimsical way that leaves us with an essence of enjoyment from that sunny day at the marina. As this tourist destination was a favorite of the artist to find inspiration and highly attractive subjects and compositions to represent, we can find several of his works like this subject and others. The piece is signed by the artist lower left and it comes housed in a French giltwood frame with linen liner and hanging wire on verso ready to be displayed. Art measures 19 x 23.5 inches Frame measures 27 x 32 inches Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure, and landmarks paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of 18, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich, and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

Rare Limited Edition Serigraph of John Lennon's most famous self portrait. originally drawn in 1968, this limited edition was released by Bag One Arts (The Lennon Estate) in 1995, a...

The Interior French artist, indistinctly signed dated verso 1976, oil on canvas, framed framed: 25 x 18 inches canvas: 18 x 22 inches Inscribed verso Provenance: private collection...

This piece is a pertinent example of George Holloway's most sought after works, depicting a Garden view with flowers by sunlit homes. As an American Impressionist artist, most of Ho...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

⭐Portrait of a Flying Dachshund dog. ⭐ In the artistic world, animals have always been key protagonists in expressing the power and beauty of the wild. Artists often use animals as ...

James Brooks James Brooks at Martha Jackson gallery (rare Abstract Expressionist poster), 1972 Offset Lithograph poster Unsigned, unnumbe...

Original vintage French poster: Mi Careme de Nantes carnaval poster. Printer: Jagueneau - Nantes, France. Over 50 years old, Linen ...

Oil on canvas sold with frame Total size with frame 40x50 cm Signed Artist unknown from the gallery

Moonstruck 1994 3D porcelain ceramic plate. limited edition. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Inspired by George Méliès's 1902 film A Trip to the Moon...

Title: Mid-20th Century Post-Impressionist Beach Scene with Women and Parasol by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: 10.5 ...

The River's Edge a beautiful American Impressionist oil on canvas attributed to William Baxter Closson. Housed in a period Foster Brothers frame. Born October 13, 1848, in Thetford,...

A delicate watercolour study of a grand garden fountain with white water lilies. Well presented in a wash line mount and gilt-effect frame. Signed lower right. On watercolour paper.

Hand Signed. Printed in black ink, and part of a limited edition thought to be of 400 specimen. Image Dimensions : 51 x 20 cm  Reference: Bool n. 352 Locher 146.  Very good conditio...

Les Anatomes, Plate F is a contemporary artwork realized by Man Ray in 1970 Mixed colored etching Hand signed and numbered in pencil. Edition 26/100 Ref. Anselmino 70F Includes ...

Husband and wife Marcus and Debbie Williamson photographed nude for 'After Dark' magazine in 1973. This is a vintage gelatin silver print, made by hand by master photographer Jack Mi...

Medium: lithograph (after the gouache). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-glass...

Edward Landon 'Exhortation (Priest)', color serigraph, 1957, edition 28, Ryan 72. Signed, titled, and numbered '21/28' in pencil. A superb, richly-inked impression, with strong color...

Boris Lovet-Lorski, Untitled (Portrait of an African Woman), lithograph, edition 250, 1929. Signed and numbered 13 in pencil. Number 13 of Volume 2, a series of 10 lithographs publis...

Title: Modern French Oil Painting Standing Male Nude Expressive Figurative Study by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: ...

Signed oil on panel landscape by Italian impressionist painter Emma Ciardi. The work depicts a view of the Rio de San Barnaba which runs through Venice, It...

This is an John Stobart Limited Edition Lithograph “Sunrise Over Nantucket in 1835”. In good condition measures 43x33

Joan Miró Lithographie Originale II Color Lithograph Year: 1981 Size: 12.5 × 9.6 inches Catalogue Raisonné: Cramer 177, Der Lithograph IV, 1969-1972 Publisher: Maeght Editeur, Paris,...

This original circa 1910s plein air field study by renowned Colorado landscape artist Charles Partridge Adams captures the serene beauty of the Rocky Mountains in a masterful display...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Summer 87 ' Limited edition of 10 Sign...

Unidentified male model, photographed nude, 1971. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes directly from the Jack Mitchell...

War Ship at Sea signed oil on canvas, framed framed: 23 x 33 inches canvas: 20 x 30 inches provenance: private collection, England The painting is in very go...

Still Life of a Vase of Red & White Flowers by 20th Century American Artist, Robert Cox (1934-2001) Art measures 24 x 20 inches Frame measures 29 x 25 inc...

Nicely painted Flamenco dancer portrait. Framed. Oil on board. Signed. Image size, 20H by 16L.

Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...

Vintage cubist abstract oil painting. Oil on canvas. Signed. Framed. Measuring 27 by 34 inches overall and 24 by 30 painting alone. In excellent original condition. Handsomely fram...

"Borrowdale" * see notes below British School, early 20th century oil on board, unframed board: 7 x 10 inches provenance: private collection condition: minor rubbing to outer edges a...

Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...

Yellow Submarine (also known as The Beatles: Yellow Submarine) is a 1968 animated musical adventure film inspired by the music of the Beatles, directed by animation producer George D...

Paper Size: 59.75 x 30.5 inches ( 151.765 x 77.47 cm ) Image Size: 59.75 x 30.5 inches ( 151.765 x 77.47 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Whistlers Mother by Anonymous Artist Original Oil on Canvas 1924 Nicely executed painting after James McNeil Whistler of his mother by an anonymous artist (American, 19th-20th C.) I...

Robert Indiana created the iconic “LOVE” print initially for the Museum of Modern Art’s Christmas card in 1965. This variation features the Spanish word for love, “Amor”. The etchin...

Title: French Impressionist Oil Painting of Harbor Scene with Boats and Waterfront By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Signed: Yes Oil painting o...

A beautiful signed 1960's Belgian oil on board portrait of a lady wearing a blueb jumper against a striking orange background, by Noëlle Verheggen. Possibly a self portrait of the ar...

Francisco Carbonell Massabe (1928) - menders on the beach - Oil on canvas Oil measures 60x73 cm. Frameless.

From the Collection of Contemporary Art: Gerhard Richter. Copyright Stamp collection, printed in Germany. Originally painted as an oil on canvas in 1985, reproduced in 1991, colors c...

Portrait sketch original drawing by Jean-Paul LE VERRIER (1922-1996) studio stamped pencil drawing on paper, unframed Double sided (drawing on both sides) 10.5x 8.25 inches provenan...

Seated Female Nude Figure in Oil on Canvas Beautiful modern impressionist figure painting of a seated nude woman by George Wishon (American, 1937-2005). The two-toned light blue and...

Alexandre Calder (1898 - 1976) Tribute to the Victims, 1967 Lithograph on offset background (Arte atelier) Printed signature in the plate On paper 75 x 44.5 cm (c. 29.5 x 17.3 inch) Original vintage poster INFORMATION: Published by Maeght on the occasion of the artist's exhibition "Pour le Viet Nam...

Artist: Alex Katz, American (1927 - ) Title: Night: William Dunas Dance 1 (Pamela) Year: 1983 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 100, 42 AP Size: 25...

Peter Beard The End of the Game (Hand Signed by Peter Beard), 1977 Offset Lithograph Poster (hand signed by Peter Beard and inscribed with a heart) Han...

Work on paper Golden wooden frame with glass pane 49,5 x 63 x 2 cm

This quietly atmospheric painting by Jon Loman captures a group of four hooded crows in a snow-covered winter landscape. Three of the birds perch on a rustic wooden fence, while the ...

"La Tristesse du roi" is a reproduction of Henri Matisse’s 1952 gouache on paper, known for its distinctive cut and collage technique. Reproduced in 1990, this piece reflects Matisse...

LeRoy Neiman serigraph signed and numbered “April At Augusta, 1990”. In good condition Unframed . Measures 45x33

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

Unknown Artist, in the style of Felix Vallotton - The Other Side, Year: 1974, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 16/80, Image Size: 15 x 21 inch...

"Marilyn Candid Moment" by Ed Feingersh NEW YORK - MARCH 1955: Actress Marilyn Monroe reads the book "To the Actor: On the Technique of Acting" by Michael Chekhov in a quiet moment at the Ambassador...

Beautifully framed large Thomas Kinkade "Hometown Lake, Hometown Memories IV". Measures 32.5 x 38.5 in excellent condition. Limited edition Artist Proof 267/495.

This artwork "Titled "House in Sainte Cecile, Belgium" 1952, is an oil painting on canvas by Belgian artist Paul van Hoye, 1887-1952. It is signed at the lower right corner by the ar...

Artist: Alexander Calder (1898-1976) Title(s): Sky Swirl, Sky Bird, Convection, Beastie, Friendship, and Sunburst (from the Braniff International Airways Flying Colors Collection) Ye...

Georges Henri FAUVEL Canvas Size: 17 x 21" (42.5cm x 52.5cm) Outside Frame Size: Born in 1890 in Havre (Seine-Maritime), France Painter of animals, especially hunting dogs- his b...

Sunrise in the Catskills after the earlier painting by Thomas Cole (American 1801-1848) Oil painting on canvas, framed Framed size: 40 x 52 inches In 1826, Thomas Cole met Robert Gi...