20th Century Art

This artwork "Village de Provence" c.1990 is a watercolor on paper by American impressionist artist Sharon Galigan, b.1939. It is hand signed at the lower left corner by the artist. The artwork size is 17.5 x 13.75 inches, framed size is 25.5 x 22.5 inches. Custom framed in a wooden light brown and grey frame, with beige matting and light brown filet. It is in excellent condition. About the artist: Sharon Galligan (American, b. 1939) is an artist painting in watercolor, oil, acrylic, monoprint and mixed media. She was an art major in both high school and college: San Jose State University, West Valley College, and Evergreen College. She has also studied with nationally noted artists and teachers, including Ted Goeschner, Frank Webb, Charles Movali, Howard Rees, Tom Lynch, Dale Laitinen, Marilyn Simandle...

INTERIOR WITH DESK Size: 63.5 x 55.5 cm (including frame) Oil on canvas A warm and inviting mid-century painting that captures a quiet charm of an interior scene, executed in oil on...

Gothic Decorative Motifs is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork represents Gothic Decorative motifs i...

Alexander CALDER USA : McGovern for McGovernment, 1972 Original screenprint Handsigned in pencil Justified EA (artist proof) On BFK Rives Vellum 88 x 60 cm (c. 35 x 24 in) Authentic...

Incredible early American modernist portrait by Stephen H Booker (1933 - 2016). Oil on canvas. Signed verso. Finely framed. Measuring 24 by 28 inches overall and 16 by 20 paintin...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró VIII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

Yaacov Agam, Israeli (b. 1928) Hand signed, and numbered. Limited edition lenticular lens kinetic Agamograph Titled 'Sea Fathom'. Hand-signed and numbered edition 24/99, size of w...

Sunlit Hillside Village Artist: Pierre Neveu (French b.1929) signed lower right Medium: oil on canvas, unframed Canvas: 29 x 24 inches Condition: Good and sound condition Provenance...

Poster created for the exhibition The Lens of Impressionism, held at the Dallas Museum of Art in 1997. The image features a detail from Gustave Courbet’s A Bay with Cliffs, highlight...

Marilyn Monroe, 1954 - Marilyn Monroe Portrait Black and White Silver Gelatin Iconic American actress Marilyn Monroe gracefully and stylishly ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Plume (Feather), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Signed lower left, 'J.L. Freeman' for Jean L. Freeman (American, 1926-2006) and painted circa 1975. Born in Michigan, Jean Sampson studied at the Detroit Society of Arts and Crafts...

Signed lower right, 'Georges Lambert' (French, 1919-1998), inscribed, lower center, 'Village du Var' and, lower left, with number and limitation, '52/120'. Georges Lambert first stu...

"Vitraux pour Jerusalem" is one of the most important books illustrated by Marc Chagall and considered as one of his editorial masterpieces. Th...

A classic coastal scene by American painter T.M. Nicholas, Pigeon Cove Harbor captures the charm of a working New England harbor. Lobster boats line the dock beside weathered shingle...

Debi Szarkowski-Effron Warhol in Cookieland, 1987 Limited Edition offset lithograph poster Bears the photographer's copyright stamp and pencil numbered 138/190 on the lower left fron...

'Breakfast At Tiffanys' Huge Oversize Limited Edition silver gelatin print Belgian-born actor Audrey Hepburn (1929 – 1993), during a shoot for the promotion of her film BREAKFAST...

Artist: Robert Rauschenberg (1925-2008) Title: Charms against harms Year: 1993 Medium: Lithograph on wove paper Edition: H.C. 8/15, 100, plus proofs Size: 40.5 x 28 inches Condition:...

Beautiful original gouache of a busy Seine River scene with advertising boats and a figure along the shore with the city of Paris in the background. Signed lower left. Condition is...

A Fine 1930s Modern Academic Figure Study Drawing, Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s charco...

Artist: Andy Warhol. Title: Mick Jagger F&S II.144 Framed Announcement card. Medium: Lithograph Hand Signed Size: Image size: 6" x 4", Framed: 10" x 8 Year: 1975 Edition: Limited Re...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró X Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In ve...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Leo Castelli Gallery (The Red Horseman)" *Dedicated, signed, and dated by Lichtenstein in pencil lower right Year: 1975...

From the Nudes promotional portfolio published by Tyler Graphics in 1994, this rare offset lithograph was issued as part of an informational set including a printed title sheet listi...

Stunning mirror with floral and animal motifs by ceramic artist Mithé Espelt

Mountain View of a Lush Green Valley in the English Lake District - Vintage Oil Painting by 20th Century Modern British Landscape Artist, Arthur Terry Blamires (b. 1930) Art measure...

Work on canvas Golden wooden frame 63 x 72 x 5 cm

Title: Maternity Artist: Jesús Villar (1930–2015) Medium: Oil on canvas Dimensions: 14.96 x 18.11 in Framing: Unframed Signature: Signed lower right: JVillar Date: Circa 1980s ...

Terry O’Neill CBE is one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he ...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 25 x 30 Frame Size: 34 x 39 Medium: Oil on Canvas Circa 1950 "Lazy Day Blues" Texas Bluebonnet Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas is in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit, and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Roy Newell Untitled, 1953 Signed and dated Roy Newell-1953 Oil on board 3 1/4 x 7 1/4 inches Provenance The Collection of Dr. and Mrs. Maximilian Le Witter Estate of the above Roy...

This exquisite lithograph after Rene Magritte (1898–1967), titled Un Bombardon Libere son Bouquet de Flammes (A Bombardon Releases its Bouquet of Flames), from the folio Les Enfants ...

Budd Hopkins, American (1931-2011) 'City Sun II', 1969 Oil painting on canvas. Hand signed and dated lower left. Verso: Artist, title, and year in pencil on stretcher. Dimensions: 36" H x 52" w. Frame: 37.25" h x 53.25" w. Budd Hopkins was one of the leading proponents of the "hard-edge" abstract minimalist school of painting in the 1950s and 1960s, Budd Hopkins (born 1931) created works that show the strong influence of Jackson Pollock and other leading painters of the Abstract Expressionism movement. Hopkins' paintings are now in numerous major collections, including the San Francisco Museum of Art, the Guggenheim Museum in New York, and the Hirshhorn Collection in Washington, DC. Recently, he has also been recognized for his research into the matter of UFOs and one of his books, "The Intruders", printed by Random House, was on the New York Times best-seller list and was the basis for a television show on CBS. Born in 1931, he is a graduate of Linsly Military Institute (now Linsly School) in 1949 and Oberlin College in 1953. He first displayed artistic abilities when, as a child recovering from a long-term illness, he began to create sculptures of ships made out of modeling clay. But it wasn't until he arrive at Oberlin that he made a serious study of art. Later, Hopkins included abstracted figures in his sculptural pieces. While moving away from Abstract Expressionism, Hopkins retained in his work the use of intense colors and hard-edged forms. His works of the 1980s, including Temples and Guardians, featured these "sentinels" who were, according to Hopkins, "participating in a frozen ritual, fixed – absolutely – within a privileged space..." Though Hopkins denied any connection, some critics viewed these ritualistic pieces as an extension of Hopkins' fascination with alien beings. Hopkins viewed his sculpted guardians not as human per se, but as magical, fierce, noble robots of the unconscious. He settled in New York after obtaining his degree and has had a residence there ever since. He and his wife, April Kingsley, and their daughter, Grace, divide their time between their home at Cape Cod, Mass., and that in New York City. In his work, he travels widely. He has exhibited in England, Finland, Italy and Switzerland. In 1963, Hopkins was selected by the Columbia Broadcasting System as one of the 15 painters featured in the network's first television special on American art. In 1958, Art News picked him as one of 12 Americans for exhibition in Spoleto, Italy, in the "Festival of Two Worlds." His brilliance has won him a number of fellowships and awards. In 1972, the West Virginia Arts and Humanities Council awarded him its Commission Prize. In 1976, he received the John Simon Guggenheim Fellowship for Painting and in '79 he received a fellowship from the National Endowment of the Arts. He also won a special project grant from the New York State Council on the Arts in 1982. He was friends with Robert Ryman and many of the other 10th street avant garde artists. He was an original member of March Gallery which showed Alice Baber, Elaine de Kooning, Mark di Suvero, Lester Johnson, Matsumi Kanemitsu. His work was handled by Poindexter Gallery. (a major gallery founded in 1955 in New York City by Elinor Poindexter. The gallery specialized in sculpture, abstract, and figurative art and featured the works of such artists as Richard Diebenkorn, Jules Olitski, Nell Blaine, Al Held, Willem de Kooning, Franz Kline, Earl Kerkam, Milton Resnick and Robert De Niro, among others. His art has been featured in the Metropolitan Museum of Art, Museum of Modern Art, Bronx Museum of Art, Brooklyn Museum, Whitney Museum, Corcoran Gallery, Guggenheim Museum, Queens Museum in New York, and the Public Library of New York. He was included in Young America 1960: Thirty American Painters Under Thirty-Six buy Lloyd Goodrich at the Whitney Museum of American Art in NYC. Artists included: Sonia Gechtoff, Edward Giobbi, Ron Gorchov, James Harvey, Budd Hopkins, Wolf Kahn, Alex Katz, Robert Natkin, Rudy Pozzatti, Dean Richardson, Frank Roth, William Wiley, and Noriko Yamamoto...

A classic mid-century California mountain scene of Payne Lake near Mammoth Mountain in the Sierra Nevadas, by Clare Shipton Mayhew (Mrs. J.O. Harvey)....

Monumental Art Deco oil painting on canvas by renown Hungarian artist Arpad Bardocz. In good condition. Signed and dated. We can arrange shipping worldwide. We was born in Budape...

Flowers in the Windowsill French artist, signed oil painting on board, framed dated 1960 framed: 21.5 x 25 inches board: 18 x 22 inches provenance: private collection, France condit...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of the singer and actress Grace Jones. From personality portraits and advertising cam...

Well executed oil on board painting of a sailboat off the rocky coast. Signed lower right. Circa 1930. Condition is excellent. The painting is housed in a faux wood molded frame wi...

A delicate study of a red and yellow tulip. This piece was acquired alongside another tulip study, which is also listed on our website (qd708). Presented in a vintage black frame. Un...

Jean Cocteau "L'Homme Fleur" 7/50 from an edition of 50 Ceramic pitcher, conceived in 1958 Hand signed and inscribed on the base, " Edition originale de Jean Cocteau, Atelier Madelin...

The Mirror is a Watercolor Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 1...

Marc Chagall (1887-1985) - Sketch for L'Âne bleu stamped with the signature 'Marc Chagall' (lower right) pastel and charcoal on paper 18 7⁄8 x 24 in. (48 x 61 cm.) Executed in 1954 ...

'Lunch at Chez Louis', oil on canvas, by Roland Dubuc (circa 1970s). The outdoor terrace at restaurants and cafés in France goes back centuries as they have always been a gathering place for intellectuals to meet and debate philosophical issues; for the Avant Garde set to display their works; for artists to compare and exchange ideas and for writers to drown their sorrows over their artistic anguish or melancholy. Even the freedom fighters of the French Revolution and later the French Resistance would meet in cafés to plot their course. Regular people of course also enjoy these venues. A very delightful feature of these French institutions is that there is always room for quiet book readers, romantic couples, business meetings and lively groups of friends sharing a bottle of wine. The artist Dubuc captures a slice of this lovely aspect of French culture in this smile-inducing depiction painted in vivid oils. With a background of greenery, the patrons enjoy the outdoors protected from the intense sun by the table's parasols. Ah, the life. The artwork is in good vintage condition, is framed and signed by the artist in the lower left hand corner. Please enjoy the many photos accompanying this listing. Upon request a video may be provided. About the Artist: Roland DuBuc (1924-1998), French artist, the sixth of 13 children and son of a construction worker. The very precariousness of the family's financial situation forced him to go to work at the age of 14. In extreme poverty, he moved to Rouen where he was lodged by the Salvation Army. During that time he struck up friendships with several artists who gave him advice and taught him techniques of drawing. He moved to other cities later where he met painters including, among others, Fred Pailhès...

Yellow Landscape signed by Lucien Gondret (French 1941-2023) signed oil on canvas, unframed canvas: 18 x 24 inches provenance: the artists estate, Franc...

SEVENTH TORII is an original, hand drawn(not a photo reproduction or digital print), limited edition lithograph with gold silkscreen printed using hand lithography and serigraphy tec...

Jean Calogero (1922 - 2001) Italy United States oil on canvas titled clown et endangered 29 x 21 frame 38 x 29 Painting has paint loss And crackling . This was painted in 50’s 6...

"NEW INTERNATIONAL ECONOMIC ORDER" is a brightly colored serigraph by the American artist/sculptor Chaim Gross printed in 16 colors including shades of yellow, blue, purple, salmon p...

Artist: Roy Lichtenstein, American (1923 - 1997) Title: This Must Be the Place (C. III.20) Year: 1965 Medium: Offset Lithograph, signed in the plate and in pencil l.r. Edition of unk...

Woman at the Bar is an artwork on white cardboard realized after Italian Artist Mario Sironi (1885-1961) in 1913. Phototype print. Signed on the low corner. Good conditions.  Pri...

Large Marine Scene Dutch or Flemish, 20th century color print on canvas, framed framed: 27 x 34 inches canvas: 20 x 27.5 inches provenance: private collection, UK condition: very goo...

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 48 inches "My paintings are about space, form and energy. I generally start ...

Original landscape in oil. Initialled to the lower right. Presented in a large wooden frame. On canvas on stretchers.

Antique American abstract expressionist painting. OIl on canvas. Framed. Finely painted with wonderful color palette.

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

Antique American abstract expressionist oil painting. Oil on canvas. Signed. Measuring 16 by 36 inches.

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 24 Frame Size: 44 x 38 Medium: Oil on canvas “ Gift Of Rain “ G. Harvey (G...

This beautiful British Edwardian portrait oil painting is by noted and much exhibited female artist Maud Marion Wear. Wear trained at the Royal Academy Schools in London for five yea...

Kent R. Wallis (American, Born 1945) Signed: Kent R. Wallis (Lower, Right) " Cottage Window ", circa 1997 Oil on Canvas 36" x 24" Housed in a 2 1/4" Frame Overall Size: 40 1/2"...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that mee...