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Period: 20th Century
Vintage Black & White Minimal Neo-Expressionist Abstract Oil Painting
Vintage Black & White Minimal Neo-Expressionist Abstract Oil Painting

Vintage Black & White Minimal Neo-Expressionist Abstract Oil Painting

By Michael Pauker

Located in Soquel, CA

Expressive black and white abstract, with scribbled linear patterns in the style of Jean-Michel Basquiat, by by Bay Area artist Michael Pauker (American, b.1957). circa 1977. Oil on canvas. Titled "Baldwin" and dated "Summer 77" on verso. Here he revisits a piece he did early in his carrier of the same title "Baldwin" in 1967. Unframed. Image size: 16"H x 12"W. “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby...

Category

Neo-Expressionist 20th Century Art

Materials

Canvas, Oil

Untitled (Concetto Spaziale)
Untitled (Concetto Spaziale)

Untitled (Concetto Spaziale)

By Lucio Fontana

Located in Washington , DC, DC

Tipped in color plate produced in 1962 for a rare official Lucio Fontana artist monograph published by famed art book publisher Harry N. Abrams, Inc. (not included), during the artis...

Category

Abstract 20th Century Art

Materials

Paper

"Untitled"
"Untitled"

Jean Calogero"Untitled", Circa 1950

$1,200Sale Price|25% Off

"Untitled"

By Jean Calogero

Located in Southampton, NY

Oil on canvas painting by the Italian artist, Jean Calogero. Circa 1950. Signed lower left Overall in museum quality gold leaf frame 17.5 by 15.75 inches. Condition: Good. Provenan...

Category

Modern 20th Century Art

Materials

Canvas, Oil

“A Norman Peasant’s Home”
“A Norman Peasant’s Home”

“A Norman Peasant’s Home”

Located in Southampton, NY

"A Norman Peasant's Home," (Near Caudebec -en-Caux, Seine, France); and also identified as, "Peasant's Doorway." by Hezekiah Anthony Dyer. This area would be considered Normandy hence the title. Watercolor and gouache on archival paper. Signed lower left by the artist. Condition is very good. Included with the purchase is dated 1925 correspondence between the artist and purchaser of the painting with apologies from the artist for the painting not being shipped from Newport on time. Recently professionally custom double matted and framed under glass. Overall framed measurements are 19.25 by 15.5 inches. Provenance: Rhode Island collector. H. A. Dyer 1872 - 1943 Historical Rhode Island artist Hezekiah Anthony Dyer, son of Elisha and Nancy Anthony Dyer , was born into a prominent Rhode Island family, having both his grandfather and father serve as governor of the state. A descendent of the Hoppin family, known for their own artistic inclination, Dyer inherited both an interest in the arts as well as his father’s interest in public affairs. He fulfilled his destiny by becoming a notable figure in Rhode Island politics and public service as well as an accomplished artist. Dyer attended boarding school at St. Paul’s Church in Concord, New Hampshire and then went on to attend Brown University. Following his graduation from Brown in 1894, Dyer became serious about pursuing an art career and made the decision to travel abroad to Holland, Italy and France where he focused on refining his watercolor technique. Following his initial trip to Europe, Dyer returned to Providence and attended classes at the Rhode Island School of Design. By 1919 he received an Honorary Masters of Arts Degree from Brown University. Throughout his life, Dyer traveled to Europe for several months of each year to paint. He had a particular affinity for European seascapes and landscapes, as well as for picturesque scenes of old European villages. Dyer’s travels took him throughout the continent including Belgium, Brittany, Normandy, England and both the Swiss and Italian Alpine regions. Hezekiah was heavily influenced by the English School of painting, and in the early years of his career as a painter, worked exclusively in a deliberately realistic style. During this time, Dyer also began showcasing his paintings in exhibits that consisted of only his own work and which were very successful. As his painting progressed, Dyer allowed himself to experiment more in the field of watercolor. He developed a technique of painting on grey or tan paper and would paint everything lighter than the paper using an opaque gouache, and everything darker than the paper in transparent washes of color. This technique allowed Dyer to represent a great deal of detail not usually found in watercolor paintings. It also resulted in wonderfully vibrant colors that would not fade when dry. H. A. Dyer was a prominent member of both the art community and of Rhode Island public life. While he never held an office, Dyer became very involved in politics and from 1916 to 1919 was president of the Republican Club of Rhode Island. At the beginning of the First World War, Hezekiah was made chairman of the speaker’s bureau for the Food Administration of Rhode Island, and was later made chairman of the speaker’s bureau for the Council of Defense. Dyer also became a chairman for a philanthropic organization called Rhode Island of the Fatherless Children of France. In 1922, France presented both Hezekiah Dyer...

Category

Post-Impressionist 20th Century Art

Materials

Watercolor, Gouache, Archival Paper

Paired Studies of Lions in Profile 1960's British Modernist Drawing
Paired Studies of Lions in Profile 1960's British Modernist Drawing

Paired Studies of Lions in Profile 1960's British Modernist Drawing

By Irina Hale

Located in Cirencester, Gloucestershire

Paired Studies of Lions in Profile 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on brown artist paper stuck on A4 artsit paper, unframed ove...

Category

Modern 20th Century Art

Materials

Oil Crayon

Figure - Original Woodcut by Mino Maccari - 1969

Figure - Original Woodcut by Mino Maccari - 1969

By Mino Maccari

Located in Roma, IT

"Figures" is an original woodcut artwork realized in 1969 by Mino Maccari (1898-1989). Hand-signed on the lower right in pencil, dated and numbered on the lower left, edition of 48...

Category

Modern 20th Century Art

Materials

Woodcut

Armando Villagran Original Painting
Armando Villagran Original Painting

Armando Villagran Original Painting

By Armando Villagran

Located in San Francisco, CA

Armando Villagran (Mexican, 1945-1995) Untitled (Figure with Animal), 1991 Oil on canvas, signed and dated lower right Canvas: 55"h x 43.5"w, overall (with frame): 56"h x 44"w Born ...

Category

Surrealist 20th Century Art

Materials

Oil

Roy Lichtenstein - Apple, museum print Signed & dated by Roy Lichtenstein Frame
Roy Lichtenstein - Apple, museum print Signed & dated by Roy Lichtenstein Frame

Roy Lichtenstein - Apple, museum print Signed & dated by Roy Lichtenstein Frame

By Roy Lichtenstein

Located in New York, NY

Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, Hand signed and dated in ink on th...

Category

Pop Art 20th Century Art

Materials

Ink, Pencil, Graphite, Lithograph, Offset

Autograph Letter by Carlo Levi, Modern, Signed, 1950, Paper and Ink

Autograph Letter by Carlo Levi, Modern, Signed, 1950, Paper and Ink

By Carlo Levi

Located in Roma, IT

This is an Autograph Letter Signed by Carlo Levi to the Countess A.L. Pecci Blunt. Rome, December 9th 1950. In Italian. One page, single-sided. Excellent condition, perfecly readable. Including original envelope. Carlo Levi (Tourin,1902 – Rome, 1975), the Italian painter, writer, activist, anti-fascist, best-known for his "Cristo si è fermato a Eboli" (Christ Stopped at Eboli),writes this letter to the Countess and patron of arts, A.L. Pecci Blunt to introduce the Italian playwright and director Alessandro Fersen (Łódź, 1911 - Rome, 2001). Artistic Intentions and common initiatives could arise. The background: In the same year of this letter, in 1950, Alessandro Fersen together with Walter Cantatore and Emanuele Luzzati...

Category

Modern 20th Century Art

Materials

Paper, Ink

Gold Medallion, Abstract Face 11/20
Gold Medallion, Abstract Face 11/20

Gold Medallion, Abstract Face 11/20

By Pablo Picasso

Located in Santa Monica, CA

(after) PABLO PICASSO (1881-1973) Tête en forme d'horloge 2 1/16 in (5.2 cm) (diameter) (Conceived in 1956 and executed in gold by François & Pierre Hugo in a numbered edition of...

Category

20th Century Art

Materials

Gold

The Artists Studio - Interior Watercolor
The Artists Studio - Interior Watercolor

The Artists Studio - Interior Watercolor

By Doris Warner

Located in Soquel, CA

In the artists studio in Bonny Doon, California, a watercolor painting by listed artist Doris Warner (American, 1925-2010). Signed "Warner" lower right. Image size, 22.75"H x 15"L. U...

Category

American Impressionist 20th Century Art

Materials

Paper, Watercolor

In Tentazione - Lithograph - 1966

In Tentazione - Lithograph - 1966

By Salvador Dalí­

Located in Roma, IT

In Tentationem - From "Pater Noster" is a very interesting illustration (offset lithograph) by Salvador Dalí, from the volume "Pater Noster" published by Rizzoli Editore, Milan, 1966...

Category

Surrealist 20th Century Art

Materials

Lithograph

Rare Andy Warhol Record Cover Art set of 2
Rare Andy Warhol Record Cover Art set of 2

Rare Andy Warhol Record Cover Art set of 2

By Andy Warhol

Located in NEW YORK, NY

Rare 1960s Andy Warhol Record Art: set of 2 works: This set includes two original vintage pressings: 'This Is John Wallowitch' by John Wallowitch and 'The Academy In Peril' by John ...

Category

Pop Art 20th Century Art

Materials

Lithograph, Offset

Geometric Composition - Original Lithograph
Geometric Composition - Original Lithograph

Geometric Composition - Original Lithograph

By Max Bill

Located in Paris, IDF

Max BILL (1908-1994) Geometric composition, 1975 Original lithograph (Mourlot workshop) Unsigned Limited edition of 575 unnumbered copies On Arches vellum paper 35 x 27 cm (c. 14 x ...

Category

Abstract Geometric 20th Century Art

Materials

Lithograph

1983 Abstract Geometric Oil and Gouache Painting Study for Alma Robert Kelly
1983 Abstract Geometric Oil and Gouache Painting Study for Alma Robert Kelly

1983 Abstract Geometric Oil and Gouache Painting Study for Alma Robert Kelly

By Robert Kelly

Located in Surfside, FL

Robert Kelly (American, 1956-) Abstract Mixed Media on paper Study for Alma 1983 Pencil titled Hand signed lower right Dimensions: Frame: 26 X 19 Image: 24 X 17.5 Robert Kelly (born 1956) is an American artist. He is based in New York City. Kelly was born in Santa Fe, New Mexico, and studied at Harvard University, Cambridge, Massachusetts (B.A. 1978). His paintings have been acquired by public and private collections in Europe and the United States, including The Whitney Museum of American Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Museum of Fine Arts, Santa Fe, NM; Milwaukee Art Museum, Milwaukee, WI; Smith College Art Museum, Northampton MA; Jane Voorhees Zimmerli Art Museum, Rutger’s University, NJ; Montgomery Museum of Fine Arts, Montgomery; The Fogg Museum, Cambridge, MA; The Margulies Collection, Miami, FL; and the McNay Art Museum, San Antonio, TX. Kelly has traveled throughout the United States, Europe, North Africa, the Near East, and Nepal. His work often incorporates unusual materials from his journeys, among them vintage posters and printed antique paper, obscured and layered in saturated pigments on a canvas faintly scored with irregular grids. Kelly’s paintings have been likened to palimpsests and his method described as one of building “meticulously on inhabited ground, layering materials, documents, and signs, covering them, wiping out their beauty, nearly, but allowing something of the labor and their languages to persist.” Kelly worked as a commercial photographer for Polaroid in Cambridge, Massachusetts, and completed residencies at The MacDowell Colony and The Karolyi Foundation, Vence, France, before devoting himself entirely to painting in 1982. His work has been the subject of more than forty-five solo shows at venues in North America and Europe, including Spazio Bianco/AR Contemporary Art, Milan, Italy; Leslie Feely Fine Art, New York; and The John Berggruen Gallery, San Francisco, California. He has participated in more than one hundred group shows in the United States and abroad. including the Projects Inaugural Exhibition at Bentley Gallery Featuring works by Jim Dine, Jennifer Bartlett, Donald Sultan, Frank Stella, John Chamberlain, Julian Schnabel and, Dominique Blain. Kelly’s influences include the De Stijl movement, Malevich and Mondrian and modernists like Bauhaus, Joaquin Torres-Garcia, Philip Guston, Richard Diebenkorn, Kurt Schwitters, Blinky Palermo and Brazilian Neo-Concretists Lygia Clark and Helio Oiticica. Kelly himself cites Hans Arp, Myron Stout, Tony Smith, Brancusi, Calder, Bill Traylor, Louise Bourgeois, and Ellsworth Kelly. Primary Abstraction, Process-Oriented, Hard-Edged, New York School Artists, Line, Form, and Color, Curvilinear Forms. “Kelly compares his work method to the practice of a stonemason building a wall, setting the components in place as they rise with an astuteness and precision found in the process of composing formal puzzles. Addressing the full expanse of a canvas covered entirely with paper, he masterfully builds up his surface with the pared down tools of line, form and color. Given their remarkable elegance, sheen and tactile qualities, the paintings invite drop-dead awe.” Edward Leffingwell, Robert Kelly: Paper Trails “In these works the sophisticated play between translucency and opacity, representation and abstraction conflates past and present—be it the history of art or of a psyche.” Hilarie M. Sheets, Art in America “[His] process yields the self-sustaining and harmonious ‘rightness’ of so much of Kelly’s work, a sense that each form could never be other than it is; were it sharper, more obtuse, or thicker, each angle, curve, or horizontal band would collapse into formlessness. Kelly’s compositions are held in such perfect moments of balance...” João Ribas, Robert Kelly: Praxis and Poesis “The works are paradoxical: by disassembling and then reassembling the pieces, Kelly seems to undermine visual ‘completeness’ by a fragmented presentation. Yet it nonetheless feels as though the image is a cohesive whole.” Melissa Kuntz, Art in America “Confronted as all artists are now with the exhaustion of subjectivity, Robert Kelly insists on the capacity of painting to mediate subjective apprehension through symbolic forms and sensual experience. Nothing less.” Lyle Rexer, Robert Kelly: Painting’s Place “Robert Kelly’s art is exemplary. It reveals an intelligence that is as alert and modern as one could wish but is at the same time saturated in the knowledge of other times and places.” John Ash...

Category

Abstract 20th Century Art

Materials

Paper, Oil, Gouache

Le Village Inspire, scenes from the Montmartre District of Paris, Utrillo 1950

Le Village Inspire, scenes from the Montmartre District of Paris, Utrillo 1950

By (after) Maurice Utrillo

Located in Paonia, CO

A street scene in the Parisian district of Montmartre created for the portfolio Le Village inspire, Chronique de la Boheme de Montmartre (1920-1950)..... after Maurice Utrillo edited by Vertex in 1950 and limited to 550 copies. Signed within the plate lithograph with hand coloured pochoir. The Le Village Inspire suite, which consisted of 12 pochoirs after the Utrillo gouaches...

Category

Impressionist 20th Century Art

Materials

Screen

At the Races
At the Races

At the Races

Located in Houston, TX

French watercolor scene of day at the races, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size...

Category

20th Century Art

Materials

Watercolor

lithograph

lithograph

By (after) Alexander Calder

Located in Henderson, NV

Medium: lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue number 156) and published in Paris by the atelier Maeght. Size: 15 x 11 inches (378 x 277 mm). There i...

Category

Abstract 20th Century Art

Materials

Lithograph

French Impressionist Oil Painting of Breton Family Celebration under a Blue Sky
French Impressionist Oil Painting of Breton Family Celebration under a Blue Sky

French Impressionist Oil Painting of Breton Family Celebration under a Blue Sky

By Fanch Lel

Located in Cirencester, Gloucestershire

Title: French Impressionist Oil Painting of Breton Family Celebration under a Blue Sky By Fanch Lel (French b. 1930) Size: 6 x 5.25 inches (height x width) Signed: Yes Oil painting o...

Category

Impressionist 20th Century Art

Materials

Oil

American Impressionist Landscape, attributed to Charles Harold Davis ca 1920’s
American Impressionist Landscape, attributed to Charles Harold Davis ca 1920’s

American Impressionist Landscape, attributed to Charles Harold Davis ca 1920’s

By Charles Harold Davis

Located in Baltimore, MD

This is a lovely oil on canvas painting that was attributed to Charles Harold Davis when I purchased it about ten years ago. It is unfortunately not signed. The scene is a view throu...

Category

American Impressionist 20th Century Art

Materials

Oil

Park XVI (Berlin artist, Postwar, Contemporary, Abstract vs Figurative)
Park XVI (Berlin artist, Postwar, Contemporary, Abstract vs Figurative)

Park XVI (Berlin artist, Postwar, Contemporary, Abstract vs Figurative)

By Barbara Keidel

Located in Kansas City, MO

Barbara Keidel Park XVI Mixed media, pastel on handmade, toned laid paper 1997 Size: 29.5 × 21.25 inches (75 × 54 cm) Signed and dated in pencil Additionally hand-signed, dated, tit...

Category

Contemporary 20th Century Art

Materials

Pastel, Mixed Media, Laid Paper

Modern Abstract Lithograph by Joan Miró
Modern Abstract Lithograph by Joan Miró

Modern Abstract Lithograph by Joan Miró

By Joan Miró

Located in Long Island City, NY

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Artist: Joan ...

Category

Modern 20th Century Art

Materials

Lithograph

Fine Antique Scottish Oil Highlands Loch Scene Tranquil Pastoral Landscape
Fine Antique Scottish Oil Highlands Loch Scene Tranquil Pastoral Landscape

Fine Antique Scottish Oil Highlands Loch Scene Tranquil Pastoral Landscape

Located in Cirencester, Gloucestershire

Highland Landscape E.C Hamblin, British late 19th/early 20th century signed oil on canvas, framed dated 1914 verso framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private c...

Category

Victorian 20th Century Art

Materials

Oil

KAWS - Limited Edition Historic 1st Companion ever uniquely Hand Signed & Dated
KAWS - Limited Edition Historic 1st Companion ever uniquely Hand Signed & Dated

KAWS - Limited Edition Historic 1st Companion ever uniquely Hand Signed & Dated

By KAWS

Located in New York, NY

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

Category

Street Art 20th Century Art

Materials

Resin, Mixed Media

French Village Abstract Expressionist Signed Oil Warm Colours
French Village Abstract Expressionist Signed Oil Warm Colours

French Village Abstract Expressionist Signed Oil Warm Colours

By Gerard Guegueniat

Located in Cirencester, Gloucestershire

Abstract Expressionist Sky Composition by Gerard Guegueniat (French 1970's) signed oil painting on board, framed framed: 21.5 x 27 inches board: 18 x 12 inches provenance: private co...

Category

Impressionist 20th Century Art

Materials

Oil