Early 20th Century Art

Original Biere Allary vintage French beer poster. Art Deco time frame. Excellent condition and ready to frame. The image features a Viking-style name...

This lovely Edwardian exhibited portrait landscape oil painting is by noted Scottish artist James Riddel. It was exhibited at the Royal Scottish Academy in 1909 and again in Glasgow Institute in 1913, entitled The Critics. Painted circa 1909, the painting has the muted tones but varied palette of the Scottish School. The focus of the composition is a young boy and girl stood in the foreground, outdoors, examining a painting in progress on an easel. They look as if they are giving it very careful consideration. The artist's bag, brushes and tubes of paint lie on the grass beneath the easel but he is not in view. The painting is of the countryside and path leading to a collection of dwellings beyond, all bathed in sunshine. The earnestness of the young art critics can be seen in their body language and is very sweet. A really lovely exhibited Scottish Impressionist Edwardian oil painting and an excellent example of Riddel's work. Signed lower right. Provenance. Exhibited at the Royal Scottish Academy 1909 no. 294, entitled The Critics. Exhibited at the Royal Glasgow Institute of Fine Arts 1913 no. 420 entitled The Critics. Aitken Dott & Son (The Scottish Gallery), Castle Street, Edinburgh. Paisley Art...

Landscape is a modern artwork realized by a French Artist in the Early 20th Century. Watercolor drawings. Good conditions.

1-4086 A large scale vintage figurative painting, original oil on canvas in shades of blue .Unframed. Signed on verso G.Pascal Rocca

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Art Deco colored etching by Louis Icart ( 1888-1950 ), France. 1925. Signed in pencil lower right: Louis Icart. Dated top left: Copyright 1925 by Gravures Modernes, Paris. Decorativ...

Art Sz: 12"H x 7 3/4"W

Antique American impressionist landscape oil painting by Edward S Annison. Oil on board, circa 1910. Signed. Image size, 8L x 12H. Housed in a per...

FRANZ BERGMANN Austrian, (1861-1936) A Lounging Concubine depicting a reclining woman being fanned by her servant. Inscribed ‘Nam Greb’ with foundry mark. 17 inches high

Rivière Saulaie à Lyons-la-Forêt, Eure by Paulémile Pissarro (1884-1972) Oil on canvas 60 x 73 cm (23 ⁵/₈ x 28 ³/₄ inches) Signed lower left, Paulémile - Pissarro. Signed and titled...

signed "E.JB." at lower right 21 7/8 x 17 inches including frame

Beautiful Brittany, France coastal landscape depicting a cottage and a lone farmer by A. Henry (French, 20th Century),circa 1920. Signed "A. Henry" lower right. Unframed. Image, 16"H...

Alfred John Billinghurst (1880-1963) . A very good oil on canvas by the English Impressionist . A view of Kynance Cove near The Lizard in Cornwall . Bill...

Measures Painting 27 x 30 inches Framed 36.75 x 44.875 inches Neuhaus (1879–1963) was a German-American painter and educator known for his contributions to California Impressioni...

"Loch Katrine" by F. E. Jamieson (British 1895-1950) signed, lower corner oil painting on canvas, framed framed: 19.5 x 27 inches Fine quality antique oi...

This superb Post Impressionist portrait oil painting is by noted Jewish artist Alfred Lomnitz. Lomnitz was born in Germany and Jewish by denomination. He emigrated to England in 1933...

Flower Cart and Fountain French Impressionist, early 1900's indistinctly signed oil on board, unframed Board : 19.5 x 24.5 inches Provenance: private collection, France Condition: v...

This illustration was created for the Hills Brothers Coffee company in 1929 and was used on promotional products as well as coffee cans in the ye...

The Scottish Glen by F. E. Jamieson (1895-1950) signed with the artists pseudonym, W. Richards oil on canvas, framed framed: 27 x 37 inches canvas: 20 x...

The Garden is a drawing on paper realized by an anonymous in the early 20th Century. Mixed media on paper. Fair condition with missing pieces of paper on the margins.

Roger de la Fresnaye (French, 1885-1925) - Femme Nue Couchée Monumental 90% life size nude model painting executed during the zenith and birth of cubism and expressionism. Oil on ...

The Painted Stallion William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Panel Signed Lower Right Titled Verso 21.5 x 37 inches 26.5 x 42.5 inches with frame Written ...

Harry A. Neyland American, 1877-1958 Fishing Boats at the Dock Oil on canvas 18 by 20 in, w/ frame 25 ⅝ by 27 ⅜ in Signed lower right Harry A. Neyland — painter, sculptor, illustra...

This lovely Impressionist Colourist oil painting is a fine example of the work of noted Scottish landscape and animal artist George Smith. He was particularly known for his paintings...

Antique Fauvist Vanitas "Still Life with Flowers and Skull" Louis Mathieu Verdilhan (Provence, France, 1875-1928) Circa 1910 Oil on canvas on ...

A beautiful pointillist oil painting dated 1900 and signed Ford. Housed in a very unique and oddly complementary frame this work stands out in a crowd.

Oil on canvas glued to board. Oil measures 25x40 cm. Frameless. Illegible signature.

Arsene Chabanian 1864 – 1949 Picture Size: 24 x 36" (60 x 92cm) Outside Frame Size: 32 x 44" (80 x 110cm) Oil on canvas Chabanian was born in the village of Sunints in Karin...

A fine impressionist still life with tulips and irises in a stoneware vase on a table by American artist Arthur Woelfle (1873-1936). Woelfle was born in Trenton, New Jersey, studied ...

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

A charming relic of a bygone era, this rare oil is the work of the inimitable American illustrator, Norman Rockwell. The iconic artist’s ability to render the details and nuances of ...

Early sepia-toned landscape photograph of Popocatepetl, a large mountain peak in central Mexico. The work highlights a donkey staged in the foreground with the mountain standing in t...

This lovely British Edwardian portrait oil painting is attributed to female artist Ursula Wood. Painted circa 1910 is is a half length portrait of a beautiful woman in an orange shaw...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original watercolor and pencil on paper, titled in the plate at the top: “DIE TRAUM/BESCHAUTE” and signed and d...

Gaspar Camps, a talented Spanish poster artist and graphic designer, was known for his modernist approach to advertising. He emerged as one of the leading figures in the world of pos...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Still life is a vintage offset print, realized in 1929 reproducing the original watercolor by Giorgio Morandi. Very Good conditions.

Ruggero Meneghini (Milan 1866 - 1938) Still life with watermelon, apples and vase of flowers - 1905 Oil painting on canvas Coeval carved wooden frame Signed and dated upper right S...

Signed lower right, 'Max Pollak' (American, 1886-1970) with number and limitation, lower center, '21/150' and titled, lower left, 'New York: East River'. Published by Rudolph Lesch and with copyright stamp 'Corp. Rud. Lesch NY' in lower left corner. (Reference: Triton cat. 51). Paper dimensions: 13.25 x 18.5 inches. Max Pollak achieved a reputation for the skill of his etchings as a young man living in Vienna, Austria. He is perhaps best known for his singular and penetrating portrait of Sigmund Freud (1913), which is widely reproduced. Pollak created many portraits of famous figures in Europe, and later in the United States, along with genre scenes and landscapes. Born in Prague, Czechoslovakia, Max Pollak grew up in Vienna and attended the Vienna Academy of Art, where he studied with the portraitist, Ferdinand Schmutzer...

Stunning pointillist landscape oil on panel by French neo-impressionist painter Achille Lauge. The work depicts a path leading to the small village of Belveze du Razes in the South of France on a bright spring day. To the left are white blossom trees in bloom and the houses of the village can be seen in the distance. Signature: Signed and dated 1909 lower left Dimensions: Framed: 28"x36" Unframed: 21"x29" Provenance: We kindly thank Mme. Nicole Tamburini for allowing us to state that the work is included in the Catalogue Raisonne of the artist which she is currently preparing. A certificate of authenticity from Mme. Tamburini is available upon request. Achille Laugé...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Picasso, Oeuvres 1920-1926, 1926. Published and printed by Éditions ...

ROBERTSON 20th Oil on canvas 60 x 73 cm (69 x 82 cm with frame) Signed and dated lower left "RBTSN / 1909" Very good condition Beautiful black frame with black edging This symbolist...

Impressionist Dutch watercolour on paper of a harbour scene, probably Rotterdam. by noted Dutch Impressionist painter Johan Hendrik van Mastenbroek....

A Colorful Garden Scene original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 9.5 x 12.5 inches In good condition p...

A fine large oil painting by Scottish listed artist William Strang. This is a super evocative oil on canvas which depicts a family at "The Foot of the Statue". It was exhibited in 1904 in Bradford exhibition of fine arts lent by L W Hodson of Wolverhampton who was a patron of his work. This is a fine example of an early 20th century Scottish oil with good subject. It is a good size and signed. This wouldn't be out of place in Kelvingrove Gallery in Glasgow. Signed lower left. Provenance. Bradford Art Gallery 1904. Sotheby 19th June 2002 Guide price £20000-30000GBP. Condition. Oil on canvas. Image size 30 inches by 25 inches and in excellent condition. Housed in a fine period frame, 39 by 34 inches framed and in good condition. William Strang (1859-1921) was born at Dumbarton, the son of Peter Strang, builder, and educated at the Dumbarton Academy. He worked for fifteen months in the counting-house of a firm of shipbuilders before going to London in 1875 when he was sixteen. There he studied art under Alphonse Legros at the Slade School for six years. Strang became assistant master in the etching class, and had great success as an etcher. He was one of the original members of the Royal Society of Painter-Etchers, and his work was a part of their first exhibition in 1881. Some of his early plates were published in The Portfolio and other art magazines. He worked in many manners, etching, dry point, mezzotint, sand-ground mezzotint, and burin engraving. Lithography and wood-cutting were also used by him to create pictures. He cut a large wood engraving of a man ploughing, later published by the Art for Schools Association. A privately produced catalogue of his engraved work contained more than three hundred items. Amongst his earlier works were Tinkers, St. Jerome, A Woman Washing Her Feet, An Old Book-stall with a Man Lighting His Pipe from a Flare, and The Head of a Peasant Woman on sand-ground mezzotint. Later plates such as Hunger, The Bachelor's End and The Salvation Army were also important. Some of his best etchings were done as series—one of the earliest, illustrating poet William Nicholson's Ballad of Aken Drum, is remarkable for clear, delicate workmanship in the shadow tones, showing great skill and power over his materials, and for strong drawing. Another praised series was The Pilgrim's Progress, revealing austere sympathy with John Bunyan's teaching. Samuel Taylor Coleridge's Ancient Mariner and Strang's own Allegory of Death and The Plowman's Wife, have served him with suitable imaginative subjects. Some of Rudyard Kipling's stories were also illustrated by him, and his likeness of Kipling was one of his most successful portrait plates. Other etched portraits included those of Ernest Sichel and of J.B. Clark, with whom Strang collaborated in illustrating Baron Munchausen...

"AMAZONS", circa 1937 by Isobel Françoise Rodmell (1899–1972) French Huge 1930's Cubist Surrealist scene titled "Amazons" oil on canvas by Isobel Francoise Rodmell. Large exhibitio...

Charles CLAIR (1860-1930) Sheeps in the Sheep-Fold Oil on canvas signed low right and dated 1913 Old original Frame Dim canvas : 92 X 73 cm Dim Frame : 126 X...

A whimsical oil painting depicting figures in France by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in the first half of the 20th Centu...

Early Tonalist Landscape -- California Coastal Live Oaks William Schneider 1915 Beautiful early 20th Century tonalist landscape of California by New York artist William G. Schneider ...

Signed lower right, 'Find' for Ludvig Find (Danish, 1869-1945) and painted circa 1900. Ludvig Find first attended Copenhagen's School of Fine Arts and Kroyer's school (1888) before ...

Gaspar Camps, a prominent Spanish poster artist, became a leading figure in the world of graphic design during the early 20th century. His works are a perfect reflection of the evolv...

This superb, large Scottish Impressionist exhibited landscape oil painting is by noted artist Joseph Morris Henderson. It was painted in 1923 and exhibited at the Glasgow Institute o...

Lithograph and stencil on vélin paper. Paper Size: 15 x 12.2 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Douze aquarelles de Auguste Ro...

Lithograph from Carlos Schwabe’s series of hand-colored Symbolist fantasy illustrations for Catulle Mendès’ Hésperus, published in 1904 by Société de pr...

Portrait Blue Miles Davis Portrait of the famous Miles Davis Technique: oil, acrylics and ink on canvas 73x60cm ■■ 28,7x23,6inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original ...

Charles Rennie Mackintosh was a Scottish architect, designer, and visual artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow and died in London. He is among the most important figures of Modern Style (British Art Nouveau...

Signed upper right, 'Oda Lauritsen' for Oda Lauritsen Isbrand (Danish, 1904-1987) and dated, upper left, '1928'. A powerful oil portrait of the artist's husband-to-be, the notable D...

Albert Lorey Groll, 'Storm Clouds (Arizona)', graphite on paper, c. 1914. Signed in pencil, in the image, lower left. A fine spontaneous rendering on heavy buff, wove paper, with margins (1 1/2 to 2 inches); slight toning at the sheet edges, in good condition. With a pen and ink landscape drawing, verso. Image size 7 5/8 x 10 inches; sheet size 10 3/4 x 13 5/8 inches. Matted to museum standards, unframed. Provenance: Ex. collection Kennedy Galleries, New York. ABOUT THE ARTIST Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking. In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye." Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies. In 1910 he was elected into the National Academy of Design and, in 1919, an associate member of the Taos Society...