Late 20th Century Art

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, XXe San Lazzaro et ses Amis, San Lazzaro et ses amis, hommage au fondat...

Dancer Steven-Jan Hoff photographed nude for After Dark magazine, 1972. Vintage silver gelatin exhibition photograph made by Jack Mitchell. American photographer Jack Mitchell (192...

Original oil on canvas post impressionist painting by the American artist, George Shawe. Titled “Path to Pontoise” which is small town outside of Paris, France. Signed by the artist...

Study of Madame Matisse Fauvist portrait in oil paint on canvas. Vintage study of Henri Matisse's famous fauvist portrait with his wife as sitter. Signed by Annamarina Norman, a Cal...

Technical Sheet - Title: Santa Creu d'Olorda - Artist: Rosendo González Carbonell - Technique: Oil on panel - Dimensions without frame: 8.3 x 10.2 in - Dimensions with frame: 13 x 15 in - Date: November 22, 1981 - Condition: Excellent - Signature: Signed in the lower left corner - Location: Depicts the church and landscape of Santa Creu d'Olorda, Catalonia Description This artwork captures the bucolic essence of *Santa Creu d'Olorda*, a picturesque spot nestled in the Collserola hills of Catalonia. The painting, bathed in earthy greens and ochres, highlights Rosendo González Carbonell's mastery in rendering Mediterranean light and the interplay of shadows across the rolling hills and architectural features. His loose, textured brushstrokes evoke a warm, serene atmosphere, transporting the viewer to a tranquil rural scene where nature and architecture harmonize beautifully. The classic frame enhances the piece's artistic quality, making it an excellent choice for both seasoned collectors and lovers of Catalan tradition. Artist Bio Rosendo González Carbonell was a Catalan painter renowned for his landscapes of the Catalonia region and its surroundings. Inspired by nature and local architectural heritage, Carbonell developed a style that balances meticulous detail with an impressionistic brushstroke, bringing his compositions to life. His works often feature depictions of small villages, rural churches, and peaceful landscapes. Carbonell's artistry reflects the tradition of Catalan painters such as Joaquim Mir and Santiago Rusiñol, while also drawing inspiration from great Impressionist masters like Claude Monet and Camille Pissarro. Similar Artists If you find this piece captivating, you might also enjoy works by: - Joaquim Mir: Known for his luminous interpretations of the Catalan landscape - Santiago Rusiñol: Celebrated for his delicate depictions of rural scenes and local architecture - Josep...

An exceptional impressionistic depiction of an afternoon at Cafe Paris in France by Mario Passoni, on a spring day with the busy activities of people walking and others seated at th...

Joan Miró Litografia Original IV Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.36 Publisher: Ma...

Andy Warhol Interview Magazine (hand signed by John Travolta), 1985 Offset lithograph (hand signed by John Travolta) Signed in brown marker by John Travolta, the subject Frame includ...

Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...

This reproduction of Canto XV by Barnett Newman is a high-quality poster that captures the essence of the original artwork. This poster features printed signature and numbering, givi...

Max Ernst (1891-1976) Surrealist Dream : Couple of Roosters, 1970 Original color lithograph Printed signature in the plate On Arches vellum 33.5 × 61 cm (c. 13 x 24 in) REFERENCES...

Warhol superstar Ultra Violet, art dealer Jason McCoy and art historian Ron Caran photographed nude for 'After Dark' magazine in 1971. This is a vintage gelatin silver print, made b...

Martin Barooshian, American (1929 - 2022) - La Danse (Yellow), Year: circa 1979, Medium: Etching and Aquatint on Arches, initialed in the plate and signed in pencil, Image Size: ...

11 x 14" vintage silver gelatin photograph of Harkness Ballet dancers Zane Wilson and Linda Bogsrud photographed nude for After Dark magazine, 1972....

Sunset at Grand Teton National Park - Plein Aire Landscape in Oil on Board Vibrant plein aire landscape by Thomas Bradshaw (American, b. 1972). This landscape was complete on site, ...

Theodore Waddell Osage Sheep State II Year: 1994 Color Lithograph Edition: 30 Papers: Arches Cover, Black Paper Size: 22.5 x 30 inches Image Size: Same Signed and numbered by hand CO...

Elizabeth Catlett - CHILDREN WITH FLOWERS 1995, limited edition lithograph printed in twelve colors using traditional hand lithography techniques on archival Arches paper, 100% acid ...

Beautiful vintage nude photo created by the East German Photographer Sigurd Rosenhain, who lived and worked in Leipzig.

"Fog Passes By" by Eyvind Earle Type: Limited Edition Media: Serigraph on Paper Image Dimensions: 30" x 40" Year Produced: 1973 Edition Size" 200 Numbered, 109 AP, 5 Printers Proof, ...

Portrait of a Horse in a Field English artist "M. Lees" signed and dated 1971 oil painting on canvas, framed framed: 26 x 30 inches canvas: 20 x 24 inches Provenance: private collect...

HEARTLAND is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% ...

This is a joyful bronze sculpture multiple art work signed by the well known Italian artist Concetto Pozzati. Title "In posa" translate " Staying" This is a multiple of a numbered e...

Alexander Calder (American, 1898-1976) Fiesta, c. 1973 Lithograph in colors Signed lower right Edition: E. A. 20 x 28 inches 35.5 x 37.75 inches, framed One of America's best known ...

This 29" x 36.75" signed lithograph was produced by Joan Miró. The lithograph floats on matt board and is presented in a white wooden frame with glass. This minimalist work incorpora...

Etching on vélin d’Arches paper. Paper Size: 23.875 x 17.5 inches. Inscription: Hand signed and numbered, 38/125, as issued. Notes: From the folio, Centre Noeuds, 1974. Published by ...

Gouache and watercolour on corrugated cardboard after the famous self portrait by Vincent van Gogh with his fur hat, bandaged ear and pipe. This painting is by Jean Ducel who has pla...

Abstract Expressionist Composition by Marie Deloume (French born 1942) signed on back, inscribed verso with the artists Paris address oil painting on paper stuck on canvas, unframed ...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

A black and white photograph, Thompson and Brown, c. 1980 by George Dureau is a 20" x 16" gelatin silver print, signed and titled recto (front of photo) below the image. Often compar...

Frank Stella (Whitney Museum Exhibited) Shards IVA (Axsom 151), 1982 Lithograph & Silkscreen on Arches Cover Paper (Whitney Museum exhibition label verso of frame) 45 1/2 × 39 1/4 in...

Jean Jansem (1920-2013) Mère et enfant, 1989 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 67 x 50,5 cm / 76 x 54 cm Bibliographie: Imprimeu...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...

Work on canvas mounted on cardboard

Profusion of Flowers Continental School, late 20th century a pastiche work after the earlier style oil on canvas, unframed canvas : 36 x 24 inches provenance: private collection, Dev...

River Landscape with Water Mill in the Lake District of England with Lush Trees, Vintage Oil Painting by British Artist, David James. Dramatic skies and beautiful reflections are a f...

Signed lower right, 'Fink' for Ray Fink (American, 1922-1998) and painted circa 1985. A substantial oil by this well-listed American Abstractionist who studied at the Art Institute ...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...

Marc Chagall in His Studio, France, 1984 by Jean-Michel Voge is a 23.4" x 16.5" archival pigment print edition 2/5 printed by the artist on Japanese Awagami handmade paper -- signed ...

Original exhibition poster created by Rosenquist for an exhibition held in Lonon, Ontario Canada in 1973. The poster image was taken from the portfolio entitled Process by Rosenquist. The poster measures 33 1/4 x 24 inches. The printing is bright and vivid and on thick paper. A very rare Rosenquist poster...

signed and numbered lower image edition 7/40 Catalogue raisonné 00269 Internationally recognized painter and printmaker Alex Katz was born in 1927 in Brooklyn, New York. Over a thir...

Paper Size: 33 x 40.5 inches ( 83.82 x 102.87 cm ) Image Size: 29 x 36.25 inches ( 73.66 x 92.075 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supplemental ...

David Bowie Aladdin Sane contact sheet print from Brian Duffy, taken during the phot shoot for the Aladdin Sane album cover. The print features the Aladdin Sane album cover in color ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Heather' Limited edition of 5 Signed by...

Unidentified male model, photographed nude, 1971. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes directly from the Jack Mitchell...

Lithograph, 1990 Handsigned by the artist in pencil and numbered 30/150 Catalog : [Sorlier 524] 76.00 cm. x 58.00 cm. 29.92 in. x 22.83 in. (paper) 67.00 cm. x 50.00 cm. 26.38 in. ...

Jean Sariano, Algerian/American (1943 - ) - Working Proof, Year: 1979, Medium: Intaglio Etching and Aquatint, signed and numbered in pencil, Edition: 300, Image Size: 18.5 x 16.5 i...

Rene GENIS (1922-2004) Boy with Duffle Coat Original watercolor and oil painting on paper Signed bottom middle 31 x 23 cm (c. 12 x 9 inch) Excellent condition

This original oil painting on canvas is a traditional pastoral landscape, capturing a serene and idyllic rural scene. The composition is rich in earthy tones, with warm browns, green...

Victor Arimondi (1942-2001). Portrait of Grace Jones, 1975. Period print measures 8 x 11.75 inches; 10.25 x 13 inches framed. Artist studio stamp on ve...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Estelle‘ who was captured on film in 199...

Polaroid transfer drawing of a reclining male nude on Rive BFK paper by Mark Beard 9.5 x 7 inch image size 22 x 15 inch paper size Ed. 5/6, Polaroid Transfer on Rives BFK paper, unfr...

Victor Rosado (Puerto Rican/ American, 1938 - ), "Growing Wild " Edition 45/ 200, Abstract Screen Print Serigraph, 17.38 x 13, Late 20th Centu...

Leonard Baskin, 'Iris ( 5 )', etching, 1988, artist proof before the edition of 10, outside the book edition. Signed and annotated 'proof' in pencil. A fine impression, with expertly...

Imaginary Geometric City. Date: Second half of the 20th century Medium: Gouache on cardboard Dimensions: H 63 cm x W 48 cm approx. Description: A network of soft shapes and wa...

Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...

Slim Aarons Poolside Pairs 1970 (printed later) C Print Estate signature stamped and numbered edition of 150 January 1970: The Kaufmann Desert House in Palm Springs, California, de...

American modernist abstract oil painting. Framed. Oil on canvas. Image size, 10H by 10L.