Late 20th Century Mixed Media

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Mario Schifano 1980s Pop Art Signed and Authenticated Artwork An important work by one of the world’s greatest contemporary artists, Mario Schifano, entitled “Amore nel deserto”, Lo...

Mario Schifano, "Paesaggi TV" TV Landscape, a work by Mario Schifano (Homs 1934 – Rome 1998). This work is registered in the Archivio Generale dell’Opera di Mario Schifano under re...

A striking example of mid-20th-century modernism, this ceramic tile wall plaque by Gilbert Valentin, created in France circa 1970, captures both the artist's mastery of form and his ...

Peter Halley Core, 1991 Limited Edition Silkscreen with lithography on Coventry Rag paper. Pencil signed and numbered 13/50 on the front Publisher: Edition Schellmann & Pace Edit...

Title: Woman with Guitar Artist: Jordi Curós Ventura (1930–2017) Technique: Mixed media on canvas board Dimensions: 46 x 55 cm Framed: No Period: S...

"The Art Jacket" is an entirely unique piece - a piece of wearable art - a hand painted jacket that Rauschenberg signed for the artist who made it - that makes a fantastic conversation piece that you simply won't find anywhere else in the world! Hand signed by BOTH Robert Rauschenberg and artist Rudy Ramirez Artists whose names appear on the jacket are: PICASSO, CEZANNE, MONET, GAUGIN - and of course Rauschenberg Robert Rauschenberg and Rudy Ramirez Art Jacket, hand painted by Raul "Rudy" Ramirez, hand signed by the artist and also (autographed on camera by Robert Rauschenberg), 1982 Cloth jacket with acrylic paint; hand signed in marker by Robert Rauschenberg 30 1/2 × 18 inches hand signed on the sleeve by Robert Rauschenberg; and hand signed in the front by Rudy. See photo of Rauschenberg signing Robert Rauschenberg signed...

A marvellous and extremely rare work by one of the most important artists of contemporary kinetic art, Alberto Biasi (Padua, 1937). This work bears the artist's own handwritten inscr...

This enchanting mixed-media collage by Rodolfo Morales—one of the defining figures of the Oaxacan School—embodies the artist’s celebrated blend of magical realism, folk tradition, and dreamlike symbolism. Morales frequently returned to the motif of La Novia (The Bride), a solitary and iconic presence that evokes themes of ritual, memory, and spiritual passage within village life. In this intimate yet visually rich composition, the central figure is constructed from layered painted papers and dimensional materials. Morales incorporates actual lace for the veil and dress, giving the bride a tactile, almost reliquary presence. Surrounding her is a vibrant mosaic of cut paper bells, floral forms, and geometric patterns in jewel tones of magenta, cobalt, and emerald. The figure’s stylized face—rendered in the artist’s distinctive palette of pinks and reds—adds to the surreal, suspended quality that characterizes Morales’ finest works. The collage is set within its original punched-tin (hojalata) frame, with glass glazing. These frames were often conceptual extensions of the artwork itself, produced in collaboration with Oaxacan art...

Robert Kelly (American, 1956-) Abstract Mixed Media on paper Study for Alma 1983 Pencil titled Hand signed lower right Dimensions: Frame: 26 X 19 Image: 24 X 17.5 Robert Kelly (born 1956) is an American artist. He is based in New York City. Kelly was born in Santa Fe, New Mexico, and studied at Harvard University, Cambridge, Massachusetts (B.A. 1978). His paintings have been acquired by public and private collections in Europe and the United States, including The Whitney Museum of American Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Museum of Fine Arts, Santa Fe, NM; Milwaukee Art Museum, Milwaukee, WI; Smith College Art Museum, Northampton MA; Jane Voorhees Zimmerli Art Museum, Rutger’s University, NJ; Montgomery Museum of Fine Arts, Montgomery; The Fogg Museum, Cambridge, MA; The Margulies Collection, Miami, FL; and the McNay Art Museum, San Antonio, TX. Kelly has traveled throughout the United States, Europe, North Africa, the Near East, and Nepal. His work often incorporates unusual materials from his journeys, among them vintage posters and printed antique paper, obscured and layered in saturated pigments on a canvas faintly scored with irregular grids. Kelly’s paintings have been likened to palimpsests and his method described as one of building “meticulously on inhabited ground, layering materials, documents, and signs, covering them, wiping out their beauty, nearly, but allowing something of the labor and their languages to persist.” Kelly worked as a commercial photographer for Polaroid in Cambridge, Massachusetts, and completed residencies at The MacDowell Colony and The Karolyi Foundation, Vence, France, before devoting himself entirely to painting in 1982. His work has been the subject of more than forty-five solo shows at venues in North America and Europe, including Spazio Bianco/AR Contemporary Art, Milan, Italy; Leslie Feely Fine Art, New York; and The John Berggruen Gallery, San Francisco, California. He has participated in more than one hundred group shows in the United States and abroad. including the Projects Inaugural Exhibition at Bentley Gallery Featuring works by Jim Dine, Jennifer Bartlett, Donald Sultan, Frank Stella, John Chamberlain, Julian Schnabel and, Dominique Blain. Kelly’s influences include the De Stijl movement, Malevich and Mondrian and modernists like Bauhaus, Joaquin Torres-Garcia, Philip Guston, Richard Diebenkorn, Kurt Schwitters, Blinky Palermo and Brazilian Neo-Concretists Lygia Clark and Helio Oiticica. Kelly himself cites Hans Arp, Myron Stout, Tony Smith, Brancusi, Calder, Bill Traylor, Louise Bourgeois, and Ellsworth Kelly. Primary Abstraction, Process-Oriented, Hard-Edged, New York School Artists, Line, Form, and Color, Curvilinear Forms. “Kelly compares his work method to the practice of a stonemason building a wall, setting the components in place as they rise with an astuteness and precision found in the process of composing formal puzzles. Addressing the full expanse of a canvas covered entirely with paper, he masterfully builds up his surface with the pared down tools of line, form and color. Given their remarkable elegance, sheen and tactile qualities, the paintings invite drop-dead awe.” Edward Leffingwell, Robert Kelly: Paper Trails “In these works the sophisticated play between translucency and opacity, representation and abstraction conflates past and present—be it the history of art or of a psyche.” Hilarie M. Sheets, Art in America “[His] process yields the self-sustaining and harmonious ‘rightness’ of so much of Kelly’s work, a sense that each form could never be other than it is; were it sharper, more obtuse, or thicker, each angle, curve, or horizontal band would collapse into formlessness. Kelly’s compositions are held in such perfect moments of balance...” João Ribas, Robert Kelly: Praxis and Poesis “The works are paradoxical: by disassembling and then reassembling the pieces, Kelly seems to undermine visual ‘completeness’ by a fragmented presentation. Yet it nonetheless feels as though the image is a cohesive whole.” Melissa Kuntz, Art in America “Confronted as all artists are now with the exhaustion of subjectivity, Robert Kelly insists on the capacity of painting to mediate subjective apprehension through symbolic forms and sensual experience. Nothing less.” Lyle Rexer, Robert Kelly: Painting’s Place “Robert Kelly’s art is exemplary. It reveals an intelligence that is as alert and modern as one could wish but is at the same time saturated in the knowledge of other times and places.” John Ash...

Linda Stein, View from Above 16 - Signed Feminist LGBTQ+ Acrylic on Canvas Colorful Painting View from Above 16 is from Linda Stein's Missives series--a body of work born from her ...

This original mixed-media work by Amado Peña Jr. exemplifies the artist’s refined synthesis of Southwestern figuration, Indigenous textile traditions, and m...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Ellsworth Kelly Drawing of Cyclamen III, and collage for Conques (Untitled), exhibited at the Johnson Museum of Art, Cornell University, 1987 Graphite drawing, and mixed media collag...

Katherine Chang Liu "Chain", Acrylic and collage on paper mounted on board with a Trompe L'oeil 3D effect. contemporary abstract painting Hand signed "Katherine Liu" Dimensions: 37...

A unique set of vintage French herbarium / botanical displays. These botanical specimen are preserved behind glass in a new double sided glass frame. ...

Artist: Peter Max (1937) Title: Spring Year: 1982 Medium: Unique, mixed media with lithography and hand coloring on Arches paper Size: 6.25 x 5.25 inches Condition: Excellent Inscrip...

This highly detailed Miniature Room of a Retired Whaling Captain's Study in Nantucket is an excellent example of the true talent of Eugene Kupjack. Tiny scrimshaw and knick-knacks fill the shelves while the perfectly proportioned furniture adorns the center of the room. A mariners wheel and captain's chest are set off to the side with a small sea shell set atop. All painstakingly researched to the exact time period in a one inch to one foot scale. Kupjack Miniatures Eugene Kupjack "Retired Whaling Captain's Study, Nantucket, circa 1860," 1983 mix media 11.50h x 19.50w x 11d in 29.21h x 49.53w x 27.94d cm KJK010 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Mario Schifano, "Paesasggi TV" TV Landscape This work TV Landscape is recorded in the Archivio Generale Mario Schifano  Rome under no. 06089240511 available on demand TV Landscape, ...

Untitled - Lamb is an artwork realized by the Italian artist Mario Schifano in 1995. Original mixed media, acrylic and enamel. Painting on canvas with sculpture relief. Hand-sign...

Rare Keith Haring “Life is Fresh! Crack Is Wack!” 1987 sealed/unopened in its original shrink wrapping: A highly sought-after 1980s record album featurin...

This monochromatic assemblage by Swedish artist Bo Sällström is a compelling exploration of texture, material, and relief. Constructed from densely layere...

''Abstract Portrait" French School, circa 1980's inscribed verso oil paint with paper collage stuck down on canvas, unframed canvas: 16 x 13 inches the p...

Firmado por el artista en la parte inferior y fechado del año 1991 En la parte trasera, va con la etiqueta del registro de la obra en una exposición que hizo en la galeria brok de B...

Ralph Goings Pizza Stromboli Mezzalluna - Mezzogiorno - New York, NY, 1996 Ceramic Plate Artist signature fired into the plate on the front and back and numbered 105 from an edition of 510. 10 1/5 inches diameter by 1/4 inch height Unframed This beautiful, limited edition, signed and numbered bowl...

Raymond Pettibon Sonic Youth Record Cover Art: Sonic Youth Goo; original European 1st Pressing, 1990 The most iconic of all Pettibon music-related images, as well as one of the most celebrated record covers of all time, the cover is a off-set illustration of Pettibon's drawing inspired by a paparazzi photo of Maureen Hindley and her first husband, David Smith, witnesses in the case of the Moors murderers Ian Brady and Myra Hindley, driving to the trial in 1966. Off-set lithograph on double-sided vinyl record cover...

Mixed media on paper realized by Alan Davie in 1972. Hand signed and dated lower left. Titled upper left. A vibrant and highly characteristic work by Alan Davie, Magic Camp n. 16 ...

Patricia Zippin Study For Anaganaga 2/6 1980s Mixed Media 30"x 23", unframed Signed in pencil bottom right and titled bottom left and signed and titled in pencil on reverse Patricia...

Robert Motherwell Birthday Party / Robert Motherwell / January 24. 1975, 1975 Signed on the reverse Mixed media, lithograph and collage 10 x 24 inches Robert Motherwell was among t...

Peter Max Umbrella man 16x20 inches unframed 28x32 inches with frame Acrylic Paint on Mixed Media From a Florida collection, purchased from Wentworth gallery First off, sorry for al...

Rare unopened Robert Rauschenberg designed Talking Heads Speaking in Tongues: In 1983, legendary pop artist Robert Rauschenberg designed the album cover for Talking Heads’ acclaimed...

SALE ONE WEEK ONLY "Cameroon III" is an abstract acrylic collage and mixed media on canvas by the 20th century artist Adja Yunkers. This work is part of his "Cameroon" collage serie...

Historic, institutional quality unique Rauschenberg signed work on paper, with storied provenance: a real gem: Robert Rauschenberg 'Snowflake Crime XIX', from the ACE Gallery Collec...

This beautiful and sophisticated Mid Century Modern tile wall plaque was realized by the esteemed modern artist Gilbert Valentin in France circa 1970....

Firmado por el autor en la parte inferior y fechado del año 1977 En la parte trasera, va nuevamente firmado, fechado y titulado y también lleba una etiqueta con el registro de la ob...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

María No Seas Coqueta is a color serigraph by Mexican artist Rodolfo Morales (1925–2001), one of the leading artists associated with Oaxaca in the later 20th century. A seated woman...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

Industrial Landscape Contemporary American Watercolor Magic Realism 20th Century Henry Koerner (1915-1991) J&L Oxygen Plant 18 x 24 1/2 inches Watercolo...

Keith Haring, Run DMC Christmas 1987: Rare sought-after Run DMC "Christmas In Hollis" featuring Original Artwork by Keith Haring. Truly vibrant colors that make for stand-out wall ar...

Original 1980s Keith Haring Record Art: Keith Haring 'The Baby Beat Box' 1986: Rare highly sought after 1980s Keith Haring record album art featuring a Haring boombox man, a bold Ke...

Untitled, 1971, mixed media collage with painted and printed elements on paper, signed and dated lower right, 9 x 10 5/8 inches, exhibited Phoenix Gallery, New York, NY, unknown date...

Robert Dandarov (Macedonian/American, b. 1959), The Devourer, Mixed Media on Paper, 1987, signed and dated lower right, ebonized wood frame. Image: 30" H x 22" W'; frame: 32.75" H x...

Alexander Calder Les Vagues, 1975 Signed and Numbered 29 (on a label affixed to the reverse) Handwoven Aubusson wool tapestry 40 1/2 x 59 inches Edition 29/200 Provenance Truist Ban...

Fiona Rae
 Untitled (fig.10), 1997 Oil & acrylic on canvas
 hand-signed on the back 20.3 x 25.4 cm Fiona Rae is a British contemporary artist known for her dynamic and vibrant a...

Sonia Gechtoff Untitled portico, from the estate of gallerist Andre Zarre, 1977 Acrylic and graphite on masonite Signed and dated '77 in graphite on the front Unique Provenance: Acqu...

Linda Stein, All Letters Rest on a Base Line 3 - Mixed media and stone on board, sculptural diorama All Letters Rest on a Base Line 3 is from Linda Stein's Missives series--a body ...

Conrad Marca-Relli Composition 2 64/75 Mixed media on guarro paper Poligrafa Edition Numbered out of 75 and signed in pencil by the artist Circa 1977 76 x 56 Perfect condition 110...

John Rozelle (American, 1944-) Grant Series II #5, Collage, 1988 Hand signed, dated and titled in pencil Provenance: Isobel Neal Gallery, Chicago, Measurements Matted to approximately 20 by 16 Sight: 11 by 9 inches Layers of torn ripped, and painted paper with music notes are overlaid on top of each other in this contemporary collage assemblage composition with a jazz sensibility. The pieces of paper have been arbitrarily arranged while in contrast, the artist has applied color in this piece in a very thoughtful way. John Everette Rozelle is an internationally renowned artist from St. Louis, Missouri now living in Banyoles, Girona. He is a masterful collagist, painter and sculptor included in museums and private collections worldwide. John Rozelle was born in St. Louis, Missouri and holds a B.F.A with a major in painting and a minor in sculpture from Washington University and a M.F.A from Fontbonne College. John Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. Prior to joining the Art Institute faculty he taught drawing, design, painting, and sculpture as an Adjunct Assistant Professor at Fontbonne College. Rozelle has served on numerous occasions as curator, juror, and artist-in-residence for several exhibitions. His twenty years of solo and group shows have included those in New York, Philadelphia, Chicago, St. Louis, Atlanta, and Los Angeles. His work is housed among various corporate collections some of which include: Anheuser Busch, Citibank Corp., AT&T, Borg-Warner, Price Waterhouse, Saks Fifth Avenue, the Seven-Up Company, Ralston Purina, the Westin Hotels and ARCO. Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. His art can be found in over 20 public collections and in over 50 private collections throughout the United States. He has been in many important exhibitions including Pennsylvania Academy of Fine Arts. Layers of Meaning: Collage and Abstraction in the Late 20th Century. Included: Romare Bearden, Moe Brooker...

Frank Stella (Whitney Museum Exhibited) Shards IVA (Axsom 151), 1982 Lithograph & Silkscreen on Arches Cover Paper (Whitney Museum exhibition label verso of frame) 45 1/2 × 39 1/...

This stunning abstract artwork was made in 1960, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with fabric and other glued elements on the ...

Band Joyce Roybal, (1955) Date: circa 1980 Oil and Mixed media on Canvas, signed lower right Size: 36.5 x 24.5 in. (92.71 x 62.23 cm)

Robert Motherwell Pull Out All Flags (Engberg, Banach 263), 1980 Aquatint and etching in colors, on German Etching paper, with full margins Hand-signed by artist, Pencil signed and n...

Contemporary mixed media assemblage by Massachusetts artist Al Souza. Known for using unconventional art materials such as puzzle pieces, in this work Souza combines newspaper and glue to recreate spitballs, reminiscent of his youth. Currently hung in a light wood frame. Signed and dated by artist on reverse. Artist Biography: Al Souza was born in Plymouth, Massachusetts in 1944 and currently resides in Worcester, Massachusetts. He has exhibited extensively both nationally and internationally. His work is part of numerous collections including the Museum of Fine Arts, Houston, Dallas Museum of Art, El Paso Museum of Art, Art Museum of Southeast Texas, Tyler Museum of Art, University of Houston, Houston Airport System, City of Houston, New Orleans Museum of Art, Mississippi Museum of Art, Montgomery Museum of Art, Whitney Museum of American Art, Yale University Art Gallery, Crystal Bridges Museum of American Art, Parrish Art Museum, DeCordova Museum, San Diego Museum of Contemporary Art, and the University of Massachusetts. Souza was awarded an International Association of Art Critics/USA Award in 2007 for Best Show in a Commercial Gallery Nationally, 1st Place, for the exhibition David Ireland...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...

Whimsical textured relief painting of two stylized twin jesters in primary colors, their long mask-like faces created with the technique of hand carving layers of laminated paper board and painting with acrylic, by contemporary English artist Martin Ingley...