Late 20th Century Mixed Media

This artwork titled "Window, The Afternoon" 1986 is an original mixed media with collage on museum board by American artist Daniel Joshua Goldstein, b.1950. It is hand signed, titled, dated and numbered 76/100 in pencil by the artist. It is in excellent condition. About the artist: Solo Exhibitions Gallery 443 PAS, NYC 2012 Durka Chang Gallery, San Francisco CA 2002 Foster Goldstrom Gallery, New York, NY 1994 Concept Gallery, Pittsburgh, PA 1993 Neville/Sargent Gallery, Chicago, IL 1988, 1989 Portfolio Gallery, Auckland, New Zealand 1988 Neville/Sargent Gallery, Chicago, IL 1986 Belle Arts Gallery, New York, NY 1986 Concept Gallery, Pittsburgh, PA 1985 Dubins Gallery, Los Angeles, CA 1984 Concept Gallery, Pittsburgh, PA 1983 Neville/Sargent Gallery, Chicago, IL 1983 The Brooklyn Museum, Brooklyn, NY 1983 Dubins Gallery, Los Angeles, CA 1982 Getler/Pall Gallery, New York, NY 1982 Spector/Brown Gallery, Santa Cruz, CA 1982 Art Forms, San Francisco, CA 1982 Smith Gallery, UC Santa Cruz, CA 1978 Getler/Pall Gallery, New York, NY 1977 ADI Gallery, San Francisco,CA 1977 Group Exhibitions (selected) “Art, AIDS, America” MOCA Los Angeles 2015 “Through the Eyes of Love” 2010 Miami International University of Art and Design, Miami, FL “Medicine Men” and “Through Positive Eyes” 2010 2010 International AIDS Conference, Vienna, Austria “Because We Are”, Station Museum of Contemporary Art, Houston, TX “Crossoverwise”, Manresa Gallery, San Francisco, CA 2010 “Good Friday”, Museum of Contemporary Religious Art, St Louis, MO 2009 “Not Alone”, Durban Museum, Durban, South Africa and The Castle of Good Hope Museum, Cape Town, South Africa 2009 “Make Art/ Stop Aids, Fowler Museum, UCLA 2008 Los Angeles, CA Green Room Gallery, San Francisco, CA 2006 “The Visual Culture of American Religions”, Brauer Museum of Art, 2000 Valparaiso, Indiana Museum of Contemporary Religious Art, St. Louis, MO 1998 National Gallery of Victoria, Melbourne, Australia 1998 Museum of Contemporary Religious Art, St. Louis, MO 1995 Cabrillo College Art Gallery, Santa Cruz, CA 1995 Richmond Art Center, Richmond, CA 1994 Fischbach Gallery, New York, NY 1994 Katzen Gallery, New York, NY 1991 California Crafts Museum, San Francisco CA 1990 Neville/Sargent Gallery, Chicago, IL 1989 Allport Gallery, San Francisco 1988 “Recent Bay Area Prints,” Allport Gallery, San Francisco, CA 1984 “Four Hundred Years of the Woodcut,” Palo Alto, CA 1983 “Four Bay Area Woodblock Artists,” World Print Council, San Francisco, CA “Subjective Realities: Seven Bay Area Artists”, Achenbach Foundation Palace of the Legion of Honor, San Francisco, CA 1982 The Brooklyn Museum National Print Exhibition, Brooklyn, NY 1981 “Recent Acquisitions,” Achenbach Foundation, San Francisco, CA 1980 “Four California Printmakers,” Associated American Artists, New York, NY 1979 “New Talent in Printmaking,” Associated American Artists, Ney York, NY 1977 Tokyo Central Museum of Art, Tokyo, Japan 1977 “Thirty Years of American Printmaking,” The Brooklyn Museum, NY 1976 “Prints, California,” The Oakland Museum of art, Oakland, CA 1976 Selected Publications Continuum, By Jason Lahman, Published by Daniel Goldstein Studio, 2011 In conjunction with the 433PAS exhibition, New York, NY“Art and Activism”, by Steven C. Dubin. Art in America, December 2009. Beyond Belief: Modern Art And The Religious Imagination, by Rosemary Crumlin. Published by the National Gallery of Victoria, Melbourne Australia. 1998. Reliquaries, by Richard Howard, Robert Atkins and David Maxim; Published by Foster Goldstrom Gallery, NY, 1994. The Folding Image, by Komanecky and Butera; Published by The Yale University Art Gallery and the National Gallery of Art, Washingtom, DC, 1984. Daniel Joshua Goldstein: Woodblocks and Paper Cut-outs 1974-1983, by Barry Walker and Richard Howard; Published by The Brooklyn Museum, 1983. Prints, A Collector’s Guide, by Ellen Kaplan; Published by Coward McCann, 1983. Subjective Realities, by Robert Flynn Johnson; Published by the Fine Arts Museums of San Francisco, 1983. Thirty Years of Printmaking, by Gene Baro; Published by The Brooklyn Museum, 1977. “Four West Coast Artists”, Graphics, August/September, 1977. Daniel Joshua Goldstein: An Interview With The Artist By Gene Baro Catalogue published by ADI and Getler/Pall, 1977. Selected Collections and Major Commissions Brooklyn Museum of Art, Brooklyn, NY Fine Arts Museums of San Francisco Oakland Museum of Art Museum of Contemporary Religious Art, St. Louis, MO Art Institute of Chicago Carnegie Museum of Art. Pittsburg, PA University of California Museum of Art, Berkeley, CA Desert Museum, Palm Springs, CA Mills College Art Gallery, Oakland, CA IBM AT&T Kaiser Medical Center, Mountain View, CA City of, Reston, VA City of Mountain View, CA Hotel Eldorado, Sante Fe, NM The California Endowment, Oakland, CA Saks Fifth Avenue BART, Colma Station, Colma, CA Ernst and Young, Dallas, Texas Amoco, New Orleans, LA Pacific Telesis, San Francisco and San Ramon, CA SAP, Palo Alto, CA Alcoa, Pittsburgh, PA DFS, San Francisco, CA Blue Shield of California...

The swimmer. Marco Silombria (Savona, 1936 - Albissola, 2014) Painted on paper, mixed technique Hand signed lower right "Silombria". Painting represent...

Brother Mel experimented with various forms of sculpture throughout his 45-year career. This painted-steel wall piece reflects the style that emerged later in his career but the same bold colors and geometric shapes for which Brother Mel is best known. About the Artist: Creating an estimated 10,000 artworks, Brother Mel Meyer...

Sleeping Nude Large cast handmade paper, artist signed AP 10/20, 1981 62x52x5.5 wood, linen and lucite box frame. Stunning art wall sculpture by Fran...

Elfi Schuselka (Austrian, b. 1940), Surrealist Composition, Mixed Media on Paper, stamped "Studio/ Elfi Schuselka" to verso. 39.75" H x 29.75" W. Provenance: From the Collection of...

1983 Keith Haring Dancing Figures drawing on Keith Haring World Tour hat: A rare, historic Keith Haring collectible featuring a sharply executed black mar...

Benjamin Mendoza (Bolivian, 1935-2014) "Untitled: Reptile", Mixed Media signed in Pencil on Cardboard, 11.25 x 10.25, Late 20th Century Colors: Black, Brown, Green, Yellow

Abstract Composition Stan Brodsky American (1925–2019) Gouache and Watercolor on Paper Size: 17 x 14.5 in. (43.18 x 36.83 cm) Frame Size: 23 x 20.25 inches

Geometric Landscape is an original mixed colored painting realized by Danilo Bergamo in 1970s. Hand signed on the lower center. Danilo Bergamo (1938) after starting his artistic tr...

Richard Bosman Thou Shalt Not Covet Thy Neighbors Goods (The Tenth Commandment), 1987 2 Color Lithograph with hand coloring on Dieu Donne handmade paper 24 × 18 inches Signed and numbered 6/84; with unique hand-coloring Unframed Created as part of the 1987 portfolio "The Ten Commandments", in which ten top Jewish American artists were each invited to choose an Old Testament commandment to interpret in contemporary lithographic form. The "Chosen" artists were, in order of Commandment: Kenny Scharf, Joseph Nechvatal, Gretchen Bender...

Original painting on canvas. Hand signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of Authenticity included. All reas...

This large contemporary assemblage by Swedish artist Bo Sällström has a strong visual character. It is a assemblage with volume that has an intriguing thr...

Gouache on paper and technic mixed, signed lower left.

Art Protis Wall Tapestry Robert Freimark (1922 - 2010) Bob Freimark was active/lived in Ohio, California, Michigan. Robert Freimark is known for abstract expressionist painting, ...

"Untitled" Mixed media piece by the artist KENT KALMAN PACHUTA. Mediums used include color pencil, graphite, pastel and powdered pigment on thick paper. The piece measures approximat...

"Abstract II" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is belie...

Keith Haring for New York CityKids, 1986. Rare vintage 1986 sticker illustrated by Keith Haring for the CityKids coalition in New York: "City Kids Speak on Liberty" New York, 1986 sponsored by Burger...

"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...

Tamsin Pender (b.1965) Tamsin Pender is a contemporary printmaker living and working in London. The daughter of Cornish artist Jack Pender (1918-1998),...

Abstract mixed media painting blending bold and rich colors by American artist Kismine Varner, 1990. Signed and dated lower right. Original artwork on paper displayed on a white mat...

Brass Rubbing by Donald R McNew. "Here Lies John Liethenard…" (please see secondary photo for full transcription). The piece measures 48 x 34.75 x 1 in...

Signed lower right, 'C. Sideman' for Carol Joy Sideman (1925-2021) and painted circa 1975; titled, verso, on old artist's tape, 'Surf and Rocks'. Carol Sideman received her Bachelor of Arts degree from the University of California at Berkeley and, subsequently, attended the Oaklands College of Arts and Crafts. Sideman specialized in architectural illustration...

Original 1980s Keith Haring Record Art: Keith Haring 'The Baby Beat Box' 1986: Rare highly sought after 1980s Keith Haring record album art featuring a Haring boombox man, a bold Ke...

Terry Frost Valentine - Blues and Purples, 1999 Collage and acrylic hand-signed and dated 99 (lower right); further hand-signed, dated 99 and dedicated (verso) 32 x 31 cm 40.5 x 41 c...

With Nine Pointed Stars, the most complex of the “Pointed Star” series executed in 1996, Lewitt employs his trademark systematic use of grids, geometric shapes, and precise mathemati...

Wounaan Tribe Panama Rainforest Basket black, white geometric rectangle hand woven, palm fibers natural dye Tribal artwork The baskets are made by ...

This artwork "Fishing" 1979, is a mixed media on canvas by noted Louisiana artist Richard (Rick) Lisle Smith, 1937-2010. It is signed and dated at the lower right corner. The canvas ...

Artist: Roberto Matta Title: Sans Titre Drawing on Print, Hand Colored Medium: Drawing on Print with Hand Coloring Signed: Hand Signed Measurements: 11.8" x 16.5" Framed: 22.5" x...

Betty Parsons Untitled, 1977 Signed and dated lower right Watercolor and ink on paper 5 1/2 x 3 1/4 inches Renowned as an esteemed and legendary art dealer who for more than three ...

Patricia Zippin Tillamook Flight 5 of 12 1980s Mixed Media 30.5"x 22.5", unframed Signed in paint on bottom right and signed and titled on reverse in pen Patricia Jayne Zippin (1930...

Georges Noel Villa Adrienne #17, 1976 Graphite, pigment, sand, and vinyl binder on canvas Signed to verso 76 3/4 x 51 inches The Pace Gallery label to verso With restless strokes ...

Betty Boop as a Cloud of Smoke from a Marijuana Cigarette (After French artist Louis Icart) Date: 1980 Medium: Mixed Media on Board Signature: Signed Lower Right Dimensions: 16 x 12...

mixed medium, possibly titled "Bird". signed and dated and titled in pencil. Bruce Robbins, shows at Marlborough Gallery in New York City. born in Philadelphia, graduated from the Co...

Signed verso, 'Kevin Keaney' (American, born 1962) and painted circa 1995. This San Francisco Bay area artist studied with Jerry Morgan at the San Francisco Art Institute and has ex...

This is an rare Gerald Poussin original 1998 mixed media on canvas . In good condition measures 50x50 .

Marca-Relli - Composition 10 1977 Etching and aquatint on Guarro paper Signed and marked HC in pencil by the artist Work size: 62 x 43.5 cm With margin : 77 x 56,5 cm 1100€

Joy of Twins Mother is an original painting by the late Prince Twins Seven-Seven. About the Artist Twins Seven-Seven was born Taiwo Olaniyi Oyewale Aitoyeje in Ogidi Ikumu, Nigeria,...

Modern Geometric Green & White Kimono, Abstract Expressionist Collagraph Plate #3 Stunning modern minimalism meets abstract expressionism with green, white and black in this unique ...

Victor Vasarely Kinetics 5 double screen print on rhodoid and cardboard editions of the griffon neuchatel (switzerland) 1st edition . 1973 white wood fra...

This artwork titled "Creation #34" c.1990 is mixed media, light acrylic paint and pastel on museum board paper by noted American artist Robert Inman, 1927-2016. It is signed at the lower right corner by the artist. The artwork size is 26.5 x 20.5 inches, framed size is 33.15 x 27.15 inches. Custom framed in a mahogany frame, with off white matting, and blue filet. It is in excellent condition. About the artist: Robert Inman 1927-2016. Studied at the Chouinard Art Institute The first job started in1959 at Bob Clampett...

Band Joyce Roybal, (1955) Date: circa 1980 Oil and Mixed media on Canvas, signed lower right Size: 36.5 x 24.5 in. (92.71 x 62.23 cm)

Original mixed media painting on cloth type material. Unsigned. Artwork size 10.25 x 19.25 inches. Frame size approx 16 x 25 inches. Artwork is in excellent condition. Certifica...

This artwork, titled "Cadre Noir," 1976 is an original etching with aquatint, collage and hand painted embellishment, printed on Richard De Bas paper, by Spanish artist Antoni Tapies...

Robert Rauschenberg Untitled Limited Edition Porcelain Plate (Guggenheim Museum), 1997 Porcelain Plate (Limited Edition Exclusively for Guggenheim) 10 2/5 in diameter Signed in plate...

One of a kind sculpture by Noche Crist (1909-2004). Noche Crist was an American artist born in Romania. Sculpture is made from polyester resin. Catalogue o...

Screen print on waxed paper plate. Unsigned from an unknown edition. Published by Bert Stern, New York. Plate size 10 x 10 inches. Frame size approx 17 x 17 inches. Stamped "Roy Lichtenstein On First Inc, 1969" on plate verso. Excellent condition. All reasonable offers will be considered. Lichtenstein made the paper plate for the well-known fashion and advertising photographer Bert Stern, who had set up an uber-chic New York boutique called “On First Store”. Located in Manhattan, Stern’s idea was to commission stylish yet affordable objects for the home and wardrobe from notable fashion designers and artists. Unfortunately, the shop did not last long and most of the plates were left undistributed. About the Artist: Roy Lichtenstein (American, 1923–1997) was an artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben...

Lara Schnitger (b.1969). Pink Gin, 1999. Collage of cut vintage papers on illustration board, measures 10 x 14.25 inches. Measures 17.5 x 21.5 inches framed. Provenance: Anton Kern Gallery. Search terms: woman artist; Feminist artist: Feminist Lara Schnitger 1969 Born in Haarlem, Netherlands 1987-1991 Koninklijke Academie voor beeldende Kunsten, Den Haag 1991-1992 Academie Vyvarni Umeni, Prague 1992-1994 Ateliers ´63, Amsterdam 1999-2000 C.C.A., Kitakyushu, Japan Lives and works in Los Angeles and Amsterdam Solo Exhibitions 2018 Suffragette City, Frieze Live, Frieze Art Fair, Randall's Island, NY 2017 Don't Let The Boys Win, Galerie Gebr. Lehmann, Dresden, Germany Suffragette City, Kunsthaus Dresden, Germany Lundgren Gallery, Mallorca, Spain 2016 In Real Life: Lara Schnitger, Hammer Museum, Los Angeles, CA 2015 Suffragette City, FRAC Champagne-Ardenne, Rheims, France Suffragette City, Parcours, Art Basel, Lichthof Building, Basel, Switzerland 2014 PINK POP Festival, Bonnefantenmuseum Pavilion, Maastricht, Netherlands Stuart Shave/Modern Art, London, UK Never Alone, Anton Kern Gallery, New York, NY 2012 Lara Schnitger, Wilhelm Müller: Colored Fabrics, Galerie Gebr. Lehmann, Dresden, Germany Lara Schnitger & My Barbarian: The Butterfly’s Evil Spell, Anton Kern Gallery, New York, NY 2010 Damned Women, Modern Art, London, UK Two Masters and Her Vile Perfume, Sculpture Center, New York The Artist's Museum, Museum of Contemporary Art, Los Angeles 2009 Anton Kern Gallery, New York Dance Witches Dance (with My Barbarian), Luckman Fine Arts Complex, Cal State, Los Angeles 2008 Museum of Modern Art Arnhem, Holland, Netherlands Dance Witches Dance (with My Barbarian), Museum Het Domein, Sittard [cat.] Double Happiness, Galerie Gebr. Lehmann, Berlin 2007 Stuart Shave/Modern Art, London Anton Kern Gallery, New York 2005 My Other Car is a Broom, Magasin 3, Stockholm, Sweden traveling to Stroom den Haag, The Hague, The Netherlands [cat.] Anton Kern Gallery, New York [cat.] Blacks on Blondes, Triple Candie, New York 2004 Air 2 Paris, Paris 2003 Liesje Leerde Lotje lopen langs de lange Lindenlaan, Revalidatie Centum Friesland, Beesterswaag, Netherlands 2002 Civilized Special Zone, Lara Schnitger and Matthew Monahan, Chinese European Art Center, Xiamen Anton Kern Gallery, New York, NY 2001 Statements, Basel Art Fair, Basel Raum Aktuellekunst, Martin Janda Gallery, Vienna Project Room, Santa Monica Museum of Art, Santa Monica, CA 2000 Kunstwerke, Berlin Gozaimas, Lara Schnitger and Matthew Monahan, Bureau Amsterdam, Amsterdam 1999 Anton Kern Gallery, New York, NY Up & Co, New York, NY 1998 Hyper Space, Galerie Daniel Blau, Munich Basel Art Fair, Galerie Daniel Blau SpaceInvader, Vleeshal, Middelburg, Netherlands 1997 University of Buffalo Art Gallery, Buffalo, NY 1996 Anton Kern Gallery, New York, NY Group Exhibitions 2018 Other Walks, Other Lines, San Jose Museum of Art, San Jose, CA (opening November) Pussy, King of the Pirates, Maccarone, Los Angeles, CA “Do I contradict myself? Very well then I contradict myself. (I am large, I contain multitudes.), curated by Emmanuelle Lainé, FRAC Champagne-Ardenne, Reims, France bitch MATERial, Kunstquartier Bethanien, Berlin, Germany Reclaimed, Linda Pace Foundation, San Antonio, TX 2017 3. Berliner Herbstsalon, Maxim Gorki Theatre, Berlin, Germany Brightsiders, curated by Adam D. Miller, Verge Center for the Arts, Sacramento, CA Hope and Hazard: A Comedy of Eros, curated by Eric Fischl Hall Art Collection, Reading, VT Do Disturb, Palais de Tokyo, Paris, France 2016 Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016, Hauser, Wirth & Schimmel, Los Angeles, CA [cat.] Reveal the Rats, The Pit, Los Angeles, CA 2015 NO MAN’S LAND: Women Artists from The Rubell Family Collection, Rubell Family Collection, Miami, FL Poor Art - Rich Legacy. Arte Povera and Parallel Practices 1968-2015, Museum of Contemporary Art, Oslo, Norway Beating around the bush Episode #4, Bonnefanten Museum, Maastricht, The Netherlands 2014 Beating around the bush Episode #2, Bonnefanten Museum, Maastricht, The Netherlands 2013 Girls Just Want to Have Funds, La Mama Gallery, New York, NY Paintings, Sculptures, Drawings and Mixed Media Artworks, The Rema Hort Mann Foundation, New York, NY 2012 My Barbarians Collaboration / Performance, Anton Kern Gallery, New York, NY More to Tell, Museum Het Domein, Sittard, Netherlands Chasm of the Supernova, Center for the Arts Eagle Rock, Los Angeles, CA Niki de Saint Phalle Tirs: Reloaded, Getty’s Pacific Standard Time Performance and Public Art Festival Without Hope, Without Fear, Mottahedan Projects, Al Quoz, Dubai, UAE The Butterflies Evil Spell, Anton Kern Gallery, New York, NY 2011 The Artist's Museum, Museum of Contemporary Art, Los Angeles Investigation of a Dog: Works from the FACE collections, Magasin 3 Konsthall, Stockholm, Sweden; La Maison Rouge, Paris, France 2010 Ordinary Madness, Carnegie Museum of Art, Pittsburgh, PA Investigation of a Dog: Works from the FACE collections, Ellipse Foundation, Cascais, Portugal; Deste Foundation, Athens, Greece; Fondazione Sandretto Re Rebaudengo, Turin, Italy 2009 Group Exhibition, Honor Fraser, Los Angeles Strike a Pose, Stephen Friedman Gallery, London Directions, A Palazzo Gallery, Brescia, Italy Double Dutch, Hudson Valley Center for Contemporary Art, Peekskill Investigations of a Dog, Fondazione Sandretto Re Rebaudengo, Turin (re)Visions:(di)Visions, Foster Gallery, University of Wisconsin, Eau Claire 2008 Sonsbeek Sculpture Exhibition, Arnhem Attribution problems, Johann König, Berlin Carried away, Museum Moderne Kunst, Arnhem, NL 2007 Read Me! Text In Art, Armory Art, Pasadena Unmonumental: The Object in the 21st century, New Museum, New York Wild West, Galerie Gebr. Lehmann, Berlin USA Today, Hermitage, St. Petersburg, Russia To Be Continued…, Magasin 3 Stockolm Konsthall, Stockholm, Sweden Frac des pays de la loire, Carquefou, France Don’t Let the Boys Win, Mills College Art Museum, Oakland Fantastic Politics, The National Museum of Contemporary Art, Oslo, Norway Eight Sculptors from Los Angeles, Sabine Knust, Munich Uneasy Angel/Imagine Los Angeles, Sprueth Magers, Munich 2006 Lara Schnitger, Lily Van Der Stoker, Sue Williams, Modern Art Inc., London Ridykeulous, Participant Inc., New York, NY La Retour de la Colonne Durutti, Gallery Isabella Bortolozzi, Berlin USA Today, The Saatchi Gallery, London Implosion, Anton Kern Gallery, New York The “F” word, Andy Warhol Museum, Pittsburgh, USA Red Eye: L.A. Artists from the Rubell Family Collection, Miami, FL 2005 THING New Sculpture from Los Angeles, Hammer Museum, Los Angeles, CA Both Ends Burning, David Kordansky Gallery, Los Angeles [cat.] Follow Me: A Fantasy, curated by Malik Gaines, Arena 1 Gallery, Santa Monica, CA Forms after David, Accademia di Belle Arti, Florence, Italy My Barbarian, Powerplant, Toronto, Canada 2004 Obsession, Galerie Diana Stigter, Amsterdam, NL M.B. The Mary Blair...

Mixed media (acrylic and oil paints) splatter painting on canvas Signed and dated verso. Gordon Couch born 1949 British artist based in Cornwall and ...

Shuli Sadé, Israeli (b. 1952) Pipe Bending (1995) Hand painted silver gelatin photo print Hand signed in pencil lower right, numbered 1/10 Framed: 23.25 X 29.25 sight, 15 x 19 inches Provenance: Estate of Gideon Gartner Shuli Sade (Shuli Sadeh Goshen) is an Israeli Postwar & Contemporary artist born in Israel in 1952. Shuli Sadé studied at the Bezalel Academy of Art, Jerusalem and the School of Visual Arts. Her work, which uses urban movement as a central theme, explores technology and its potential to impact still, moving, and two- and three-dimensional images. Sadé has lectured at the University of Pennsylvania School of Architecture, Parsons The New School for Design, and Barnard College. Her Sadé's cross-disciplinary artwork blends theory and practice with a focus on memory, space, and urbanism. Her work creates maps of urban memory, reflecting the DNA of a city. She mixes mediums including photography, video, augmented reality, site-specific installations, sculpture, and drawing. Her recent exhibitions include Upstream Downstream, a site-specific augmented reality installation, Riverside Park, NYC, part of Re: Growth, public art exhibition (2021), Fluid Formations, Gensler DC, (2019), Wild_Heterotopias, AR installation at the HighLineNine Galleries, and the High Line, (2019), Solid Red, Galeria Ethra, Mexico City, (2018) Day Dreams, AR installation at Montefiore Medical Center, the Bronx, NY (2017) and group shows including Timing is Everything, Mead Art Museum collection (2018), Making Time, AR installation Index Art Center, Newark, NJ (2019), Anniversario, Datasets, Galeria Ethra, Mexico City (2019) Israeli Modernism in the 1970s from the Collection, Haifa Museum of Art (2016). She had collaborated with Neural scientists at the Neurobiology of Cognition Laboratory, Center for Neural Science, New York University, and with architects and designers across the US. Sadé creates large-scale site-specific murals in the Corporate environment. She is an Israeli contemporary woman artist. Her recent artworks are permanently installed in Manhattan, Philadelphia, Boston, North Carolina., Miami, Mexico City, Jersey City, and more. Sadé received the Pollock Krasner Foundation Grant, (2014), the National Endowment for the Arts Fellowship (1991), New York Foundation for the Arts Emergency Grant (2001), Lower Manhattan Cultural Council Fund, NY- Israel Cultural Cooperation Commission Grant, AICF study grant, NY Art Development Committee grants. Her work is in private and public collections. Shuli Sade is a NY artist and architectural photographer. Sade studio photographed Renzo Piano renovations at the Morgan library, Norman Foster Hearst tower, Weiss Manfredi Nexus at Barnard College, Shiseido at Grey Art Gallery by Marble Fairbanks, Sade works on international commissions, Published in Metropolis magazine, Architectural Digest, Eating Architecture, MIT, Avroko Design, Regan books and others. She lives in NYC and works at her studio at Mana Contemporary, NJ. Her work is represented by Galleria Ethra in Mexico City. Select Exhibitions 2012 Reconfiguring Memory, (permanent installation), Center for Neural Science, New York University 2012 Conference of the Birds, CYNTHIA-REEVES Projects at Mana Contemporary, New Jersey 2011 Conceptualizing the Body Gaze, Masquerade, and Spectacle 2011 ENCODE/ DECODE: Work in Progress, The City of Herzliya Art Gallery, Herzliya, Israel 2009 H20 Film on Water, Brattleboro Museum, Bratleboro, NH 2009 Meeting/Place Cabri Gallery of Israeli Art, Kibbutz Cabri: Yigal Ozeri, Alex Kremer, Ofer Lellouche, Lea Nikel, Moshe Kupferman, Ori Reisman, Jan Rauchwerger, David Reeb, Shuli Sadeh, Yehiel Shemi, Marik Lechner, 2006 Illuminated Disjunction, Hungarian Cultural Center, New York, NY 2005 The Silence of the Sea, The National Maritime Museum, Haifa, Israel 2003 Sacred Drawings, Tibetan Healing International Conference, Washington DC 2003 Blueprints Reconfiguring Space, Art in General Gallery, New York, NY 2000 Light and its Opposite, Lemberger Museum of Photography, Tel-Hai, Galilee, Israel 2000 Bassam Abu Shakra Gallery, Um -El-Fahem, Israel 1999 Mythic Arrangements, Ehrenkrantz Eckstut & Kuhn Architects, Los Angeles, CA 1999 Women photographers reflecting women, Talli's Fine Arts Gallery, New York, NY 1999 Neil Folberg Vision Gallery, Jerusalem, Israel 1996 Fragments of Anxiety, Columbia University, Avery Hall, School of Architecture, New York, NY 1995 Agni Vidya- the Fire of Knowledge, City of Venice Biennale, Isola Certosa, Italy 1994 Imprint, A.I.R. Gallery, New York, NY 1993 Sculptors of the Next Century, Socrates Park, Long Island City, NY 1990 Galleria Principal, Altos de Chavon, Dominican Republic 1981 Feminine Objects, Tzavta Jerusalem P.V.V, Israel 1980 Biennale of Contemporary Art, Tel Hai 80, Israel 1980 Borders, Israel Museum of Contemporary Art, Jerusalem, Israel Igael Tumarkin, Shuli Sadeh, Michal Naaman, Yair Garbuz, Gad Ullman...

Raymond Pettibon Sonic Youth Record Cover Art: Sonic Youth Goo; original European 1st Pressing, 1990 The most iconic of all Pettibon music-related images, as well as one of the most celebrated record covers of all time, the cover is a off-set illustration of Pettibon's drawing inspired by a paparazzi photo of Maureen Hindley and her first husband, David Smith, witnesses in the case of the Moors murderers Ian Brady and Myra Hindley, driving to the trial in 1966. Off-set lithograph on double-sided vinyl record cover...

This envelope was produced as part of "International Volunteer Day", a human right's cause created by the World Federation of the United Nations. This mailer includes stamps, the art...

Abstract geometric mixed media painting probably dating from the 1980s. The painting has been created using various mediums to create an interesting texture and form to the rough ca...

Highly textured composition by an unknown artist (20th Century). Thick diagonal swatches of blue and white are layered over an off white background in a nearly parallel pattern. Sand...

Loren Munk (American, b. 1951) Cut paper collage "Home Boys with Chicken & Bike", collage and mixed media on paper, signed "Munk '85", bears artist's stamp, label on back from Gabrielle Bryers Gallery NYC, 15" x 22" sheet, framed 23.5" x 30.5" .African American kids in a park. Done in a manner that recalls Romare Bearden. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese...

Folk art, Naive, Latin American art , Family portrait in the style of a Chinese ancestor portrait. Maria Teresa Vieco is a Colombian artist born in 1953 in Bogota. She studied at th...

This vintage 1980s original semi-abstract painting by acclaimed Colorado Springs artist Mary Chenoweth features a striking portrayal of three trees set against a bold, abstracted landscape. The composition is defined by vibrant orange, red, brown, and blue lines, creating a sense of movement and depth within the piece. The acrylic paint is thoughtfully combined with newspaper collage, adding texture and an intriguing mixed media element that enhances the artwork’s visual appeal. The painting is signed by Mary Chenoweth in the lower left corner, ensuring its authenticity as a unique piece of art. It is beautifully presented in a custom white float frame, which measures 31.25 x 42.75 x 2 inches, with the image size at 30.25 x 42.25 inches. This elegant framing enhances the painting's bold colors and contemporary style, making it a standout addition to any collection. Ideal for art collectors, lovers of abstract nature art, or those drawn to vibrant mixed media creations, this piece captures the essence of the natural world through a modern, expressive lens. Mary Chenoweth’s work reflects her deep connection to the environment and her innovative use of materials, making this artwork a timeless reflection of her creative vision. Perfect for adding a unique and colorful touch to your home or office space, this semi-abstract tree painting...

Portrait French School, circa 1980's signed lower left corner painting on canvas with cutout paper collage applied to canvas, unframed canvas: 18 x 15 inches the painting is in overa...

Patricia Zippin Shades of Blue 1980s Mixed Media 15"x 11.5", unframed Signed in ink on lower right Patricia Jayne Zippin (1930-2015) She was born to Ben and Dorothy Schubert on Janu...