Late 20th Century Mixed Media

Collage, 1989 Single work Handsigned by the artist in pencil Mixed media and collage on cardboard Dated February 6, 1989 Frame dimensions: 47 x 61.5 cm 32.00 cm. x 46.00 cm (image)...

Vintage original Barbara Kruger Record Art, 1994 Off-set lithograph on vinyl record cover Measure: 12 x 12 inches Minor shelf wear; in otherwise good vintage condition. Very cool fr...

"Mind Your Manner" Abstract Relief Sculpture. Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This large-scale relief sculpture features a carved rors...

Industrial Landscape Contemporary American Watercolor Magic Realism 20th Century Henry Koerner (1915-1991) J&L Oxygen Plant 18 x 24 1/2 inches Watercolo...

4 panels hinged together of bronze metalic textured paper over wood.

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

Benny Andrews was an African-American artist, activist and educator. Born in Plainview, Georgia, Andrews earned a BFA in painting from the School of the Art Institute of Chicago in 1...

Conrad Marca-Relli Composition 14, 1977 Poligrafa edition Etching and aquatint on Guarro paper Numbered on 75 and signed in pencil by the artist Perfect condition! Work : 43 x 63 c...

Miles Davis Plays Cool Jazz Collage, c. 1970 Unsigned Titled by the artist lower left margin (see photo) Provenance: Acquired directly from the artist by his friend and patron Joseph...

Available at Madelyn Jordon Fine Art. 'Pindewegunglasgemut' by Stanley Boxer, 1994. Oil and mixed media on canvas, 50 x 26.75 in. / Frame: 51 x 27.75 in. This painting has an active...

Caviar20 is excited to be offering this striking collage by the inimitable Louise Nevelson, who is regarded as one of the most original, influential, and successful American sculptors of the 20th century. Nevelson's enduring appeal lies in her distinct visual language, which is apparent in all of her works, regardless of medium. While her iconic monochromatic wood assemblages are instantly recognizable, she continuously experimented with diverse materials, including resin, steel, and bronze, as well as numerous printmaking techniques. Collage was an important part of Nevelson's practice, defining her signature aesthetic. Much like her approach to printmaking, her collages possess a sculptural ethos that transcends the two-dimensional surface, imbuing the composition with a remarkable sense of volume, texture, and depth. One could argue that Nevelson's sculpture was informed by collage in that she took assorted existing forms combining them in order to create an entirely new and distinct arrangement. This untitled collage is an exceptional example of the artist's mastery of the medium. Featuring an assemblage of wood veneer, mirror, and metal, this work reflects Nevelson's meticulous sense of form and rhythm. Subtle details, such as the alternating direction of the wood veneer grain further heighten the visual complexity of the otherwise minimal composition. The inclusion of wood veneer marks a notable shift for Nevelson, who was previously loyal to a strict monochromatic palette of black or white. It wasn’t until the 1970s with her experimentation in collage that she expanded her palette. Nevelson also created jewellery and this collage acknowledges her activity in that realm. Created at the age of 83 during the final chapter of her career, this piece powerfully captures Nevelson's enduring spirit and dedication to artistic innovation. Today Nevelson's work can be found in every major public collection across North America and beyond. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Untitled" USA, 1983 Mixed media collage Metal, mirror, wood, and wood veneer on grey mat board mounted on 0.25" Luan plywood Signed and dated by artist, bottom right Nevelson Estate no. LN 40830 19.5"H 15.75"W (work) 31"H 21"W (framed) Very good condition Literature: Stein, Judith. Louise Nevelson Collages...

Michelle Fierro (born January 6, 1967) is an American artist. She went to college at California State University in 1992, and then Claremont Graduate school in 1995. She is well known for her pieces "American Myths (1996)" and "Once again: the birds (1997)". Fierro was featured in the book, "25 Women In...

William Haendel framed 16.75 X 17 paper 11.5 X 12.5 Bas relief on hand-made molded, cast, paper; Visual statement of modernist society’s role in conformity of the individual and acquiescence to nationalism. Toy Soldiers in tin, lead or plastic, cast into the paper. Bill Haendel...

Maroon Carborundum Robe (C. 47), 1991 Published by Pace Editions, New York Jim Dine (American, b. 1935) Woodcut Print Hand Signed, Dated, and Numbered Lower Left Edition 1/12 Lower L...

Oil on plywood and mixed media, signed lower right

Keith Haring Pop Shop Tokyo 1988: Rare vintage original 1980s Keith Haring Pop Shop Tokyo bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and standout original Haring Pop shop Tokyo logos, plus bright, lush colors which make for a unique frame piece. Medium: silkscreened vinyl shopping bag. 19 x 16.75 inches inches. Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame...

James Rizzi 3D original “A neighborhood bar” very rare. In good condition image measures 10x8. You will not find another one. The rarest and earlier rizzi pieces are worth the most.

Purple toned abstract collage featuring a variety of everyday objects such as a car, an ice cream cone, a fork, a glass of water, and a camera. Signed,...

Mixed media Painting on plaster and resin with various materials like iron wood etc ...

Colorful mixed media piece by Christine Alfery (from Flambeau, Wisconsin) that incorporates hues of purple, red, black, and swatches of gold leaf. Th...

Brazilian artist Ozz Franca reflects on performance, identity, and detachment in this mixed-media composition. Two figures dominate the central space: a Pierrot and a figure whose fa...

"Wild in the Woods" fiber, wood, mixed media, 40 x 11 x 16, 1997. This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing te...

LeRoy Neiman "Miracle on Ice Study" Original Mixed Media on Artist Board 11 1/2″ x 14 1/2″

Very well executed mixed media post modern original artwork by the well known Russian/American artist, Nahum Tschacbasov. The artwork is composed of watercolor, gouache, pen, ink on...

3D Kinetic work by Yaacov Agam. Homage to Einstein’s Time Formula. First viewing the work in 2D from the front, the viewer is then exposed to a third dimension as he moves. Signed by...

Julian Schnabel Hand Painted Leather Jacket 1991: Julian Schnabel hand-painted this timeless, vintage leather motorcycle jacket in ...

Conrad Marca-Relli Composition Lithography Mixed media on guarro paper Poligrafa Edition Numbered out of 75 and signed in pencil by the artist Circa 1977 76 x 56 Perfect condition ...

Mimmo Rotella (1918-2006) was an Italian artist and leading figure of post-war European art. He is best known for creating layered collage-like works from torn film and advertising p...

Frame size 79x64 cm.

Robert Motherwell Pull Out All Flags (Engberg, Banach 263), 1980 Aquatint and etching in colors, on German Etching paper, with full margins Hand-signed by artist, Pencil signed and n...

"Looking North" is a Mixed Media (Acrylic Paint and Collage) piece by the artist MATTHEW HANNA (American, Born 1961-originally from Redford, Michigan). It measures 25.5 x 19 inches ...

Signed lower left 'Ginghofer' for Raymond Ginghofer (American, 1934-2023) and painted circa 1975. A substantial monotype and gouache figural showing a woman reclining on her stomach...

Jack Hooper Portrait of Frida, 1999 Collage on monoprint Unframed dimensions: 33.50 x 29 inches Framed dimensions: 43.50 x 39 inches This one-of-a-kind portrait of Frida Kahlo is ha...

Hand cut color-aid paper by renowned cut paper artist specializing in Brooklyn Coney Island themes. Ms. marano started her career working with Robert Indiana

Reed, Robert (American, 1938-2014). SAN ROMANO: BLACK NINE. Mixed media, collage, assemblage. painted and colored papers and office staples, not dated, but ...

Judith Rothschild Untitled, 1975 Signed lower left Relief on board, acrylic case 16 7/8 x 40 x 2 inches Provenance The artist Lee Ault & Company, New York Annely Juda Fine Art, Lond...

Blue, green, and red abstract figurative mixed media painting by an unknown artist. This piece is a manipulated poster of a show or program in Barcelona, Spain called "Primera Romeri...

Ann Miller in Follies Broadway Musical Contemporary Drawing Illustration Eloise Ann Miller in Stephen Sondheim's "Follies." The 1998 production, played at the Papermill Playhouse. Affixed to the back of the drawing is a brochure promoting the show. Mixed media on paper. Signed lower left. Inscribed lower right: "Ann Miller at 75 'I'm Still Here' in Stephen Sondheim's 'Follies' 1998." Framed. 17 x 12 in. (sight). 22 1/2 x 17 1/2 in. (frame) 'Tops in Taps' Ann Miller was still going strong at 75 years old when she made her last appearance in the musical, "Follies." She was one of M.G.M's most prolific dancers and considered by many to be the greatest female tap dancer of all time. Hilary, a friend of many years, is still going strong at 96. We saw this production at the Papermill Playhouse. Years ago, I was a press agent working in Henry Luhrman's office where we represented "Sugar Babies" with Ann Miller and Mickey Rooney. Bio Hilary Knight (born November 1, 1926) is an American writer-artist who is the illustrator of more than 50 books and the author of nine books. He is best known as the illustrator of Kay Thompson's Eloise (1955) and others in the Eloise series. Knight has illustrated for a wide variety of clients, creating artwork for magazines, children's fashion advertisements, greeting cards, record albums and posters for Broadway musicals, including Gypsy, Irene, Half A Sixpence, Hallelujah Baby! and No, No Nanette. The son of artist-writers Clayton Knight...

Limited Edition Keith Haring spray paint published circa 2018 featuring the Estate trademark of Keith Haring. A unique Haring collectible that makes for a fantastic display piece. Me...

Wonderful large scale natural toned mixed media abstract comprising a rectangle of antiqued white texturized with gesso'd hemp sacking and set above second ivory rectangle in pale ivory with circle of scumbled grey by British contemporary artist Richard Lawrence...

This is a beautiful piece by Alexis Portilla. The rich inky greys, blues and blacks of this piece contrasts against the light and symbolism of vessels and pictographs. Vessels are a ...

Hand signed on front by the artist. Original mixed media painting on wood. The artwork is in excellent condition and comes with a Certificate of Aut...

This striking mixed-media artwork, titled Walpi #9 (Hopi Village on First Mesa, Arizona), is a masterful combination of watercolor, ink, and charcoal on paper by Bert Van Bork...

"Stradling the Blind" Wood Panel Original Painting and Carving. Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This bold piece features a carved oval ...

Robert Indiana Classic Love, 1995 Hand Woven Wool Tapestry 182.5 × 182 cm (71.9 × 71.7 in) Signed and numbered on label Edition of 150 In excellent condition Provenance: acquired from publisher Accompanied by certificate of authenticity With this particular four-letter arrangement of L.O.V.E, Robert Indiana has created an image so powerful that it has been adopted all over the world. A pop image, with its mix of the top and bottom lines is now presented in the form of the hand-woven wool tapestry. MoMA historian Deborah Wye has said that "[T]he word love was connected to Indiana´s childhood experiences attending a Christian Science...

Once dubbed “the Grandfather of L.A. Modernism,” the Chicago-born Emerson Seville Woelffer was active as an innovative painter, collagist, and educator throughout his long and prolif...

DONALD BAECHLER Untitled painting for ACRIA, 1996 Mixed media with ball point pen, acrylic paint, industrial varnish and paper collage on canvas board Hand Signed and Dated. Framed with official label verso. artist frame included Measurements: Framed: 13.4 inches (vertical) x 10.8 (horizontal) x 1.25 (width) Artwork: 8 inches (vertical) x 6 inches (horizontal) Makes a fantastic gift! This unique signed collage by Donald Baechler is one of a series of unique pieces the artist made to benefit ACRIA a New York-based charity that supports AIDS victims. ACRIA, pioneers of HIV research, prevention & awareness, have now merged with the Gay...

"Ruptured Futures" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical collage that mimics the ornate design...

Steve Sorman has had over 80 solo artist exhibitions throughout the United States . I have included, just for reference, some images of his museum show so that you can see the body...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Acrylic on Tarlatan, with dried paint elements, mounted on dried paint square, signed to verso. 39.5" H x 36.5" W. Provenanc...

"Field Study - Notes on the Goddess" is an original mixed media piece by Terri Warpinski. The artist used photographs layered with fragments of her notebook and sketchbook to make th...

African American artist Alvin Hollingsworth part of the famous Spiral Group , created an inventive and intriguing close-up portrait with figures in the distance. Found objects such as swatches of burlap, plastic spoons, press type and wood shapes are adhered to the surface make this work an object as much as an image. The overall image is bathed in a super hot orange-yellow. This is Hollingsworth interpretation of the soul of Africa. Indistinctly signed lower right in red. The work makes a powerful statement in person. Provenance: The Artist to a personal friend. Private collection Framed dimensions 19 1/4 x 25 1/4 in. Alvin Carl...

Shitomi Murakami Shitomi Murakami was born in 1941 in Osaka, Japan 1964 Graduated from Musashino School of Fine Arts, Tokyo. 1964-70 Laboratory of Sc...

Cool toned abstract architectural tapestry by Houston-based artist David Adickes. The work features a depiction of the Church of St. Genevieve, a Parisian cathedral, with colorful le...

Acrylic and lithograph on vélin d’Arches paper. Paper size: 14 x 12 inches. Inscription: Hand signed, as issued. Notes: Published, printed by Via Max, New York; painted by Peter Max,...

Butterfly Basket, Wounaan Tribe, Panama, Rainforest, black, red, green, white The baskets are made by the Wounaan and Embera Indians from the Darien ...

Nancy Graves New York State Governor's Arts Award, 1988 Bronze, polychrome patina and baked enamel on base with Award plaque 10 1/4 × 7 × 10 1/4 inches Hand signed and dated with inc...

Joan Miró vinyl album art: set of two, 1966 & 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró des...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Wilhelmina Barns-Graham (1912 – 2004) Card for Sandra Blow’s 75th birthday (1995) Gouache and collage 34 x 21 cm Inscribed to reverse “For Sandra, Happy Birthday, with love Willie, 13/9/95”. Barns-Graham’s modern design features 70 vividly coloured circles; each one is different from the last, but all are geometrically aligned in neat rows and columns. Sandra Blow’s initials appear separately as “S” and “B” in the design. Blow and Barns-Graham became friends in the 1950s; both spent lengthy periods of time in St Ives, and made major contributions to Britain’s catalogue of post-war art. Wilhelmina Barns-Graham, known as Willie, was born in St Andrews, Fife, on 8 June 1912. Her parents were second cousins, and their respective families were well established representatives of minor Scottish gentry from both the east and west of the country. As a child, Barns-Graham showed very early signs of creative ability. It was at school that Wilhelmina decided that she wanted to be an artist, stating later in life that “painting chose me, not I it”. After school she set her sights on Edinburgh College of Art where, after some dispute with her father (who was an emotional man prone to uncontrolled anger), she enrolled in 1931. During her time at Edinburgh College, Barns-Graham was taught by tutors including portrait painter David Alison and painter William MacTaggart. Her friends there included the influential Scottish painters Robert MacBryde, Robert Colquhoun, and William Gear. After her education, Barns-Graham made study trips to Paris, London, and St Tropez before moving to St Ives, Cornwall, in 1940 (at the suggestion of the Edinburgh College of Art’s Principal Hubert Wellington). Barns-Graham moved near to where a group of modernist artists had settled, at Carbis Bay – this was a pivotal moment in her life. On one of her first evenings there she met the sculptor Barbara Hepworth, who made an immediate and lasting impression on her. She then went on to meet Borlase Smart...

Dimitri Hadzi Uxmal, 1991 Cast bronze on custom made granite base 17 × 30 1/2 × 14 inches The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid of the Magician" Provenance: Acquired by the original owner from the prestigious Gremillion Gallery in Houston, Texas (accompanied by a copy of the original receipt) Measurements: Base: 26.5 by 11 by 1.75 inches Work longest 30.5 inches Widest 14 inches Highest. 17 inches More about Dimitri Hadzi" Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality. Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006. Hadzi is included in the permanent collections of the Museum of Modern Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Receiving over twenty sculpture commissions, Hadzi’s work appears in public squares, concert halls, federal and private plazas, and universities throughout the world. --------------- [1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30. Additional Biography: Dimitri Hadzi (1921 – 2006) is among the most distinguished modernist sculptors, creator of works in bronze and stone that are powerfully abstract and expressionist in character. His contribution to the international language of sculpture continues to influence and inspire through permanent installations and collections, and exhibitions worldwide. Born to Greek-American immigrant parents in New York City, he had a talent for drawing at an early age and won a prize for his young ability. But, it wasn't until after serving in the Air-force in the South Pacific during WWII that he turned his sights fully to painting and sculpture, going on to study both at Cooper Union. Eventually, he would become a mainstay of the Cambridge, MA art community. He was a Guggenheim Fellow (1957), the winner of the Venice Biennale Award (1962), and the Rome Prize (1974). His most notable sculptures are: Copley Place Waterfall (Boston, MA), Owen Glass Co. (Toledo, OH), as well as Thermopolis, adjacent to Boston’s City Hall Plaza, and the former Omphalos in Harvard Square (Cambridge, MA). Hadzi is included in the permanent collections of the Museum of Modern Art; National Gallery of Art; Whitney Museum of American Art; Museum of Fine Art, Boston; Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Additionally, Hadzi was also a prolific painter, and printmaker. He also taught at Harvard University for over a decade. Famously, David Hockney attended one of Hadzi’s classes at the Carpenter Center at Harvard, where Hadzi served as director. The two of them spent time together painting and discussing techniques. Hockney gifted Hadzi one of his paintings. He worked alongside his good friend, Nobel Prize winning Irish poet...