Late 20th Century Mixed Media

Large modern abstract mixed media sculpture featuring a finely sanded piece of wood twisted in coiled rebar. The organic wood entangled in the manmade metal offers subtle commentary ...

This is a mixed media collage with an almost sculpture quality to it. it is hand signed. size includes frame. Hugh O'Donnell is an English painter, printmaker and site-specific art...

This artwork titled "Fan Series" c.1990, is an original monotype, with embossing and collage on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, ti...

Signed lower right, 'Mario Cespedes' (Bolivian-American, born 1942) and created circa 1985. Matted dimensions: 24 H x 18 W x .25 D inches. Born in Bolivia, Mario Cespedes immigrated...

Keith Haring Pop Shop Tokyo 1988: Rare vintage original 1980s Keith Haring Pop Shop Tokyo bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and standout original Haring Pop shop Tokyo logos, plus bright, lush colors which make for a unique frame piece. Medium: silkscreened vinyl shopping bag. 19 x 16.75 inches inches. Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame...

The Evangelist Mathew after a Russian Icon. School of Moscow, 15th century. Egg tempera, gold leaf, and gesso, over a wooden board. Dimensions: (H) 52 x (W) 36 x (D) 3 cm. Saint Matthew, the Evangelist, is represented at his own desk, a true artisan laboratory. THE THECHNIQUE This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24 carat gold . Now does the actual process of painting begin. Egg tempera is made fresh from egg yolk, water and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

Artist: Konstantin Bokov, Ukrainian/American (1940 - ) Title: Cat is Very Smart Year: 1999 Medium: Acrylic on Board and Found Art Collage, Signed and dated Size: 20 x 16 in. (50....

A unique papercast work by American Abstract artist Michael Goldberg, American (1924–2007). Date: 1975 Pigmented cast paper, signed and dat...

Titled: Birds of a Feather Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower ce...

Christ Pantocrator after a Russian icon of the 15th Century. Tempera and gold leaf on gesso over a wooden board. Measurements in centimeters: 38 x 29.5 x 3 cm. / In inches: 14.96 x 11.8 x 1.18 " This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold. Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger (Vienna, 1968) began to take an interest in icons in 1990. He undertakes several trips to Bulgaria, Greece, and Cyprus to see in situ the original works treasured in these three countries. This experience will be crucial in his life since the studies carried out in Sofia, the Bulgarian capital, and his stay on Mount Athos...

Andy Warhol Record Art: 1983 1st pressing, Miguel Bose, Mad In Spain Vinyl Album featuring Original Cover Art by Andy Warhol. Catalogue Raisonne: Paul Mare...

Bookatz's artistic practice embodies a dynamic and multifaceted approach to creation. His canvases resonate with an improvisational interplay, a reflection reminiscent of the nuance...

Artist: Schwebel, Ivan (Israeli 1932 - 2011) Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkowski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. This was from a portfolio that included Ivan Schwebel, Michael Gross, Liliane Klapisch and Moshe Kupferman, five of Israel's leading contemporary artists who were each approached in May 1977 with a request to contribute a hand-printed screenprint for a portfolio to be titled "Jerusalem". The sole term of reference was the name "Jerusalem", with no qualifications at all. The five artists then spent time working completely independently and individually on the project at the Jerusalem Print Workshop. Each screenprint was hand-signed by their respective artist and numbered from the edition of 200, hand-printed on BFK Rives paper Published by Whartman and Sacks Art Publications His “Tel Aviv” series, in contrast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. Select Group Exhibitions: Landscape and Nature: Contemporary Israeli Prints from the Collection of The Israel Museum, Jerusalem. High Court of Australia, Canberra, Australia Artists: Abu Shakra...

Sunil Das - Bull & Horse - 9 x 8.5 inches (unframed size) Mixed Media on Thick Paper Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal...

Raymond Pettibon Up The Threshold 1992 (Raymond Pettibon zine): This visually enticing 1992 Raymond Pettibon artist book/zine includes 20+ evocative drawings. Pettibon’s subjects are...

"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...

An original unique mixed media painting and sculptural creation by well listed artist Enrico Embrolli. Enrico Embroli is a mixed media artist born in the small Western New York town...

Industrial Landscape Contemporary American Watercolor Magic Realism 20th Century Henry Koerner (1915-1991) J&L Oxygen Plant 18 x 24 1/2 inches Watercolo...

Viva, Warhol and Ultra Violet Collage on board, 1973 Signed with estate stamp on reverse (see photo) The original photograph used in this collage depicts Viva (Susan Hoffman, born 19...

James Rizzi 3D original “A neighborhood bar” very rare. In good condition image measures 10x8. You will not find another one. The rarest and earlier rizzi pieces are worth the most.

Conrad Marca-Relli Composition Lithography Mixed media on guarro paper Poligrafa Edition Numbered out of 75 and signed in pencil by the artist Circa 1977 76 x 56 Perfect condition ...

Cheryl Warrick (American, b. 1956), "Both Sides" 1998, acrylic and mixed media painting on paper, Hand signed, titled and dated verso, matted and framed. Dimensions: 13 x 12.75 ...

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (Ahn Dong Kuk) was born in Seoul, Korea. He studied at Seoul University (BFA), graduate student at Miami University, Oxford Ohio 1962...

Artist: Yannick Ballif, French (b. 1927) Title: Blue Planet Year: circa 1980 Medium: Acrylic Monoprint with India Ink on Rag Paper Size: 30 x 44 inches

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (Ahn Dong Kuk) was born in Seoul, Korea. He studied at Seoul University (BFA), graduate student at Miami University, Oxford Ohio 1962...

Happy in ‘72 Josep Grau-Garriga, Spanish (1929–2011) Date: 1972 Acrylic and Collage on Paper Size: 24 x 32 in. (60.96 x 81.28 cm) Provenance. Arras Gallery, NYC

Untitled - Lamb is an artwork realized by the Italian artist Mario Schifano in 1995. Original mixed media, acrylic and enamel. Painting on canvas with sculpture relief. Hand-sign...

Keith Haring Original Album Cover Art: a set of 15+ works (1983-1988): A rare collection of 16 individual 1980s Keith Haring illustrated record c...

With his unmistakable version of contemporary Surrealism, as comical as it is otherworldly, Marcel Dzama is one of Canada's most internationally successful artists. Dzama's works ar...

Epiphany 1987, paper, mixed technique, 24x29 cm "Epiphany" is a surreal figurative artwork created in 1987. Through its composition, the artwork invites viewers to contemplate the ...

Keith Haring, Run DMC Christmas 1987: Rare sought-after Run DMC "Christmas In Hollis" featuring Original Artwork by Keith Haring. Truly vibrant colors that make for stand-out wall ar...

A pair of original cut paper collages by Venezuelan American artist Ricardo Morin. Each of these works measure 7" x 5" unframed and come housed in a...

Gouache on paper and technic mixed, signed lower left.

Kishio Suga Parallel Universe, 1989 White paint overt plywood. 40 x 24 x 15 cm 15.75 x 9.5 x 6 in

Abstract Composition is a beautiful original mixed media artwork realized by Mario Sinisca (Naples, 1929),in 1990's. Acrylic and inox on canvas. Hand signed in the lower margin. Ve...

In 1985, Warhol teamed up with Keith Haring to make a wedding gift for their friend Madonna before her marriage to Sean Penn. They replaced a New York Post image on the front page wi...

A charming and characteristic mixed-media collage by Mexican master Rodolfo Morales (1925–2001), featuring a stylized black dog set against a shimmering silver ground and surrounded ...

This enchanting mixed-media collage by Rodolfo Morales—one of the defining figures of the Oaxacan School—embodies the artist’s celebrated blend of magical realism, folk tradition, an...

Richard Anuszkiewicz Op Art Bowl for Hirshhorn Museum, 1976 Glazed Enamel on Metal Bowl. Artists Signature Fired in Plate Anuszkiewicz' signature fired onto the underside of bowl Lim...

Composition is a beautiful mixed media realized by Mario Sinisca (Naples, 1929) in 1994. Acrylic and inox on canvas. Hand signed on the lower margin. Labels on the back. This is a...

Modern mixed media abstract expressionist painting by artist Lamar Briggs. The work features strokes of black, purple, and blue against a gold background. Signed in the front lower r...

Signed and dated lower right Provenance David Stuart Galleries, Los Angeles Willard Gallery, New York Daisy Viertel Shapiro, New York Exhibition Corcoran Gallery of Art, Washington...

D. Tongen "Orange and Blue" 1980s 11.75"x9.75" Soft pastel and pencil on paper Initialed and dated in pencil lower right

Christian Eckart, an internationally acclaimed artist born in Calgary, Alberta in 1959, became an American citizen in 1995. After establishing his career in New York City between 198...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Marcus Amerman (1959- ) Kills Enemy 1988 Cut Glass Beads 10 inches H. x 10 inches W. 26 inches H. x 26 inches W. x 9 inches D. in frame of structural steel. Kills Enemy is a unique ...

Sunil Das - Untitled Mixed Media on Paper 14 x 12 inches, 1988 ( Unframed & Delivered ) This striking work by Sunil Das (1988), rendered in mixed media on paper, reflects the artist...

Sam Francis’s Untitled (1981) exemplifies his mastery in blending vibrant color with dynamic form. The composition features a central block of deep red, surrounded by splashes and sp...

Palisades, wool and sisal, 55" x 70", 1992. Contemporary Abstract Textile Wall Sculpture, Woven Tapestry. Anna Urbanowicz-Krowacka (b 1938, Poland) gra...

Kiki Smith (American, born 1954) is a German-born American artist recognized for her figural works exploring mortality, sexuality, and the human body. Influenced by Surrealism and he...

nylon and stainless steel

Victor Vasarely Kinetics 5 double screen print on rhodoid and cardboard editions of the griffon neuchatel (switzerland) 1st edition . 1973 white wood fra...

Caviar20 is excited to be offering this striking collage by the inimitable Louise Nevelson, who is regarded as one of the most original, influential, and successful American sculptors of the 20th century. Nevelson's enduring appeal lies in her distinct visual language, which is apparent in all of her works, regardless of medium. While her iconic monochromatic wood assemblages are instantly recognizable, she continuously experimented with diverse materials, including resin, steel, and bronze, as well as numerous printmaking techniques. Collage was an important part of Nevelson's practice, defining her signature aesthetic. Much like her approach to printmaking, her collages possess a sculptural ethos that transcends the two-dimensional surface, imbuing the composition with a remarkable sense of volume, texture, and depth. One could argue that Nevelson's sculpture was informed by collage in that she took assorted existing forms combining them in order to create an entirely new and distinct arrangement. This untitled collage is an exceptional example of the artist's mastery of the medium. Featuring an assemblage of wood veneer, mirror, and metal, this work reflects Nevelson's meticulous sense of form and rhythm. Subtle details, such as the alternating direction of the wood veneer grain further heighten the visual complexity of the otherwise minimal composition. The inclusion of wood veneer marks a notable shift for Nevelson, who was previously loyal to a strict monochromatic palette of black or white. It wasn’t until the 1970s with her experimentation in collage that she expanded her palette. Nevelson also created jewellery and this collage acknowledges her activity in that realm. Created at the age of 83 during the final chapter of her career, this piece powerfully captures Nevelson's enduring spirit and dedication to artistic innovation. Today Nevelson's work can be found in every major public collection across North America and beyond. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Untitled" USA, 1983 Mixed media collage Metal, mirror, wood, and wood veneer on grey mat board mounted on 0.25" Luan plywood Signed and dated by artist, bottom right Nevelson Estate no. LN 40830 19.5"H 15.75"W (work) 31"H 21"W (framed) Very good condition Literature: Stein, Judith. Louise Nevelson Collages...

Artwork size: 56 x 58 cm. Frame size: 76 x 78 cm. Free shipment worldwide. Archive number (P90/36) Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Original mixed media on paper. Hand signed on front by Purvis Young. Artwork size 11.25 x 8.25 inches. Frame size approx 17 x 14 inches. Artwork is in excellent condition. Certif...

Original mixed media painting on wood. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be cons...

A sculptural collage by Zura, Andy Warhol Lot No. Chair merges the everyday with the iconic. Using imagery sourced from a 2006 Christie’s auction catalog of Andy Warhol’s work, the a...

Keith Haring Record Art 1987: A rare highly sought-after Keith Haring illustrated album cover featuring vibrant colors that make for stand-out wall art (7x7 inches). Off-Set Lithog...

The Buildings in the night is an original mixed media, realized by Bernadette Kelly in about 1980 s. Is not signed The artist depicts the night city, where the buildings rise into t...

The painting is being offered with a work and authenticity certificate