Late 20th Century Mixed Media

Richard Smith Seven from Logo Suite (Pink Blue), 1971 Silkscreen on 3-D Molded Plastic Over Wood Pencil signed, dated and numbered 65 from the edition of 75 on the front 23 1/2 × 19 ...

Flower Dan Rizzie, American (1951) Date: 1998 Oil and Collage Monotype, signed and dated Size: 28 x 23 in. (71.12 x 58.42 cm)

Victor Vasarely Kinetics 3 double screen print on rhodoid and cardboard editions of the griffon neuchatel (switzerland) 1st edition . 1973 white wood fra...

"Grindelwa" Small Collage by Michael Pauker Small abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique pa...

Fashion Forecast: The beautiful hippies—Pilar Crespi in fringe; Marisa Berenson and the one-strap shoulder bag . . . The new fur-lined coat- double-faced mink, printed on the hide side. The London Bit—clothes from England's bright young designers worn by Natalie Wood; Lesley Paterson; Jane Birkin; Virginia Grose: Mrs. Peter Blond . . . The great wrap-ups in printed silk with fringe; fur with tails . . . New snake looks, real or printed . . . Fez embroideries; Gypsy flounces; Crocheted-looking crochet . . . Indian jodhpurs and midi pants. Suedes and Spanish leathers . . . Fringe on everything . . . Mini, midi, and maxi looks--plus boots for every length. ~ 40 pages of fashion editorials featuring models and actresses Pilar Crespi, Marisa Berenson, Lynn Sutherland, Cynthia Korman, Ann Turkel, Marisa Berenson, Natalie Wood, Lesley Patterson, Elizabeth, Princess of Toro, Benedetta Barzini, Charly Stember, Mouche, Editha Dussler, Birgitta af Klercker, Françoise Rubartelli, Marsha Hunt...

Large Abstract Expressionist mixed media from the 'Megaliths' series by French artist Joseph Alessandri. Signed to the front bottom left side and dated 99 and signed with a reference...

Alan Shields Treasure Rute I, 1979 Relief, stamping, linocut, collage on handmade paper Titled, numbered, signed, and dated Treasure Rute I 1/11 Alan Shields 1979 on the bottom front...

Contemporary abstract expressionist mixed media painting by Florida-born artist Suzanne McClelland. The work features an explosion of abstract and energetic mark making stemming from...

The subject of Castel’s early paintings were scenes of Sephardic Jews in the Holy Land. In 1947, Castel helped to found the "New Horizons".In the 1950s Moshe's Castel artwork work was inspired by ancient relief paintings depicting predecessors of the Jewish people...

“I am an Artist for justice and peace, my works are influenced greatly by world conflicts, 9-11, violence and revenge in repeated disasters of war.” In artistic creation, there are...

Red Grooms Moonstruck (Homage to Cher), 1994 Porcelain 3D Plate Artist signature fired into plate on the front and back. Edition 1976/2500 10 3/4 inch diamet...

Robert Goodnough Collage Canvas Painting III, 1983 Painted canvas collage on cardboard (signed twice and inscribed to artist and curator Matthew Rose) S...

Keith Haring Inflatable Baby (in original Pop Shop Box), 1985 Inflatable Vinyl Figure Authorized artist signature on outside of box. 6 × 6 9/10 × 2 1/5 inches Unframed Keith Haring’s Pop Shops were born out of the artist’s desire to make his whimsical aesthetic accessible to the widest audience possible. “I wanted it to be a place where, yes, not only collectors could come, but also kids from the Bronx,” Haring said of the Pop Shops. The street artist opened two Pop Shops—one in Manhattan in 1986 and another in Tokyo in 1987—where art, clothes, posters, other ephemera, and drawings by peers like Jean-Michel Basquiat could be purchased at affordable prices. Haring painted floor to ceiling murals at both boutiques, creating an immersive environment for visitors to browse and enjoy his beloved art. Today, Haring enthusiasts make the pilgrimage to see the original New York Pop Shop ceiling installed in the entryway of the New York Historical Society. This Keith Haring vinyl inflatable sculpture comes with the original screen printed box. This is the piece that was originally sold at Keith Haring's Pop Shop. Although the exact edition number is unknown, there were only a limited number of works created and sold by Haring in the Pop Shop - so these pieces are considered desirable collectors' items and are quite scarce - especially in such good condition with original box. Artwork shown inflated but actually comes uninflated and new in the vintage box...

Aubrey Penny Original Hard Edge Collage Signed and Dated Amor Abundans Series, Amor Stabilis, 1-6215, Jan 1991 Aubrey Penny (American 1917-2000) was an innovative California abstr...

Floral Composition is a composition realized by an unknown, 1970s. Collage on Wooden Table. 29.5 x 21.5 cm ; 37 x 29.5 cm Good conditions!

Madonna 1997. Paper, mixed media, 20x12 cm "Madonna" is a symbolic and emotionally charged artwork, celebrating the iconic religious figure of the Virgin Mary and the spiritual sig...

Aubrey Penny Collage, Signed and Dated Mind- Line Series, Stamp Series. 2 - 4212, 1977 Aubrey Penny (American 1917-2000) was an innovative California abstract artist who worked in ...

Louise Nevelson Bicentennial Dawn, 1976 Photolithograph, silkscreen and gold foil on white wove paper hand signed, dated and numbered 15/100 with incised signature on the front 35 × ...

Mixed media on board Image size: 22 1/2 x 14 1/2 inches (57 x 37 cm) Original frame A very fine three-dimensional original by the well listed British born artist, Peter Manzaroli (b...

Signed "Chwast" in Pencil Lower Right "Jekyll Becomes Hyde." Original illustration for a German edition of Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde, (Frankfu...

Aubrey Penny Hard Edge Collage, Signed and Dated Amor Series, Amor Propitus, 11-6192, Nov. 1990 Aubrey Penny (American 1917-2000) was an innovative California abstract artist who w...

Anne Yokeles Persian Garden, ca. 1970 3D Color Silkscreen w/ Arches paper backing Hand-signed by artist in pencil, titled and numbered 37/100 on backing sheet of Arches paper. 23 x 2...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 17 x 21 inches. Artwork size 11 x 15 inches. Artwork is in excellent condition....

Wajih Nahlé (1932-2017), born in Beirut, Lebanon,was a Lebanese Arab abstract painter and calligrapher. He studied painting in the workshop of the Lebane...

Framed Excellent condition Signed, dated and titled on reverse by the artist Chung Chang-Sup is a prominent figure of the Dansaekhwa monochrome movement, a synthesis of traditional Korean spirit and Western abstraction, which emerged in the early 1970s. His oeuvre reflects his Taoist belief that the artist must balance material and nature in the unified act of making in order to reach harmony. Dansaekhwa, which remains a driving force in Korean contemporary art, has gained international recognition over the past few years. Although the Korean monochrome...

"The Hunter" is a mixed media piece on paper with a stamped signature by Xiao Ming. It depicts an abstracted figure shooting a boar with an arrow. There are various other creatures and it is created with brightly colored inks. 32 1/2" x 33" art 42 1/2" x 42 3/4" frame Born in the Yunnan province of China, close to Tibet, Xiao Ming founds her artwork on her beliefs and traditions of living with nature as a guardian and protector. These beliefs and traditions may have influenced Ming to favor colored inks, a gouache of sorts derived from mineral pigments bound by using animal glue. Ming’s work is steeped in Chinese art history, influenced by the ancient scroll...

A Scottish Glasgow School Abstract Expressionist mixed media painting by Grant McTavish. The work is signed and dated bottom right and is resigned and dedicated to the backboard. The...

"Conversaciones Alternadas (Alternated Conversations)" is an original mixed media piece on handmade paper by Teresa Olabuenaga. The artist signed the piece in the lower right. It dep...

"El Gozo en el Recuerdo (The Pleasure in Memory)" is an original mixed media piece on handmade paper by Teresa Olabuenaga. The artist signed the piece in the lower right. It depicts ...

A mixed media Dada collage by Ron Wilman. The work is signed bottom right and resigned, dated and fully titled to the back panel, 'Colours May Fade Keep From Direct Sunlight. Dust My...

Robert Motherwell Limited Edition Lithograph as Exhibition Catalogue Cover, Signed and Dedicated to Jacqueline Brody (Editor of the Print Collectors' Newsletter), 1974 Lithograph on Limited Edition Catalogue, Ink Signed and Dedicated 10 x 24 inches Boldly signed n 1974 and dedicated in black felt tip pen to Jacqueline Brody, editor of the Print Collectors Newsletter from 1972 - 1996. This poignant 1974 Robert Motherwell lithograph...

Pair of stools in bent wood and black leather h 37 x 60 x 60cm 70s - Denmark

A wonderful pen and ink study of entwined dancers by Milton Hebald, beautifully executed on a lovely grey Italian rag paper. Hebald is regarded as one of the most important American figurative...

"Anyox" Collage with Chine Colle by Michael Pauker Small abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from pieces of antique p...

"Entre Mitos (Within Myths)" is an original mixed media artwork on canvas by Teresa Olabuenaga. This piece depicts the head of a woman below abstract forms and other images. 54" x ...

"Field Study - Winter Patterns" is a mixed media piece by Terri Warpinski using photographs, drawings, and fragments of notebook and sketchbook paper. The artist signed the piece in ...

Basquiat Record Art: 2001 2nd pressing released in limited quantity. Beat-Bop, is a 10-minute track synthesizing various instruments and rhyming patterns, for which Basquiat produced and designed the original artwork for in 1983. Offset lithograph on double-sided record sleeve. 12 x 12 inches (30.48 x 30.48 cm). Minor shelf-wear, otherwise very good overall vintage condition. Record included in very good condition. Printed signature on reverse; from an edition of approximately 500. A very cool Basquiat frame piece if there ever was one. Further About: "Music, and jazz in particular, was crucial to Basquiat’s work. His art offered a vibrant visual counterpart to the emphasis on improvisation, non-linear structure and sampling in jazz. Basquiat’s paintings frequently celebrated his favourite jazz heroes, such as Charlie Parker, in much the same way that he paid artistic tribute to famous athletes, boxers and other personal icons, many of whom struggled to gain the recognition of their white counterparts. Equally key for Basquiat was hip-hop, the emergence of which paralleled Basquiat’s own artistic rise. In 1981, he made a cameo appearance as a DJ in the video for Blondie's chart-topping single, Rapture — the first rap video ever broadcast on MTV. He also produced a legendary hip-hop record, Beat Bop, a rap battle between MCs K-Rob and Rammellzee, illustrated with Basquiat’s own art. With original copies extremely rare, it has become one of the most sought-after rap records ever made." (Source: Christie's May 2017). Beat Bop was also exhibited as part of Basquiat retrospective Boom For Real at the Barbican in London. Related Categories Rammellzee. Basquiat Hip Hop. The Offs. Downtown 81. Samo. Tartown. Basquiat Beat Bop.

"Field Study - Notes on the Goddess" is an original mixed media piece by Terri Warpinski. The artist used photographs layered with fragments of her notebook and sketchbook to make th...

Richard Anuszkiewicz Annual Edition, 1987-1988 Limited edition silkscreen on masonite Signed and dated by the artist lower right in pencil Frame Included (floated within a box frame)...

"She Remained Still - Figure 28" is an original etching and mixed media piece by Joan Soppe. It depicts a wire bed frame and fields of color and text. This piece is edition 14/50. ...

Right Turn on the Railroad Track - Abstract Expressionist Mixed Media on Paper Abstract in bold blue and red on a soft black background , by California-based artist Ricardo de Silva...

’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Will Cotton Untitled abstraction, ca. 1989 Mixed media painting on board Signed by the artist on lower right front Elegant recessed hand made frame Included with artist's original plexiglass bearing his markings on it Stunning, rare early signed abstract work on board by renowned artist Will Cotton in delicious candy-like pastel colors. Floated and framed in a white wood shadow box frame with the artist's original painted plexiglass. Measurements: Framed: 26 x 20 x 2.75 inches Artwork: 23.5 x 17 inches More about Will Cotton Will Cotton (born 1965 in Melrose, Massachusetts, U.S.A.) is an American painter whose work primarily features landscapes composed of sweets, often inhabited by human subjects. Will Cotton lives and works in New York City. Cotton’s works from the 1990s depicted pop icons sourced from contemporary advertisements such as the Nestlé Nesquik bunny. Cotton described his early works in a 2008 interview, saying “My initial impulse to make these paintings really came out of an awareness of the commercial consumer landscape that we live in. Every day we’re bombarded with hundreds, if not thousands of messages designed specifically to incite desire within us.” In 1996, Cotton began to develop an iconography in which the landscape itself became an object of desire. The paintings often feature scenery made up entirely of pastries, candy and melting ice cream. He creates elaborate maquettes of these settings from real baked goods made in his Manhattan studio as a visual source for the final works. Since about 2002, nude or nearly nude pinup...

This beautiful and sophisticated Mid Century Modern tile wall plaque was realized by the esteemed modern artist Gilbert Valentin in France circa 1970....

Jean Michel Basquiat: Paintings: Akira Ikeda Gallery, 1985: Rare sought-after Basquiat exhibition catalog from 1985 published by Akira Ikeda Galler...

Miriam Schapiro Cabinet, 1999 Fabric, Rickrack, photography, magazine images, greeting cards, lithography, collage, text Hand Signed and dated by the artist on the lower right front Frame included: Hand made dark wood frame with UV plexiglass included Measurements: Frame: 34 x 27.5 x 1.5 inches Artwork: 30 x 23.5 inches Unique work. Miriam Schapiro, burst onto the international art scene as the only woman featured, along with her male colleagues Frank Stella, Morris Louis, Kenneth Noland, Barnet Newman, Ray Parker and others in the groundbreaking 1964 Jewish Museum exhibition "Towards a New Abstraction" curated by Alan Solomon. Schapiro is the founder of the Pattern & Decoration Movement, and is being re-discovered by a new generation of collectors. Her 2018 retrospective at the Museum of Art and design, followed by other international museum and gallery exhibitions received major critical acclaim. Today her works continue to smash records at auction and retail sales are robust. She is represented by the prestigious Eric Firestone Gallery in New York. The present work - Cabinet - is a quintessential example of the style of "Femmage" that Schapiro, along with artist Melissa Meyer, pioneered. Femmage, or feminist...

Untitled (Abstract Animal) Collage with watercolor, 1981 Signed and dated lower right (see photo) Condition: excellent Image size: 8 1/4 x 11 1/4 inches Frame size: 16 1/4 x 19 1/2 inches Archival framing with Conservation Clear glass Provenance: Distinguished Private Midwest Collection Ulfert Wilke (1907–1987) was an internationally recognized painter, calligrapher and art collector connected to the abstract expressionism movement. He was born in Bavaria, Germany, and immigrated to the United States in 1938. He is best known for his large canvas paintings...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 20 x 18 inches. Artwork size 13.75 x 12 inches. Artwork is in excellent conditi...

A wonderful pen and ink study of entwined dancers by Milton Hebald, beautifully executed on a lovely grey Italian rag paper. Hebald is regarded as one of the most important American figurative...

Mary Frank Untitled 3-D Cast Paper Collage, 1985 3D Cast Paper with Deckled Edges Hand signed, numbered 78/85 and dated by the artist on lower left front 21 3/4 × 28 1/2 × 1 3/4 inch...

James Rosati Untitled Geometric Abstraction, 1982 Two-sided Acrylic and Colored Pencil on Paper drawing Hand signed and dated on lower right front 14 1/2 × 13 1/2 inches This is a un...

’Untitled’ By Yutaka Takayanagi. Medium - Relief with lithographic print Edition - 4/50 Signed - Yes Size - 790mm x 570mm Date - 1977 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Peter Voulkos Ceramic Sculptural Dish, ca. 1985 Sculpted ceramic Hand-signed by artist, Incised signature on the base. 1.5 x 11.5 inches This charger plate by Voulkos features a Greek-influenced stylized birds and leaf design. Peter Voulkos is an American artist of Greek descent. The abstraction of animal and nature elements paired with the earthy, mottled gray and brown against brown background make this work beautiful. This work was featured in the exhibition "On Black Mountain: The Bauhaus Legacy in America", at the Sager Braudis Gallery (now Sager Reeves), in Columbia Missouri from April 5, 2019 to April. 27, 2019 and is reproduced in page 53 of the exhibition catalogue. We will provide a complimentary copy of the exhibition catalogue to the buyer of this work. Born in 1924 to Greek immigrant parents in the town of Bozeman, Montana, Peter Voulkos is one of America’s most significant sculptors of the 20th century. Voulkos got his start in art in the late 1940s, when he was studying at Montana State College, Bozeman on the G.I. Bill, after being drafted and serving as an airplane armorer-gunner in the Pacific in World War II. In classes with Frances Senska, he discovered ceramics, the medium that would characterize his career. After graduating from Montana State College, Bozeman in 1951, Voulkos moved west and earned his MFA from the California College of Arts and Crafts in Oakland, California. Returning to Montana after graduation, Voulkos attracted attention “as a prodigious natural potter and a producer of elegantly thrown functional earthenware,” according to Roberta Smith for the New York Times. He also produced dinnerware to sell through high-quality stores, and was noted for his wax-resist method of decoration.Voulkos gained a reputation as a master of ceramics techniques, winning twenty-nine prizes and awards from 1949 through 1955. However, a summer spent teaching at the experimental Black Mountain College (he was invited to teach at BMC by Karen Karnes) near Asheville, North Carolina in 1953 resulted in a dramatic shift in Voulkos’s artistic priorities, as well as his aesthetic. It was at Black Mountain College that Voulkos met Robert Rauschenberg, John Cage, Merce Cunningham and Charles Olson. He then visited New York City (as a guest of pianist David Tudor and Mary Catherine Richards) and encountered Philip Guston, Willem de Kooning and Franz Kline—Abstract Expressionist painters who influenced the new direction Voulkos would go on to pursue. In 1954, Voulkos was invited to teach at the Los Angeles County Art Institute (now Otis), and he established a new ceramics department and graduate program that attracted other young artists including John Mason, Ken Price, Billy Al Bengston and Paul Soldner. It was here that, inspired by the scale and spontaneity of the New York School, Voulkos began to build progressively larger works that cast aside utility and abandoned ceramic conventions. Decoration became aggressive, as he slashed at and pierced the clay, which he then energetically painted with glaze. Peter Voulkos exhibited these new works in shows at the Landau Gallery in Los Angeles, which announced to the world a new way of approaching ceramics. Disagreements with the more conservative administrators of the LA County Art Institute led to Voulkos’s departure for the University of California, Berkeley, in 1959. While at Berkeley, Voulkos experimented with bronze and produced large-scale bronze sculpture, while continuing his ceramic work and doing demonstrations of ceramics throughout the U.S. In 1979, a young ceramist named Peter Callas...

1982 1st pressing, Querelle vinyl album featuring Original Cover Art by Andy Warhol. Catalogue Raisonne: Paul Marechal: Andy Warhol, The Complete Commissioned Record Covers. Cover: Off-set print of Warhol's original screen print from the same year. 12 x 12 Inches (30.48 x 30.48 cm). Minor shelf-wear; otherwise very good overall vintage condition. Record included in very good condition. Warhol credit appears in the lower section of verso (image 3). Looks super cool framed. Further Background: The soundtrack for the Rainer Werner Fassbinder film based on Jean Genet's novel "Querelle de Brest." In 1982 Warhol designed a silk-screen image which was issued as a print, used on the poster for the movie, and as cover art for the soundtrack. Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories Gay interest. Andy Warhol record art. Warhol vinyl record album. Warhol nude. Warhol men.

Basquiat Beat Bop (2014): 30th anniversary pressing of Basquiat's historic Beat Bop vinyl record (1983), featuring Jean Michel's signature cover art and production as well as licensed trademark by the Estate of Jean-Michel Basquiat. From a sold-out edition of 1983. Includes a split color black and white vinyl pressing, a four-panel folded insert describing its history, as well as interviews with Basquiat co-collaborators Rammellzee & K-Rob; as well as noted art historian, Glenn O'Brien. Off-set print on vinyl record jacket & vinyl record; published 2014. 12 x 12 inches. Very good overall condition. From a sold-out edition of 1983. Looks amazing framed. Further History: Jean-Michel Basquiat’s history with rap music...

Jean-Michel Basquiat The Notebooks 1993 (catalogue): A comprehensive pictorial overview of the history of Basquiat's notebooks. The early 1990's first edi...

Limited Edition Keith Haring spray paint published circa 2018 featuring the Estate trademark of Keith Haring. A unique Haring collectible that makes for a fantastic display piece. Me...

Signed on Verso Cover illustration for A Woman's Place by Marita Golden (New York: Ballantine Books, 1986). 16.50" x 16.50" image on 19-inch square board, mounted to foam board. Bar...