Miniature Photography

The protest - Historical photograph about the feminist movement is an original black and white photograph realized in Rome in 1980 against the h...

Kate #1, 2002 by Leonard Freed is a 10" x 8" handprinted, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of print). Model...

Men with the Tenderest Flesh Are Made of Marble 1984, printed 1992 Signed, titled, dated, and numbered in ink, recto Gelatin silver print (Edition of 5) 6 x 9 inches (15.2 x 22.9 ...

11 x 14" vintage silver gelatin photograph of African American Dancer/ Company Founder Donald McKayle leading his company in class, 1962. Comes ...

Untitled #3 1994 Signed, dated, and numbered in ink, recto; Also titled in pencil, verso Gelatin silver print (Edition of 5) 8 x 5.25 inches (20.3 x 13.3 cm), image 10 x 8 inches ...

'Black rose' 2023 It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle photo rag Baryta 308 Gsm fine art pap...

George Platt Lynes 1948 Photograph #7 of George Balanchine’s Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1948 gelatin silver photograph (dated by the NY City Public Library) of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet 'Orpheus'. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is from Francisco Moncion's original collection given to him by George Platt Lyons. It is one of 14 different poses in the 'Orpheus' series. 8 different photographs are remaining for sale and are available on request. All are original Platt Lyons gelatin silver prints original to Moncion's collection and are stamped by the photographer. Photographs from this celebrated series are in the permanent collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), the NYC Public Library, and many university art archives. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features American socialite Wendy Vanderbilt at home in Palm Beach, Florida, USA. This is an estate ...

Afterthought - 2016, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-127....

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Rare 1950s Iconic Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of popular physique models VIC SEIPKE and JIM PARK. Fireman Vic Se...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Sharon Stone by Phillip Dixon is a collection of three photographic prints on RC paper. Photographs published on Playboy of July 1990 and printed from l...

Archival Pigment Print on Cotton Rag Paper Including COA Printed by Eve Arnold's own bespoke printer Danny Pope USA. Illinois. Bement. US actress Marilyn MONROE during a public appe...

This silver gelatin print with exemplary provenance is unsigned but bears several stamps from the artist's family on the back of the mount, including the authentication stamp of Adam...

Emilio Lussu is a vintage black and white photograph realized in the 1960s. Good conditions.

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber. Shalom Harlow was among the many iconic models photographed. “Bruce Weber is a photographer and filmmaker best kn...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

Larry Clark b. 1943 Boy in a car, 1963 silver print, printed later signed, dated, numbered '4/25' and dedicated 'for Laetitia andPaolo' in pencil on verso edition of 25 this work is ...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

This is a black and white photograph by Bob Mizer depicting a young and handsome nude Forrester Millard at age 21. Forrester Millard, Age 21 1947 Vintage silver print 9.5 x 7.5 in...

Gaia 106 - Black and White Diptych Spanish Cork Trees in Nature Landscape by Jaume Llorens Bach Gaia 106 is a 18cm x 24cm Black and White Phot...

Signed on the front of the mount by the artist. Printed circa late 1970's.

An authentic original silver gelatin black-and-white photograph capturing a timeless view of the Canal Saint-Martin at 82 Quai de Jemmapes, Paris, circa 1930. This historical image s...

A unique original silver gelatin black and white photograph. A construction site on The Boulevard Haussmann in Paris, France, June 19, 1926. A view of the Boulevard Haussmann in Par...

Listing includes framing, free shipping in the US, and a 14-day return policy. Classic Nude c. 1975 by Brett Weston. 14 x 11 inches Vintage gelatin s...

'And also the Trees’ - 2017 - 21 x 20 cm, Edition 3/10, digital C-Print based on a reclaimed Polaroid negative. Numbered and signed on the back by the artist. Not mounted. Art...

George Platt Lynes Photograph #11 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #11 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

Riders for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph From the series "Riders" realized by Newton for Playboy magazine. Edition ...

Morning Glory (Till Death do us Part) - 2005, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Ar...

George Platt Lynes 1948 Photograph #8 of George Balanchine’s Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1948 gelatin silver photograph (dated by the NY City Public Library) of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet 'Orpheus'. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is from Francisco Moncion's original collection given to him by George Platt Lyons. It is one of 14 different poses in the 'Orpheus' series. 8 different photographs are remaining for sale and are available on request. All are original Platt Lyons gelatin silver prints original to Moncion's collection and are stamped by the photographer. Photographs from this celebrated series are in the permanent collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), the NYC Public Library, and many university art archives. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Confinement – 2020 Edition of 7 + 2 Artist Proof Archival Print, based on a Polaroid Signed on the back with certificate Artist inventory: PL2020-858 Unframed Kirsten Thys van den A...

Vintage b/w photograph realized by David Macey in 1990s. Copyright and provenance: Playboy. Excellent condition.

A limited edition (out of 25) black and white photographic print. Framed with a black or white box frame and floated to the backboard. The dimensions of 33.5 x 45 cm is that of the p...

Fugitives III (Till Death do us Part) - 2005, 20x24cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 9363....

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features Lilian Hanson sunbathing by a pool at the Bürgenstock Resort Lake Lucerne in Canton Nidwald...

'Coupled Poppies’ and Poppy No.3 two prints Each print 8x10" from limitd edition of 30. Photographed in London, United Kingdom 2023. It is a still life black and white film...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled The Model Lisa Fonssagrives Posing on the Eiffel Tower in a Dress by Lelong, Paris, originates from the 1981 fo...

Epiphany 2016, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2016 - 78...

As the personal photographer for this much loved Chicago icon, Richard Shay captured MJ on his 40th birthday celebration. This Artist Proof is matted and framed in a simple black frame measuring 16.25h x 20.25w x 1d inches. Richard Shay Michael Jordan on His 40th Birthday, 2003 archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY006 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Still Creek in the Forest - Silver Gelatin Print This photo depicts a shallow creek running through the woods by san Francisco photographer Florencio E. Monteverde (Italian/American...

Roy Blakey (1930-2024). Portrait of Black Dancer, ca. 1972. Original photographic print on paper, image measures 11 x 14 inches. Framed measurement 12 x 15 inches. Studio stamp o...

Great Grey Owl, limited edition photograph, signed, Platinum/Palladium Print My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s lan...

11 x 14" vintage silver gelatin photograph of artist Jack Brusca, 1969. Signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitchell Archives with a certificate...

This exquisite heliogravure after Man Ray (1890–1976), titled Untitled, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Mi...

Watch Me Gone - 2024 - 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-026. Not...

This unique hand-painted photograph by Mark Beard is offered by CLAMP in New York City.

You, the desert, and me II (The Girl behind the White Picket Fence) - 2013 20x24cm, Edition of 10 plus 2 Artist Proofs. digital C-Print, based on the Polaroid. Certificate and Sig...

Hand printed Platinum Photograph. Tom Millea was well known for his printing. He loved Death Valley and even made a portfolio of it. This is a loose print.

11 x 14" vintage silver gelatin photograph of Artist/Warhol Superstar Ultra Violet, with friends Jason McCoy and Ron Caran, 1971, nude, photographed in 1971 in New York City. Comes d...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Ben 2 ‘ who was captured on film in 1989...

Keith Haring 1984: Keith Haring, Art in Transit: Subway Drawings with Photos by Tseng Kwong Chi: This highly collectible & well preserved 1984 Keith Haring monograph examines them m...

Underwater nude photograph of a young model in the pool with red background. Original gallery quality archival pigment print on archival paper signed by the artist. Limited edition ...

Hallway I (Suburbia) 2004, 40x40cm, Edition of 2/5, analog C-Print based, hand-printed by the artist on Fuji Crystal Archive paper, Based on a Polaroid. Signature label with Certif...

Hand Signed by Ken Heyman Limited Edition of ? ...

Dali And Gala (1955) Limited Estate Stamped (Photo By Slim Aarons) Spanish artist Salvador Dali (1904 – 1989) enjoying a cup of coffee with his wife Gala (1894 – 1982) on a terra...

Fire - 2017, Edition of 7 plus 2 Artist Proofs Archival Print, based on aPolaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2017-108. Kirsten Thys...

Lerici '25 is an original black and white Polaroid photograph captured on SX-70 film along the Ligurian coastline of Italy. The image is part of a limited edition of 20, hand-signed ...

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...