Miniature Photography

Grace Jones for Playboy is a photograph realized by Helmut Newton in 1985. Albumen print From the series realized by Newton for Playboy magazine. Edtion 7/85. 

Animal nitrate - 2021 20x25cm, Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2007. Not mounted. Kirsten Thys van den ...

Rosanna Lambertucci is a vintage black and white photograph realized in 1980s. Good conditions.

11 x 14" vintage silver gelatin photograph of American Ballet Theatre backstage rehearsal in silhouette in 1966. Comes directly from the Jack ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Bruce of L. A. - Set of 2 Vintage 1950s gelatin silver photographs by celebrated 20th Century photographer Bruce Bellas also known as Bruce of Los Angeles, of physique model Perry Peters in the early 1950s. These are original photographs from the "posing strap" era when nude photography was illegal. 'Bruce Los Angeles...

To Swallow a Photo of Him the Way One Swallows the Eucharist 1994 Lifetime gelatin silver print 10.75 x 7.125 inches, image 14 x 11 inches, sheet This work is offered by CLAMP in...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential am...

Modern still life photograph of earth toned brown and green moss Archival digital scanograph 18 x 13 inches, edition of 75 Additional sizes available This contemporary, archival di...

11 x 14" vintage silver gelatin photograph of 'Sea Duet', a ballet for still photography created by Mitchell to celebrate his love of dance, 1983. Si...

Voices - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-913. Not mounte...

Kristine DeBell is a  vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

This 1954 portrait photograph, captured by society photographer Slim Aarons, features American actors Lauren Bacall and Judy Garland attending a house party in Beverly Hills. This i...

A contemporary mixed media work Roberta Fineberg’s Tell Me A Story II, 2025 shot in Paris, one of the book capitals of the world, is in an emerald color wave. The The square format a...

8 x 10" vintage silver gelatin photograph of artist Roy Lichtenstein posing in his studio with new work in the background, extremely unusual image standing next to a mirror. This is ...

The receiving End, 2018, Edition 1/7, plus 2 Artist Proofs. Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2018-480. ...

Harkness Ballet Principal Dancer Zane Wilson, nude, 1972. Vintage silver gelatin exhibition photograph made by Jack Mitchell. American photograp...

The Princess and her Lover, 2007 Edition of 10, 20x24cm, digital C-Print based on a Polaroid. Signature label and Certificate. Artist I...

Max, smoking in Car (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist ...

Horses - Vintage Photograph is a black and white photograph realized in the 1960s. Good conditions.

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...

Everlong - 2016, Edition of 7 plus 2 Artist Proofs Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2016-2003. Not mounted. K...

Warm ice. Erotic Photograph, 22.5x16 cm Erotic woman photograph by Latvian photographer Juris Abramenko. Photo made at winter by the sea at sunny day

11 x 14" vintage silver gelatin photograph of author Truman Capote photographed at his United Nations Plaza apartment on June 26, 1980. Comes directly from the Jack Mitchell Archives...

Gerry Adams, Leader of Sinn Fein is a vintage photograph realized in the 1970s. Good conditions. The artwork is depicted in a well-balanced composition.

The image, Aspen, Quiet Light, was made just after the conclusion of an intense week-long photography workshop. I went to one of my favorite aspen groves fully intending not to make ...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

Annie Leibovitz ( 1949- ) photo : 24 x19 cm . Ella Fitzgerald devant un cabriolet Mercedes . 1988 Original Vintage work . Framed : 42 X 42 cm

I cherish a the Dutch Old Masters. As a contemporary artist, I work with the female nude and portraiture, so I was enthusiastic when the Rembrandt House approached me to create a new series inspired by Rembrandt’s nudes. His incredible drawings and etchings show not only amazing technique and individuality, but also a sublime mastery of light, shadow and composition. His strong light-dark contrasts and his bold compositions, engaging costumes and draperies, resulted in powerful visual images. His models, portrayed from life, with their own personalities and bodies, not adjusted to fashion and ideals, were striking in their day, and have remained so into the present. Rembrandt’s nudes inspired me to create new works in which I have been able to capture magical moments in new works of art. The explosion of creativity has resulted in a large body of work which I call The Rembrandt Series...

Archival pigment print Signed in black ink, recto 14 x 11 inches, sheet size 10 x 10 inches, image size This artwork is offered by ClampArt, located in New York City. Born in Poland in 1942 as Armin Hagen Freiherr von Hoyningen-Huene, Peter Berlin...

This image may be available in larger sizes - please contact us for availability. Mina Afshari was born in Tehran, Iran. Her life and art are shaped by her journey from oppression t...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

A Princess' Life (High Desert) - 2019 Edition 1/10, 20x20cm. Digital C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory # 22182 Not mounted. Stef...

Kate #1, 2002 by Leonard Freed is a 10" x 8" handprinted, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of print). Mode...

Bruce of LA - Set of 2 Authentic Vintage 1950s Silver Gelatin Male Physique Photographs by famed 20th Century photographer Bruce Bellas also known as Bruce of Los Angeles of model Ro...

A group of boys playing leapfrog amongst the gravestones of the Corporation Burial Ground in Rutherglen Road, one of the few areas of greenery in the Gorbals, a slum district of Glas...

Valentin Samarine started doing abstract painting in the 60s, and abstract photography in the 70s. He moved fairly easily from one to the other. It is in a perfectly logical sense: ...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Kristine DeBell is a  vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

3 Stefanie Schneider's Minis from the movie Stay: 'Forgive me', 'Lila', 'Jellyfish' with Naomi Watts Signed in front, not mounted Lambda digital C...

Philippe Halsman (1906-1979) In Voluptate Mors, portrait of Salvador Dali, 1951 Silver print, 1981 Stamp "Halsman/Dali copyright Philippe Halsman © 81", numbered 66/250 Dimensions of the work : 31 x 25,7 cm Dimensions of the frame : 50 x 40 cm Born in Riga in 1906, Philippe Halsman moved to Paris in the 1930s, where he set up as a photographer in the Montparnasse district. He produced portraits of artists and intellectuals of the day, including Le Corbusier, André Malraux and André Gide. In the 1930s, Philippe Halsman exhibited at the avant-garde Galerie de la Pléiade...

"Ryan O'Neal" is a Pop art Polaroid, Polacolor portrait photograph by Andy Warhol in 1971. The artwork is 4 1/4 x 3 3/8 inches each and, with the frame, is 9 x 9 x 1 1/2 inches each...

Sharon Stone by Phillip Dixon is a collection of three photographic prints on RC paper. Photographs published on Playboy of July 1990 and printed from l...

With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was a...

Kindling - 2016 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-2002. N...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Archival pigment print on Hahnemühle Ultra Smooth, signed, dated and editioned by artist verso; studio stamped verso, 14 x 17 in.. Hardcover in slipcase, 11 x 14 in., 3,69 kg (8.12 l...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's images are built, layer by layer and object by object, through a...

Paree #13, 2013, Edition printed 2018, Edition 1/7, 25x25cm plus 3cm white border. [From the series Goldenbogen & Zouzou] Digital archival pigment print on beautiful PHOTO RAG ® UL...

COLD WINTER SPECIAL...$1,120....A rare set of 11 vintage original gelatin silver photographs by the French photographer JEAN FERRERO and two original "Riviera Boy’s" Catalogue Booklets. Photographs are Stamped and Numbered with the Copyright, Artist and Model's Names. Catalogue 1 and Catalogue 3 are circa 1962 and 1963. Booklets are complete, #1 is 42 pages and and #3 is 20 pages of images of Ferrero’s popular models and order forms and instructions in French. Booklet models including Rod Ferrero - Mister Europe 1961, Francois Rossi - Mr. France 1958 and Umbrerto Devetak - Mr. Italy 1961. For legal reasons photos in the catalogues have posing straps drawn on however, actual photographs in this series are full nudes. The collection features Ferrero’s photographs from the early 1960s with some of his favorite and best known physique models including Bud Lanter, Daniel Cartier, Jean Daniel, Kid Pomer and Romeo. Ferrero’s had a natural style that was distinctively unique among male nude photography...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine at that time. Today they swarm like bees to place their own hot ads in gay publications. I had been photographing on assignment for Dance Magazine well before After Dark was created. Being a friend of William (Bill) Como, the Editor, and being gay, I was called into service, for the life of the publication, to photograph many of the handsome young men and women, who were featured in After Dark. Needless to say, this was enjoyable work for me, Because, mixed in with the hot-looking young guys and gals sent to my studio were some famed performers like Debbie Reynolds, Giancarlo Giannini, Arnold Schwarzenegger, Natalie Wood, Placido Domingo, Sergio Franco...

Oui Mon Cul (The Eyes Of The Fox) - 2015 / 2018 40x30cm, edition of 7. High-end art print based on the original Polaroid. Mounted on aluminum 5mm. Finished with a high-gloss ep...

Vintage Photo. Rome, 13.3.86, The German-American Actress Barbara Bouchet. Good condition.

Rémy Duval, 'School Children, L'ile Saint Louis, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives p...

Photograph from From Richard Heeps acclaimed series Ordinary Places, a bible on a brown side chair taken from above at the Chapel at the Fleetwood's Fisherman's Mission. It was Rich...

Spencer Tracy & Deborah Kerr Edward, My Son Black & White Photograph on Photographic Paper Year: 1949 Size: 6.5 x 8 inches (16.51 x 20.32 cm) Stamped verso Publisher: Metro-Goldwyn-...