Miniature Photography

Hand printed silver gelatin photograph by artist. Signed in pencil lower right hand side on mat. Stamped on verso with artists address. Dry mounted to acid free board.

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

'Cortina d'Ampezzo' 2022 It is a colour film photograph of Cortina d'Ampezzo, Dolomite mountain area in Italy, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the...

Solitude - 2022 [ Shot on location in Oslo Norway in the spring of 2022 and influenced by themes of alienation and self-imposed isolation] Edition of 10 - 20 x 20 cm Archival C-Pr...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Stefanie Schneider's Mini The Girl IV (The Girl behind the White Picket Fence) - 2016 signed in front, not mounted. Digital Color Photographs based on the Polaroids. Polaroid sized...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Black and white fine art cityscape photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

Nastassia Kinski for Playboy is a mixed colored photograph realized by Helmut Newton in 1981. Photograph on positive trasparency films. From the series realized by Newton for Playb...

'Oui Mon Cul' (The Eyes Of The Fox) - 2015, Artprint based on a Carmen De Vos expired Polaroid photograph on beautiful PHOTO RAG ULTRA SMOOTH, 305gsm, 100% cotton by HAHNEMÜHLE Han...

'Undo' explores the duality of human emotion through the art of double exposure. Captured using 35mm film, this black and white analogue photograph intertwines two distinct moments i...

Voyeurism for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph.  From the series "Voyeurism " realized by Newton for Playboy magazine.

New as of Jan. 1, 2025. This is a brand-new addition to the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the...

The swamp landascape is a black and white vintage photo, realized in 1970s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments, p...

Wild Things (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

'Jimi Hendrix Palm Trees' (Stranger than Paradise) - 2016 20x20cm, Edition of 10, Archival C-Print, based on a Polaroid, Certificate and Signature label, Not mounted. "Jimi He...

Astrid Kirchherr ( 20 May 1938 – 12 May 2020) was a German photographer and artist known for her association with the Beatles (along with her friends Klaus Voormann...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Harkness Ballet dancer nude portrait study, 1972. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes ...

This early 1960s winter landscape photograph, captured by society photographer Slim Aarons, features people ice skating at the Palace Hotel, St. Moritz, Switzerland, 1963. This is a...

Listing is for an unframed print and includes free shipping to the continental US and 14-day return policy. Julian Wasser Eve Babitz and Marcel Duchamp pl...

Drifter - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1055. Not mount...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Unidentified male model, photographed nude, 1971. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes directly from the Jack Mitchell...

Husband and wife Marcus and Debbie Williamson photographed nude for 'After Dark' magazine in 1973. This is a vintage gelatin silver print, made by hand by master photographer Jack Mi...

This work represents a beautiful view a pink building with a full moon in it. It is a celebration of love, tenderness and passion between two beings. It could therefore be the ideal ...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints This is edition #1/100 Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Model Michael Findlay, nude portrait study, 1970. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Warhol superstar Ultra Violet, art dealer Jason McCoy and art historian Ron Caran photographed nude for 'After Dark' magazine in 1971. This is a vintage gelatin silver print, made b...

11 x 14" vintage silver gelatin photograph of Harkness Ballet dancers Zane Wilson and Linda Bogsrud photographed nude for After Dark magazine, 1972....

Black and White Fine Art cityyscape - landscape photography. Reflection, Santa Maria della Salute, Venice, Italy. Archival pigment ink print, edition of 9. Signed, titled, dated and ...

Riders for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph.  From the series "Riders" realized by Newton for Playboy magazine. Editio...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

Aventure d'une libertine VI, Paris, 2015 From The Secret Album Series Edition 6/6 ex. 5 AP. Unframed The Secret Album Series This series is born from a ...

Aventure d'une libertine XIII, Paris, 2015 From The Secret Album Series Edition 6/6 ex. 5 AP. Unframed The Secret Album Series This series is born from ...

'Peony’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. ...

11 x 14" vintage silver gelatin photograph of Artist Olaf Gravesen photographed with one of his nail head sculptures, 1974. Signed on the verso by Jack Mitchell. Comes directly from ...

Badlands - 2018 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2018-1098. Not mou...

Beautiful vintage nude photo created by the East German Photographer Sigurd Rosenhain, who lived and worked in Leipzig.

'Squeeze' part of the series 'Hands down' - 2019, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid, not mounted. Signature label with certificat...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Unidentified male model, multiple exposure with plant leaves, 1971. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes directly from...

Aventure d'une libertine XII, Paris, 2015 From The Secret Album Series Edition 6/6 ex. 5 AP. Unframed The Secret Album Series This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the series was born, with a more erotic style than the others. _______________________________ Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable. In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris. In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women’s magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book. In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project, unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera...

8 x 10" vintage silver gelatin photograph, Ballerina Silhouette, 1971. It is signed on the print verso in pencil by Jack Mitchell. This is a print that was published by a newspaper o...

Jeffrey Tamblyn Redemption and Retribution Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 16x16 inches Edition: 50 Signed, dated and numbered by hand on label COA ...

Heartbreak Motel - 2016 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival print, based on the original Polaroid. Signature label and certificate. Artist inventory PL2016-123....

Unknown photographer, 1950's nude, printed on Epson paper, original was handtinted 13.375 x9 in Colors: Brownish Red, White, Skin color with hand tinting,

Actor Robert La Tourneaux, "Cowboy" from "Boys in the Band" on Broadway, and in the motion picture, photographed nude in 1970 for After Dark magazi...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes...

An image of a young woman on an amusement park ride shot on film by Roberta Fineberg, the portrait was made in New York in the late 1980s a time of innocence and edginess, tenderness...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints this is edition 2/100 Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes...

11 x 14" vintage silver gelatin photograph of Warhol Superstar Jackie Curtis photographed May 21, 1970. Signed by Jack Mitchell on the verso. Comes dire...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

David Pugh Disco Atlas Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age resi...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...