1960s Black and White Photography

Signed by the photographer on the recto

Signed by the photographer on the recto

Signed by the photographer on the recto

Signed by the photographer on the verso

Neil Leifer Clay vs Jones Post Fight "Knockout", 1963 Black and white photograph 16 x 20 inches (40.6 x 50.8 cm) Edition 14/150

Adama Sylla Untitled (2 Boys), c.1960s Archival inkjet print on dibond 24 x 16 inches (61 x 40.6 cm) Edition 1/3, 1 AP

Adama Sylla Untitled (Boys Night Out), c.1960s Archival inkjet print on dibond 24 x 16 inches (61 x 40.6 cm) Edition 1/3, AP 1

Adama Sylla Untitled (Dancing), c.1960s Archival inkjet print on dibond 24 x 16 inches (61 x 40.6 cm) Edition 1/3, 1 AP

Adama Sylla Untitled (2 Girls), c.1960s Archival inkjet print on dibond 24 x 16 inches (61 x 40.6 cm) 1 AP, Edition 1/3

Estate embossed

Signed by the photographer

Ted Williams Civil Rights, 1964 Silver gelatin print 20 x 24 inches Estate stamped and numbered edition with certificate of authenticity Crowds line the stands to observe a speech ...

Ed. 24/50, rare hand-signed platinum print. Includes black frame. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in national art galleries an...

Lisa Law has spent five decades capturing the shifting tides of American culture on film. Her reputation is built on photographs unique for their startling sense of intimacy and spon...

Bob Dylan, Newport, 1963 Signed, titled, dated and numbered in pencil on verso Gelatin silver print Image: 13-1/8 x 18-5/8", Paper: 14-1/8" x 19-7/8", Matted: 20" x 24" AP 1/3

Signed, titled, dated and numbered in pencil on verso Gelatin silver print Image: 12-5/8" x 19", Paper: 13-5/8" x 20", Matted: 20" x 24" AP 1/3

Signed, titled and dated in pencil on verso Gelatin silver print Image: 6-1/2" x 9-1/2", Paper: 9" x 11"

Untitled (couple dancing by jukebox), Chicago, 1962 Signed in pencil on verso Gelatin silver print Image: 12-1/2" x 18-3/4", Paper: 16" x 20", Matted: 20" x 24"

Untitled, Washington DC, 1963 Signed in pencil on verso Gelatin silver print Image: 12-1/2" x 18-3/4", Paper: 16" x 20", Matted: 20" x 24"

Signed in pencil on Verso Gelatin silver print Image: 22 1/2" x 15, Paper: 24" x 20, Matted: 24" x 30"

Titled, dated and numbered in ink on recto; Titled, dated, numbered and stamped with estate stamp on verso Gelatin Silver Print Image: 14" x14", Paper: 20" x 16", Matted: 24" x 20" E...

Titled, dated and numbered in ink on recto; Titled, dated, numbered and stamped with estate stamp on verso Gelatin Silver Print Image: 18" x 12", Paper: 20" x 16", Matted: 24" x 20" ...

Signed and inscribed in ink on recto; Stamped on verso Gelatin silver print Image 8"x12", Paper 11"x14", Matted 16"x20"

Signed in ink on verso Vintage gelatin silver print Image: 8-1/2" x 12-1/2", Paper 11" x 14", Matted: 16" x 20"

Signed on mount verso. Titled and dated on recto. Gelatin Silver Print Image - 7.5"x9.5", Mount 15 x 13", Mat 20" x 16"

Ted Williams Civil Rights, 1964 Silver gelatin print 20 x 24 inches Estate stamped and numbered edition with certificate of authenticity Crowds line the...

Signed, titled & dated in pencil on verso Gelatin silver print 16 x 20 inches

Signed and dated in pencil on mount recto; number "8" blind-stamped in lower left corner of mount Image 9-1/2" x 7-1/4", Mount 18" x 14", Matted 20" x 16"

The Beatles, Abbey Road Backyard, 1963 Signed and number in ink on recto Gelatin silver print Image 9-1/2" x 13-1/2", Paper 12" x 16", Matted 16" x 20" Edit...

Signed by the photographer

Signed by the photographer

Signed by the photographer One of less than 20 prints made in this size and signed

Signed, titled and dated in pencil on verso Vintage gelatin silver print Image 9-3/4" x 6-5/8", Paper 10" x 8", Matted 20" x 16"

Signed, titled and dated in ink on recto Gelatin silver print Image 18" x 11 1/2", Paper 20" x 16", Matted 24" x 20" Edition 32 of 150

Signed and dated in ink on recto

Signed and dated in ink on recto

Signed and dated in ink on recto

Signed & dated in ink on recto

Signed, titled, & dated in pencil on print verso Gelatin Silver Print Paper - 16"x20", Image 14"x16", Matted - 20"x24"

Signed in pencil on mount recto Gelatin silver print Paper 10-1/4"x13-1/4",Matted 18"x22"

Signed, titled and dated in pencil on mount recto Gelatin silver print Paper 9-3/4"x14-3/4", Mount 14-3/4"x20-1/4", Matted 18"x23"

Bob Dylan , Aust Ferry, Bristol, England, 1966 by Barry Feinstein. "11 May, waiting at the Aust Ferry Terminal near Bristol to go to Cardiff in Wales. They chose this shot for the cover of Scorsese’s No Direction Home CD and DVD. It’s one that Bob likes as it told it all. It has depth, he looked cool. I guess he felt it represented the moment to him. Just waiting for the ferry...

Signed in pencil on mount recto Gelatin Silver print Image 15 3/8"x18 5/8", Paper 16x20", Matted 24x28"

1967/printed 1999 Signed, dated, and numbered in pencil, recto Iris print (Edition of 100) 30 x 22 inches (76.2 x 55.9 cm), sheet 20 x 16 inches (50.8 x 40.6 cm), image Contact ga...

Signed by the photographer. Additional sizes may be available upon request.

Ted Williams Dr. Martin Luther King, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authenticity Dr. Martin Luther King makes a sp...

Ann Taylor, Vail, Colorado, c. 1960s

Ann Taylor, Vail, Colorado, c. 1960s

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix at Mason’s Yard, London 1967. Blue smoke. ...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull recording at Decca Studios in London in 1964. A...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix, London 1967. All Prints are Signed and L...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull recording at Decca Studios in London in 1964. Al...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull, London in 1965. All Prints are Signed and Limi...

'Mick Jagger' SIGNED, LIMITED EDITION Portrait of Mick Jagger. Photograph by Gered Mankowitz of Mick Jagger & Aston Martin DB6, London 1966. All Prints are Signed and Limited Edition Printed later 2020 EXTRA LARGE 40 x 40" inches/ 101 X 101 cm Edition size 50 only GERED MANKOWITZ BIOGRAPHY: Gered Mankowitz was born in London, England, on 3rd August 1946. The first of four sons of the late author, playwright and film writer Wolf Mankowitz and his wife, the Jungian psychotherapist Ann Mankowitz. After an education of sorts at several London co-educational “progressive” schools, he left at 15, avoiding all exams and completed his education devoid of any formal qualifications. Having displayed a natural ‘eye’ for photography whilst on a school trip to Holland and having been inspired to take up photography by the actor Peter Sellers, his photographs were seen by the legendary photographer Tom Blau, who offered Gered an apprenticeship at his famous photo agency, Camera Press Ltd., in London. Over a period of several months Gered worked in all the various departments that made up Camera Press, finally moving to the studio and going on various assignments in and around London. In 1962, Gered went to Barbados with his family and began taking photographs professionally, producing a range of work from architectural studies for the island’s top architect to the first Boeing 707 landing at Bridgetown airport for British West Indian Airways. On returning to London, Gered was offered a chance to go to Paris for the collections, working for the fashion photographer Alec Murray. In spite of the glamour and exciting atmosphere, it was clear that this particular area of work was not for him, and on returning to London he went to work for the ‘show-biz’ portraitist, Jeff Vickers. Gered had already photographed the Bristol Old Vic production of the American musical play “Fiorello” and his photos had been used for the front of theatre display when the show transferred to London’s Piccadilly Theatre. This made him the youngest photographer to have his pictures used in this way; so working for Jeff Vickers gave him an opportunity to develop his ‘show-biz’ contacts and to broaden his experience in the studio, taking portraits of many actors and other personalities. During 1963, Gered met and photographed the singing duo Chad and Jeremy, who had just signed with Ember records. One of these photos was used as the cover of the duo’s first album, “Yesterday’s Gone”, and Gered found himself working in the music industry at a time when it desperately needed new, mould breaking images. He began to work with a new generation of producers like John Barry, Shel Talmy and Chris Blackwell photographing artists who were of his own age group and who felt at ease with him in a way that had not been possible with other photographers. At the end of 1963 Gered opened his first studio, at 9 Masons Yard in the heart of London’s West End. On one side was the infamous disco “The Scotch of St.James”, hangout of the pop glitterati of the time, and on the other the art gallery “Indica”, partly financed by The Beatles and where John Lennon met Yoko Ono. Within a few months Gered had already begun to make a name for himself, and he was approached to photograph Marianne Faithful, who had just had a big hit with “As Tears Go By”. Working closely with Marianne he got to know her manager and producer Andrew Loog Oldham. In early 1965, Oldham asked him to photograph the Rolling Stones, who he also managed and produced. This was a major turning point in Gered’s career, because from this first session came the cover for “Out of Our Heads” (U.S. title “December’s Children”), and as a result he was asked by the Stones to go to America with them on their record breaking 1965 autumn tour. During this 9 week (48 city) tour of the U.S. Gered photographed the Stones on stage and off, and got particularly close to Keith and Charlie. There were many adventures as Gered found himself on the road with the greatest Rock band in the world at the peak of their original success. Gered continued working with the Stones as their ‘official’ photographer, producing photos for albums (“Between the Buttons”; “Got Live If You Want It”; “Big Hits”; and several others), press and publicity, taken at home, in the recording studio, on stage and behind the scenes until 1967, when the band broke off with their manager, Oldham. Through the 60’s, Gered continued in the music world working with Oldham at his famous Immediate label, and with many other major artists including Jimi Hendrix, Free, Traffic, The Yardbirds, The Small Faces...

20 x 24 in (50.8 x 60.9 cm) Silver Gelatin Print Edition of 50 Price does not include tax.

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix, London 1967. More smoke. All Prints are...

American actors Paul Newman and Robert Redford playing ping-pong during a break in the filming of their movie 'Butch Cassidy and the Sundance Kid'. Durango, Mexico, 1968. Silver Gel...

Signed, printed later.

Signed, printed later,before 2007

Signed, printed later but before 2007.