Mid-19th Century Black and White Photography

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

'Snake Necklace by Elsa Peretti' Platinum/Palladium on vellum paper over silver leaf Handmade photographic reproduction on sensitised paper Edition 1 of 5 , plus 2 AP ( Medium Siz...

This gelatin silver print was created by American photographer Christopher Makos. Makos is well known for his relationships with icons like Andy Warhol, Tennessee Williams, and John ...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

This gelatin silver print was created by American photographer Christopher Makos. Makos is well known for his relationships with icons like Andy Warhol, Tennessee Williams, and John ...

‘ Lisa ' By Ian Sanderson, Silver Gelatin print, Fiber based Photography : 1989 A beautiful silver gelatin fibre based print produced in the darkroom directly from the negative. The ...

Fernando Natalici: John Waters, Baltimore 1985: Medium: Silver Gelatin print in Agfa darkroom paper. Dimensions: 11 x 14 inches. Condition: Fair overall vintage condition; scattered...

The Pirelli Calendar, known and trade-marked as "The Cal", is an annual trade calendar which has been published by the UK subsidiary of the Italian tyre manufacturing company Pirelli...

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

Debbie Harry & Duncan Hannah on the set of 'Unmade Beds' 1976 by celebrated New York photographer Fernando Natalici. This vintage original photograph was captured on the set of "Unm...

Racetrack by Frank Schott 24 x 40 inches (56 x 102cm) edition of 25 signed 48 x 88 inches (122 x 224cm) edition of 7 signed archival quality fine art pigment print limited art ...