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Slim Aarons
'Tennis Guests' Newport (Estate Stamped Edition)

1955

$3,300List Price

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Newport Tennis Slim Aarons Limited Estate Edition Print
By Slim Aarons
Located in London, GB
Newport Tennis 1953 Members of 'old Newport' watching the action on court at Newport Tennis Week, Rhode Island, USA, 1953. Large oversize 30 x 30 inches / 76 x 76 cm paper size ...
Category

1960s Modern Black and White Photography

Materials

Silver Gelatin, Black and White

Teeing Off - silver gelatine print Oversize Golf
By H. Armstrong Roberts
Located in London, GB
Golfer teeing off circa 1939. (Photo by H. Armstrong Roberts) Beautiful large silver gelatine print of an elegant looking golfer fashionably dressed teeing off during the late 1930...
Category

1930s Modern Figurative Photography

Materials

Black and White, Silver Gelatin

Tom Waits on Portobello Road, 1976 Limited Estate Print
By Michael Putland
Located in London, GB
© Michael Putland Tom Waits on Portobello Road Tom Waits walking on Portobello Road, London, 1976 Tom Waits is an iconic American singer-songwriter known for his gravelly voice, e...
Category

1970s Modern Black and White Photography

Materials

Silver Gelatin

Crash Test Dummies by Arthur Steel
By Arthur Steel
Located in London, GB
Crash Test Dummies by Arthur Steel Crash Test Dummies – General Motors dummy hospital, Detroit, 1969 All prints are hand signed limited editions, no ...
Category

1960s Modern Black and White Photography

Materials

Silver Gelatin

Captivated Audience by Arthur Steel
By Arthur Steel
Located in London, GB
Captivated Audience by Arthur Steel SURREY 1979 All prints are hand signed limited editions, no further prints are produced once sold. paper size - 16 x 12" / 41 x 31 cm signed a...
Category

1970s Modern Black and White Photography

Materials

Silver Gelatin

Slim Aarons Official Estate Print - Louis Armstrong Dinner Jazz 1949
By Slim Aarons
Located in London, GB
Dinner Jazz American Jazz trumpeter and singer Louis Armstrong enjoys a plate of spaghetti in Rome. Slim Aarons silver gelatine fibre based print Printed Later Slim Aarons Estat...
Category

1940s Modern Figurative Photography

Materials

Black and White, Silver Gelatin

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Last Bus In London by Bert Hardy - Limited Edition silver gelatine print
By Bert Hardy
Located in London, GB
Last Bus In London by Bert Hardy Limited Edition silver gelatine print A couple saying goodbye on a bus in Shaftesbury Avenue in London, July 1953 . Original Publication: Picture Post - 6576 - Known Your Piccadilly - pub. 4th July 1953 (Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images Archive London England) Paper size 12x16 inches / 31 x 41 cm Produced utilising the original negative Numbered and stamped by the Getty Archive London Limited edition to 300 only Silver gelatine fibre based baryta paper print Certificate of authenticity included printed 2024 Ships securely from London. Other sizes and Framing available on request. Bert Hardy Bert Hardy Albert William Thomas Hardy (19 May 1913 – 3 July 1995) was an English documentary and press photographer known for his work published in the Picture Post magazine between 1941 and 1957. Life and work Born in Blackfriars, Bert Hardy rose from humble working class origins in Southwark, London. The eldest of seven children, he left school at age 14 to work for a chemist who also processed photos. His first big sale came in 1936 when he photographed King George V and Queen Mary in a passing carriage during the Silver Jubilee celebrations, and sold 200 small prints of his best view of the King. His first assignment, at age 23, was to photograph Hungarian actor Sakall at the Mayfair Hotel. Hardy freelanced for The Bicycle magazine, and bought his first small-format 35 mm Leica. He signed on with the General Photographic Agency as a Leica photographer, later founding his own freelance firm, Criterion. General Photographic Agency General Photographic Agency a Fleet Street, London agency, sold photos at least between 1880-1950. Picture Post and World War II In 1941, Hardy was recruited by the then editor Tom Hopkinson of the leading picture publication of the 1930s to the 1950s, Picture Post. Founded in 1938 and funded by publisher Edward Hulton, the magazine's first editor was Hungarian émigré Stefan Lorant (1901–97) assisted by Hopkinson, who took over as editor from 1940. The picture-centric, left-leaning and reasonably-priced publication was highly successful and circulation soon rose to over a million. Hardy's photographer colleagues included Felix H. Man (aka Hans Baumann...
Category

1950s Modern Figurative Photography

Materials

Silver Gelatin

Sign 77, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Silver Gelatin

Sign 82, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Silver Gelatin

Cone 4, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Silver Gelatin

Bow, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

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Enter the Temple, Elephant Island, Bombay, India, 1988
By Victoria Goldman
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category

1990s Modern Figurative Photography

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