Coat Black and White Photography

Untitled #23 (Woman Snow) from the series Eternal London is a Limited Edition Silver Gelatin print by Giacomo Brunelli. This size of 9" x 12" from a Limited Edition of 10. As the...

Untitled #22 (Man's Hands) from the series Eternal London is a Limited Edition Silver Gelatin print by Giacomo Brunelli. This size of 9" x 12" from a Limited Edition of 10. As the edition sells through, the print increases in price to reflect rarity. Giacomo Brunelli was commissioned by The Photographer's Gallery, London, to capture the heart of the capital city where he lives. Made over the course of 2 years, Eternal London takes Brunelli's distinctive film noir aesthetic to create an evocative and atmospheric view of London, full of powerful light and shadow work. Framed by boldly abstract silhouettes of people and animals, London's famous landmarks are presented in a less-than-obvious way, reflected in the puddles that typify English weather or looming as a mysterious structure in the background. Captured during daily morning walks, Brunelli randomly chose a person to follow before focussing his camera on them. Working discreetly, like early 20th century photographers such as Jacob Riis...

Untitled #17 (Guard Whitehall) from the series Eternal London is a Limited Edition Silver Gelatin print by Giacomo Brunelli. This size of 9" x 12" from a Limited Edition of 10. A...

Untitled #14 (Man Taxi Mayfair) from the series Eternal London is a Limited Edition Silver Gelatin print by Giacomo Brunelli. This size of 9" x 12" from a Limited Edition of 10. ...

Untitled #2 (Man Tower Bridge) from the series Eternal London is a Limited Edition Silver Gelatin print by Giacomo Brunelli. This size of 9" x 12" from a Limited Edition of 10. As the edition sells through, the print increases in price to reflect rarity. Giacomo Brunelli was commissioned by The Photographer's Gallery, London, to capture the heart of the capital city where he lives. Made over the course of 2 years, Eternal London takes Brunelli's distinctive film noir aesthetic to create an evocative and atmospheric view of London, full of powerful light and shadow work. Framed by boldly abstract silhouettes of people and animals, London's famous landmarks are presented in a less-than-obvious way, reflected in the puddles that typify English weather or looming as a mysterious structure in the background. Captured during daily morning walks, Brunelli randomly chose a person to follow before focussing his camera on them. Working discreetly, like early 20th century photographers such as Jacob Riis...

Untitled #1 (Man Silhouette) from the series Eternal London is a Limited Edition Silver Gelatin print by Giacomo Brunelli. This size of 9" x 12" from a Limited Edition of 10. As ...

Supermodel Wilhelmina Cooper, born Wilhelmina Gertrud Frieda Behmenburg, began her illustrious career as a model signed to top agency Ford Models. In...

Bowie Beverly Hills - Limited Edition Mick Rock Estate Print David Bowie, Beverly Hills, 1972. (photo Mick Rock). All prints are numbered by the Estate. Edition size varies accord...

Sükan created the ‘La Notte’ series as he was working for international magazines documenting the fashion shows and backstage as well as the social times of the fashion world in Pari...

Sükan created the ‘La Notte’ series as he was working for international magazines documenting the fashion shows and backstage as well as the social times of the fashion world in Pari...

Koo Stark Black and white silver gelatin portrait photograph of photographer Horst P. Horst, official 80th birthday image. Frame: 17 1/4 x 23 1/4 inches Sight: 10 1/4 x 13 1/4 inches Condition: Good. Kathleen Norris Stark (born April 26, 1956), better known as Koo Stark, is an American photographer and actress, known for her relationship with Prince Andrew. She is a patron of the Julia Margaret Cameron Trust, which runs the museum of the Victorian pioneer photographer. Early life and education Stark was born in New York. Her parents were Wilbur Stark, a writer and producer, and Kathi Norris, a writer and television presenter in New York City. She is the youngest of three children, the others being Pamela and Brad. At the time of her birth, the family was living in the city's Manhattan borough.[1] Her grandfather, Edwin Earl Norris, was a cabinetmaker and musician, playing the French horn and the viola in the Newark Symphony Orchestra. Her mother's family were Presbyterians.[2][3] After a divorce in the 1960s, her mother remarried.[4] Koo Stark attended the Hewitt School in New York and the Glendower Preparatory School in Kensington, London. After training at a stage school, she began her film acting career. (she acted in the original Star Wars!) Stark also began to work as a fashion model, particularly for Norman Parkinson. In February 1981, she was at the National Theatre as an understudy in the Edward Albee play Who's Afraid of Virginia Woolf? Stark has worked as a photographer since the 1980s, and may have been the first person to turn the tables on the pursuing paparazzi by taking photos of them. Prince Andrew has told how in 1983 a photographic printer, Gene Nocon, invited Stark to take photographs of people taking photos of her, for his exhibition, Personal Points of View, planned for October. She persuaded Nocon to include Andrew's work as well. Her early photographs led to a book deal, for which she took lessons from Norman Parkinson. She travelled to Tobago, where he lived, and he became her mentor. Her book Contrasts (1985) included about a hundred of her photographs. She went on to study the work of leading photographers, including Angus McBean, whom she met and photographed, developing her interests in photography to include reportage, portraits, landscapes, still life, and other work. The book Contrasts was launched at Hamiltons Gallery, London, in September 1985, at an exhibition of the same name. In 1994, the Gallery Bar at the Grosvenor House Hotel in Park Lane hosted an exhibition called 'The Stark Image', forty photographs by Stark, including several previously unpublished. In 1998, her work was featured at the Como Lario in Holbein Place, Belgravia. In July 2001 she had an exhibition called 'Stark Images" at the Fruitmarket Gallery in Edinburgh, duplicated from June to July 2001 at Dimbola Lodge on the Isle of Wight. A solo exhibition of portraits was at the Winter Gardens, Ventnor, from September to October 2010,[29] and another at Dimbola Lodge from February to April, 2011. On 22 April 1987, a charity auction at Christie's, St James's, for the Campaign to Protect Rural England, featured signed work by David Bailey, Patrick Lichfield, Don McCullin, Terence Donovan, Fay Godwin, Heather Angel, Clive Arrowsmith, Linda McCartney, Koo Stark, and fifteen others, Views by Stark, including some of Kirby Muxloe Castle, were in G. H. Davies's England's Glory (1987), a CPRE book launched at the same time. Pictures by Stark have appeared in Country Life and other magazines. Several of her portraits are in the National Portrait Gallery, and work is also in the collections of the Victoria and Albert Museum, both in London. A Leica user, Stark has said her camera transcends mere function and is a personal friend. A solo exhibition hosted by the Leica gallery in Mayfair in May 2017 was entitled Kintsugi, a Japanese word for a way of renovating things that have been broken. Stark explained the title: "Kintsugi is a way of learning to see individual beauty, and to appreciate the value of experience and honesty. It is the antithesis of digital, airbrushed, Photoshop-homogenised 'beauty'." In August the exhibition was repeated in Manchester, to mark the opening of a new Leica store there. Stark has been a practising Buddhist since meeting the Dalai Lama. She continues to live in London and is a member of the Chelsea Arts Club. She is a Patron of the Julia Margaret Cameron Trust, at Dimbola Lodge on the Isle of Wight, home of the Victorian pioneer photographer Julia Margaret Cameron. Stark met Prince Andrew in February 1981, and they were close for some two years, before and after his active service in the Falklands War. Tina Brown has claimed that this was Andrew's only serious love affair. In October 1982 they took a holiday together on the island of Mustique. According to Lady Colin Campbell, Andrew was in love, and the Queen was "much taken with the elegant, intelligent, and discreet Koo". However, in 1983, after 18 months of dating, they split up under pressure from the Queen. In 1997, Prince Andrew became the godfather of Stark's daughter, and in 2015, when the Prince was accused by Virginia Roberts over the Jeffrey Epstein connection, Stark came to his defence, stating that he was a good man and she could help to rebut the claims. Photographic exhibitions 'Contrasts', Hamiltons Gallery, Carlos Place, London, September 1985 'The Stark Image', Gallery Bar at Grosvenor House Hotel, London, 1994 'Stark Images', Dimbola Lodge, Isle of Wight, June to July 2001 'Stark Images', Fruitmarket Gallery, Market Street, Edinburgh, July 2001 'Portraits by Koo Stark', Winter Gardens, Ventnor, Isle of Wight, September to October 2010 'Koo Stark: Contrasts', Dimbola Lodge, Isle of Wight, February to April, 2011 'Kintsugi', Leica gallery, Bruton Place, Mayfair, May 2017 'Kintsugi', Leica store, Police Street, Manchester, August 2017 'Kintsugi Portraits', San Lorenzo, Beauchamp Place, London SW3, November 2017 Horst Paul Albert Bohrmann (1906 – 1999), who chose to be known as Horst P. Horst, was a German-American fashion and Fine Art photographer. The younger of two sons, Horst was born in Weißenfels-an-der-Saale, Germany, to Klara (Schönbrodt) and Max Bohrmann. His father was a successful merchant. In his teens, he met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris to study under the architect Le Corbusier. While in Paris, he befriended many people in the art community and attended many galleries. In 1930 he met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman, and became his photographic assistant, occasional model, and lover. He traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle. His first exhibition took place at La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after the exhibition ended, made Horst instantly prominent. Horst made a portrait of Bette Davis the same year, the first in a series of public figures he would photograph during his career. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Modrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others like Eve Curie. Horst rented an apartment in New York City in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades. He met Valentine Lawford, British diplomat in 1938, and they lived together until Lawford's death in 1991. Horst adopted a son, Richard J. Horst, whom they raised together. In 1941, Horst applied for United States citizenship. In 1942, he passed an Army physical, and joined the Army on July 2, 1943. On October 21, he received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945, he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House. In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene. Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealist style and surrealism and his regard of the ancient Greek ideal of physical beauty. Horst P Horst signed color photograph in color. Horst is listed as one of the best photographers ever along with Diane Arbus, Ansel Adams, and Robert Mapplethorpe His method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes in Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work. One of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity. In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Lee Radziwill, Duke of Windsor and Duchess of Windsor, Peregrine Eliot, 10th Earl of St Germans and Lady Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster...

"Cafe De Flore, Paris In 1948" by Keystone-France Cafe De Flore, Paris, France, 1948. Unframed Paper Size: 16" x 16'' (inches) Printed 2022 Silver Gel...

Chestnut Vendor, Depression by John Albok depicts a man selling chestnuts on the street. The man looks down at his hands as he cracks open the chestnut. To his left sits a bowl of ch...

"Brian Griffin turned the tables on commercial assignment portraiture with a style all his own. When Margaret Thatcher came to power in 1979, business was empowered and labor was bel...

Man with Newspaper is a Black & White print on Hahnemuehle Paper in this size of 24" x 34" in an edition of 10. Michael Ormerod was a British photographer with a distinct and powerf...

Sylvia Miles and Larry Rivers

This gelatin silver print was created by American photographer Christopher Makos. Makos is well known for his relationships with icons like Andy Warhol, Tennessee Williams, and John ...

Rosemary Ellis (1910-1988) Windows Original photography for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelatin Photog...

"Bundled Up" is a fashion photograph Jack Robinson took on assignment for the New York Times fashion magazine. Robinson was a frequent contributor to the Sunday fashion supplement. This particular photograph was for an article from the mid-1960s highlighting that season's hottest winter accessories...

Beth Moon is an American-born photographer. She has gained international recognition for her large-scale, richly toned platinum prints. This portfolio focuses on totem-like beliefs ...

Senator John F. Kennedy (1917 - 1963), Shirley Rogan Ellis and Betty LoSavio at Montego Bay Airport, Jamaica. Slim Aarons Kennedy And Friends Black and White Photography Slim Aarons...

Big Ben From The South Bank (1955) - Silver Gelatin Fibre Print (Photo by Nat Norman/Frederic Lewis/Archive Photos/Getty Images) A woman looking across the Thames towards the Palac...

Carry On Tea Break (1971) - Silver Gelatin Fibre Print (Photo by Larry Ellis Collection/Getty Images Archive) British actors Sid James and Kenneth Williams eating jellied eels from paper cups...

"Loneliness" Photography 24" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

In the Dare alla Luce series, I initially responded to a collection of vintage photographs, retrieved from a variety of sources both personal and anonymous. Through hand-manipulated ...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Ian McCulloch - Oversize Signed Limited Edition Print Ian McCulloch, frontman of Echo & the Bunnymen, photographed in Paris for the band's eighth studio album, What Are You Going to...

Gary Barlow - Giant Oversize Signed Limited Edition Print British singer Gary Barlow OBE, lead singer of Take That and writer of 14 No. 1 singles on the ...

Jack Robinson photographed Australian pop/rock group the Bee Gees in August, 1968. By this time, the Gibb Brothers and band had released three albums and had ...

The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...

In the Dare alla Luce series, I initially responded to a collection of vintage photographs, retrieved from a variety of sources both personal and anonymous. Through hand-manipulated ...

A young Turkana girl John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets! The suffuse light allows him to capture a remarkable l...

Elder with a tale to tell John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets! The suffuse light allows him to capture a remarka...

A young Turkana girl John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets! The suffuse light allows him to capture a remarkable l...

Long White Shirt by Monica Denevan - Photography, Silver Gelatin Print, 2008 Monica Denevan studied photography at San Francisco State University. She has travelled extensively in...

Long White Shirt by Monica Denevan - Photography, Gelatin Print with Wood Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensively...

Double bass player wandering along Santa Elena beach in Cuba James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm of the m...

Elder with a tale to tell John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets! The suffuse light allows him to capture a remarka...

Janis Joplin photograph Detroit, 1968 - This very natural, in the moment image of Rock legend, Janis Joplin was shot by legendary Detroit photographer & c...

Elton John photoshoot

1955 Capitol. Released in April 1955. "In the Wee Small Hours" is the 9th studio album by Frank Sinatra. "In the Wee Small Hours" has been called one of the first concept albums. The...

The original Star Wars trilogy, formerly marketed as the Star Wars Trilogy (and colloquially referred to as the 'original trilogy'), is the first set of three films produced in the S...

Samuel George Davis Jr. (December 8, 1925 – May 16, 1990) was an American singer, dancer, actor, comedian, film producer and television director. At age three, Davis began his caree...

Genre: Photographic Subject: Music Medium: Photograph, Gelatin Silver Print Surface: Photographic Paper Country: United States Dimensions: 10" x 8" Dimensions w/Frame: 14.75" x 11.75" Fred W. McDarrah, 1926-2007 Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson...

Dan Auerbach “Ride”, San Francisco 2022, signed limited edition prints by The Black Keys official photographer Larry Niehues. The Black Keys relationship with Larry Niehues began t...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

Malcolm Lubliner was in the right place at the right time. The artist had been working and teaching in Southern California for a number of years before he became a full-time photographer in 1968. Entrenched in Los Angeles’s burgeoning art scene, Lubliner was hired as a contract photographer for the publishing workshop Gemini G.E.L. to document its behind-the-scenes activities. He would later become the official photographer for the Art and Technology Program at the Los Angeles County Museum of Art (LACMA), which paired artists with technology companies in the region. Lubliner’s collection of negatives, contact sheets, and prints—newly catalogued as part of the special collections at the Getty Research Institute—showcases some of the 20th century’s most notable artists and demonstrates his insight into their artistic processes. Lubliner photographed the technical and collaborative efforts that went into producing iconic works such as Jasper Johns’s Numerals, Claes Oldenburg’s Giant Ice Bag, and Frank Stella’s Protractor series, while also creating intimate portraits of the individual artists as the driving forces behind them. He captured artists such as Roy Lichtenstein, Robert Rauschenberg, Robert Irwin, Richard Serra, John Altoon, and Sam Francis at work both at Gemini and in their own studios. Also present in many of the photographs are staff members of Gemini, including Kenneth Tyler and Stanley Grinstein. An equally important part of the collection are Lubliner’s photographs of social events that were held by Los Angeles’s prominent art collectors and dealers. Accomplished and rising artists alike mingled and celebrated with the art world’s movers and shakers, such as Leo Castelli, Betty Asher, and Maurice Tuchman, establishing partnerships that would help define their careers. EDUCATION 1962 MFA Degree, Otis Art Institute, Los Angeles, Ca Received a California State Teaching Credential EXHIBITION HISTORY, SOLO 2013 The Automotive Landscape, St. Mary’s College Art Gallery, Moraga, CA 2011 Anxious Landscape, Richmond Art Center, Richmond, CA. 2011 Pacific Party Time, Craig Krull Gallery and Getty Foundation, Los Angeles, CA 2010 Garden of Arbitrary Volition, Togonon Gallery, San Francisco, CA 2008 Tableaus, City Hall Rotunda, Walnut Creek, CA 2007 Portraits of American Artists, The 8 Gallery, San Francisco, CA 2003 Significant Places, Fresno Museum of Art, Fresno, CA 2003 Significant Places, Bedford Gallery, City Council Chambers, Walnut Creek, CA 2001 Significant Places, Point of View, College of Marin, Kentfield, CA 2001 Osceola Gallery Emeryville, CA 1999 Sixteen Tableaus, Berlex Corporation. The Richmond Art Museum 1995 Sixteen Tableaus, The Collectors Gallery, Oakland Museum of California Oakland, CA 1995 Sixteen Tableaus, University of Alabama at Tuscaloosa 1988 Introductions 1988, Vision Gallery, San Francisco, CA 1988 Mitzie Landau Gallery, Solo Exhibition, Los Angeles, CA 1975 Automotive Research, The Comsky Gallery, Los Angeles, CA EXHIBITION HISTORY, GROUP 2014 Pilot Project at the Richmond Art Center Annual Members Show, June 14 to August 22 2013 Me Two, Self portrait, Syracuse University permanent collection, Syracuse, NY 2009 Seduction of Duchamp, Slaughterhouse Space, Healdsburg, CA 2009 Glimpses in Time, National Competition, Joyce Gordon Gallery, Oakland CA 2009 Anxious Landscape, Togonon Gallery, San Francisco, CA 2008 Banned and Recovered, African American Museum, Oakland, CA 2006 The 8 Gallery, Inaugural exhibition, San Francisco, CA 2006 Rush Creek Editions Gallery, Inaugural exhibition, Santa Fe, NM 2006 Transmissions Gallery, Berkeley CA 2005 The Bedford Gallery, Dean Lesher Center, Walnut Creek, CA 2003 Grabado sin Fronteras, Kala Art Institute, Berkeley, CA , Mission Cultural Center, San Francisco, CA and Estamperia of Quito Ecuador. 2002 Crocker Art Museum, Crocker-Kingsley 73rd Biennial Exhibition Sacramento,CA 1997 Oakland Museum of California, “In Front of the Lens” Photographers Portraits and Self Portraits, Oakland, CA 1996 Photographing The L.A. Art Scene 1955-1975, Group exhibition at The Craig Krull Gallery, Los Angeles 1994 Living in Balance, Richmond Art Center, Richmond, CA 1993 36th Annual Chautauqua National Exhibition of American Art, Chautauqua, N.Y. 1993 Third Annual Juried Exhibition, Sid Jacobson Jewish Community Center, East Hills, N.Y. 1993 4th Annual Art Equinox, Paris Gibson Square Museum of Art, Great Falls, Montana. 1993 Portraits in Black and White, ZYZZYVA benefit, Edith Caldwell Gallery, San Francisco, CA 1993 Long Beach Arts 89th Open Exhibition, Long Beach, CA 1993 Fort Worth Arts Festival, Fort Worth, TX 1989 A Special Photographers Co., Group Exhibition, London, GB 1988 The Print Club, 64th Annual International Competition, Philadelphia, PA 1985 SNAP Photographic Competition, San Francisco Arts Commission Gallery San Francisco, CA 1981 L.A. As Seen By L.A. Artists, Invitational Exhibition, Los Angeles Municipal Art Gallery, Los Angeles, CA 1981 Architecture de Tour, Centre George Pompidou, Paris, France 1967 California Dreamin’, Los Angeles County Museum, Barnsdall Park. Los Angeles, CA 1980 Otis Art Institute Alumni Invitational, Otis Art Institute, Los Angeles, CA 1971 Art and Technology, Photographic documentation of the U.S. Arts entry at the Osaka Worlds Fair, sponsored by The Los Angeles County Museum of Art AWARDS AND GRANTS 2006 Vallejo Artist’s Guild, Vallejo, CA – First and second cash prizes 1997 Miranda Leonard Purchase Grant, Gift of four photographs to San Francisco Museum of Modern Art. 1994 California Exposition & State Fair, AWARD, Sacramento, CA 1975 Ohio Silver Gallery National Open Exhibition, PURCHASE AWARD, Ohio Silver Gallery, Los Angeles, CA 1962 All City Competition, AWARD, LA County Museum of Art, Barnsdall Park, Los Angeles, CA PUBLIC AND PRIVATE COLLECTIONS The Lafayette Library and Learning Center, Lafayette, CA. The National Portrait Gallery, The Smithsonian Institution, Washington, DC Crocker Art Museum, Sacramento, CA The Bancroft Library, Berkeley, CA San Francisco Museum of Modern Art San Francisco Arts Commission Oakland Museum of California The Los Angeles County Museum of Art The Fresno Museum of Art The California Museum of Photographic Arts, San Diego, CA. David Packard...

Dennis Hopper was an actor and artist, notable for his roles in classic American films such as Easy Rider, Apocalypse Now, and Blue Velvet. Image dimensions: 10 x 8 in. Framed dime...

This photo was taken a few minutes before the Stones appeared on 'Thank Your Lucky Stars' at ATV studios in Birmingham in 1963. This was their first TV appearance and Phillip caught ...

Mercedes Matter née Carles (1913 – December 2001) was an American painter and draughtswoman. Her father was the American modernist painter Arthur Beecher Carles who had studied with Henri Matisse. Her mother, Mercedes de Cordoba, was a model for Edward Steichen. Matter grew up in Philadelphia, New York and Europe. She first painted under her father's supervision at age 6 and would later recall being given a paintbox to use while working alongside him in the French countryside. At the age of 12, she returned to Europe and lived in Italy for over 2 years. She would later recount that her time in Italy—including Venice, Assisi, Rome, and Florence—was formative and her primary education in art history. Subsequent studies included at Bennett College in Millbrook, NY with sculptor Lu Duble, and in New York City with Maurice Sterne, Alexander Archipenko and Hans Hofmann. In the late 1930s, Matter was an original member of the American Abstract Artists. She also worked for the Works Progress Administration. She worked with Fernand Léger, who would become a close friend, on his mural for the French Line passenger ship company and again privately on another mural. Léger introduced her to Herbert Matter, the Swiss graphic designer and photographer whom she married in 1939. He also resided with the couple for a year sharing their studio and apartment. The Matters were active in the emerging mid-century New York art scene, and contact with other artists was important to them. Close friends included Jackson Pollock, Lee Krasner, Franz Kline, Philip Guston, Alexander Calder and Willem de Kooning. In 1943, the Matters moved to California. Matter was raising an infant son but the environment away from New York was affecting her work. She returned to New York in 1946. Beginning in 1953, Matter taught at the Philadelphia College of Art (now University of the Arts) for 10 years, and then at the Pratt Institute for 10 years. She later taught at New York University for several years. She was a visiting critic at Antioch, Brandeis, Cincinnati School of Art, Kansas City Art Institute, Maryland Institute College of Art, Yale University, Skowhegan and American University in Washington, DC.. In 1964, she founded the New York Studio School of Drawing, Painting, and Sculpture. A year earlier, she wrote an article for ARTnews titled What's Wrong with U.S. Art Schools? in which she criticised the phasing out of extended studio classes which served "that painfully slow education of the senses," which she considered essential. The article prompted a group of Pratt students, as well as some from Philadelphia, to ask Matter to form a school based on her ideas. The school was originally housed in a loft on Broadway and gained almost immediate support from the Kaplan Fund, Mrs. John D. Rockefeller III and the Ford Foundation. It granted no degrees, had only studio classes and emphasized drawing from life. Early teachers, chosen by the students, included the artists Philip Guston, Bradley Walker Tomlin, Charles Cajori, Louis Finkelstein...

In 1964, Heyman was invited by Basic Books Publishing to collaborate on the subject of Pop art. In the fall of 1964, Heyman spent three days photographing such artists as Andy Warhol...

From The Jon Gould Collection of Andy Warhol Photographs Each photo is unique and blind embossed “Andy Warhol” in the lower right corner Provenance: Gift of the Artist to Jon Goul...

Frank relaxes between takes in Hollywood, CA with his daughter Nancy in 1964, while Nancy was filming "Get Yourself a College Girl". She often tried to visit her father who was recor...

John Cale, Lou Reed & Andy Warhol, NYC, 1976 Silver gelatin print 20 x 24 inches Signed and numbered edition of 150 John Cale, Lou Reed and Andy Warhol at T...

The Grateful Dead on the corner of Haight and Ashbury St, San Francisco, CA. 1967.

Warren Beatty (b.1937) dropped out of Northwestern University to study acting with Stella Adler. He made his film debut in Elia Kazan’s Splendor in the Grass...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

This Mardi Gras image from New Orleans in 1954 shows partygoers as they pass The Gunga Den on Bourbon Street. The club was legendary - Truman Capote was often quoted that The Gunga ...