Panda Black and White Photography

"Geometry of Color N7" Photography 40" x 30" inch Edition of 10 by Lika Brutyan "Geometry of Color N 7" Original photography by Lika Brutyan from the ""Geometry of Color" series ...

"Inside" Black & White Photography 47" x 47" in Ed of 25 by Yevgeniy Repiashenko Photography Year photo was taken: 2016 Works are hand signed and numbered by the artist on verso ...

No title (No 90) Ballet Photography 32 x 32 in Ed. of 25 by Yevgeniy Repiashenko No title (No 90) Photography Edition of 25 32 x 32 inch Year photo was taken: 2019 This picture i...

"Rise" Photography Edition 2/28 32" x 32" inch by Yevgeniy Repiashenko "Rise" Photography Edition of 28 Year photo was taken: 2017 This picture is a part of Spirit series. The pic...

ALBERT WATSON (*1942, Scotland) Mick Jagger/Leopard 1992/2011 Chromogenic print Image 195,6 x 152,4 cm (77 x 60 in.) Sheet 238,7 x 177,8 cm (94 x 70 in.) Frame 245 x 185,6 x 6 cm (96 1/2 x 73 1/8 x 2 3/8 in.) Edition of 5; Ed. no. 5/5 (from a sold out edition) Albert Watson (*1942, Scotland) is a Scottish photographer well known for his fashion, celebrity, and art photography, having shot over 200 Vogue and 40 Rolling Stone covers since the mid-1970s. His photographs are signature, classical, and bold, and in our world of manipulation, Watson prefers the enlargers and the trays; an artist who greatly enriches our perception with his unique photographic view. Photo District News named Watson one of the 20 most influential photographers of all time, along with Richard Avedon and Irving Penn, among others. Watson shared intimate moments about shooting celebrities like Johnny Depp, 50 Cent and Clint Eastwood and dove into the history behind famous shots like the double exposure of Mick Jagger and the leopard that Watson shot by chance. "The leopard was all over Mick so we had to build a glass partition...

"Submission" Photography 40" x 40" inch Edition 1/3 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 24" x 24" inch Edition of 7 30" x 30" inch Edition...

Photographed entirely in the ethereal lakeside environs of the Adirondacks, Lynda Churilla's latest exhibition synthesizes the aesthetics of strength and softness. Central to this aesthetic theme is the portrayal of Churilla's husband and muse John, who she describes as a source of inspiration. Standing nude and silhouetted in the foreground, the powerful form of John's body is rendered stoic and subdued by multiple mist‐wreathed aquatic expanses and looming woodland scenes. Whether standing in a state of intent tranquility in the foreground of a forest, or captured mid‐action during diving or archery, John imparts a sense of security through his physique and determined mien. Also conveyed is an air of intrigue stemming from his body, which is often concealed by shadow or wreathed in haze. Examples of masterful composition, Churilla's black‐and‐white images fully demonstrate the pacifying effect of nature on the male figure. The invitational piece, Silence represents Churilla's overall vision for this exhibition, featuring John facing away from the camera while standing in the shallows in a mist covered lake. Staring into the distance with his body in graceful repose, he appears lost in and enveloped by his surroundings, eliciting the romantic feeling of limitlessness and a sense of peace. The style in which Churilla captures John is reminiscent of the figurative nudes produced by photographers like Jock Sturges or Sally Mann. This exhibition is composed of eleven large-format pieces which range from 30" x 40" to 60" x 40". Eight photographs centered on John are accompanied by three abstract landscape pieces that capture the Adirondacks in all its otherworldly beauty. In one of these, White Mist, one stumbles into a world of beautifully muted color tones­, in which a nearly impenetrable mist surrounds a lake. This photograph serves to highlight stillness of water, which Churilla herself regards as healing and thought inducing. Churilla first gained her appreciation of the Adirondacks while working as an assistant to the legendary photographer Bruce Weber in his 1990 series Bear Pond. Since studying as Weber's protégé for nearly a decade, Churilla's own work has been acclaimed by such publications as American Photo and Harper's Bazaar, in which she has been lauded as a promising female photographer. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...

"Flame" Ballet Photography 32" x 32" in Edition of 25 by Yevgeniy Repiashenko Flame Photography Edition of 25 32 x 32 inch Year photo was taken: 2018 This picture is a part of Sp...

Signed limited edition print Robert Plant of Led Zeppelin at a Runaways show in LA 1978. Plant pictured here with Cherie Currie and Joan Jett of The Runa...

"OTHER 50" Photography (FRAMED) 60" x 48" inch Edition of 10 by Giuliano Bekor Archival pigment print mounted on dibond Custom frame comes with non reflective museum glass Men's - Other Series Intro This series connecting us to nature’s raw materials to create a piece that is organic and pure. We put on the mask and the headdress not to hide but to reveal ourselves, to give ourselves the freedom to break with taboo, to transgress, to transform. Referencing ritual and native practices, this collection pays homage to an identity built by reaching into the Other and imbibing cross-cultural forms of self-expression. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...

Price for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018 Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.” Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic. This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series. Water, Black and White, Forest, 1930's inspired, vintage, parasol, Southampton, NY, Hamptons...

This whimsical scene of two children playing in a field of flowers invokes a strong feeling of nostalgia. The girl in the foreground is almost statuesque, while her playmate in the b...