Portrait Black and White Photography

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

11 x 14" vintage silver gelatin photograph of Soprano Leontyne Price, one of the first African Americans to become a leading artist at the Metropolitan ...

16 x 20" vintage silver gelatin photograph of Italian film director Bernardo Bertolucci in 1979. It is signed by Jack Mitchell on the recto and in ...

11 x 14" vintage silver gelatin photograph of artist Eric Fischl at work in his studio in 1986. Signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitchell Arc...

11 x 14" vintage silver gelatin photograph of soprano Martina Arroyo and baritone Sherrill Milnes in the Metropolitan Opera's 'Macbeth', 1973 Comes dir...

8 x 10" vintage silver gelatin photograph of Famed Native American Ballerina Maria Tallchief and Erik Bruhn performing 'Miss Julie', at the American Ba...

11 x 14" vintage silver gelatin photograph of artist Carolee Schneemann, 1995. Signed by Jack Mitchell on print recto. Comes directly from the Jack...

11 x 14" vintage silver gelatin photograph of Broadway and Film Dancer/choreographer Tommy Tune , 1974. Comes directly from the Jack Mitchell Archives with ...

11 x 14" vintage silver gelatin photograph of the Metropolitan Opera Dialogues of the Carmelites, stars Shirley Verrett, Regine Crespin and Maria Ewing...

Sylva Koscina - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions. Sylva Koscina is considered one of the be...

11 x 14" vintage silver gelatin photograph of actress/singer Liza Minnelli, 1972 the year she won best actress Academy Award for 'Cabaret' Comes directl...

11 x 14" vintage silver gelatin photograph of Metropolitan Opera sopranos Shirley Verrett and Grace Bumbry, photographed January 6, 1982. Comes direct...

11 x 14" vintage silver gelatin photograph of Film, Television, and Broadway Star Gregory Hines, photographed in 1980. Comes directly from the Jack Mitc...

11 x 14" vintage silver gelatin photograph of opera director Franco Zeffirelli and soprano Renata Scotto laughing and hugging playfully during a rehearsa...

11 x 14" vintage silver gelatin photograph of the Metropolitan Opera Opera 'Falstaff' cast, for the cover of Opera News magazine, 1973. Signed by Jack Mitchell on the print verso. Co...

11 x 14" vintage silver gelatin photograph of actor Frank Langella, 1970. Signed by Jack Mitchell on the verso. Comes directly from the Jack Mitchell A...

11 x 14" vintage silver gelatin photograph of painter Stephen Mueller in his Manhattan studio with his paintings, 1971. Comes directly from the Jack Mi...

Royal Ballet dancer Derek Rencher portrait in full makeup for After Dark magazine, 1974. Vintage silver gelatin exhibition photograph made by Jack M...

Klaus Nomi, 1979 Silver print image size: 14 x 14 inches Signed William Coupon is an American photographer, born in New York City, known principally f...

Bruce Springsteen sitting in the studio with his Esquire guitar 1975. Photograph was taken by the late Phil Ceccola. This photo was signed and numbered by Phil before he passed awa...

Koo Stark Black and white silver gelatin portrait photograph of photographer Horst P. Horst, official 80th birthday image. Frame: 17 1/4 x 23 1/4 inches Sight: 10 1/4 x 13 1/4 inches Condition: Good. Kathleen Norris Stark (born April 26, 1956), better known as Koo Stark, is an American photographer and actress, known for her relationship with Prince Andrew. She is a patron of the Julia Margaret Cameron Trust, which runs the museum of the Victorian pioneer photographer. Early life and education Stark was born in New York. Her parents were Wilbur Stark, a writer and producer, and Kathi Norris, a writer and television presenter in New York City. She is the youngest of three children, the others being Pamela and Brad. At the time of her birth, the family was living in the city's Manhattan borough.[1] Her grandfather, Edwin Earl Norris, was a cabinetmaker and musician, playing the French horn and the viola in the Newark Symphony Orchestra. Her mother's family were Presbyterians.[2][3] After a divorce in the 1960s, her mother remarried.[4] Koo Stark attended the Hewitt School in New York and the Glendower Preparatory School in Kensington, London. After training at a stage school, she began her film acting career. (she acted in the original Star Wars!) Stark also began to work as a fashion model, particularly for Norman Parkinson. In February 1981, she was at the National Theatre as an understudy in the Edward Albee play Who's Afraid of Virginia Woolf? Stark has worked as a photographer since the 1980s, and may have been the first person to turn the tables on the pursuing paparazzi by taking photos of them. Prince Andrew has told how in 1983 a photographic printer, Gene Nocon, invited Stark to take photographs of people taking photos of her, for his exhibition, Personal Points of View, planned for October. She persuaded Nocon to include Andrew's work as well. Her early photographs led to a book deal, for which she took lessons from Norman Parkinson. She travelled to Tobago, where he lived, and he became her mentor. Her book Contrasts (1985) included about a hundred of her photographs. She went on to study the work of leading photographers, including Angus McBean, whom she met and photographed, developing her interests in photography to include reportage, portraits, landscapes, still life, and other work. The book Contrasts was launched at Hamiltons Gallery, London, in September 1985, at an exhibition of the same name. In 1994, the Gallery Bar at the Grosvenor House Hotel in Park Lane hosted an exhibition called 'The Stark Image', forty photographs by Stark, including several previously unpublished. In 1998, her work was featured at the Como Lario in Holbein Place, Belgravia. In July 2001 she had an exhibition called 'Stark Images" at the Fruitmarket Gallery in Edinburgh, duplicated from June to July 2001 at Dimbola Lodge on the Isle of Wight. A solo exhibition of portraits was at the Winter Gardens, Ventnor, from September to October 2010,[29] and another at Dimbola Lodge from February to April, 2011. On 22 April 1987, a charity auction at Christie's, St James's, for the Campaign to Protect Rural England, featured signed work by David Bailey, Patrick Lichfield, Don McCullin, Terence Donovan, Fay Godwin, Heather Angel, Clive Arrowsmith, Linda McCartney, Koo Stark, and fifteen others, Views by Stark, including some of Kirby Muxloe Castle, were in G. H. Davies's England's Glory (1987), a CPRE book launched at the same time. Pictures by Stark have appeared in Country Life and other magazines. Several of her portraits are in the National Portrait Gallery, and work is also in the collections of the Victoria and Albert Museum, both in London. A Leica user, Stark has said her camera transcends mere function and is a personal friend. A solo exhibition hosted by the Leica gallery in Mayfair in May 2017 was entitled Kintsugi, a Japanese word for a way of renovating things that have been broken. Stark explained the title: "Kintsugi is a way of learning to see individual beauty, and to appreciate the value of experience and honesty. It is the antithesis of digital, airbrushed, Photoshop-homogenised 'beauty'." In August the exhibition was repeated in Manchester, to mark the opening of a new Leica store there. Stark has been a practising Buddhist since meeting the Dalai Lama. She continues to live in London and is a member of the Chelsea Arts Club. She is a Patron of the Julia Margaret Cameron Trust, at Dimbola Lodge on the Isle of Wight, home of the Victorian pioneer photographer Julia Margaret Cameron. Stark met Prince Andrew in February 1981, and they were close for some two years, before and after his active service in the Falklands War. Tina Brown has claimed that this was Andrew's only serious love affair. In October 1982 they took a holiday together on the island of Mustique. According to Lady Colin Campbell, Andrew was in love, and the Queen was "much taken with the elegant, intelligent, and discreet Koo". However, in 1983, after 18 months of dating, they split up under pressure from the Queen. In 1997, Prince Andrew became the godfather of Stark's daughter, and in 2015, when the Prince was accused by Virginia Roberts over the Jeffrey Epstein connection, Stark came to his defence, stating that he was a good man and she could help to rebut the claims. Photographic exhibitions 'Contrasts', Hamiltons Gallery, Carlos Place, London, September 1985 'The Stark Image', Gallery Bar at Grosvenor House Hotel, London, 1994 'Stark Images', Dimbola Lodge, Isle of Wight, June to July 2001 'Stark Images', Fruitmarket Gallery, Market Street, Edinburgh, July 2001 'Portraits by Koo Stark', Winter Gardens, Ventnor, Isle of Wight, September to October 2010 'Koo Stark: Contrasts', Dimbola Lodge, Isle of Wight, February to April, 2011 'Kintsugi', Leica gallery, Bruton Place, Mayfair, May 2017 'Kintsugi', Leica store, Police Street, Manchester, August 2017 'Kintsugi Portraits', San Lorenzo, Beauchamp Place, London SW3, November 2017 Horst Paul Albert Bohrmann (1906 – 1999), who chose to be known as Horst P. Horst, was a German-American fashion and Fine Art photographer. The younger of two sons, Horst was born in Weißenfels-an-der-Saale, Germany, to Klara (Schönbrodt) and Max Bohrmann. His father was a successful merchant. In his teens, he met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris to study under the architect Le Corbusier. While in Paris, he befriended many people in the art community and attended many galleries. In 1930 he met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman, and became his photographic assistant, occasional model, and lover. He traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle. His first exhibition took place at La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after the exhibition ended, made Horst instantly prominent. Horst made a portrait of Bette Davis the same year, the first in a series of public figures he would photograph during his career. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Modrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others like Eve Curie. Horst rented an apartment in New York City in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades. He met Valentine Lawford, British diplomat in 1938, and they lived together until Lawford's death in 1991. Horst adopted a son, Richard J. Horst, whom they raised together. In 1941, Horst applied for United States citizenship. In 1942, he passed an Army physical, and joined the Army on July 2, 1943. On October 21, he received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945, he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House. In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene. Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealist style and surrealism and his regard of the ancient Greek ideal of physical beauty. Horst P Horst signed color photograph in color. Horst is listed as one of the best photographers ever along with Diane Arbus, Ansel Adams, and Robert Mapplethorpe His method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes in Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work. One of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity. In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Lee Radziwill, Duke of Windsor and Duchess of Windsor, Peregrine Eliot, 10th Earl of St Germans and Lady Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster...

Vintage Portrait of Anna Magnani is a vintage b/w photographic print on single-coated paper, realized in The Mid-20th Century. Good conditions. ...

"Bloom Keeper" Suri People, Omo Valley, Ethiopia 30 x 20 in / Edition of 6 - $6,500 Also available: 48 x 32 in / Edition of 6 - $9,500 60 x 40 in / Edition of 6 - $16,500 75 x 50 i...

11 x 14" vintage silver gelatin photograph of playwright, actor, monologuist, novelist and historian Eric Bogosian, 2003 signed by Jack Mitchell on the p...

Choreographer Agnes de Mille portrait for Dance Magazine feature article, 1966. Vintage silver gelatin exhibition photograph made by Jack Mitchell. Dry mounted on archival board for ...

Seaplane At Palm Beach Patsy Pulitzer leaning against a seaplane belonging to the Everglades Flying Service, at Palm Beach, Florida, circa 1955...

11 x 14" vintage silver gelatin photograph of actor and comedian Robin Williams, photographed in 1984. Signed by Jack Mitchell on the verso. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Jack Mitchell, (1925-2013) bulging photographic portfolio of actors, writers, painters, musicians and especially dancers describes a pictorial history of the arts in the late 20th century. Mr. Mitchell, who took hundreds of pictures for The New York Times, was both a portraitist and a capturer of complex motion. An expert in lighting, he worked mostly, though not entirely, in black and white, and he was known — by his subjects, by the magazine and newspaper editors he worked for, and by critics — as someone who could make a photograph reveal character. Jack Mitchell was the official photographer for the American Ballet Theater, and he chronicled the work of the Alvin Ailey American Dance Theater for more than thirty years. When he retired in 1995, he had fulfilled more than 5,000 assignments in black and white, and nearly a thousand in color. He photographed more than 160 covers for Dance magazine, and his photos have appeared in Time, Life, Newsweek, Rolling Stone, Vanity Fair, Vogue and many other publications. Mitchell’s photographs are in the collections of the National Portrait Gallery, the Museum of African American History and Culture, and the Smithsonian Archives of American Art, among others. The 2019 USPS Black Heritage postage stamp honoring American performer Gregory Hines...

Sylva Koscina - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions. Sylva Koscina is considered one of the be...

11 x 14" vintage silver gelatin photograph of American painter, printmaker, and sculptor Richard Anuszkiewicz in his studio, 1968. Signed by Jack Mitch...

Dorotea Aslanidis - Vintage Photograph is an original black and white photograph. Good conditions.

8 x 10" vintage silver gelatin photograph of dancer, choreographer and company founder Robert Joffrey photographed in New York City in 1964. This is a p...

8 x 10" vintage silver gelatin photograph of Pulitzer prize-winning playwright Tennessee Williams photographed January 20, 1966. This is a print tha...

Signed limited edition silver gelatin print of Ian Curtis of post-punk band Joy Division, photographed at Princess Parkway, Manchester, January 6, 1979. T...

11 x 14" vintage silver gelatin photograph of playwright Tina Howe, photographed in NYC in 1983. Signed by Jack Mitchell on the print recto. Comes directly from the Jack Mitchell Arc...

11 x 14" vintage silver gelatin photograph of Isadora Duncan dancer Lori Belilove performing in 2006, one of the last professional photographs Mitchell ...

11 x 14" vintage silver gelatin photograph of Joffrey Ballet "The Dream", 1973 with Rebecca Wright, Burton Taylor, and Russel Sultzbach. One of Jack Mitc...

11 x 14" vintage silver gelatin photograph of artist John Willenbecher at an exhibition of his work in 1969. Comes directly from the Jack Mitchell Ar...

Unique Photographic Collage* Printed on Canson Platine Fiber Rag Framed in black wood with archival mat The artist reserves the right to remake the collage 5 times at this size, but ...

Vintage silver print Inscribed, stamped, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Photograph by Don Whitman...

American modern-dance choreographer and dancer Erick Hawkins in June 1973. This is an 8 x 10" vintage silver gelatin photograph that was published by a ...

11 x 14" vintage silver gelatin photograph of American realist artist Janet Fish, 1995. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Jack Mit...

Italian Priest by Arthur Steel St. Peter’s Basiica, Rome, 1971 All prints are hand signed limited editions, no further prints are produced once sold. paper size - 44 x 33.5 " / ...

This gelatin silver print was created by American photographer Christopher Makos. Makos is well known for his relationships with icons like Andy Warhol, Tennessee Williams, and John ...

11 x 14" vintage silver gelatin photograph of sculptor Louise Nevelson in her New York City studio in 1974. Signed on the print verso by Jack Mitchell. Comes directly from the Jack M...

11 x 14" vintage silver gelatin photograph of sculptor Duane Hanson (right) with one of his lifecast realistic sculptures Signed by Jack Mitchell on the ...

Monica Vitti and Franco Carraro is a vintage black and white photograph realized by Agenzia Giornalistica Italia S.p.A in the 1980s. Good condition. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...

A young woman at the Palm Bay Club, Miami, Florida, USA, circa 1965 Slim Aarons Palm Bay Club Black and White Photography Slim Aarons Estate Edition Num...

Fred Buscaglione by Giancolombo is a vintage photographic print on single-coated paper Photograph by famous Gian Battista Colombo (Giancolombo), realized in the late '50s. Artist's ink stamp, original clichè and pen note on the back. Slight folds on front and a spot on the higher edge that do not compromize image beauty. Dim: cm 27 x 21 In the picture a beautiful and characteristic portrait of the famous musician...

11 x 14" vintage silver gelatin photograph of British-American Artist Malcolm Morley in his Manhattan studio with his paintings, 1971. Comes directly from the Jack Mitchell Archives ...

Senator John F. Kennedy (1917 - 1963), Shirley Rogan Ellis and Betty LoSavio at Montego Bay Airport, Jamaica. Slim Aarons Kennedy And Friends Black and White Photography Slim Aarons...

Vintage Portrait of Virna Lisi is a vintage b/w photographic print on single-coated paper. Good conditions. Virna Lisi Born on November 8, 1936, she began her film career as a 17-y...

Portrait of Garibaldi by Lodovico Tuminello is an albumen print applied on grey cardboard. Exellent condition, print cm 16,5 x 11. Dry stamp by photogr...

8 x 10" vintage silver gelatin photograph of sculptor Marisol (full name Maria Sol Escobar) photographed in New York City in 1968. This is a print that was published by a newspaper o...

Aristotele Onassis - Vintage b/w Photo realized in the 1960s. Stamped on the rear. Good conditions. With the handwriting on the rear.

Richard Gordon was born in Chicago in 1945. He studied Political Science at the University of Chicago and did not begin photographing until he worked at a photography studio in 1965. Early in Gordon’s career, Robert Frank critiqued his work and stated that he “loved photography too much.” Gordon frequently makes photographic references in his work and pays homage to the photographers who influenced him: Eugène Atget, Walker Evans, Robert Frank and Helen Levitt. Bookmaking has been an important element of Gordon’s photography from the beginning; he created his own press, Chimaera Press, and published Meta Photographs (Chimaera Press, 1978), One More for the Road: The Autobiography of a Friendship 1966-1996 (Flâneur Bookworks, 1996), American Surveillance: Someone to Watch Over Me (Chimaera Press, 2009), and Notes from the Field (Chimaera Press, 2012), as well as handmade and limited edition books. Richard Gordon’s photographs are represented in many institutional collections including: Art Institute of Chicago; Bibliothéque National, Paris; Centre Nationale de la Photographie, Paris; Corcoran Gallery of Art; J. P. Getty Museum (Wagstaff Collection); Library of Congress; Museum Ludwig, Cologne, Germany; Museum of Fine Arts, Houston; New York Public Library; Oakland Museum of Art; San Francisco Museum of Art; Santa Barbara Museum of Art; Stanford Museum of Art; and University of Colorado, Boulder. From the David C. and Sarajean Ruttenberg Collection The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art, sculpture, graphics, old watches and photographs-lots and lots of photographs. They started collecting them in the 1960s when the medium was still the stepchild of the arts. They kept collecting until they had more than 3,000 prints, 99 of which are in the Art Institute exhibit, ``The Intuitive Eye: Photographs from the Collection of David C. and Sarajean Ruttenberg.`` The show encompasses the entire history of photography with black-and-white and color prints from every genre, It includes street photography by Walker Evans and Garry Winogrand, glamour shots by Edward Steichen and Richard Avedon, nudes by Robert Mapplethorpe and Nicholas Muray...

Robert Smith 2022 by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists a...

Dancer/Choreographer Twyla Tharp studio portrait, 1973. This is an 8 x 10" vintage silver gelatin photograph that was published by a newspaper or magazine ...

American modern ballet dancer/choreographer/director Eliot Feld – 1965. This is an 8 x 10" vintage silver gelatin photograph that was published by a newspaper or magazine which they ...

11 x 14" vintage silver gelatin photograph of dancer/choreographer Myra Kinch in "Giselle's Revenge" at Jacob's Pillow, 1953. Signed on the print verso. Comes directly from the Jack ...

11 x 14" vintage silver gelatin photograph of dramatist/screenwriter Paddy Chayefsky photographed at home in 1976, the year he won the Academy Award for ...