Medium Landscape Photography

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at times beautifully surreal, pow...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

' Tijuana Palms ' by Stuart Möller limited edition to 10 only this size - signed View of palm trees in the evening. Gorgeous Archival pigment print on Hahanemühle art paper meas...

For nearly a decade, Mitch Dobrowner has ventured out with professional storm chasers into the American heartland photographing the energy of a wondrous and sometimes perilous planet...

War of the Worlds, limited edition photograph, signed and numbered, archival ink For nearly a decade, Mitch Dobrowner has ventured out with professional storm chasers into the Ameri...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 While the spaces the...

The Skellig Islands are off the coast of Kerry in Ireland. Once the home of reclusive monks they have gained notoriety recently as a retreat for Luke Skywalker… Lit by moon light reflected off the Atlantic Ocean swell they portray a calm at odds with the often stormy seas that batter them.. James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments when the natural form of topography is given magic by the transient touch of the elements. The work is also available as a smaller archival giclee print and as a collectors edition Palladium Platinum print. Palladium platinum print Edition of 12 Signed by artist al verso Stamped by 31 Studio – platinum print masters Certificate of Authenticity from gallery Country: County Kerry...

Marie-Louise Scio at the Tettuccio Terme in Montecatini, Italy, June 1980. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons ...

New 2015 Storms Release The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at times...

Black and White Fine Art landscape photography. Romantic village in France with stone houses and trees. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered b...

French painter Work on paper Brown wooden frame 66,5 x 86,5 x 2,5 cm

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Poolside Party A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designer Ra...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

New 2015 Storms Release The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at tim...

Kaufmann Desert House January 1970: The Kaufmann Desert House in Palm Springs, California, designed by Richard Neutra in 1946 for businessman Edgar J. Kaufmann and now owned by Neld...

Shocks of light -- yellow , indigo, red and white -- zip through the night in this dynamic photographic print by Mark Bartkiw. This C-print is sealed between dibond and plexiglass. T...

'Ice, Rock & Sea' Archival Pigment Print Amundsen Gulf sea ice coverage, June 2015. Satellite image showing sea ice edge in the Amundsen Gulf, between Victoria Island and mainland Canada. This Archival Pigment print is a LARGE 30 30" inches / 76 x 76 cm's (30x40" paper size) and printed on beautiful Hahnemühle photorag art paper. Gloriously vivid colours and fine detail - this abstract-like photograph is a breathtaking image of our word taken from above. Science Photo Archives, London. EDGE PRINTS...

The light of the moon creates an otherworldly ethereal world, a stillness and calm across the spiritual landscaper of the Bagan valley in Burma. James S...

Mark Bartkiw brilliantly disrupts the landscape by juxtaposing expected elements with dream-like imagery. This C-print is sealed between dibond and plexiglass. This 30 x 30 inch im...

The light of the moon creates an otherworldly ethereal world, a stillness and calm across the spiritual landscaper of the Bagan valley in Burma. J...

Roman Castels is a beautiful offset print realized after a photograph by Franco Fontana. Very Good conditions. Franco Fontana (Modena, 1933) is one of the Italian most famous conte...

Sarah Marson Williams enjoys a cocktail on the beach at the Hilton Hotel, Needhams Point, Barbados, April 1976. Gorgeous print measuring 20 x 30" inches / ca 50.8 x 76.2 cm’s paper...

Philippe Cheng (American, b. 1961) "Untitled, Greece, 2005", signed, titled and dated verso, C-print (chromogenic print) mounted on aluminum with UV ultra non-glare plexiglass P...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Black and White Fine Art Waterscape Photography - Great Pollet Sea Arch, during a storm in Donegal, Ireland. Archival pigment ink print, edition of 7. Signed, titled, dated and numbe...

13.5 x 10.5 inch gelatin silver print, printed circa 1980 Framed to 26.5 x 22.5 inches Signed on verso Berenice Abbott's "New York at Night" is one ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Bartkiw brilliantly disrupts the landscape by juxtaposing expected elements with dream-like imagery. This C-print is sealed between dibond and plexiglass. This 30 x 30 inch image i...

Natale Rusconi riding a Hotel Cipriani motor launch with the Church of San Giorgio Maggiore on San Giorgio Maggiore island beyond, in Venice, Italy, in September 1978. Slim Aarons ...

Title: Thunderstorm Medium: Oil on canvas Size: 22 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2011 Artist: JIanping Chen...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Porto Ercole 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: A jetty juts out from a rocky shoreline in Porto Erco...

San Francisco is a vintage offset poster realized after a photograph by Franco Fontana in 1979. The print is by Galleria d'arte contemporanea Rondanini, at Rome. Good condition. F...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 The raw immediacy and...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Minimalist aerial landscape photograph of green ponds with a white barrier Archival digital print, Edition of 25 (#072) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs five green ponds above Batavia, New York. When seen from above, the stark white barrier that divides the green bodies of water resembles an abstract line on a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...

A villa in Las Brisas, Acapulco, February 1972. Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects is proud to offer this vibrant photograph, printed by...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Coloured poster after a photograph by Franco Fontana (Modena, 1933), one of the italian most famous contemporary photographer. Titled at the bottom. Very good conditions. Fontana st...

The pool at the Villa Gli Arieti, home of Lamberto Micangeli, in Ansedonia, near Porto Ercole, Italy, September 1986. In the distance is his daughter Marina's 16th century castle, To...

Capture the timeless beauty of the American West with this vintage 1960s photograph by renowned photographer Myron Wood. Titled "Sheep, Storm, South Park, Colorado", this stunning bl...

'Nice Pool' 1955 Slim Aarons Limited Edition Estate Stamped Print 1955. American writer C.Z. Guest (Mrs. F.C. Winston Guest, 1920 – 2003) and her son Alexander Michael Douglas Dudle...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Mrs. Leverett Saltonstall Shaw watches her children digging for clams at low tide on Black Beach, with a sailboat on the sand behind them and joined by their dog in Massachusetts Bay...

Archival pigment print. 15" x 15" edition of 10, unframed, $1,800 30" x 30" edition of 10, unframed $3,450 Please allow at least 2 weeks for the photograph to be printed and shipp...

The beach at Saint-Tropez, on the French Riviera, August 1971. 30 x 40 inches $3350 20 x 30 inches $3000 20 x 24 inches $2500 10 x 12 inches $1350 Complimentary dealer shipping ...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Laura Hawk, assistant to the Slim Aarons, relaxes by the pool at El Rincon, the von Pantz's Marbella home, September 1st, 1985. Slim Aarons Marbella Pool Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Internal: Mid-Century Vintage Marbella...

Photolithograph. Hand signed. One of the most important and famous works of Land Art by Christo. Lightly damaged.

Alexandre Manuel Algarve Landscape I, Portugal, Lost in Abstraction, 2025 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x2...

Ed. 1/6 Known for his minimalistic black & white landscapes as well as his bold fashion and celebrity portraiture dating back to‬‭ the late 1970s, von Hohenberg’s newest series offe...