Medium Landscape Photography

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Black and White Fine Art landscape photography. Fairy forest of madeira in the fog with cows and crooked trees, Fanal, Portugal. Archival pigment ink print, edition of 7. Signed, tit...

Black and white fine art long exposure waterscape - landscape photography. Bad Eddie's Boat Shipwreck at Bunbeg Beach, Ireland. Archival pigment ink print, edition of 7. Signed, titl...

Alpine Skiing Skiers waiting for the cable car at Verbier in Switzerland, 1964. Paper size 30 x 30" inches / 76 x 76 cm Estate Stamped Collection Edition to 150 Photo by Slim ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Slim Aarons 'Porto Ercole' Il Pellicano, Porto Ercole, Tuscany, Italy Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons, Porto Ercole, Italy, Il Pelicano...

'Yachting Trip' Selvaggia Borromeo wades ashore from her yacht during a holiday on the Costa Smeralda in Sardinia, August 1967. 30 x 20" inches / 76 x 51 cm paper size Estate S...

St. Louis and the Arch Vintage Photograph St. Louis and the Arch: titled, initialed, dated 1981, copyright 1982, and editioned 4/20 to verso. Provenance: US Bank Visual Arts Department Images: 15 x 19 in. (16 X 20), frames: 22 1/2 x 28 1/2 in Meyerowitz first drew acclaim for his remarkable ability to capture subtle qualities of light with the 1978 publication of Cape Light, which went on to become a color photography classic. Joel Meyerowitz (born March 6, 1938) is a street photographer, and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught the first color course at the Cooper Union in New York City where many of tod...

The Hotel Punta Tragara on Capri, Italy, August 1974. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Slim Aarons...

Black and white fine art long exposure landscape - waterscape photography. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of auth...

A woman drinking from a coconut underwater in the pool at Las Brisas Hotel in Acapulco, Mexico, February 1972. 60 x 40 inches $3950 40 x 30 inches $3360 ...

Poolside Reflections, Beverly Hills Hotel, 1957 Chromogenic Lambda print Holiday makers relaxing by the pool at the Beverly Hills Hotel on Sunset...

Black and white fine art landscape photography. Fairy forest of madeira in the fog with cows and crooked trees, Fanal, Portugal. Archival pigment ink print, edition of 7. Signed, tit...

Black and white fine art landscape photography. Mystical forest with bent trees and cows in fog, Fanal, Madeira, Portugal. Archival pigment ink print, edition of 7. Signed, titled, d...

Skiing Waters Slim Aarons Estate Edition 40 x 40 inches Three skiing waiters on a ski slope, with the man in the foreground carrying a bird on a tray, the second man carrying a wine...

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is...

This piece has been matted - image of flower is: 16 x 21.5 in. - matted with 8 ply museum archival matt, external dimensions: 22.5 x 28 in.- Edn of 25. 3 sizes, framing available up...

"Drift 12" Photography 20" x 30" Edition 2/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of the nation...

Rebecca Skinner’s “The Factory” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 10 x 30 inch black and white l...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

This one depicts a sports wristwatch over an aerial landscape and is titled Clock Garden. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/...

Palm Springs, 1970: This coveted photograph, captured by society photographer Slim Aarons, features midcentury socialites in front of the turquoise swimming pool of the iconic Kaufma...

Yachts in a marina in Freeport, in the Bahamas, April 1969. 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 10 x 12 inches $1350 Complimentary dealer shipping to ...

Mike BRODIE (*1985, USA) #0924, from the series A Period of Juvenile Prosperity, 2006-2009 C-Print Sheet 43,18 x 60,96 cm (17 x 24 in.) Edition of 7, plus 3 AP; Ed. no. 3/7 About Mike Brodie: Claiming inspiration from “old-school American values mixed with a little punk-rock idealism,” Mike Brodie, aka The Polaroid Kidd, hopped trains across the U.S. for seven years, documenting his friends, lovers, and travels with a Polaroid and a 35-millimeter camera and amassing a critically acclaimed body of images. Like a 21st-century Jack Kerouac, replacing pen with pictures, Brodie rode the railways with a motley crew...

"Essence of Life" is a part of Christopher Kennedy's "Trees Revered" series. Please note that the image without the frame is a better representation of the actual image. "This parti...

"Gods at the Beach 1" Photography 31" x 31" in Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Award winning photographer presents stunning art photography of the New Yorker building, home of the famed New Yorker magazine in New York City. It is also a proud statement by those...

Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 The te...

Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 The te...

Alpine Skiing, Switzerland, Estate Edition, Portrait Photograph This late 1960s landscape photograph, captured by society photographer Slim Aarons, features Skiers waiting for the c...

Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, 1969. 48 x 72 inches $6100 40 x 60 inches $5400 30 x 40 inches $4200 20 x 30 inches $3900 Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Antibes is a resort town between Cannes and Nice on the French Riviera (Côte d’Azur). It’s known for its old town enclosed by 16th-century ramparts with the star-shaped Fort Carré. This overlooks luxury yachts moored at the Port Vauban marina. The forested Cap d’Antibes peninsula, dotted with grand villas, separates Antibes from Juan-les-Pins, a chic resort with buzzing nightlife and the Jazz à Juan music festival. Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage Slim Aarons, Vintage Hotel du Cap Eden-Roc photograph, Vintage Antibes...

1981, Chromogenic Print. It is supposed to be signed lower right recto but has not been examined out of frame. Provenance: Bernice Steinbaum Gallery, New York; ARCO Chemical Company, Newtown Square, PA. Sonja Bullaty (October 17, 1923 - October 5, 2000) was a Jewish American photographer. Bullaty is known for her "lyrical composition" and strong use of color during her fifty-year collaboration with her husband, Angelo Lomeo. Bullaty and Lomeo's photographs appeared in LIFE, Time and Audubon magazines and journal.They have both exhibited at the Metropolitan Museum of Art, the International Center of Photography, the George Eastman House, UMPRUM Museum in Prague, in the Nikon House galleries and other venues. Bullaty was born in Prague to a Jewish banking family. Her family gave her a camera when she turned fourteen. Since Bullaty had been forced to leave school at the time, the camera was a "consolation gift." When Bullaty was eighteen, she was deported by the Nazis to Poland, where she was kept in the Lodz ghetto, and then later taken to Auschwitz and Gross-Rosen concentration camps. During a death march near Dresden, she and a friend successfully hid in a barn and were able to escape and return to Prague. When she got back to her home city, she discovered that no one else in her family had survived the Holocaust. Bullaty, "her head shaved," saw and answered an advertisement to be the helper to Czech photographer, Josef Sudek. As his assistant, she mixed chemicals for the darkroom, organized his negatives and learned from his sense of composition.[1] Sudek called her his "apprentice-martyr." Sudek's work often focused on the Czech landscape and windows, such as in the series The Windows of My Studio (1940-1954). Bullaty also photographed windows, but unlike Sudek, who photographed his own windows looking out, Bullaty photographed windows looking into buildings. Bullaty published a book, Sudek (1978), about her mentor, and it was the first publication of his work in the West. Bullaty found work with a photographer on her third day in New York. Also in 1947, she met Angelo Lomeo. They were brought together when she was inquiring about a darkroom in a building he managed. Lomeo was intrigued by Bullaty's accent and went to see her. They started photographing together a year later, traveling and sharing resources; during their time together, they became close. Bullaty and Lomeo were married in 1951. Later, when she was married, she and her husband would visit Sudek and bring him photography supplies. They visited him in Czechoslovakia "almost yearly." In 1971, she helped mount an exhibition of Sudek's work in New York. As photographers, Bullaty and Lomeo started using studio cameras...

Mark of Esteem, ‘Silhouette’, 2001 by John Reardon This Print is part of the Hermès Collection of Contemporary Photographs since November 2023 A few mor...

Guests around the pool at a villa in St Tropez, France, circa 1970. Slim Aarons St Tropez Pool Lambda Print 4 sizes available Slim Aarons Estate Edition 40 x 60 inches $3950 30 x ...

Francine Brandt by a swimming pool in Acapulco, Mexico, January 1961. Slim Aarons Francine Brandt Chromogenic Lambda print Slim Aarons Estate Edition Complimentary dealer shipping t...

Slim Aarons Beverly Hills Hotel, 1957 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Cars parked outside the Beverly Hills Hotel on Sunset Boul...

Slim Aarons Poolside Friendship 1970 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Nelda Linsk (left, in yellow), wife of art...

Guests lounging by the indoor swimming pool of the Gasthof Post in Lech, Austria, February 1979. Slim Aarons Gasthof Post Pool Chromogenic Lambda print Printed Later Slim Aarons Est...

C-print photograph of a thrift store during the holiday season with a white vintage car parked out front by Houston, TX artist Amy Blakemore. The composition is expertly balanced bet...

Wonder Backyard II - 2018 50 x 66 cm, Edition 2 of 5. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Hand painted Fuji Instant Film original (not mounted). S...

Wonder Backyard I - 2018 50 x 66 cm, Edition 2 of 5. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Hand painted Fuji Instant Film original (not mounted). Si...

Franco Fontana (Italian, born 1933) Title: Landscape 1987 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 27.5. Sight 12 x 20. Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

"Feather" is an underwater female swimmer with red hair, dropping a yellow feather. C Print on Fuji Pearl, Perspex mounted 30H x 32L x 1W inches Edition of 10 Kathleen Wilke blurs the lines of poetry and fiction through her underwater photography...

Anguilla Beach Resort 1992 C-print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Holidaymakers on the mile-long crescent beach at the Hotel Cap Jaluca resort, Anguilla, Leeward Islands...

This is a color photography of a lotus flower as part of our flower / still life series. Image dimensions: 16 x 21.5 in. Edition of 25. External dimensions: 22.5 x 28 in. Matted with 8 ply museum archival matt. Signed, numbered by photographer on a certificate of authenticity. About this series: With great patience and respect, the photographer observes the life cycle of the flower, viewing the subject much like a portrait photographer views a person, choosing the particular instance which in his view represents the essence of the flower. We feel the piece evokes a certain poetic, quiet, Zen beauty. The photographer was a London Central Saint Martins graduate and lived in a short spell in a monastery in Japan, and now primarily lives in Japan. ----- The artist was born in the UK in 1971, and after leaving Central Saint Martin’s in London in 1992, determined to explore a deeper sense of meaning, and contemplate life, he journeyed to Japan where he lived in a Zen Buddhist monastery and lived and studied in a temple in the mountains of Yamanashi for months, during which he studied Zen Buddhism and joined the monks in their daily prayers and routines. Over time, the subject matter for this series is borne out of a respect of the inner life of living things, Nature, in this instance and a sense of “mono no aware” (the art of impermanence). His artist vision has drawn influences from his Western artistic culture, Japanese classical aesthetics, and the 1933 classical text, “In Praise of Shadows” by Japanese literary titan, Junichiro Tanizaki (1886–1965). Tanizaki, as translated by scholars, examines the singular standards of Japanese aesthetics and their stark contrast with the value systems of the industrialized West. He writes: “We find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates… Were it not for shadows, there would be no beauty.” “Shadows” presumably refers to the subtle interplay between light and darkness, not a stark dualism between black and white. Hence, the quiet beauty expressed in shadows of light and darkness as a living flower moves through the passage of life. The art of impermanence refers to a “pathos” (aware) of “things” (mono), deriving from their transience. The flower is a perfect metaphor for the expression of impermanence and beauty. Each flower has its own distinctive character and temperament, and is in constant dynamic motion. Through the passage of its life, it blossoms to its greatest peak, turning always towards the light until they eventually give up their petals. The artist documents this process through hundreds of images over time, essentially capturing the essence of the life of the subject. Both the visual aesthetic and process of his art calls to mind the transcient nature of things and reminds us to rejoice what we do have. In his gold series - Gold, in turn associated with the sacred, the divine, with supernatural powers and even immortality, has been recognized since ancient times in all the great civilizations as a noble material. Gold leaves have been used to decorate shrines, temples, statues, armor, jewelry since ancient times. At different times of the day, the light reflects off the gold differently as the day progresses, providing a visual context in which the celebration of life was captured. The artist has been recognized for his work for example, with a merit award at the Art Directors Club 87th Annual Awards N.Y. (2008). His work has been in group exhibitions as a runner up at the National Portrait Gallery in London as part of the Taylor Wessing London – Elle Commendation Portrait Awards, and at the Kiyosato Photo Art Museum in 1999. A successful photographer, the artist’s commercial clients include Adidas, Estee Lauder, Hugo Boss and shot celebrities for magazines / editorials featuring Sam Smith, Jeremy Renner, Gwyneth Paltrow, David Fincher, Zhang Ziyi...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She re...

A woman combing her hair by a waterfall at Rose Hall, Jamaica, December 1971. Visual description: A tanned white woman smiles and combs her long brown hair by a waterfall at Rose H...

British racing driver James Hunt (1947 - 1993) on the grid at the Monaco Grand Prix, 22nd May 1977. Estate stamped and hand numbered edition of 150 ...

"Untitled 3" (Mustang) Photography 24" x 32" inch Edition 3/7 by Larsen Sotelo From the Mustang series Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish ...

HIROSHI SUGIMOTO (*1948, Japan) 310 Sea of Japan, Oki 1987 Gelatin silver print Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 25; Ed. no 15/25 For over 40 years, the Japanese artist...

"Spirits Honoring the Long Cypress No. 1" is an original fine-art photograph by Robert Kawika Sheer. This piece is signed in the lower right and editioned in the lower left. Edition ...

Street Corner LS (Stranger than Paradise) - 2003 60x80cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper. based on t...

Snowmass Village 1967 Chromogenic Lambda Print Estate edition of 150 Women in colourful hats at an apres ski party in Snowmass Village, in Pitkin Cou...

EUR is a beautiful offset realized by Franco Fontana . Very Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous conte...

This listing is for a framed and mounted print. Additional unframed sizes are available. Beth Lilly is inspired by the work of Thomas Cole, JMW Turner and...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features a couple walking on Caleta Beach holding hands, Acapulco, Mexico, 1968. This is an esta...