Mitch Dobrowner

Helix and Trees

2017

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –stars...

Mars Formation, limited edition archival photograph, signed and numbered Dobrowner presents landscapes with sublime complexity – imagery poised between permanence and flux, his ima...

In Home By Nightfall, Angela Bacon-Kidwell photographs a lone road surrounded by stretches of a seemingly infinite smokey landscape bathed in gauzy light. Ultimately speaking of tran...

Temple of the Sun, limited edition archival ink photograph, signed and numbered. Dobrowner presents landscapes with sublime complexity – imagery poised between permanence and flux, ...

Lone Pine Peak, Eastern Sierra Nevada, CA, limited edition photograph, signed While photographing, the world gets quiet around me... things seem simple again – and I obtain a respe...

In Home By Nightfall, Angela Bacon-Kidwell photographs a lone road surrounded by stretches of a seemingly infinite smokey landscape bathed in gauzy light. Ultimately speaking of tran...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

'Last Light' Limited Edition (1 of 25) Archival Photograph. Unframed. _________________ Dusk throws on her spotlights, casting deep silhouettes and revealing rich layers in the vast...

Foto fine art in Bianco e Nero di Manhatthan, New York scattata a Marzo 2008 dall'Empire States Building. Edizione Limitata di 10# Stampata in edizione limitata in una tiratura ...

Foto fine art in Bianco e Nero di Manhatthan, New York scattata a Marzo 2008 dall'Empire States Building. Edizione Limitata di 10# Stampata in edizione limitata in una tiratura ...

This photo was taken on March 1998 in New York and it printed on Hahnemühle Photo Rag 308 paper - 50x 50 . Black & White

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...