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Size: Small
Finding the Universe in Oaxaca, Red Band in the Universe
Located in San Francisco, CA
Gary Goldberg
Finding the Universe in Oaxaca, Red Band in the Universe, 2018
Archival pigmented print
19 x 13 in
Edition of 10
Gary Goldberg has been photographing the unique qualit...
Category
21st Century and Contemporary Abstract Landscape Photography
Materials
Archival Pigment
"Clark's Nutcracker"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"Blue-winged Warbler"
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed
36" x 24" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"White-throated Sparrow"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"Pine Siskin"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Sutro Tower through the Fog, Original Landscape Photography
Located in Boston, MA
Sutro Tower through the Fog, Original Landscape Photography, 2017
9" x 19" (HxW) Photographic Print
An ethereal scene, a thick fog rolls through the Bay Area landscape allowing only the very tip of San Francisco's Sutro Tower to peak through the clouds. The color palette is a gradient of purple, peachy pink, and soft blue which gives this work a very calming and peaceful quality.
Images with frames are examples only; this work comes unframed.
Artist Commentary:
I took this shot from the opposite side of the Golden Gate Bridge in the Marin Headlands. There is a great trail that leads to Slacker Hill. The trail is 3/4 of a mile straight up to the top of a hill that overlooks the Golden Gate and the surrounding bay area.
It is my favorite view of the city. On this particular trip the city and the bay were covered in the famous San Francisco Fog...
Category
21st Century and Contemporary Landscape Photography
Materials
Photographic Paper
Reflections in the Maine Woods
By Harold Davis
Located in Boston, MA
Artist Commentary:
This image reminds of Walden Pond, and the peaceful views seen by Henry Thoreau.
Words that describe this piece: pond, reflections, au...
Category
21st Century and Contemporary Impressionist Black and White Photography
Materials
Photographic Paper
"Forest, Kaaterskill, New York X 36" - Composite Image Photography - Cubism
By Peter Essick
Located in Atlanta, GA
"Forest, Kaaterskill, New York X 36" is an abstract photograph with hues of green and brown.
Peter Essick is a photographer, author, speaker, instructor, and drone pilot who special...
Category
2010s Abstract Geometric Abstract Photography
Materials
Archival Pigment
"Walking Line in the Valley in Crimora" - Landscape Photography - Goldsworthy
Located in Atlanta, GA
"Walking Line in the Valley in Crimora" is a figurative landscape photograph with hues blue, red, and brown.
Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and designer currently working in New York City. Herzog creates a variety of works that explore the relationship between the viewer and the artist with themes of accessibility and prioritized sight, often taking the form of photographs, books, films, site-specific sculptures and interactive performances, objects and drawings. Herzog defines “prioritized sight” as how we choose, consciously or unconsciously, the things we see; what we engage or empathize with; and what we understand or misinterpret, with varying degrees of implication.
Herzog received an MA in Graphic Design from the Savannah College of Art and Design. He was the co-founder and partner at the design and technology studio HAWRAF, and led projects at the Google Creative Lab focusing on AI, creative tools and accessibility. Also, Herzog is adjunct professor at the School of Visual Arts in New York. Herzog has lectured and exhibited works at the A4 Art Museum, Chengdu, Sichuan, China; The Franklin Institute, Philadelphia, PA; Q21 MuseumsQuartier Wien, Vienna, Austria; and The National Museum of Art of Romania; among others.
Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason...
Category
2010s Contemporary Figurative Photography
Materials
Inkjet
"Walking Line in New Mexico" - Figurative Landscape Photography - Goldsworthy
Located in Atlanta, GA
"Walking Line in New Mexico" is a figurative landscape photograph with hues blue, red, and brown.
Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and designer currently working in New York City. Herzog creates a variety of works that explore the relationship between the viewer and the artist with themes of accessibility and prioritized sight, often taking the form of photographs, books, films, site-specific sculptures and interactive performances, objects and drawings. Herzog defines “prioritized sight” as how we choose, consciously or unconsciously, the things we see; what we engage or empathize with; and what we understand or misinterpret, with varying degrees of implication.
Herzog received an MA in Graphic Design from the Savannah College of Art and Design. He was the co-founder and partner at the design and technology studio HAWRAF, and led projects at the Google Creative Lab focusing on AI, creative tools and accessibility. Also, Herzog is adjunct professor at the School of Visual Arts in New York. Herzog has lectured and exhibited works at the A4 Art Museum, Chengdu, Sichuan, China; The Franklin Institute, Philadelphia, PA; Q21 MuseumsQuartier Wien, Vienna, Austria; and The National Museum of Art of Romania; among others.
Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason, and Francis Alÿs...
Category
2010s Contemporary Figurative Photography
Materials
Inkjet
Rembrandt Still Lives 23
Located in New York City, NY
20" x 16" on a 24" x 20" paper
Edition of 30
40" x 32" on a 48" x 40" paper
Edition of 5
Signed and editioned in pencil on recto. Titled and dated in pencil on verso
Framed.
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Pigment
Wave 2 - Signed limited edition fine art print, Black white photo, Contemporary
Located in Sant Cugat del Vallès, Barcelona
Wave 2 - Signed limited edition archival pigment print, Edition of 5
Breaking wave on the Spanish coast
Can be paired with " Wave" by Ian Sanderson.
This print that is being offered...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Black and White, Giclée, Pigment, Archival...
Wheel Lines
By Ken Ragsdale
Located in New York, NY
available unframed
edition of 5
From the series: "The Hundred Acre Wood"
Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to cu...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Archival Pigment
$1,200
"View From The Corner Table of Howard Johnson’s" - New York Street Photography
Located in Atlanta, GA
In addition to photographing fine art projects, Landon photographs for commercial and editorial clients around the world. American Photography, Communication Arts, Pictures of the Y...
Category
2010s Contemporary Color Photography
Materials
Photographic Paper
Landscape Scenery, Field, Black & White Photography by Indian Artist "In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 12 x 16 inches (unframed size).
Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP
Style : Mohan ...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Rural, Farming Fields, Black & White Photography by Indian Artist "In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 12 x 16 inches (unframed size).
Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP
Style : Mohan ...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Slim Aarons, 'Francine Brandt' (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
Francine Brandt by a swimming pool in Acapulco, Mexico, January 1961.
Slim Aarons
Francine Brandt
Chromogenic Lambda print
Slim Aarons Estate Edition
Complimentary dealer shipping t...
Category
1960s American Realist Portrait Photography
Materials
Lambda
St Andrews, Katie Hallam, Photographic Print, Digital Art, Scottish Art, BlueArt
By Katie Hallam
Located in Deddington, GB
Katie Hallam
St Andrews
Limited Edition Digital Photograph
Edition of 75
Size of Work: H 60cm x W 45cm x D 1cm
Sold Unframed
Ready to Hang
Please note that insitu images are purely a...
Category
21st Century and Contemporary Landscape Photography
Materials
Metal
Slim Aarons, Hotel Krone, Lech (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
Traffic passing by the Hotel Krone in Lech, Austria, 1960
Slim Aarons
Hotel Krone, Lech
Chromogenic Lambda print
Slim Aarons Estate Edition
Complimentary dealer shipping to your fr...
Category
1960s American Realist Portrait Photography
Materials
Lambda
Bridge -Signed limited edition architectural print, Black white, Paris France
Located in Sant Cugat del Vallès, Barcelona
Bridge - Signed limited edition archival pigment print, 2004 - Edition of 5
Detail : Pont de Bir-Hakeim or Pont de Passy, Paris, France
Just nearby the Eiffel Tower
This is an A...
Category
Early 2000s Contemporary Black and White Photography
Materials
Archival Paper, Black and White, Archival Pigment, Giclée, Pigment, Phot...
"Farm Colony Greenhouse" a limited edition photograph from Staten Island, 2023
Located in New York, NY
18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a poorhouse where residents had
to work, mostly by farming, to feed the colony’s residents as well a...
Category
2010s Contemporary Landscape Photography
Materials
Photographic Paper
Bus Ride
By Ken Ragsdale
Located in New York, NY
available unframed, signed on reverse by the artist, edition of 5 From the series: "The Hundred Acre Wood"
This photograph depicts a scene created completely out of paper, the artis...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Archival Pigment
$1,200
Dining At The Eagle Club, Switzerland, Estate Edition, Winter Landscape Photogra
By Slim Aarons
Located in Los Angeles, CA
This late 1660s winter landscape photograph, captured by society photographer Slim Aarons, features skiers pass by a snow covered tree in Vail, Colorado, USA, 1969.
This is an estat...
Category
1960s American Realist Color Photography
Materials
Lambda
Brooklyn Heights View, Original Cityscape Photography
Located in Boston, MA
Brooklyn Heights View, Original Cityscape Photography, 2017
9" x 19" (HxW) Photographic Print
A clear blue sky is the perfect backdrop for the skyscr...
Category
21st Century and Contemporary Landscape Photography
Materials
Photographic Paper
"We Are Particles (part 1)" Photography 16" x 20" in Ed. of 36 by Rob Woodcox
By Rob Woodcox
Located in Culver City, CA
"We Are Particles (part 1)" Photography 16" x 20" in Ed. of 36 by Rob Woodcox
Hahnemuhle Torchon Matte FineArt Paper (archival)
2019
ABOUT Rob Woodcox
Rob Woodcox is a fine art ...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Archival Paper
Untitled (Nr. 0168) Photography 18" x 24" Edition of 20 by Ben Cope
By Ben Cope
Located in Culver City, CA
Untitled (Nr. 0168) Photography 18" x 24" Edition of 20 by Ben Cope
Unframed - ships rolled in a tube
Ben Cope + Rowan Daly Off the Grid
Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey.
Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul...
Category
21st Century and Contemporary Contemporary Figurative Prints
Materials
Archival Pigment
Burritos, Tahoka, Texas by Peter Brown, 2004, Archival Pigment Print
By Peter Brown
Located in Denton, TX
Burritos, Tahoka, Texas by Peter Brown depicts a red brick building on a street corner, with "BURRITOS" painted in white above the white door.
Edition of 25
Signed and numbered in black ink on print margin.
Paper size: 20 x 24 in., Image size: 16 x 20 in.
Series: Hometown Texas
Available in additional sizes, limited to a single edition of 25 prints:
16 x 20 in. $2300
20 x 24 in. $2900
28 x 35 in. $4600
32 x 40 in. $5800
36 x 45 in. $6300
Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely.
His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008.
His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art.
His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
SAKURA 17, 4-165 – Risaku Suzuki, Nature, Tree, Sky, Spring, Cherry Blossom, Art
Located in Zurich, CH
RISAKU SUZUKI (*1963, Japan)
SAKURA 17,4-165
2017
Archival digital print
Sheet 40.7 x 50.9 cm (16 x 20 in.)
Edition of 5; Ed. no. 1/5
Framed
The Sakura (Japanese term for ‘cherry bl...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
3 Trees-Signed limited edition nature print, Black white photo, Misty tree Field
Located in Sant Cugat del Vallès, Barcelona
3 Trees - Signed limited edition archival pigment print, France - Edition of 5
This image was captured on film in 1996.
The negative was scanned creating a digital file which wa...
Category
1990s Contemporary Landscape Photography
Materials
Archival Paper, Archival Pigment, Black and White, Photographic Film, Pi...
La Défense 1- Signed limited edition cityscape print, Contemporary architecture
Located in Sant Cugat del Vallès, Barcelona
La Défense 1 - Signed limited edition archival pigment print, 2004 - Edition of 5
Paris, France
This print that is being offered is a high-quality Archival Pigment print whi...
Category
Early 2000s Contemporary Black and White Photography
Materials
Archival Paper, Archival Pigment, Black and White, Giclée, Pigment
Island Dots #57
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary Color Photography
Materials
Digital Pigment
Bird and Bird
Located in New York, NY
Ed. 1/5
"The birds were flying above along the beach in Nantucket and as I raised the camera two birds came together to form a square in the sky, a moment of magic harmony. This i...
Category
2010s Landscape Photography
Materials
Archival Pigment
Slim Aarons 'Beverly Hills Hotel' (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
1957—Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California.
Beverly Hills Hotel
Slim Aarons Estate Edition
Numbered and stamped by the Slim Aarons Estate. C...
Category
1950s Realist Landscape Photography
Materials
Lambda
Slim Aarons 'Relaxing at Lake Tahoe' (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
A group of people relaxing by a pool near Lake Tahoe, California, 1959.
Relaxing at Lake Tahoe
Slim Aarons Estate Edition
Numbered and stamped by the Slim Aarons Estate. Certifica...
Category
1950s Realist Landscape Photography
Materials
Lambda
Prospect Park 5
Located in New York, NY
Traditional C-Print, edition 1/10
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Color, Photographic Paper
Prospect Park 6
Located in New York, NY
Traditional C-Print, edition 1/10
Category
21st Century and Contemporary Landscape Photography
Materials
Color, Photographic Paper
Prospect Park 10
Located in New York, NY
Traditional C-Print, edition 1/10
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Color, Photographic Paper
Prospect Park 4
Located in New York, NY
Traditional C-Print, edition 1/10
Category
21st Century and Contemporary Color Photography
Materials
Color, Photographic Paper
Prospect Park 2
Located in New York, NY
Traditional C-Print, edition 1/10
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Color, Photographic Paper
Prospect Park 3
Located in New York, NY
Traditional C-Print, edition 1/10
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Color, Photographic Paper
"Baghdad, Iraq, 2003" HOOPS basketball court limited edition photograph
Located in New York, NY
17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Baghdad, Iraq, with a blue sky and pa...
Category
2010s Contemporary Landscape Photography
Materials
Photographic Paper
"Water Wheel" color photograph, waterfall landscape painting on abstract wall
Located in New York, NY
18"x24", signed, editioned color photograph. In this conceptual photograph, the artist has paired a painting of watermill, in a rural landscape with a highly distress wall. The bab...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Film Strips Photo Mosaic Collage Photograph Pioneer Female Aviator Feminist Art
By Vera Simons
Located in Surfside, FL
This one depicts an abstract assemblage of film strip (still or movie film) edges in a pattern and decoration style. It is not signed or dated.
SIMONS, Vera (1920 - 2012)
Vera Habre...
Category
1980s Assemblage Color Photography
Materials
Photographic Paper
Central Texas: Odeon Theater, Mason, Texas
By Peter Brown
Located in Denton, TX
Edition of 25
Signed and numbered in black ink on print margin.
Paper size: 18 x 22 in., Image size: 13 1/2 x 20 in.
Series: Hometown Texas
*Images and video show print in size 18 x...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
"Bus Ride"
By Ken Ragsdale
Located in New York, NY
20"x24" paper size, with print image size: 16"x20" signed by the artist- edition 1 of 5 From the series: "The Hundred Acre Wood"
This photographic print depicts a woodland scene cre...
Category
2010s Contemporary Landscape Prints
Materials
Archival Pigment
Eight Piles
Located in New York City, NY
Ediition of 15
Category
Early 2000s Minimalist Landscape Photography
Materials
Archival Pigment
SAKURA 17, 4-160 – Risaku Suzuki, Nature, Tree, Sky, Spring, Cherry Blossom, Art
Located in Zurich, CH
RISAKU SUZUKI (*1963, Japan)
SAKURA 17,4-160
2017
Archival digital print
Sheet 40.7 x 50.9 cm (16 x 20 in.)
Edition of 5; Ed. no. 1/5
Framed
The Sakura (Japanese term for ‘cherry bl...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Golf Course, dye sublimated print on aluminum
Located in New York, NY
16"x24" photograph, edition of 5 (dye sublimated print on aluminum) signed on reverse
The beauty of Zoe Wetherall's work is in the structured geometry of natural and man-m...
Category
2010s Contemporary Landscape Photography
Materials
Metal
Sunset over the Central Park Reservoir
Located in Boston, MA
Artist Commentary:
One of my favorite shots from New York City.
As a child I never spent much time exploring central park. It has now become one of my favorite places to spend time...
Category
21st Century and Contemporary Landscape Photography
Materials
Photographic Paper
Bus Window 3
By Harold Davis
Located in Boston, MA
Artist Commentary:
Using ICM (In-Camera Motion) and a long-duration shutter speed, I created this collection of impressionistic landscapes through a moving bus window while visiting...
Category
21st Century and Contemporary Impressionist Color Photography
Materials
Photographic Paper
Playa Piriapolis
Located in Denton, TX
Edition of 10
Signed, titled, dated and numbered on artist stamp by Esteban Pastorino Diaz
Paper size: 16 x 20 in., Image size: 12 x 16 in.
Digital c-print
Series: Aerial
Esteban Pa...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Digital Pigment
SAKURA 17, 4-171 – Risaku Suzuki, Nature, Tree, Sky, Spring, Cherry Blossom, Art
Located in Zurich, CH
RISAKU SUZUKI (*1963, Japan)
SAKURA 17,4-171
2017
Archival digital print
Sheet 40.7 x 50.9 cm (16 x 20 in.)
Edition of 5; Ed. no. 1/5
Framed
The Sakura (Japanese term for ‘cherry bl...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Bus Window 2
By Harold Davis
Located in Boston, MA
Artist Commentary:
Using ICM (In-Camera Motion) and a long-duration shutter speed, I created this collection of impressionistic landscapes through a moving bus window while visiting...
Category
21st Century and Contemporary Impressionist Color Photography
Materials
Photographic Paper
Cypress Swamp
Located in Denton, TX
Edition of 25
Signed, titled, dated and numbered in pencil on print verso.
Paper size: 17 x 22 in., Image size: 16 x 20 in.
Series: Ghostland
Keith Carter is an American photographe...
Category
1990s Surrealist Black and White Photography
Materials
Archival Pigment
Midtown Manhattan from Central Park Reservoir
Located in Boston, MA
Artist Commentary:
As a child I never spent much time exploring central park. It has now become one of my favorite places to spend time while in New York. On this evening I was visiting a friend and casually strolling the path circling the reservoir. We slowly started to realize that there was a lot of action in the sky and that we might be in for a colorful sunset. This resulted in a mad dash to the north eastern corner of the reservoir to be in the correct spot to catch sunrise and the buildings. Luckily we made it in time to catch the amazing colors.
Keywords: new york, new york city, manhattan, upper west side, central park, cityscape photography, sunset, sunset photography...
Category
21st Century and Contemporary Landscape Photography
Materials
Photographic Paper
Palomino Wave, Carmel, California, U.S.A. – Anthony Friedkin, Ocean, Water, Wave
Located in Zurich, CH
Anthony FRIEDKIN (*1949, America)
Palomino Wave, Carmel, California, U.S.A., 2004
Silver Gelatin Print, later print
40.6 x 50.8 cm (16 x 20 in.)
Edition of 25, Ed. no. 8/25
Print onl...
Category
Early 2000s Contemporary Landscape Photography
Materials
Silver Gelatin
Belanio, Skopelos, Greece
Located in Denton, TX
Edition of 10
Signed, titled, dated and numbered by Esteban Pastorino Diaz
Paper size: 16 x 20 in., Image size: 12 x 16 in.
Esteban Pastorino Diaz is a South American photographer, ...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Digital Pigment
West Texas: Ocotillo in Bloom, Mule Ears Peaks, Big Bend National Park
By Peter Brown
Located in Denton, TX
West Texas: Ocotillo in Bloom, Mule Ears Peaks, Big Bend National Park by Peter Brown is listed 13 1/2 x 20 inch archival pigment print, with the paper size as 18 x 22 inches. This photograph is signed and numbered in black ink on print margin by Peter Brown. This size is available in an edition of 25, with more sizes available. This photograph is from Peter Brown series, Hometown Texas.
West Texas: Ocotillo in Bloom by Peter Brown depicts a desert landscape lit by the setting sun, with the Mule Ears Peaks at Big Bend National Park in the background.
Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely.
His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008.
His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art.
His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
Godafoss
By Harold Davis
Located in Boston, MA
Artist Commentary:
This is a "midnight sun" image of the powerful and magical Godafoss waterfall in Iceland!
Words that describe this piece: falls, landscape, sunset, iceland
Arti...
Category
21st Century and Contemporary Impressionist Landscape Photography
Materials
Photographic Paper
Bird City, Kansas (Museum), from West of Last Chance
By Peter Brown
Located in Denton, TX
Edition of 25
Signed and dated in black ink on print verso by Peter Brown
Paper size: 20 x 24 in., Image size: 16 x 20 in.
Published: West of Last Chance (2008)
Available in additio...
Category
Early 2000s Contemporary Landscape Photography
Materials
Digital Pigment
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